162:, David Murray wrote that the book provoked "continuous laughter ... Old Stroganoff with his troubles, artistic, amorous and financial, his shiftiness, and his perpetual anxiety about the visit of the great veteran of ballet-designers – 'if 'e come', is a vital creation. ... The book stands out for shockingness and merriment." The sexual entanglements, both straight and gay, of the members of the Ballet Stroganoff are depicted with a cheerful matter-of-factness unusual in the 1930s. Murray commented, "True, a certain number of the laughs are invited for a moral subject that people used not to mention with such spade-like explicitness, if at all." In
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a lady who held an ace and was on lead against seven no trumps neither doubled nor led the ace. The contract was made and the story of the double omission quickly went the rounds. It was Skid who pointed out that she must be acquitted on at least one count. If she was not going to lead the ace, he
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He taught his team-mates to play and to laugh ... Skid lived to the age of 44 – by a series of miracles. He crossed the busiest street, nose buried in a book. He dismounted from buses travelling at full speed, nose still buried in a book. He once walked through a plate glass window during a
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There is plenty of fun in the lighthearted fantasy recently perpetrated by Caryl Brahms and S. J. Simon. Their book is irresponsible, irreverent, impudent, anachronistic, undocumented. The authors warn all scholars that it is also "fundamentally unsound". Poppycock! It is one of the soundest of
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wrote, "They turn the
Victorian age into phantasmagoria, dodging with the greatest possible nimbleness from the private to the public, skipping among historic scenes, which they often deride, and personal jokes and puns, and telling a ridiculous story while they communicate a preposterous – yet
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It was like a long, laughing, wrangling conversation with both of us jumping on one another. ... We would speak lines to each other – we would laugh at our own jokes. It would have to be a very bad day if we had to tell one another what was going to say or do – we just
381:
Through the efforts and the bridge acumen of a dozen or more
British nationals or residents, among whom the late S. J. Simon was notable, British bridge has earned a place in the very highest echelons, and British bidding ideas are well worth the attention of the world's
137:, which introduced the phlegmatic Inspector Adam Quill and the eccentric members of Vladimir Stroganoff's ballet company. The book originated in what Simon supposed to be a momentary fantasy on the part of Brahms; she was enjoying deputising for the leading ballet critic
250:
141:, and over coffee she and Simon dreamt up an impromptu ballet murder mystery with Haskell as the victim. They developed this idea into a novel in which the Ballet Stroganoff is stalked by a murderer. Brahms later recalled their collaboration:
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recent jobs. The more the reader knows about
Shakespeare and his England, the more chuckles and laughs he will get out of the book. It is erudite, informed, and imaginative. It solves finally the question of the "second-best" bed,
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At the same time as his collaboration with Brahms, Simon (always known as 'Skid' in the bridge world) became celebrated as a bridge player, competing in the
European Team Championship in 1939 and winning the inaugural event under
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Simon left two bridge books in manuscript, which were posthumously published in 1949 and 1950. Caryl Brahms edited and completed their one unpublished joint work of fiction, also published in 1950.
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championships. He died suddenly in London at the age of 44. His widow died suddenly a year later; at her inquest the verdict was suicide. She wrote fiction using the pen name
Kathleen Mary Carmel.
265:(1941). Unlike the earlier work, the narrative and allusions are confined to the age in which the book is set. The plot concerns a young woman who disguises herself as a boy to gain membership of
402:(1945); a classic book which, among other things, introduced to the world four archetypal losing players: Futile Willie, Mrs Guggenheim, Mr Smug and the Unlucky Expert. Its sequel,
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would not have been ashamed. As a description of a domineering
Russian mother put down by her ballerina daughter, you could hardly better: 'She backed away like a defeated steamroller.'"
187:(1938), featuring all the survivors from the first novel and bringing to the fore Stroganoff's rival impresario, the rich and vulgar Lord Buttonhooke. It was published in the US as
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final ... In his books, on the radio, at the bridge table, he guyed everybody. Most of all he guyed himself ... He was the greatest character to adorn the bridge world.
197:(1939), tells the story of a young Englishman and the complications arising from his visit to a Russian night club in Paris. It was not well reviewed. A third Stroganoff novel,
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In 1940, Brahms and Simon published the first of what they called "backstairs history", producing their own highly unreliable comic retellings of
English history.
172:) commented on the "sexual reminiscences of infinite variety" and called the novel "a delicious little satire" but "not a book for the old girl". In the 1980s,
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The book was a best-seller in the UK, and was published in an
American edition by Doubleday. The authors followed up their success with a sequel,
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the best bridge book of all time. In 2007, a similar ACBL survey of experts ranked it second, some 62 years after its publication. Reference:
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and short stories, mostly with a background of ballet or of
English history. As a bridge expert, he was jointly responsible for developing the
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story, with affairs of the feuding middle-class
Clutterwick and Shuttleforth families interspersed with 19th-century vignettes ("At the
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In 1943, Simon married Carmel Withers (19 July 1908 – 17 July 1949), a silver medalist in the Women Teams event of the 1948
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493:... the most colourful, the warmest and by common consent, the most likeable personality to emerge from the world of bridge.
