2483:
261:
2472:
1413:
1142:
have gauges optimized for standard tuning. With conventional sets of guitar strings, some higher tunings increase the string-tension until playing the guitar requires significantly more finger-strength and stamina, or even until a string snaps or the guitar is warped. However, with lower tunings, the sets of guitar strings may be loose and buzz. The tone of the guitar strings is also negatively affected by using unsuitable string gauges on the guitar.
1310:
6215:
5710:
188:. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e., the deepest bass-sounding note) to the highest-pitched string (i.e., the highest sounding note), or the thickest string to thinnest, or the lowest frequency to the highest. This sometimes confuses beginner guitarists, since the highest-pitched string is referred to as the 1st string, and the lowest-pitched is the 6th string.
2716:
2292:
2100:
regular guitar by bottleneck (a slide repurposed from a glass bottle) players striving to emulate these styles. A common C tuning, for example, is C–E–G–A–C–E, which provides open major and minor thirds, open major and minor sixths, fifths, and octaves. By contrast, most open major or open minor tunings provide only octaves, fifths, and either a major third/sixth or a minor third/sixth—but not both.
38:
5700:
135:
1438:
2134:(i.e., major or minor, or variants thereof) chord. The strings may be tuned to exclusively present a single interval (all fourths; all fifths; etc.) or they may be tuned to a non-tertian chord (unresolved suspensions such as E–A–B–E–A–E, for example). Modal open tunings may use only one or two pitch classes across all strings (as, for example, some
2202:
2153:, thus providing the same chord positions transposed to a lower key. Lower tunings are popular among rock and heavy metal bands. The reason for tuning down below the standard pitch is usually either to accommodate a singer's vocal range or to get a deeper/heavier sound or pitch. Common examples include:
1141:
String gauge refers to the thickness and diameter of a guitar string, which influences the overall sound and pitch of the guitar depending on the guitar string used. Some alternative tunings are difficult or even impossible to achieve with conventional guitars due to the sets of guitar strings, which
1132:
developed a shorthand to specify guitar tunings: one letter naming the note of the open lowest string, followed by the relative fret (half-step) offsets between adjacent strings; in this format, the standard tuning is E55545. This scheme highlights pitch relationships and simplifies comparisons among
2527:
have equal intervals between the strings, and so they have symmetrical scales all along the fretboard. This makes it simpler to translate chords. For the regular tunings, chords may be moved diagonally around the fretboard. The diagonal movement of chords is especially simple for the regular tunings
1145:
Generally, alternative tunings benefit from re-stringing of the guitar with string gauges purposefully chosen to optimize particular tunings by using lighter strings for higher-pitched notes (to lower the tension of the strings) and heavier strings for lower-pitched notes (to prevent string buzz and
2687:
its octave after three strings, which simplifies the learning of chords and improvisation. This repetition provides the guitarist with many possibilities for fingering chords. With six strings, major-thirds tuning has a smaller range than standard tuning; with seven strings, the major-thirds tuning
1098:
Some tunings are used for particular songs and may be named after the song's title. There are hundreds of these tunings, although many are slight variations of other alternate tunings. Several alternative tunings are used regularly by communities of guitarists who share a common musical tradition,
2099:
Some guitarists choose open tunings that use more complex chords, which gives them more available intervals on the open strings. C, E, E, E and other such tunings are common among lap-steel players such as
Hawaiian slack-key guitarists and country guitarists, and are also sometimes applied to the
2784:; other names include "perfect fifths" and "fifths". It has a wide range. Its implementation has been impossible with nylon strings and has been difficult with conventional steel strings. The high B makes the first string very taut, and consequently, a conventionally gauged string easily breaks.
2706:
is especially simple in major-thirds tuning. The guitarist can invert chords by raising one or two notes on three strings—playing the raised notes with the same finger as the original notes. In contrast, inverting triads in standard and all-fourths tuning requires three fingers on a span of four
2511:
In standard tuning, there is an interval of a major third between the second and third strings, and all the other intervals are fourths. The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major
2871:
These are tunings in which some or all strings are retuned to emulate the standard tuning of some other instrument, such as a lute, banjo, cittern, mandolin, etc. Many of these tunings overlap other categories, especially open and modal tunings.
1827:
Open tunings often tune the lowest open note to C, D, or E and they often tune the highest open note to D or E; tuning down the open string from E to D or C avoids the risk of breaking strings, which is associated with tuning up strings.
2080:
with open strings. Fretting the minor-third string at the first fret produces a major-third, so allowing a one-finger fretting of a major chord. By contrast, it is more difficult to fret a minor chord using an open major-chord tuning.
1426:
1340:, these are the root note, its 3rd and its 5th, and may include all the strings or a subset. The tuning is named for the base chord when played open, typically a major chord, and all similar chords in the chromatic scale are played by
1158:
is one of the categories of alternative tunings and the process starts with standard tuning and typically lowers the pitch of ("drops") one or more strings, almost always the lowest-pitched (E) string on the guitar.
508:
in all major and minor keys. Separation of the second (B) through fifth (A) strings being tuned in minor 3rds and second (e) following the low (E) string as the separation being tuned in 5ths, and creating as by a
1090:
refers to any open string note arrangement other than standard tuning. These offer different kinds of deep or ringing sounds, chord voicings, and fingerings on the guitar. Alternative tunings are common in
2296:
For regular guitar-tunings, the distance between consecutive open strings is a constant musical-interval, measured by semitones on the chromatic circle. The chromatic circle lists the twelve notes of the
2691:
Major-thirds tunings require less hand-stretching than other tunings, because each M3 tuning packs the octave's twelve notes into four consecutive frets. The major-third intervals let the guitarist play
1095:. Alternative tunings change the fingering of common chords when playing the guitar, and this can ease the playing of certain chords while simultaneously increase the difficulty of playing other chords.
2489:
2880:
This category includes everything that does not fit into any of the other categories, for example (but not limited to): tunings designated only for a particular piece; non-western intervals and modes;
249:. There are hundreds of these tunings, often with small variants of established tunings. Communities of guitarists who share a common musical tradition often use the same or similar tuning styles.
2820:. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings. Contemporary New York jazz-guitarist Marty Grosz uses this tuning.
2177:. This makes the strings easier to bend when playing and with standard fingering results in a lower key. It also facilitates E shape fingerings when playing with horn instruments. Grunge band
524:
with each of the four fingers of the fretting hand controlling one of the first four frets (index finger on fret 1, little finger on fret 4, etc.) only when the hand is in the first position.
2528:
that are repetitive, in which case chords can be moved vertically: Chords can be moved three strings up (or down) in major-thirds tuning, and chords can be moved two strings up (or down) in
535:. The irregular major third breaks the fingering patterns of scales and chords, so that guitarists have to memorize multiple chord shapes for each chord. Scales and chords are simplified by
1262:(a chord that includes the prime, fifth and octave) in standard tuning requires a player to use two or three fingers, drop D tuning needs just one, similar in technique to playing
2482:
2475:
In the standard guitar tuning, one major-third interval is interjected amid four perfect-fourth intervals. In each regular tuning, all string successions have the same interval.
3796:
267:
2604:
Standard tuning mixes a major third (M3) with its perfect fourths. Regular tunings that are based on either major thirds or perfect fourths are used, for example, in jazz.
1926:, which listed the initial six overtones of the G note, namely G–G–D–G–B–D; Ralphs used this open G tuning for "Hey Hey" and while writing the demo of "Can't Get Enough".
1221:. Without needing to tune all strings (Standard D tuning), they could tune just one, in order to lower the key. Drop D is also a convenient tuning, because it expands the
2492:
Chords can be shifted diagonally in major-thirds tuning and other regular tunings. In standard tuning, chords change their shape because of the irregular major-third G-B.
2543:") are more difficult to play in a regular tuning than in standard tuning. Instructional literature uses standard tuning. Traditionally a course begins with the hand in
2884:(half sharps/flats, etc.); and "hybrid tunings" combining features of major alternate tuning categories – most commonly an open tuning with the lowest string dropped.
4385:
260:
202:). Standard tuning is used by most guitarists, and frequently used tunings can be understood as variations on standard tuning. To aid in memorising these notes,
145:
2726:
1459:
1448:
3666:
3458:
1270:
for example) and more importantly, it allowed guitarists to change chords faster. This new technique of playing power chords introduced by these early
3034:
5933:
4983:
2532:-fourths tuning. Regular tunings thus appeal to new guitarists and also to jazz-guitarists, whose improvisation is simplified by regular intervals.
3473:
1846:–A–D), also called "Vestapol" tuning, is a common open tuning used by European and American/Western guitarists working with alternative tunings.
4418:
3495:
The golden age of the
Russian guitar: Repertoire, performance practice, and social function of the Russian seven-string guitar music, 1800–1850
1905:
2937:
Musicologist Eric Tamm wrote that despite "considerable effort and search I just could not find a good set of chords whose sound I liked" for
144:
4931:
4887:
4858:
4829:
4808:
4787:
4766:
4737:
4697:
4407:
4337:
4317:
3833:
3565:
2985:
2725:
1458:
1447:
5995:
3740:
2859:). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths tuning. Some closely voiced
531:). This tuning pattern of (low) fourths, one major third, and one fourth was inherited by the guitar from its predecessor instrument, the
4286:
1971:
Any kind of chordal tuning can be achieved, simply by using the notes in the chord and tuning the strings to those notes. For example,
1936:
for "Electricity", "For the Roses" and "Hunter (The Good
Samaritan)". Truncating this tuning to G–D–G–B–D for his five-string guitar,
4905:
4358:
Denyer, Ralph (1992). "Playing the guitar ('How the guitar is tuned', pp. 68–69, and 'Alternative tunings', pp. 158–159)".
3800:
5746:
4658:
4563:
4496:
4462:
4371:
4023:
2707:
frets. In standard tuning, the shape of an inversion depends on the involvement of the major-third between the 2nd and 3rd strings.
