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St. Cecilia Mass

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46: 1637: 906: 765: 676: 582: 479: 433: 1368: 247:. Gounod's new music was acclaimed in the press, rendering details and culminating in an enthusiastic summary: "It is ... the work of a thoroughly trained artist – and what is more, the poetry of a new poet". The review was published in Paris and raised expectations. The premiere was performed on St. Cecilia's day, 22 November 1855, in 335:
The vocal parts of the mass are performed by three soloists (soprano, tenor and bass) and a choir of four parts, sometimes with divided tenor and bass. The soloists act mostly as an ensemble, without arias. Gounod scored the mass for a large orchestra, demanding six
965:"The appearance of the Messe Saint-Cécile caused a kind of shock. This simplicity, this grandeur, this serene light which rose before the musical world like a breaking dawn, troubled people enormously. … at first one was dazzled, then charmed, then conquered." 1492: 1105: 973:"In the faint distant future when inexorable time has completed its work and the operas of Gounod are forever in repose in the dusty sanctuary of libraries, the Messe de Sainte Cécile, the 20: 1254: 1218: 289:" (Lord, I am not worthy to receive you, but only say a word and I shall be healed), sung once by the tenor and again by the soprano. The movement ends with an added 1245: 1114: 1249: 1300: 1663: 1640: 1318: 348:), typical instruments of the romantic French orchestra. In Benedictus and Agnus Dei, he was the first composer to use the newly developed 1516: 1353: 1064: 1678: 1465: 1598: 1557: 1293: 1258: 1191:"Charles Gounod (1818–1893) / Solemn Mass (Saint Cecilia Mass) for soloists, mixed choir, orchestra and organ (1855)" 1673: 1190: 1575: 327:(prayer of the nation) by the choir with orchestra. The changes have been criticized as not liturgically strict. 45: 243: 1052: 1272: 1668: 1592: 1286: 311:(prayer of the church) by the choir a cappella after a short instrumental introduction, the second time as 226: 1616: 1147: 1026: 995: 248: 124: 1374: 1406: 252: 1060: 1438: 958: 251:, where it was customary to celebrate the day by the performance of a new mass. The conductor was 1345: 1141: 1542: 1458: 1430: 1414: 1367: 1167: 1042: 286:
Domine, non sum dignus ut intres sub tectum meum, sed tantum dic verbo, et sanabitur anima mea
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Domine, salvum fac Imperatorem nostrum Napoleonum, et exaudi nos in die qua invocaverimus te
905: 764: 675: 581: 478: 432: 1622: 1549: 1219:"Messe solennelle de Sainte CĂ©cile for soloists, chorus, orchestra & organ in G major" 1008: 241:, were performed in London on 13 January 1851, together with works such as Mendelssohn's 1333: 1309: 1176: 1048: 1030: 1016: 368: 225:
The first work by Gounod performed in public was on 1 May 1841 a mass at the church of
194: 37: 1657: 1361: 1023:, Tschechischer Sängerchor Prag – Tschechische Philharmonie, recorded in Prague, 1965 990: 264: 198: 95: 1508: 1068: 1020: 757: 662: 300: 214: 186: 81: 1113:. The American History and Encyclopedia of Music. pp. 345–348. Archived from 1038: 1034: 364: 217:
of music. The work was assigned CG 56 in the catalogue of the composer's works.
210: 1382: 283:. In the Agnus Dei, the soloists sing between the three invocations the text " 1140: 319:(prayer of the army) by the tenors, basses, and brass, and the third time as 197:, composed in 1855 and scored for three soloists, mixed choir, orchestra and 650: 280: 1222: 349: 371:
are taken from the choral score, using the symbol for alla breve (2/2).
229:, Rome. The St. Cecilia Mass was his first major work. Parts of it, the 709: 619: 574: 471: 425: 353: 190: 1172: 1041:, Orchestre de la Société des Concerts du Conservatoire, recorded in 345: 1484: 1278: 337: 146: 1282: 403: 303:
and hear our prayer this day that we call you), sung once as
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Les Sept Paroles de Notre Seigneur JĂ©sus-Christ sur la Croix
363:
In the following table of the movements, the markings,
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Missa Cellensis in honorem Beatissimae Virginis Mariae