510:(ACBL) named Simon number 48 of the 52 most influential people during the 75-year lifetime of the organisation for writing
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more commonly transliterated as Semyon Yakoblevich Skidelsky; "Jasha" or "Yasha" are Yiddish diminutives for Yakob/Jacob.
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I commented on his distinctive style – the omission of the personal pronoun, the disregard for syntax – and ended:
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1151:, vol. 1, no. 4, October 1950, pp. 272–280 (quoting page 280). Online edition, jstor.org, accessed 17 May 2014.
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England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858-1966, 1973-1995
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From 1937 to 1950, Brahms and Simon collaborated on a series of comic novels, eleven published by
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passion for burning down Burbage's theatres, and Shakespeare's meticulous care for his spelling.
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He had a new tie for the occasion, buttercup yellow. "Thought was technicolour", he said.
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In the bridge world, Simon was known "never other than 'Skid'". Ramsey (1955), p. 168.
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have fallen out again.") and anachronistic intruders from the 20th century, including
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201:(1940) was a comic spy-thriller, with Quill now working for British intelligence.
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Brahms and Simon depict Shakespeare dithering over the spelling of his signature.
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bidding system, a role for which he was recognized in the January 1951 issue of
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His humour always touched the human comedy, but never with malice. For example:
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for radio (1955). Brahms and Simon co-wrote the screenplay for the 1948 film
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1310:: Registration District Marylebone, Volume 1A, Page 1028, Line Number 110.
17:
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Results of search for "Kathleen Mary Carmel" in British Newspaper Archive
1121:"Marc Norman and Tom Stoppard 1999: Shakespeare in Love (the screenplay)"
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1457:, with 10 library catalogue records (including 5 "from old catalog")
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414:(1949), were published posthumously. He was bridge correspondent of
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home internationals on six occasions, all victories. Together with
1030:, Gale Contemporary Authors database, accessed 23 September 2011.
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You Were There – Eat, drink, and be merry, for yesterday you died
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strangely suggestive – impression of nineteenth-century life."
257:
To follow their Victorian book, Brahms and Simon went back to
1145:"All Kinds of Shakespeares – Factual, Fantastical, Fictional"
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administration in 1948, a month before his death. He won the
936:(107 ed.). Burke's Peerage & Gentry. p. 3639.
1134:, vol. 21, 1999, pp. 158–164, accessed 24 September 2011.
1308:
England and Wales Marriage Registration Index, 1837-2005
57:
player. From 1937 until his death, he collaborated with
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Emigrants from the Russian Empire to the United Kingdom
1221:(ACBL) survey of well-known players and writers ranked
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was adapted for the cinema in 1949. Their Tudor novel,
107:. In the 1920s he was studying forestry, when he met
1166:, British Film Institute, accessed 23 September 2011.
909:
Too Dirty for the Windmill: A Memoir of Caryl Brahms
85:. A member of a Russian-Jewish merchant family from
273:'s, theatrical company (a device later employed by
176:praised the writing: "a power of language of which
1097:Brahms and Simon (1940), pp. 47, 53, 56 and 104.
1043:"Formats and Editions of A Bullet in the Ballet"
963:Watts, Janet. "A second helping of Stroganoff",
491:
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53:, was a British journalist, fiction writer and
408:(1950), and a book on the principles of Acol,
391:, by Alexander Spencer. January 1951, page 14.
304:Brahms and Simon made radio dramatisations of
96:He became a British citizen in February 1931.
41:; 4 July 1904 – 27 July 1948), also known as
8:
1106:Swinnerton, Frank. "Experiments with time",
934:Burke's Peerage, Baronetage & Knighthood
389:The American View of the Acol System, Part 1
27:British journalist, writer and bridge player
1283:), vol. 78, no. 1, January 2012, pp. 18–23.
277:as the central plot of his 1999 screenplay
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1071:Swinnerton, Frank. "Limits to credulity",
514:and co-inventing the Acol bidding system.
436:In this I described the television date:
1490:British and Irish contract bridge players
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866:
1540:British people of Russian-Jewish descent
1271:Manley, Brent. "Significant Influence",
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485:contemporary British bridge professional
456:said, she was quite right not to double.
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1434:"International record for S. J. Simon"
361:(1939), and played for England in the
1007:Billington, Michael. "Caryl Brahms",
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1500:People educated at Tonbridge School
994:Torquemada. "Handmaids to Murder",
1505:Alumni of the University of London
588:. London: Nicholson & Watson.
569:. London: Nicholson & Watson.
550:. London: Nicholson & Watson.