1949:
1886:
1170:. The low E string is tuned down one whole step (to D) and the rest of the strings remain in standard tuning. This creates an "open
121:
2254:
6156:
4646:
2791:
used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B
55:
3497:. Duke University, Department of Music. pp. 1–584. University Microfilms (UMI), Ann Arbor, Michigan, number 9928880.
5024:
4515:
4423:, Matheon preprints, vol. 695, Berlin, Germany: DFG research center "MATHEON, Mathematics for key technologies" Berlin,
4269:
143:
102:
59:
3636:
3091:
3338:
2724:
1457:
1446:
74:
3823:
1854:" used an open D tuning raised one half step, giving an open E♭ tuning with the same intervallic relationships as open D.
6183:
5844:
4976:
4366:
and
Alastair M. Crawford (Fully revised and updated ed.). London and Sydney: Pan Books. pp. 65–160.
4204:
3230:
2166:
3012:
5671:
3056:
2913:
81:
6195:
2634:
keeps the lowest four strings of standard tuning, changing the major third to a perfect fourth. Jazz musician
2544:
4946:
48:
6012:
6002:
5849:
2264:
1301:, in which both E strings are down-tuned a whole step (to D). The rest of the strings keep their original pitch.
372:
300:
2091:
are well known for using cross-note E-minor (E B E G B E) in their music, as in 'Hard Time Killin Floor Blues'.
1290:, who used the tuning a great deal throughout their career and would later influence much alternative metal and
88:
5839:
5582:
5513:
3928:
3582:
2407:
1914:. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in standard tuning".
1847:
1275:
1210:
489:; that is, music for guitars is notated one octave higher than the true pitch. This is to reduce the need for
3658:
2582:) may prefer standard tuning over many regular tunings, On the other hand, minor-thirds tuning features many
2138:
guitarists who tune each string to either E or B, forming "power chords" of ambiguous major/minor tonality).
6239:
5713:
4969:
4328:
Annala, Hannu; Mätlik, Heiki (2007). "Composers for other plucked instruments: Rudolf
Straube (1717–1785)".
3452:
1897:
270:
In standard tuning, the C-major chord has multiple shapes because of the irregular major-third between the
70:
6146:
6103:
5703:
5416:
5402:
5361:
5352:
5132:
5092:
3026:
2898:
2249:
2183:
2150:
2109:
1765:
1627:
1548:
1155:
486:
1336:. In chordal open tunings, the open chord consists of at least three different pitch classes. In a given
5739:
3312:
2903:
1890:
1882:
5888:
4629:
3887:
6017:
4800:
Mastering alternate tunings: A revolutionary system of fretboard navigation for fingerstyle guitarists
3467:
6178:
6171:
6022:
6007:
5918:
3557:
3265:
1298:
493:
in music written for the instrument, and thus simplify the reading of notes when playing the guitar.
4604:
4577:
4440:
2244:
and by 12-string guitar players to reduce the mechanical load on their instrument. Among musicians,
6078:
5958:
5941:
5592:
5557:
5523:
5493:
4587:. Madison, Wisconsin: University of Wisconsin; Department of Electrical Engineering. pp. 52–67
4480:
2824:
2739:
2595:
2419:
2383:
1910:
1874:
1394:
1119:
536:
161:
2248:
was known to use D tuning as his main tuning for his music. It was also used for several songs on
1412:
6133:
5970:
5816:
5652:
5503:
3918:
2893:
2607:
2599:
2395:
1978:
has the notes A, D, E. By tuning the strings to only those notes, it creates a chordal A tuning.
1941:
540:
4436:
3847:
it's fairly common in rock music for guitarists to tune all of their strings down by a half-step
3732:
4432:
6118:
6073:
6068:
6032:
5975:
5618:
5596:
5586:
5576:
5553:
5529:
5072:
4927:
4883:
4864:
4854:
4835:
4825:
4804:
4783:
4762:
4743:
4733:
4703:
4693:
4654:
4559:
4527:
4502:
4492:
4468:
4458:
4403:
4367:
4333:
4313:
4290:
4265:
4029:
4019:
3932:
3829:
3561:
3553:
3490:
3281:
2981:
2852:
2843:. To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding
2735:
2684:
2517:
2435:
2233:
2228:, is another alternative. Each string is lowered by a whole tone (two semitones) resulting in
2181:
also used this tuning extensively throughout their career, most significantly in their albums
2135:
1867:
1491:
1382:
1372:
1326:
1283:
1190:
1167:
3719:
6218:
6141:
5908:
5893:
5863:
5732:
5681:
5077:
5051:
4942:
4625:
4600:
4573:
4424:
3545:
3273:
2881:
2642:
2506:
2105:
1945:
1878:
1496:
1357:
1235:
513:
169:
95:
6190:
6161:
6098:
6053:
5913:
5903:
5883:
5878:
5873:
5868:
5834:
5774:
4732:
Magazine's private lessons. String Letter
Publishing. Hal Leonard Publishing Corporation.
4448:
4428:
3357:
2856:
2703:
2524:
2500:
1400:
When the open strings constitute a minor chord, the open tuning may sometimes be called a
1376:
1218:
1186:
1163:
527:
The open notes of the second (B) and third (G) strings are separated by four semitones (a
521:
288:
191:
185:
177:
173:
3419:"Just desserts: Steve Kimock shares the sweet sounds of justly tuned thirds and sevenths"
3254:"Acoustical differences between treble guitar strings of different tension (i.e., gauge)"
1217:
down, from E to D, allowed these musicians to acquire a heavier and darker sound than in
3269:
2130:
Modal tunings are open tunings in which the open strings of the guitar do not produce a
6200:
5990:
5980:
5951:
5858:
5789:
5676:
5614:
5608:
5602:
5572:
5507:
5473:
5457:
4363:
2635:
2567:
2447:
2399:
2371:
2359:
2347:
2241:
2178:
1960:
1937:
1863:
1390:
1386:
544:
517:
181:
3774:
Cohen, Andy (22 March 2005). "Stefan
Grossman- Country Blues Guitar in Open Tunings".
17:
6233:
6151:
6123:
6063:
5985:
5963:
5923:
5898:
5801:
5533:
5425:
5394:
5386:
5338:
5300:
5251:
5201:
5140:
5124:
5116:
5108:
5100:
4683:
4398:
4015:
3923:
3694:
2938:
2908:
2773:
2439:
2423:
2269:
2245:
2119:
1933:
1929:
1923:
1870:
1851:
1837:
1817:
1812:
1807:
1799:
1727:
1714:
1676:
1669:
1664:
1659:
1651:
1561:
1318:
1287:
1255:
1222:
1202:
1175:
1129:
501:
157:
4664:
2471:
1963:
uses the open G tuning D–G–B–D–G–B–D, which contains mostly major and minor thirds.
6108:
5769:
5657:
5047:
4632:. Madison, Wisconsin: University of Wisconsin; Department of Electrical Engineering
4612:. Madison, Wisconsin: University of Wisconsin; Department of Electrical Engineering
4389:
4381:
2832:
2828:
2715:
2540:
2337:
2162:
1353:
1332:
1251:
1214:
1206:
505:
490:
304:
4535:
3253:
2586:
with repeated notes, properties that appeal to acoustic-guitarists and beginners.
4877:
4848:
4819:
4798:
4777:
4756:
4723:
4485:
4452:
4348:
3628:
3226:
2975:
1932:
usually refers to D–G–D–G–B–D. The open G tuning variant G–G–D–G–B–D was used by
1102:
The various alternative tunings have been grouped into the following categories:
6088:
6058:
6027:
5946:
5784:
5779:
5647:
5560:
5497:
5487:
4919:
4305:
3342:
2860:
2848:
2844:
2697:
2693:
2646:
2638:
stated that all-fourths tuning "simplifies the fingerboard, making it logical".
2583:
2547:, that is, with the left-hand covering frets 1–4. Beginning players first learn
2451:
2427:
2387:
2375:
2291:
2170:
2084:
2077:
2065:
1953:
1901:
1486:
1477:
1468:
1375:
because it facilitates the ability to play the guitar in any key—as compared to
1345:
1341:
1337:
1309:
1279:
1263:
1259:
1243:
1239:
1198:
1171:
528:
194:
defines the string pitches as E, A, D, G, B, and E, from the lowest pitch (low E
37:
2141:
Popular modal tunings include D Modal (D-G-D-G-B-E) and C Modal (C-G-D-G-B-D).
6048:
4551:
4110:
3080:, 'Off-the-wall tunings: A brief inventory' (Appendix A), pp. 95–96)
2788:
2548:
2536:
2333:
2088:
1349:
1092:
1087:
296:
4687:
4531:
4216:
3936:
3689:
3418:
3285:
2566:. Guitarists who play mainly open chords in these three major-keys and their
547:
maintaining the same musical interval between consecutive open string notes.
6083:
5811:
5665:
5661:
4033:
3776:
3469:
Selected
Concert Works for the Russian 7-String Guitar in G open tuning
2552:
2513:
2101:
1972:
1365:
1361:
1194:
367:
4516:"Tuning in thirds: A new approach to playing leads to a new kind of guitar"
1437:
1266:. This allowed them to use different methods of articulating power chords (
4520:
American
Lutherie: The Quarterly Journal of the Guild of American Luthiers
4506:
1379:, which favors certain keys, and makes the other keys sound less in tune.
1364:
music. A musician who is well known for using open tuning in his music is
134:
6093:
5461:
2777:
2351:
2324:
Simplifies learning by beginners and improvisation by advanced guitarists
2259:
2189:
1291:
510:
203:
295:
and musicians assume this tuning by default if a specific alternate (or
6166:
5517:
3472:. The Russian Collection. Vol. 10. Editions Orphee. PR.494028240.