147: 340:. In Gloria and Sanctus, he highlighted passages by 1608: 1585: 1568: 1527: 1476: 1449: 1325: 969:He ranked the mass among the best works by Gounod: 161: 139: 131: 111: 103: 89: 75: 67: 55: 28: 1151:. Vol. 1. New York: Robert Appleton Company. 267:is slightly extended. In the Gloria, the prayer 971: 963: 356:family. He included the great organ, mostly in 275:(have mercy on us) is intensified by an added 205:Messe solennelle en l’honneur de Sainte-CĂ©cile 61:Messe solennelle en l’honneur de Sainte-CĂ©cile 1294: 943: 893: 793: 750: 702: 636: 603: 567: 535: 516: 500: 464: 418: 16:1855 solemn mass in G major by Charles Gounod 8: 1107:"Messe Solennelle" in "Oratorios and Masses" 933: 924: 914: 883: 321: 313: 305: 203: 59: 979: 876: 861: 847: 835: 821: 783: 776: 735: 687: 626: 612: 590: 557: 550: 528: 509: 487: 451: 444: 294: 284: 279:(Lord Jesus). The mass has an instrumental 269: 236: 230: 93: 79: 1301: 1287: 1279: 1273:Gounod – Messe solennelle de Sainte CĂ©cile 1212: 1210: 1208: 373: 44: 25: 1250:International Music Score Library Project 1171:, the instrument known in English as a 1080: 293:. The piece concludes with the text, " 7: 1088:A Dictionary of Music and Musicians 14: 1246:Messe solennelle de Sainte-CĂ©cile 1636: 1635: 1366: 1145:. In Herbermann, Charles (ed.). 926:Un peu anima. et très un menurĂ©. 904: 763: 674: 580: 477: 431: 19:For Haydn's Cäcilien-Messe, see 1338: 1255:Free scores of St. Cecilia Mass 185:is the common name of a solemn 1664:Compositions by Charles Gounod 1142:"Agnus Dei (in Liturgy)"  961:commented after the premiere: 1: 1599:Funeral March of a Marionette 352:, a string instrument of the 154:solo: soprano, tenor and bass 1259:Choral Public Domain Library 1193:. musicweb-international.com 1063:, Bavarian Radio Chorus and 1139:Henry, Hugh Thomas (1907). 299:" (Lord, bless our Emperor 1695: 1104:Thrall, Josephine (1908). 115:22 November 1855 18: 1631: 1316: 944: 902: 899: 875: 872: 802: 799: 792: 775: 772: 602: 596: 578: 573: 549: 546: 493: 475: 470: 443: 440: 420:Moderato, quasi Andantino 394: 391: 388: 385: 382: 379: 376: 43: 35: 1065:Radio Symphony Orchestra 989:The Sanctus was used in 985:will still retain life." 530:Quoniam tu solus sanctus 244:Die erste Walpurgisnacht 1679:Compositions in G major 1517:Saint Francois d'Assise 1165:is a shortened form of 849:Domine, non sunt dignus 823:Domine, non sunt dignus 569:Moderato molto maestoso 404: 201:. The official name is 1365:(1859, revised 1869) 1179:is a modern invention. 987: 980: 967: 934: 925: 915: 894: 884: 877: 862: 848: 836: 822: 794: 784: 777: 751: 736: 703: 688: 637: 627: 613: 604: 591: 568: 558: 551: 536: 529: 517: 510: 501: 488: 465: 453:Gloria in excelsis Deo 452: 445: 419: 322: 314: 306: 295: 285: 270: 237: 231: 227:San Luigi dei Francesi 204: 94: 80: 60: 1617:Walpurgisnacht Ballet 1354:Le mĂ©decin malgrĂ© lui 1275:musicprogramnotes.com 1148:Catholic Encyclopedia 1027:Jean-Claude Hartemann 996:Nosferatu the Vampyre 511:Domine Fili unigenite 331:Scoring and structure 249:Saint-Eustache, Paris 125:Saint-Eustache, Paris 1426:(incomplete, 1877-8) 1386:(1860, revised 1866) 1378:(1860, revised 1876) 1319:List of compositions 1451:Opera discographies 1439:Le tribut de Zamora 1067:, recorded live at 1003:Selected recordings 959:Camille Saint-Saens 935:Prière de la Nation 323:Prière de la Nation 1375:PhilĂ©mon et Baucis 1346:La nonne sanglante 1189:Cookson, Michael. 1094:"Gounod, Charles". 885:Prière de l'Eglise 559:Credo in unum Deum 307:Prière de l'Eglise 50:The composer, 1859 1674:1855 compositions 1649: 1648: 1558:Messe brève no. 7 1543:Pontifical Anthem 1467:RomĂ©o et Juliette 1407:RomĂ©o et Juliette 1071:, Munich, in 2007 977:and the oratorio 951: 950: 916:Prière de l'ArmĂ©e 878:Domine salvum fac 592:Et incarnatus est 315:Prière de l'ArmĂ©e 253:ThĂ©ophile Tilmant 178: 177: 1686: 1639: 1638: 1576:Petite Symphonie 1536:St. Cecilia Mass 1452: 1391:La reine de Saba 1370: 1340: 1303: 1296: 1289: 1280: 1271:Max Derrickson: 1248:: Scores at the 1234: 1233: 1231: 1229: 1217:Eriksson, Erik. 1214: 1203: 1202: 1200: 1198: 1186: 1180: 1168:cornet Ă  pistons 1159: 1153: 1152: 1144: 1136: 1130: 1129: 1127: 1125: 1119: 1112: 1101: 1095: 1085: 1057:Christian Elsner 1013:Irmgard Seefried 983: 947: 946: 937: 928: 918: 909: 908: 897: 887: 880: 865: 851: 839: 825: 816: 815: 814: 813: 797: 795:Andante moderato 787: 780: 768: 767: 754: 739: 727: 726: 725: 724: 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Index

Missa Cellensis in honorem Beatissimae Virginis Mariae
Charles Gounod

Mass
Order of Mass
Saint-Eustache, Paris
SATTBB
mass
G major
Charles Gounod
organ
St. Cecilia
patron saint
San Luigi dei Francesi
Die erste Walpurgisnacht
Saint-Eustache, Paris
Théophile Tilmant
Order of Mass
offertory
Napoleon
harps
cornets
octobass
violone
keys
time signatures
G major
common time
D major
common time

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