296:'s curious obsession with cloaks,
25:
1545:20th-century British male writers
387:Editor's Note, The Bridge World,
602:Collaborations with Caryl Brahms
369:, Simon was co-developer of the
1390:. London: Museum Press Limited.
1219:American Contract Bridge League
1175:"Engaging Shakespearean Romp",
893:1939 England and Wales Register
508:American Contract Bridge League
1530:20th-century British novelists
1202:"Obituary – Mr. S. J. Simon",
1:
1367:Hasenson, Peter, ed. (2004).
1229:(ACBL), June 2007, pp. 20–22.
1049:, accessed 24 September 2011.
882:. 6 March 1931. p. 1531.
312:(1945); Brahms later adapted
283:). Reviewing the book in the
159:The Times Literary Supplement
518:Personal life and last years
31:Simon Jacoblivitch Skidelsky
1242:, Faber and Faber, London,
756:Six Curtains for Stroganova
357:twice (1937 and 1947), the
39:Семён Яковлевич Скидельский
1561:
1312:Retrieved 5 February 2017.
1119:Salvador Bello, Mercedes.
981:"A Bullet in the Ballet",
831:. London: Michael Joseph.
814:. London: Michael Joseph.
794:. London: Michael Joseph.
758:. London: Michael Joseph.
741:. London: Michael Joseph.
722:. London: Michael Joseph.
705:. London: Michael Joseph.
688:. London: Michael Joseph.
671:. London: Michael Joseph.
633:. London: Michael Joseph.
287:, Ernest Brennecke wrote:
269:'s, and more particularly
1371:. London: 77 Publishing.
1353:Retrieved 3 February 2017
1337:Retrieved 5 February 2017
1126:28 September 2011 at the
1110:, 10 November 1940, p. 5.
1011:, 6 December 1982, p. 11.
983:Times Literary Supplement
221:the atmosphere is tense.
156:was warmly reviewed. In
38:
1525:Sportspeople from Harbin
1262:, Newnes, London, p. 134
1260:Confessions of an Addict
771:Six Curtains for Natasha
768:Published in America as
643:Published in America as
1495:Contract bridge writers
1438:World Bridge Federation
1369:British Bridge Almanack
1349:Contract Bridge Journal
1238:Reese, Terence (1977),
1153:(subscription required)
1075:, 27 August 1939, p. 6.
1032:(subscription required)
985:, 26 June 1937, p. 480.
969:, 16 August 1975, p. 8.
1535:British male novelists
1396:Harrison-Gray, Maurice
1258:Mollo, Victor (1966),
1223:Why You Lose at Bridge
646:Murder à la Stroganoff
610:A Bullet in the Ballet
547:Why You Lose at Bridge
524:European Bridge League
512:Why You Lose at Bridge
504:
490:
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399:Why You Lose at Bridge
394:
351:European Bridge League
310:A Bullet in the Ballet
302:
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189:Murder à la Stroganoff
154:A Bullet in the Ballet
151:
135:A Bullet in the Ballet
1325:, 20 July 1949, p. 1.
1296:, 30 July 1948, p. 7.
1208:, 29 July 1948, p. 6.
1179:, 10 June 1959, p. 7.
1149:Shakespeare Quarterly
1088:, 18 May 1940, p. 14.
1062:, 20 May 1938, p. 10.
998:, 11 July 1937, p. 7.
668:The Elephant is White
481:Maurice Harrison-Gray
285:Shakespeare Quarterly
252:
194:The Elephant is White
51:Simon Jasha Skidelsky
47:Seca Jascha Skidelsky
1412:English Bridge Union
1386:Ramsey, Guy (1955).
809:To Hell with Hedda!
703:Don't, Mr. Disraeli!
340:and staged in 1959.
306:Don't, Mr. Disraeli!
223:Gilbert and Sullivan
206:Don't, Mr. Disraeli!
170:Edward Powys Mathers
118:The Evening Standard
105:University of London
1515:Writers from Harbin
1455:Library of Congress
1447:– record after 1947
1351:, July 1949, p. 27.
1143:Brennecke, Ernest.
487:, Hasenson, p. 135.
423:London Evening News
280:Shakespeare in Love
271:William Shakespeare
103:in England and the
99:He was educated at
69:system of bidding.
879:The London Gazette
686:Envoy on Excursion
566:Design for Bidding
411:Design for Bidding
338:Malcolm Williamson
319:One Night With You
255:
199:Envoy on Excursion
174:Michael Billington
77:Simon was born in
43:S. J. "Skid" Simon
1240:Bridge at the Top
911:. 1986. pp 94-5.
811:and other stories
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308:(1943) and
259:Elizabethan
219:Savage Club
87:Vladivostok
1474:Categories
1408:"SJ Simon"
1400:Marx, Jack
1321:"Deaths",
845:References
612:. London:
298:Henslowe's
227:Harpo Marx
18:S.J. Simon
1361:Citations
1323:The Times
1294:The Times
1281:1089-6376
1205:The Times
1177:The Times
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1060:The Times
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