2579:
2575:
2571:
2563:
2559:
2555:
2529:
2411:
2131:
1900:(overtones) of the note C. This overtone-series tuning was modified by
1247:
3457:. The Russian Collection. Vol. 9. Editions Orphee. PR.494028230.
3277:
2173:") occasionally tune all their strings down by one semitone to obtain
6113:
5755:
5477:
5019:
4114:
3454:
19th Century etudes for the
Russian 7-string guitar in G Op
2918:
2781:
2363:
1792:
1778:
1510:
1385:
open tunings are used for two classical non-Spanish guitars. For the
1271:
1267:
292:
165:
4205:"On the discipline of craft and art: An interview with Robert Fripp"
3590:
2201:
5794:
4868:
4839:
4747:
4707:
2722:
2714:
2470:
2237:
2200:
1455:
1444:
1436:
1411:
1308:
1182:
184:
are described by the particular pitches that are made by notes in
141:
133:
4961:
4677:
4472:
3629:"Mick Ralphs: The rock 'N' roll fantasy continues"
2641:
Major-thirds tuning (M3 tuning) is a regular tuning in which the
2516:
on the third, fourth, fifth, and sixth strings. These are called
532:
497:
237:
may refer to pitch sets other than standard tuning, also called
5728:
5636:
5551:
5455:
5041:
5003:
4965:
2512:
chords. There are separate chord-forms for chords having their
2700:
with two three consecutive fingers on two consecutive frets.
2342:
intermediate guitarists must relearn the fretboard and chords.
31:
4526:(Winter). Tacoma, WA: The Guild of American Luthiers: 36–43.
1344:
all strings across a single fret. Open tunings are common in
3895:
1189:
guitarists, it is well known from its usage in contemporary
4879:
The tao of tunings: A map to the world of alternate tunings
1873:(with distinct open notes C–E–G–C–E–G) that approximated a
1282:. The same drop D tuning then became common practice among
1181:
Although the drop D tuning was introduced and developed by
5724:
2823:
All-fifths tuning has been approximated by the so-called "
1904:, who used a high C note rather than the high G note for "
303:, the guitar's standard tuning consists of the following
4487:
Twentieth-century harmony: Creative aspects and practice
4558:. London: Bobcat Books Limited, SMT. pp. 151–178.
4402:
basic library. Hal Leonard Publishing. pp. 68–76.
3301:, 'String gauges and altered tunings', p. 169–170)
1368:, who uses open tunings when playing the slide guitar.
3252:
Faherty, Michael; Aaronson, Neil L. (1 October 2010).
2683:. Unlike all-fourths and all-fifths tuning, M3 tuning
2272:'s age and voice after his battle with throat cancer.
2076:
Cross-note tunings include a minor third, so giving a
1352:. These tunings are frequently used in the playing of
496:
Standard tuning provides reasonably simple fingering (
1274:
bands was a great influence on many artists, such as
1258:, made extensive use of drop D tuning. While playing
1197:
bands. Early hard rock songs tuned in drop D include
3797:"Better Guitar - Article on Tuning Down A Half Step"
2688:
covers the range of standard tuning on six strings.
1321:
by strumming the open strings (no strings fretted).
6132:
6041:
5932:
5827:
5762:
2346:
2328:
2320:
2315:
2307:
2302:
2282:
1389:, the open chord is C major (C–E–G–C–E–G); for the
291:is the tuning most frequently used on a six-string
62:. Unsourced material may be challenged and removed.
4924:Guitar zero: The science of learning to be musical
4484:
4310:Guitar zero: The science of learning to be musical
3013:"11 alternate tunings every guitarist should know"
2262:has also been using this tuning since their album
2149:Derived from standard EADGBE, all the strings are
3006:
3004:
2863:become impractical in NST and all-fifths tuning.
2236:bands to achieve a heavier, deeper sound, and by
4651:Robert Fripp: From crimson king to crafty master
4420:Tuning guitars and reading music in major thirds
3258:The Journal of the Acoustical Society of America
3057:"Transposing Instruments – Music Theory Academy"
2974:Phillips, Mark; Chappell, Jon (2 October 2012).
3313:"The Doom Generation: The Art of Playing Heavy"
2118:on the bottom); Harmon Davis favored E tuning;
2772:All-fifths tuning is a tuning in intervals of
1317:An open tuning allows the guitarist to play a
1313:Ry Cooder plays slide guitar with open tunings
5740:
4977:
4057:
4055:
3659:"List of all Guitar and Piano Transcriptions"
3373:
3371:
1922:Mick Ralphs' open C tuning was originally an
8:
3485:
3483:
3438:
3434:
3432:
3388:
3386:
1099:such as American folk or Celtic folk music.
4332:. Translated by Katarina Backman. Mel Bay.
4251:, 'The mandoguitar tuning', pp. 62–63)
4089:
4087:
4074:
4072:
4070:
3611:
3186:
3184:
278:-strings. Four such shapes are shown above.
5747:
5733:
5725:
5699:
5633:
5548:
5452:
5065:
5060:
5038:
5000:
4984:
4970:
4962:
4947:"Alternate tuning guide: Interactive"
3919:"Reading skills: The guitarist's nemesis?"
3881:
3879:
3587:CCGCEG: Open C via harmonic overtones
2835:, in which NST replaces all-fifths' high B
2290:
1881:'s song "Townsend Shuffle", as well as by
1416:C's first 8 harmonics (C, C, G, C, E, G, B
1225:of an instrument by two semitones: D and D
138:The range of a guitar with standard tuning
3622:
3620:
3147:
3145:
3143:
3141:
122:Learn how and when to remove this message
4248:
4190:
4166:
4154:
4142:
4122:
4093:
4078:
4061:
4046:
3997:
3985:
3973:
3961:
3927:. Vol. 17, no. 2. Boston, MA:
3891:
3870:
3761:
3531:
3519:
3507:
3377:
3190:
3077:
2535:On the other hand, five- and six-string
2104:of Hank Williams band favored C tuning;
1982:
1896:The C–C–G–C–E–G tuning uses some of the
1475:
551:
355:
4105:
4103:
4101:
3825:Guitar Rhythm and Technique For Dummies
3123:, 'Categories of tunings', p. 153)
2954:
2930:
1213:" (1969). Tuning the lowest string one
4821:Alternate tuning chord dictionary
4758:The complete book of alternate tunings
4554:(2004). "5 Thinking outside the box".
4457:. New York: Amsco Publishing Company.
4178:
3949:
3858:
3715:
3404:
3392:
3216:, 'More radical tunings', p. 166)
3151:
2961:
2279:
2240:guitarists, who use it to accommodate
4906:"WA's Encyclopedia of Guitar Tunings"
4779:Alternate tunings picture chords
4689:Guitar tunings: A comprehensive guide
4350:The illustrated history of the guitar
4330:Handbook of Guitar and Lute Composers
4287:"WA's encyclopedia of guitar tunings"
3690:"How to play like ... Keith Richards"
3298:
3213:
3201:
3175:
3163:
3132:
3120:
2980:. John Wiley & Sons. p. 17.
500:-hand movement) for playing standard
7:
4904:Allen, Warren (22 September 2011) .
4417:Griewank, Andreas (1 January 2010),
4285:Allen, Warren (22 September 2011) .
4237:
3639:from the original on 8 February 2013
3204:, 'Modal tunings', pp. 160–165)
3178:, 'Cross-note tunings', p. 166)
2711:All fifths and "new standard tuning"
2645:between successive strings are each
2112:uses a modified C (C tuning with a B
1178:) with the low three strings (DAD).
60:adding citations to reliable sources
4725:Alternate tunings guitar essentials
3311:Bowcott, Nick (10 September 2008).
3166:, 'Open tunings', pp. 156–159)
3037:from the original on 24 August 2013
2855:tuning (in comparison to thirds in
2340:") of standard tuning is difficult;
1984:Power chord (fifths) open tunings:
27:Adjusting pitches of guitar strings
3233:from the original on 15 March 2016
2876:Miscellaneous or "special" tunings
2730:New Standard Tuning's open strings
25:
5483:
4193:, 'The mandoguitar tuning' 62–63)
3743:from the original on 14 June 2017
3476:from the original on 4 July 2013.
3461:from the original on 4 July 2013.
3356:Tolinski, Brad (September 1994).
2255:The Velvet Underground & Nico
1397:, it is G major (D–G–B–D–G–B–D).
1112:both major and minor (cross note)
520:) allows the guitarist to play a
6214:
6213:
5709:
5708:
5698:
3669:from the original on 18 May 2015
3581:Guitar Tunings Database (2013).
2590:Major thirds and perfect fourths
2481:
2151:tuned lower by the same interval
1967:Creating any kind of open tuning
1088:Alternative ("alternate") tuning
259:
36:
6157:History of the classical guitar
4394:New directions in modern guitar
4119:Ralph Patt's jazz web page
2068:may omit the last two strings.
1162:The drop D tuning is common in
47:needs additional citations for
4678:Zipped Microsoft Word Document
4556:The acoustic guitar Bible
3550:Mel Bay Beginning Open Tunings
3092:"Open Tunings for Folk Guitar"
2851:, which are slightly sharp in
1940:uses this overtones-tuning on
198:) to the highest pitch (high E
1:
5014:
4853:. Cherry Lane Music Company.
4675:– via Progressive Ears.
4203:Mulhern, Tom (January 1986).
3886:Kirkeby, Ole (1 March 2012).
3627:Sharken, Lisa (15 May 2001).
2072:Minor or "cross-note" tunings
1118:instrumental (based on other
4850:Alternate tunings for guitar
4262:Alternate Tunings for Guitar
3795:Starlin, Mark (5 May 2007).
3417:Gold, Jude (December 2005).
3090:Caluda, Glenn (5 May 2014).
2977:Guitar For Dummies, with DVD
2167:Voodoo Child (Slight Return)
1877:. This tuning is evident in
4882:. Hal Leonard Corporation.
4647:"Chapter Ten: Guitar Craft"
4514:Peterson, Jonathon (2002).
4115:"The major 3rd tuning"
3828:. For Dummies. p. 80.
2914:Stringed instrument tunings
2122:has used an open G tuning.
553:Chromatic note progression
6256:
4491:. New York: W. W. Norton.
4454:The book of guitar tunings
4347:Bellow, Alexander (1970).
4121:. ralphpatt.com. cited by
3888:"Major thirds tuning"
3358:"Heavy Mental – Interview"
3096:The American Music Teacher
2733:
2593:
2504:
2498:
2095:Other open chordal tunings
1467:Major open tunings give a
1133:different tuning schemes.
1125:miscellaneous ("special").
6209:
5694:
5643:
5632:
5568:
5547:
5469:
5451:
5063:
5059:
5043:
5037:
5010:
4999:
4949:. Uses Wolfram Cdf player
4926:. Oneworld. p. 234.
4312:. Oneworld. p. 234.
3917:White, Mark (Fall 2005).
3890:. m3guitar.com. cited by
3439:Annala & Mätlik (2007
2458:
2446:
2434:
2418:
2406:
2394:
2382:
2370:
2358:
2289:
2161:Rock guitarists (such as
301:scientific pitch notation
253:Standard and alternatives
4847:Maloof, Richard (2007).
4630:"Alternate tuning guide"
4429:nbn:de:0296-matheon-6755
4215:: 88–103. Archived from
3929:Berklee College of Music
3544:Baughman, Steve (2004).
1848:The Allman Brothers Band
1276:Rage Against the Machine
1234:In the mid-1980s, three
149:Standard tuning (listen)
4362:. Special contributors
4353:. Colombo Publications.
3491:Timofeyev, Oleg V.
2268:to facilitate frontman
2232:. It is used mostly by
1471:with the open strings.
1371:Most modern music uses
299:) is not mentioned. In
206:are used, for example,
6147:Electric guitar design
4818:Johnson, Chad (2002).
4797:Heines, Danny (2007).
4606:Alternate tuning guide
4585:Alternate tuning guide
4578:"Regular tunings"
4388:. In Casabona, Helen;
3466:Ophee, Matanya (ed.).
3451:Ophee, Matanya (ed.).
2899:List of guitar tunings
2731:
2720:
2643:musical intervals
2476:
2250:the Velvet Underground
2206:
2110:Henry Kaleialoha Allen
1464:
1463:Open G tuning (listen)
1453:
1452:Open D tuning (listen)
1442:
1434:
1360:guitars, and Hawaiian
1358:lap-slide ("Hawaiian")
1314:
1286:acts such as the band
487:transposing instrument
156:are the assignment of
150:
139:
18:Standard guitar-tuning
6184:list of manufacturers
4776:Hanson, Mark (1997).
4755:Hanson, Mark (1995).
3583:"CCGCEG Guitar Tuner"
3027:"Online guitar tuner"
2904:Mathematics and music
2882:micro- or macro-tones
2729:
2718:
2474:
2204:
1891:Mississippi John Hurt
1504:(often most popular)
1462:
1451:
1440:
1415:
1312:
148:
137:
5828:By type (six string)
5084:(often most popular)
4943:Sethares, William A.
4876:Shark, Mark (2008).
4824:. Hal Leonard.
4645:Tamm, Eric (2003) .
4626:Sethares, William A.
4481:Persichetti, Vincent
4010:Bianco, Bob (1987).
3822:Serna, Desi (2015).
3688:Ellis, Andy (2005).
3665:. JoniMitchell.com.
3558:Mel Bay Publications
3345:on 10 November 2017.
2867:Instrumental tunings
2719:New standard tuning.
2316:Advanced information
1324:Open tunings may be
1299:double drop D tuning
1120:stringed instruments
56:improve this article
4782:. Accent on Music.
4761:. Accent on Music.
4653:. Faber and Faber.
4364:Isaac Guillory
4360:The guitar handbook
4219:on 16 February 2015
3733:"Piano Chord Chart"
3270:2010ASAJ..128.2449F
3154:, pp. 158–159)
3135:, pp. 153–156)
3031:TheGuitarLesson.com
2949:Citation references
2825:New Standard Tuning
2740:New standard tuning
2636:Stanley Jordan
2596:Major thirds tuning
1985:
1875:major-thirds tuning
1480:
1428:Play simultaneously
554:
537:major thirds tuning
360:
359:of standard tuning
5934:Additional strings
5889:Guitarrón mexicano
4722:Anonymous (2000).
4667:on 26 October 2011
4538:on 21 October 2011
4443:on 8 November 2012
4399:Guitar Player
4018:: Calliope Music.
3362:Blue Cricket Media
3011:Brown, J. (2020).
2894:Bass guitar tuning
2732:
2721:
2608:All fourths tuning
2600:All fourths tuning
2477:
2207:
2145:Lowered (standard)
1983:
1942:the Rolling Stones
1476:
1465:
1454:
1443:
1435:
1315:
1297:There also exists
552:
541:all-fourths tuning
357:String frequencies
356:
151:
140:
6227:
6226:
6069:Chitarra battente
5840:acoustic-electric
5722:
5721:
5690:
5689:
5672:Other instruments
5628:
5627:
5583:Augmented fourths
5543:
5542:
5514:Augmented fourths
5447:
5446:
5443:
5442:
5438:
5437:
5033:
5032:
4933:978-1-85168-932-3
4889:978-1-4234-3087-2
4860:978-1-57560-578-4
4831:978-0-634-03857-0
4810:978-0-634-06569-9
4789:978-0-936799-14-8
4768:978-0-936799-13-1
4739:978-1-890490-24-9
4699:978-0-415-97441-7
4409:978-0-88188-423-4
4339:978-0-7866-5844-2
4319:978-1-85168-932-3
4260:Whitehill, Dave;
4113:(14 April 2008).
4081:, pp. 36–37)
4012:Guitar in Fourths
4000:, pp. 58–59)
3988:, pp. 54–55)
3835:978-1-119-02287-9
3614:, pp. 23–24)
3612:Persichetti (1961
3567:978-0-7866-7093-2
3560:. pp. 8–14.
3554:Pacific, Missouri
3534:, pp. 18–19)
3522:, pp. 20–21)
3278:10.1121/1.3508761
3229:. Joni Mitchell.
3059:. 18 January 2013
2987:978-1-118-11554-1
2964:, pp. 68–69)
2853:equal temperament
2736:All fifths tuning
2727:
2698:minor chords
2694:major chords
2551:belonging to the
2467:
2466:
2408:Augmented fourths
2303:Basic information
2061:
2060:
1959:The seven-string
1898:harmonic sequence
1823:
1822:
1460:
1449:
1408:Major key tunings
1373:equal temperament
1284:alternative metal
1168:heavy metal music
1078:
1077:
481:
480:
170:classical guitars
146:
132:
131:
124:
106:
16:(Redirected from
6247:
6217:
6216:
5749:
5742:
5735:
5726:
5712:
5711:
5702:
5701:
5682:William Sethares
5634:
5549:
5453:
5411:
5410:
5382:
5381:
5376:
5375:
5370:
5369:
5328:
5327:
5316:
5315:
5297:
5296:
5291:
5290:
5285:
5284:
5273:
5272:
5241:
5240:
5235:
5234:
5223:
5222:
5217:
5216:
5198:
5197:
5192:
5191:
5186:
5185:
5180:
5179:
5168:
5167:
5162:
5161:
5066:
5061:
5052:slack-key guitar
5039:
5001:
4986:
4979:
4972:
4963:
4958:
4956:
4954:
4937:
4917:(Recommended by
4916:
4914:
4912:
4893:
4872:
4843:
4814:
4793:
4772:
4751:
4711:
4676:
4674:
4672:
4663:. Archived from
4641:
4639:
4637:
4621:
4619:
4617:
4611:
4596:
4594:
4592:
4582:
4569:
4547:
4545:
4543:
4534:. Archived from
4510:
4490:
4476:
4449:Grossman, Stefan
4444:
4439:, archived from
4413:
4386:"Stanley Jordan"
4377:
4354:
4343:
4323:
4303:(Recommended by
4302:
4300:
4298:
4289:. Archived from
4272:
4258:
4252:
4246:
4240:
4235:
4229:
4228:
4226:
4224:
4200:
4194:
4188:
4182:
4176:
4170:
4164:
4158:
4152:
4146:
4140:
4134:
4133:
4131:
4129:
4107:
4096:
4091:
4082:
4076:
4065:
4059:
4050:
4044:
4038:
4037:
4007:
4001:
3995:
3989:
3983:
3977:
3971:
3965:
3959:
3953:
3947:
3941:
3940:
3914:
3908:
3907:
3905:
3903:
3898:on 11 April 2015
3894:. Archived from
3883:
3874:
3868:
3862:
3856:
3850:
3849:
3844:
3842:
3819:
3813:
3812:
3810:
3808:
3799:. Archived from
3792:
3786:
3785:
3771:
3765:
3759:
3753:
3752:
3750:
3748:
3729:
3723:
3713:
3707:
3706:
3704:
3702:
3685:
3679:
3678:
3676:
3674:
3655:
3649:
3648:
3646:
3644:
3624:
3615:
3609:
3603:
3602:
3600:
3598:
3593:on 10 March 2013
3589:. Archived from
3578:
3572:
3571:
3541:
3535:
3529:
3523:
3517:
3511:
3505:
3499:
3498:
3487:
3478:
3477:
3462:
3448:
3442:
3436:
3427:
3426:
3421:. Master class.
3414:
3408:
3402:
3396:
3390:
3381:
3375:
3366:
3365:
3353:
3347:
3346:
3341:. Archived from
3334:
3328:
3327:
3325:
3323:
3308:
3302:
3296:
3290:
3289:
3249:
3243:
3242:
3240:
3238:
3223:
3217:
3211:
3205:
3199:
3193:
3188:
3179:
3173:
3167:
3161:
3155:
3149:
3136:
3130:
3124:
3118:
3112:
3111:
3109:
3107:
3087:
3081:
3075:
3069:
3068:
3066:
3064:
3053:
3047:
3046:
3044:
3042:
3023:
3017:
3016:
3008:
2999:
2998:
2996:
2994:
2971:
2965:
2959:
2942:
2935:
2796:
2795:
2728:
2675:
2674:
2658:
2657:
2507:Interval (music)
2485:
2332:Replicating the
2294:
2280:
2117:
2116:
2017:
2016:
2011:
2010:
2005:
2004:
1986:
1946:Honky Tonk Women
1906:Can't Get Enough
1879:William Ackerman
1845:
1844:
1771:
1770:
1761:
1760:
1752:
1751:
1746:
1745:
1737:
1736:
1720:
1719:
1710:
1709:
1701:
1700:
1695:
1694:
1686:
1685:
1645:
1644:
1639:
1638:
1633:
1632:
1624:
1623:
1618:
1617:
1612:
1611:
1604:
1603:
1598:
1597:
1592:
1591:
1586:
1585:
1577:
1576:
1571:
1570:
1554:
1553:
1544:
1543:
1535:
1534:
1529:
1528:
1520:
1519:
1481:
1461:
1450:
1433:
1432:
1431:
1429:
1421:
1420:
1250:, influenced by
1236:alternative rock
1230:
1229:
1074:
1073:
1062:
1061:
1041:
1040:
1029:
1028:
995:
994:
983:
982:
962:
961:
950:
949:
908:
907:
896:
895:
875:
874:
863:
862:
837:
836:
825:
824:
796:
795:
784:
783:
758:
757:
746:
745:
717:
716:
705:
704:
679:
678:
667:
666:
646:
645:
634:
633:
555:
485:The guitar is a
468:
361:
351:
263:
178:electric guitars
174:acoustic guitars
147:
127:
120:
116:
113:
107:
105:
71:"Guitar tunings"
64:
40:
32:
21:
6255:
6254:
6250:
6249:
6248:
6246:
6245:
6244:
6230:
6229:
6228:
6223:
6205:
6196:Vibrato systems
6191:Prepared guitar
6162:List of guitars
6128:
6104:Six-string alto
6037:
5928:
5823:
5758:
5753:
5723:
5718:
5686:
5639:
5624:
5564:
5539:
5465:
5439:
5434:
5408:
5407:
5379:
5378:
5373:
5372:
5367:
5366:
5346:
5325:
5324:
5313:
5312:
5294:
5293:
5288:
5287:
5282:
5281:
5270:
5269:
5259:
5238:
5237:
5232:
5231:
5220:
5219:
5214:
5213:
5195:
5194:
5189:
5188:
5183:
5182:
5177:
5176:
5165:
5164:
5159:
5158:
5148:
5083:
5055:
5029:
5006:
4995:
4990:
4952:
4950:
4945:(12 May 2012).
4941:
4934:
4918:
4910:
4908:
4903:
4900:
4890:
4875:
4861:
4846:
4832:
4817:
4811:
4803:. Hal Leonard.
4796:
4790:
4775:
4769:
4754:
4740:
4730:Acoustic Guitar
4721:
4718:
4716:Further reading
4700:
4682:
4670:
4668:
4661:
4644:
4635:
4633:
4624:
4615:
4613:
4609:
4599:
4590:
4588:
4580:
4572:
4566:
4550:
4541:
4539:
4513:
4499:
4479:
4465:
4447:
4433:Postscript file
4416:
4410:
4380:
4374:
4357:
4346:
4340:
4327:
4320:
4304:
4296:
4294:
4293:on 13 July 2012
4284:
4281:
4276:
4275:
4259:
4255:
4247:
4243:
4236:
4232:
4222:
4220:
4202:
4201:
4197:
4189:
4185:
4177:
4173:
4165:
4161:
4153:
4149:
4141:
4137:
4127:
4125:
4123:Sethares (2011)
4109:
4108:
4099:
4094:Griewank (2010)
4092:
4085:
4077:
4068:
4060:
4053:
4045:
4041:
4026:
4009:
4008:
4004:
3996:
3992:
3984:
3980:
3972:
3968:
3960:
3956:
3948:
3944:
3916:
3915:
3911:
3901:
3899:
3892:Sethares (2011)
3885:
3884:
3877:
3869:
3865:
3857:
3853:
3840:
3838:
3836:
3821:
3820:
3816:
3806:
3804:
3794:
3793:
3789:
3773:
3772:
3768:
3760:
3756:
3746:
3744:
3731:
3730:
3726:
3714:
3710:
3700:
3698:
3687:
3686:
3682:
3672:
3670:
3657:
3656:
3652:
3642:
3640:
3626:
3625:
3618:
3610:
3606:
3596:
3594:
3580:
3579:
3575:
3568:
3543:
3542:
3538:
3530:
3526:
3518:
3514:
3506:
3502:
3489:
3488:
3481:
3465:
3463:
3450:
3449:
3445:
3437:
3430:
3416:
3415:
3411:
3403:
3399:
3391:
3384:
3376:
3369:
3355:
3354:
3350:
3339:"Drop D Tuning"
3336:
3335:
3331:
3321:
3319:
3310:
3309:
3305:
3297:
3293:
3251:
3250:
3246:
3236:
3234:
3225:
3224:
3220:
3212:
3208:
3200:
3196:
3191:Sethares (2011)
3189:
3182:
3174:
3170:
3162:
3158:
3150:
3139:
3131:
3127:
3119:
3115:
3105:
3103:
3089:
3088:
3084:
3076:
3072:
3062:
3060:
3055:
3054:
3050:
3040:
3038:
3025:
3024:
3020:
3010:
3009:
3002:
2992:
2990:
2988:
2973:
2972:
2968:
2960:
2956:
2951:
2946:
2945:
2936:
2932:
2927:
2890:
2878:
2869:
2857:just intonation
2847:and especially
2842:
2838:
2819:
2815:
2811:
2807:
2803:
2799:
2793:
2792:
2787:Jazz guitarist
2776:like that of a
2768:
2764:
2760:
2756:
2752:
2748:
2742:
2734:Main articles:
2723:
2713:
2704:Chord inversion
2682:
2678:
2672:
2671:
2669:
2665:
2661:
2655:
2654:
2652:
2649:, for example E
2633:
2629:
2625:
2621:
2617:
2613:
2602:
2594:Main articles:
2592:
2525:regular tunings
2509:
2503:
2501:Regular tunings
2497:
2496:
2495:
2494:
2493:
2491:
2486:
2348:Regular tunings
2341:
2311:Uniform tunings
2298:
2285:
2284:Regular tunings
2278:
2276:Regular tunings
2218:Whole Step Down
2199:
2159:
2147:
2128:
2114:
2113:
2097:
2074:
2014:
2013:
2008:
2007:
2002:
2001:
1976:
1969:
1920:
1860:
1842:
1841:
1834:
1768:
1767:
1758:
1757:
1749:
1748:
1743:
1742:
1734:
1733:
1717:
1716:
1707:
1706:
1698:
1697:
1692:
1691:
1683:
1682:
1642:
1641:
1636:
1635:
1630:
1629:
1621:
1620:
1615:
1614:
1609:
1608:
1601:
1600:
1595:
1594:
1589:
1588:
1583:
1582:
1574:
1573:
1568:
1567:
1551:
1550:
1541:
1540:
1532:
1531:
1526:
1525:
1517:
1516:
1502:
1456:
1445:
1427:
1425:
1424:
1423:
1418:
1417:
1410:
1377:just intonation
1307:
1227:
1226:
1219:standard tuning
1164:electric guitar
1152:
1150:Dropped tunings
1139:
1085:
1072:
1069:
1068:
1067:
1060:
1057:
1056:
1055:
1049:
1039:
1036:
1035:
1034:
1027:
1024:
1023:
1022:
1016:
1008:
993:
990:
989:
988:
981:
978:
977:
976:
970:
960:
957:
956:
955:
948:
945:
944:
943:
937:
929:
916:
906:
903:
902:
901:
894:
891:
890:
889:
883:
873:
870:
869:
868:
861:
858:
857:
856:
850:
835:
832:
831:
830:
823:
820:
819:
818:
812:
804:
794:
791:
790:
789:
782:
779:
778:
777:
771:
756:
753:
752:
751:
744:
741:
740:
739:
733:
725:
715:
712:
711:
710:
703:
700:
699:
698:
692:
677:
674:
673:
672:
665:
662:
661:
660:
654:
644:
641:
640:
639:
632:
629:
628:
627:
621:
613:
599:
594:
589:
584:
545:regular tunings
522:chromatic scale
477:
466:
458:
442:
426:
410:
394:
376:
374:
358:
349:
342:
335:
328:
321:
314:
308:
289:Standard tuning
286:
281:
280:
279:
269:
264:
255:
201:
197:
192:Standard tuning
142:
128:
117:
111:
108:
65:
63:
53:
41:
28:
23:
22:
15:
12:
11:
5:
6253:
6251:
6243:
6242:
6240:Guitar tunings
6232:
6231:
6225:
6224:
6222:
6221:
6210:
6207:
6206:
6204:
6203:
6201:Vintage guitar
6198:
6193:
6188:
6187:
6186:
6176:
6175:
6174:
6164:
6159:
6154:
6149:
6144:
6138:
6136:
6134:Related topics
6130:
6129:
6127:
6126:
6121:
6116:
6111:
6106:
6101:
6096:
6091:
6086:
6081:
6076:
6071:
6066:
6061:
6056:
6051:
6045:
6043:
6039:
6038:
6036:
6035:
6030:
6025:
6020:
6015:
6010:
6005:
6000:
5999:
5998:
5993:
5988:
5983:
5973:
5968:
5967:
5966:
5956:
5955:
5954:
5949:
5938:
5936:
5930:
5929:
5927:
5926:
5921:
5916:
5911:
5906:
5901:
5896:
5891:
5886:
5881:
5876:
5871:
5866:
5861:
5856:
5855:
5854:
5853:
5852:
5842:
5831:
5829:
5825:
5824:
5822:
5821:
5820:
5819:
5809:
5804:
5799:
5798:
5797:
5787:
5782:
5777:
5772:
5766:
5764:
5760:
5759:
5754:
5752:
5751:
5744:
5737:
5729:
5720:
5719:
5717:
5716:
5706:
5695:
5692:
5691:
5688:
5687:
5685:
5684:
5679:
5677:Musical tuning
5674:
5669:
5655:
5650:
5644:
5641:
5640:
5637:
5630:
5629:
5626:
5625:
5623:
5622:
5612:
5609:Russian open-G
5606:
5603:English open-C
5600:
5590:
5580:
5569:
5566:
5565:
5552:
5545:
5544:
5541:
5540:
5538:
5537:
5527:
5521:
5511:
5501:
5491:
5481:
5470:
5467:
5466:
5456:
5449:
5448:
5445:
5444:
5441:
5440:
5436:
5435:
5433:
5432:
5423:
5414:
5400:
5392:
5384:
5359:
5349:
5347:
5345:
5344:
5336:
5330:
5318:
5306:
5298:
5275:
5262:
5260:
5258:
5257:
5249:
5243:
5225:
5207:
5199:
5170:
5151:
5149:
5147:
5146:
5138:
5130:
5122:
5114:
5106:
5098:
5089:
5086:
5085:
5080:
5075:
5070:
5064:
5057:
5056:
5042:
5035:
5034:
5031:
5030:
5028:
5027:
5022:
5017:
5011:
5008:
5007:
5004:
4997:
4996:
4993:Guitar tunings
4991:
4989:
4988:
4981:
4974:
4966:
4960:
4959:
4939:
4932:
4899:
4898:External links
4896:
4895:
4894:
4888:
4873:
4859:
4844:
4830:
4815:
4809:
4794:
4788:
4773:
4767:
4752:
4738:
4717:
4714:
4713:
4712:
4698:
4684:Weissman, Dick
4680:
4659:
4642:
4622:
4601:Sethares, Bill
4597:
4574:Sethares, Bill
4570:
4564:
4548:
4511:
4497:
4477:
4463:
4445:
4414:
4408:
4378:
4372:
4355:
4344:
4338:
4325:
4318:
4280:
4277:
4274:
4273:
4253:
4249:Sethares (2001
4241:
4230:
4195:
4191:Sethares (2001
4183:
4181:, p. 121)
4171:
4167:Griewank (2010
4159:
4155:Griewank (2010
4147:
4143:Griewank (2010
4135:
4097:
4083:
4079:Peterson (2002
4066:
4064:, pp. 56)
4062:Sethares (2001
4051:
4047:Ferguson (1986
4039:
4024:
4002:
3998:Sethares (2001
3990:
3986:Sethares (2001
3978:
3974:Griewank (2010
3966:
3962:Peterson (2002
3954:
3942:
3909:
3875:
3871:Sethares (2001
3863:
3861:, p. 119)
3851:
3834:
3814:
3787:
3766:
3762:Sethares (2001
3754:
3724:
3708:
3680:
3650:
3633:Vintage Guitar
3616:
3604:
3573:
3566:
3536:
3532:Sethares (2009
3524:
3520:Sethares (2009
3512:
3508:Grossman (1972
3500:
3479:
3443:
3428:
3409:
3407:, p. 160)
3397:
3395:, p. 158)
3382:
3378:Sethares (2009
3367:
3348:
3329:
3303:
3291:
3244:
3218:
3206:
3194:
3180:
3168:
3156:
3137:
3125:
3113:
3082:
3078:Weissman (2006
3070:
3048:
3018:
3000:
2986:
2966:
2953:
2952:
2950:
2947:
2944:
2943:
2929:
2928:
2926:
2923:
2922:
2921:
2916:
2911:
2906:
2901:
2896:
2889:
2886:
2877:
2874:
2868:
2865:
2840:
2836:
2817:
2813:
2809:
2805:
2801:
2797:
2774:perfect fifths
2770:
2769:
2766:
2762:
2758:
2754:
2750:
2746:
2712:
2709:
2680:
2676:
2667:
2663:
2659:
2650:
2631:
2627:
2623:
2619:
2615:
2611:
2591:
2588:
2568:relative minor
2545:first position
2499:Main article:
2488:
2487:
2480:
2479:
2478:
2469:
2468:
2465:
2464:
2461:Guitar tunings
2456:
2455:
2444:
2443:
2432:
2431:
2416:
2415:
2404:
2403:
2392:
2391:
2380:
2379:
2368:
2367:
2356:
2355:
2344:
2343:
2330:
2326:
2325:
2322:
2318:
2317:
2313:
2312:
2309:
2305:
2304:
2300:
2299:
2295:
2287:
2286:
2283:
2277:
2274:
2242:string bending
2214:One Step Lower
2212:, also called
2198:
2195:
2165:on the songs "
2158:
2155:
2146:
2143:
2127:
2124:
2096:
2093:
2073:
2070:
2063:
2062:
2059:
2058:
2055:
2051:
2050:
2047:
2043:
2042:
2039:
2035:
2034:
2031:
2027:
2026:
2023:
2019:
2018:
1998:
1994:
1993:
1990:
1974:
1968:
1965:
1961:Russian guitar
1938:Keith Richards
1919:
1916:
1864:English guitar
1859:
1856:
1850:instrumental "
1833:
1830:
1825:
1824:
1821:
1820:
1815:
1810:
1805:
1802:
1796:
1795:
1790:
1787:
1784:
1781:
1775:
1774:
1763:
1754:
1739:
1730:
1724:
1723:
1712:
1703:
1688:
1679:
1673:
1672:
1667:
1662:
1657:
1654:
1648:
1647:
1625:
1605:
1579:
1564:
1558:
1557:
1546:
1537:
1522:
1513:
1507:
1506:
1499:
1494:
1489:
1484:
1409:
1406:
1391:Russian guitar
1387:English guitar
1366:Ry Cooder
1306:
1303:
1174:" (three-note
1156:dropped tuning
1151:
1148:
1138:
1135:
1127:
1126:
1123:
1116:
1113:
1110:
1107:
1084:
1081:
1080:
1079:
1076:
1075:
1070:
1058:
1050:
1047:
1042:
1037:
1025:
1017:
1014:
1009:
1006:
1001:
997:
996:
991:
979:
971:
968:
963:
958:
946:
938:
935:
930:
927:
922:
918:
917:
914:
909:
904:
892:
884:
881:
876:
871:
859:
851:
848:
843:
839:
838:
833:
821:
813:
810:
805:
802:
797:
792:
780:
772:
769:
764:
760:
759:
754:
742:
734:
731:
726:
723:
718:
713:
701:
693:
690:
685:
681:
680:
675:
663:
655:
652:
647:
642:
630:
622:
619:
614:
611:
606:
602:
601:
596:
591:
586:
581:
578:
574:
573:
570:
567:
564:
561:
558:
518:perfect fourth
483:
482:
479:
478:
475:
470:
464:
460:
459:
456:
451:
450:110.00 Hz
448:
444:
443:
440:
435:
434:146.83 Hz
432:
428:
427:
424:
419:
418:196.00 Hz
416:
412:
411:
408:
403:
402:246.94 Hz
400:
396:
395:
392:
387:
386:329.63 Hz
384:
380:
379:
370:
365:
347:
340:
333:
326:
319:
312:
285:
282:
266:
265:
258:
257:
256:
254:
251:
235:guitar tunings
199:
195:
154:Guitar tunings
130:
129:
44:
42:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6252:
6241:
6238:
6237:
6235:
6220:
6212:
6211:
6208:
6202:
6199:
6197:
6194:
6192:
6189:
6185:
6182:
6181:
6180:
6179:Manufacturing
6177:
6173:
6170:
6169:
6168:
6165:
6163:
6160:
6158:
6155:
6153:
6152:Guitar wiring
6150:
6148:
6145:
6143:
6140:
6139:
6137:
6135:
6131:
6125:
6124:Viola caipira
6122:
6120:
6117:
6115:
6112:
6110:
6107:
6105:
6102:
6100:
6097:
6095:
6092:
6090:
6087:
6085:
6082:
6080:
6077:
6075:
6072:
6070:
6067:
6065:
6064:Chapman Stick
6062:
6060:
6057:
6055:
6052:
6050:
6047:
6046:
6044:
6040:
6034:
6031:
6029:
6026:
6024:
6021:
6019:
6016:
6014:
6011:
6009:
6006:
6004:
6001:
5997:
5994:
5992:
5989:
5987:
5986:Chapman Stick
5984:
5982:
5979:
5978:
5977:
5974:
5972:
5969:
5965:
5962:
5961:
5960:
5957:
5953:
5950:
5948:
5945:
5944:
5943:
5940:
5939:
5937:
5935:
5931:
5925:
5922:
5920:
5919:Semi-acoustic
5917:
5915:
5912:
5910:
5907:
5905:
5902:
5900:
5897:
5895:
5892:
5890:
5887:
5885:
5882:
5880:
5877:
5875:
5872:
5870:
5867:
5865:
5862:
5860:
5857:
5851:
5848:
5847:
5846:
5843:
5841:
5838:
5837:
5836:
5833:
5832:
5830:
5826:
5818:
5815:
5814:
5813:
5810:
5808:
5805:
5803:
5800:
5796:
5793:
5792:
5791:
5788:
5786:
5783:
5781:
5778:
5776:
5773:
5771:
5768:
5767:
5765:
5761:
5757:
5750:
5745:
5743:
5738:
5736:
5731:
5730:
5727:
5715:
5707:
5705:
5697:
5696:
5693:
5683:
5680:
5678:
5675:
5673:
5670:
5667:
5663:
5659:
5656:
5654:
5651:
5649:
5646:
5645:
5642:
5638:Miscellaneous
5635:
5631:
5620:
5616:
5613:
5610:
5607:
5604:
5601:
5598:
5594:
5591:
5588:
5584:
5581:
5578:
5574:
5571:
5570:
5567:
5562:
5559:
5555:
5550:
5546:
5535:
5531:
5528:
5525:
5522:
5519:
5515:
5512:
5509:
5505:
5502:
5499:
5495:
5492:
5489:
5485:
5482:
5479:
5475:
5472:
5471:
5468:
5463:
5459:
5454:
5450:
5431:
5429:
5424:
5422:
5420:
5415:
5413:
5405:
5401:
5399:
5397:
5393:
5391:
5389:
5385:
5383:
5364:
5360:
5358:
5356:
5351:
5350:
5348:
5343:
5341:
5337:
5334:
5331:
5322:
5319:
5310:
5307:
5305:
5303:
5299:
5279:
5276:
5267:
5264:
5263:
5261:
5256:
5254:
5250:
5247:
5244:
5229:
5226:
5211:
5208:
5206:
5204:
5200:
5174:
5171:
5156:
5153:
5152:
5150:
5145:
5144:
5139:
5137:
5136:
5131:
5129:
5128:
5123:
5121:
5120:
5115:
5113:
5112:
5107:
5105:
5104:
5099:
5097:
5096:
5091:
5090:
5088:
5087:
5081:
5079:
5076:
5074:
5071:
5068:
5067:
5062:
5058:
5053:
5049:
5045:
5040:
5036:
5026:
5023:
5021:
5018:
5016:
5013:
5012:
5009:
5002:
4998:
4994:
4987:
4982:
4980:
4975:
4973:
4968:
4967:
4964:
4948:
4944:
4940:
4935:
4929:
4925:
4921:
4907:
4902:
4901:
4897:
4891:
4885:
4881:
4880:
4874:
4870:
4866:
4862:
4856:
4852:
4851:
4845:
4841:
4837:
4833:
4827:
4823:
4822:
4816:
4812:
4806:
4802:
4801:
4795:
4791:
4785:
4781:
4780:
4774:
4770:
4764:
4760:
4759:
4753:
4749:
4745:
4741:
4735:
4731:
4727:
4726:
4720:
4719:
4715:
4709:
4705:
4701:
4695:
4692:. Routledge.
4691:
4690:
4685:
4681:
4679:
4666:
4662:
4660:0-571-16289-4
4656:
4652:
4648:
4643:
4631:
4627:
4623:
4608:
4607:
4602:
4598:
4586:
4579:
4575:
4571:
4567:
4565:1-84492-063-1
4561:
4557:
4553:
4549:
4537:
4533:
4529:
4525:
4521:
4517:
4512:
4508:
4504:
4500:
4498:0-393-09539-8
4494:
4489:
4488:
4482:
4478:
4474:
4470:
4466:
4464:0-8256-2806-7
4460:
4456:
4455:
4450:
4446:
4442:
4438:
4434:
4430:
4426:
4422:
4421:
4415:
4411:
4405:
4401:
4400:
4395:
4391:
4390:Belew, Adrian
4387:
4383:
4382:Ferguson, Jim
4379:
4375:
4373:0-330-32750-X
4369:
4365:
4361:
4356:
4352:
4351:
4345:
4341:
4335:
4331:
4326:
4321:
4315:
4311:
4307:
4292:
4288:
4283:
4282:
4278:
4271:
4267:
4263:
4257:
4254:
4250:
4245:
4242:
4239:
4234:
4231:
4218:
4214:
4210:
4209:Guitar Player
4206:
4199:
4196:
4192:
4187:
4184:
4180:
4175:
4172:
4169:, p. 10)
4168:
4163:
4160:
4156:
4151:
4148:
4144:
4139:
4136:
4124:
4120:
4116:
4112:
4106:
4104:
4102:
4098:
4095:
4090:
4088:
4084:
4080:
4075:
4073:
4071:
4067:
4063:
4058:
4056:
4052:
4049:, p. 76)
4048:
4043:
4040:
4035:
4031:
4027:
4025:0-9605912-2-2
4021:
4017:
4016:New York City
4013:
4006:
4003:
3999:
3994:
3991:
3987:
3982:
3979:
3975:
3970:
3967:
3964:, p. 37)
3963:
3958:
3955:
3952:, p. 72)
3951:
3946:
3943:
3938:
3934:
3930:
3926:
3925:
3924:Berklee Today
3920:
3913:
3910:
3897:
3893:
3889:
3882:
3880:
3876:
3873:, p. 52)
3872:
3867:
3864:
3860:
3855:
3852:
3848:
3837:
3831:
3827:
3826:
3818:
3815:
3803:on 5 May 2007
3802:
3798:
3791:
3788:
3783:
3779:
3778:
3770:
3767:
3764:, p. 16)
3763:
3758:
3755:
3742:
3738:
3734:
3728:
3725:
3721:
3717:
3712:
3709:
3697:
3696:
3695:Guitar Player
3691:
3684:
3681:
3668:
3664:
3660:
3654:
3651:
3638:
3634:
3630:
3623:
3621:
3617:
3613:
3608:
3605:
3592:
3588:
3584:
3577:
3574:
3569:
3563:
3559:
3555:
3551:
3547:
3540:
3537:
3533:
3528:
3525:
3521:
3516:
3513:
3510:, p. 29)
3509:
3504:
3501:
3496:
3492:
3486:
3484:
3480:
3475:
3471:
3470:
3460:
3456:
3455:
3447:
3444:
3441:, p. 30)
3440:
3435:
3433:
3429:
3424:
3423:Guitar Player
3420:
3413:
3410:
3406:
3401:
3398:
3394:
3389:
3387:
3383:
3380:, p. 16)
3379:
3374:
3372:
3368:
3363:
3359:
3352:
3349:
3344:
3340:
3333:
3330:
3318:
3314:
3307:
3304:
3300:
3295:
3292:
3287:
3283:
3279:
3275:
3271:
3267:
3263:
3259:
3255:
3248:
3245:
3232:
3228:
3222:
3219:
3215:
3210:
3207:
3203:
3198:
3195:
3192:
3187:
3185:
3181:
3177:
3172:
3169:
3165:
3160:
3157:
3153:
3148:
3146:
3144:
3142:
3138:
3134:
3129:
3126:
3122:
3117:
3114:
3101:
3097:
3093:
3086:
3083:
3079:
3074:
3071:
3058:
3052:
3049:
3036:
3032:
3028:
3022:
3019:
3014:
3007:
3005:
3001:
2989:
2983:
2979:
2978:
2970:
2967:
2963:
2958:
2955:
2948:
2940:
2939:rhythm guitar
2934:
2931:
2924:
2920:
2917:
2915:
2912:
2910:
2909:Open G tuning
2907:
2905:
2902:
2900:
2897:
2895:
2892:
2891:
2887:
2885:
2883:
2875:
2873:
2866:
2864:
2862:
2858:
2854:
2850:
2846:
2839:with a high G
2834:
2830:
2826:
2821:
2790:
2785:
2783:
2779:
2775:
2744:
2743:
2741:
2737:
2717:
2710:
2708:
2705:
2701:
2699:
2695:
2689:
2686:
2648:
2644:
2639:
2637:
2609:
2605:
2601:
2597:
2589:
2587:
2585:
2581:
2577:
2573:
2569:
2565:
2561:
2557:
2554:
2550:
2546:
2542:
2541:cowboy chords
2538:
2533:
2531:
2526:
2523:In contrast,
2521:
2519:
2515:
2508:
2502:
2490:
2484:
2473:
2463:
2462:
2457:
2453:
2449:
2445:
2441:
2437:
2433:
2429:
2425:
2421:
2417:
2413:
2409:
2405:
2401:
2397:
2393:
2389:
2385:
2381:
2377:
2373:
2369:
2365:
2361:
2357:
2353:
2349:
2345:
2339:
2338:cowboy chords
2335:
2331:
2329:Disadvantages
2327:
2323:
2319:
2314:
2310:
2306:
2301:
2293:
2288:
2281:
2275:
2273:
2271:
2270:Dave Mustaine
2267:
2266:
2261:
2258:. Metal band
2257:
2256:
2251:
2247:
2246:Elliott Smith
2243:
2239:
2235:
2231:
2227:
2223:
2219:
2215:
2211:
2203:
2196:
2194:
2192:
2191:
2186:
2185:
2180:
2176:
2172:
2168:
2164:
2156:
2154:
2152:
2144:
2142:
2139:
2137:
2133:
2126:Modal tunings
2125:
2123:
2121:
2120:David Gilmour
2111:
2107:
2103:
2094:
2092:
2090:
2086:
2082:
2079:
2071:
2069:
2067:
2056:
2053:
2052:
2048:
2045:
2044:
2040:
2037:
2036:
2032:
2029:
2028:
2024:
2021:
2020:
1999:
1996:
1995:
1991:
1988:
1987:
1981:
1980:
1979:
1977:
1966:
1964:
1962:
1957:
1955:
1951:
1947:
1943:
1939:
1935:
1934:Joni Mitchell
1931:
1930:Open-G tuning
1927:
1925:
1924:open G tuning
1917:
1915:
1913:
1912:
1907:
1903:
1899:
1894:
1892:
1888:
1884:
1880:
1876:
1872:
1871:open C tuning
1869:
1865:
1857:
1855:
1853:
1852:Little Martha
1849:
1839:
1838:open D tuning
1831:
1829:
1819:
1816:
1814:
1811:
1809:
1806:
1803:
1801:
1798:
1797:
1794:
1791:
1788:
1785:
1782:
1780:
1777:
1776:
1773:
1764:
1755:
1740:
1731:
1729:
1726:
1725:
1722:
1713:
1704:
1689:
1680:
1678:
1675:
1674:
1671:
1668:
1666:
1663:
1661:
1658:
1655:
1653:
1650:
1649:
1646:
1626:
1606:
1580:
1565:
1563:
1560:
1559:
1556:
1547:
1538:
1523:
1514:
1512:
1509:
1508:
1505:
1500:
1498:
1495:
1493:
1490:
1488:
1485:
1483:
1482:
1479:
1474:
1473:
1472:
1470:
1441:Open D tuning
1439:
1430:
1414:
1407:
1405:
1403:
1398:
1396:
1395:seven strings
1392:
1388:
1384:
1380:
1378:
1374:
1369:
1367:
1363:
1359:
1355:
1351:
1347:
1343:
1339:
1335:
1334:
1329:
1328:
1322:
1320:
1311:
1304:
1302:
1300:
1295:
1293:
1289:
1285:
1281:
1277:
1273:
1269:
1265:
1261:
1257:
1256:Black Sabbath
1253:
1249:
1245:
1241:
1237:
1232:
1224:
1220:
1216:
1212:
1208:
1205:" (1968) and
1204:
1203:Dear Prudence
1200:
1196:
1192:
1188:
1184:
1179:
1177:
1173:
1169:
1165:
1160:
1157:
1149:
1147:
1143:
1137:String gauges
1136:
1134:
1131:
1130:Joni Mitchell
1124:
1121:
1117:
1114:
1111:
1108:
1105:
1104:
1103:
1100:
1096:
1094:
1089:
1082:
1066:
1054:
1051:
1046:
1043:
1033:
1021:
1018:
1013:
1010:
1005:
1002:
999:
998:
987:
975:
972:
967:
964:
954:
942:
939:
934:
931:
926:
923:
920:
919:
913:
910:
900:
888:
885:
880:
877:
867:
855:
852:
847:
844:
841:
840:
829:
817:
814:
809:
806:
801:
798:
788:
776:
773:
768:
765:
762:
761:
750:
738:
735:
730:
727:
722:
719:
709:
697:
694:
689:
686:
683:
682:
671:
659:
656:
651:
648:
638:
626:
623:
618:
615:
610:
607:
604:
603:
597:
592:
587:
582:
579:
576:
575:
571:
568:
565:
562:
559:
557:
556:
550:
549:
548:
546:
542:
538:
534:
530:
525:
523:
519:
515:
512:
507:
503:
499:
494:
492:
488:
474:
471:
469:82.41 Hz
465:
462:
461:
455:
452:
449:
446:
445:
439:
436:
433:
430:
429:
423:
420:
417:
414:
413:
407:
404:
401:
398:
397:
391:
388:
385:
382:
381:
378:
371:
369:
366:
363:
362:
354:
353:
352:
346:
339:
332:
325:
318:
311:
306:
302:
298:
294:
290:
283:
277:
273:
268:
262:
252:
250:
248:
244:
240:
236:
231:
229:
225:
221:
217:
213:
209:
205:
193:
189:
187:
186:Western music
183:
179:
175:
171:
167:
163:
159:
155:
136:
126:
123:
115:
104:
101:
97:
94:
90:
87:
83:
80:
76:
73: –
72:
68:
67:Find sources:
61:
57:
51:
50:
45:This article
43:
39:
34:
33:
30:
19:
6172:experimental
5845:steel-string
5806:
5658:Steel guitar
5615:Minor thirds
5593:Major thirds
5524:New standard
5494:Major thirds
5484:Minor thirds
5427:
5418:
5403:
5395:
5387:
5362:
5354:
5339:
5332:
5320:
5308:
5301:
5277:
5265:
5252:
5245:
5227:
5209:
5202:
5172:
5154:
5142:
5134:
5126:
5118:
5110:
5102:
5094:
4992:
4951:. Retrieved
4923:
4920:Marcus, Gary
4909:. Retrieved
4878:
4849:
4820:
4799:
4778:
4757:
4729:
4724:
4688:
4669:. Retrieved
4665:the original
4650:
4634:. Retrieved
4614:. Retrieved
4605:
4589:. Retrieved
4584:
4555:
4540:. Retrieved
4536:the original
4523:
4519:
4486:
4453:
4441:the original
4419:
4397:
4393:
4359:
4349:
4329:
4309:
4306:Marcus, Gary
4295:. Retrieved
4291:the original
4261:
4256:
4244:
4233:
4221:. Retrieved
4217:the original
4212:
4208:
4198:
4186:
4179:Denyer (1992
4174:
4162:
4157:, p. 2)
4150:
4145:, p. 9)
4138:
4126:. Retrieved
4118:
4042:
4011:
4005:
3993:
3981:
3976:, p. 5)
3969:
3957:
3950:Denyer (1992
3945:
3922:
3912:
3900:. Retrieved
3896:the original
3866:
3859:Denyer (1992
3854:
3846:
3839:. Retrieved
3824:
3817:
3805:. Retrieved
3801:the original
3790:
3781:
3775:
3769:
3757:
3745:. Retrieved
3736:
3727:
3716:Bellow (1970
3711:
3699:. Retrieved
3693:
3683:
3671:. Retrieved
3662:
3653:
3641:. Retrieved
3632:
3607:
3595:. Retrieved
3591:the original
3586:
3576:
3549:
3539:
3527:
3515:
3503:
3494:
3468:
3453:
3446:
3422:
3412:
3405:Denyer (1992
3400:
3393:Denyer (1992
3361:
3351:
3343:the original
3332:
3320:. Retrieved
3317:Guitar World
3316:
3306:
3294:
3261:
3257:
3247:
3235:. Retrieved
3221:
3209:
3197:
3171:
3159:
3152:Denyer (1992
3128:
3116:
3104:. Retrieved
3099:
3095:
3085:
3073:
3063:24 September
3061:. Retrieved
3051:
3039:. Retrieved
3030:
3021:
2991:. Retrieved
2976:
2969:
2962:Denyer (1992
2957:
2933:
2879:
2870:
2849:major thirds
2845:minor thirds
2833:Robert Fripp
2829:King Crimson
2822:
2786:
2771:
2702:
2690:
2647:major thirds
2640:
2606:
2603:
2584:barre chords
2534:
2522:
2510:
2460:
2459:
2448:Minor sixths
2420:New standard
2384:Major thirds
2372:Minor thirds
2263:
2253:
2229:
2225:
2221:
2217:
2213:
2209:
2208:
2188:
2182:
2174:
2163:Jimi Hendrix
2160:
2148:
2140:
2129:
2098:
2083:
2075:
2066:Bass players
2064:
2057:D–G–D–G–D–G
2049:F–C–C–C–C–F
2041:E–B–E–E–B–E
2033:D–A–D–A–D–D
2025:C–G–C–G–G–G
1992:E–A–E–A–A–E
1970:
1958:
1928:
1921:
1909:
1895:
1861:
1835:
1826:
1503:
1478:Open tunings
1466:
1401:
1399:
1393:, which has
1381:
1370:
1331:
1325:
1323:
1316:
1305:Open tunings
1296:
1264:barre chords
1260:power chords
1252:Led Zeppelin
1233:
1207:Led Zeppelin
1180:
1161:
1153:
1146:vibration).
1144:
1140:
1128:
1101:
1097:
1086:
1064:
1052:
1044:
1031:
1019:
1011:
1003:
985:
973:
965:
952:
940:
932:
924:
911:
898:
886:
878:
865:
853:
845:
827:
815:
807:
799:
786:
774:
766:
748:
736:
728:
720:
707:
695:
687:
669:
657:
649:
636:
624:
616:
608:
543:, which are
526:
495:
491:ledger lines
484:
472:
453:
437:
421:
405:
389:
344:
337:
330:
323:
316:
309:
287:
275:
271:
246:
242:
238:
234:
232:
227:
223:
219:
215:
211:
207:
190:
168:, including
162:open strings
153:
152:
118:
109:
99:
92:
85:
78:
66:
54:Please help
49:verification
46:
29:
5850:dreadnought
5653:Bass guitar
5504:All fourths
5398:-A-D-F♯-A-D
4552:Roche, Eric
4238:Tamm (2003)
4111:Patt, Ralph
3807:9 September
3673:22 February
3643:21 February
3597:20 February
3337:Long, Ben.
3299:Roche (2004
3264:(4): 2449.
3214:Roche (2004
3202:Roche (2004
3176:Roche (2004
3164:Roche (2004
3133:Roche (2004
3121:Roche (2004
2861:jazz chords
2827:" (NST) of
2562:, and
2549:open chords
2537:open chords
2396:All fourths
2334:open chords
2234:heavy metal
2230:D-G-C-F-A-D
2171:Little Wing
2085:Bukka White
2078:minor chord
1954:Start Me Up
1950:Brown Sugar
1911:Bad Company
1902:Mick Ralphs
1887:his tribute
1818:D–G–D–G–B-D
1813:G–G–D–G–B–D
1808:G–B–D–G–B–D
1793:C–F–C–F–A–F
1789:F–F–C–F–A–C
1786:F–A–C–F–A–C
1670:C–G–C–G–C–E
1665:C–C–G–C–E–G
1660:C–E–G–C–E–G
1487:Major triad
1469:major chord
1244:Soundgarden
1199:the Beatles
1191:heavy metal
1172:power chord
1083:Alternative
529:major third
243:alternative
239:nonstandard
6049:Bajo sexto
6033:Multi-neck
5554:Repetitive
5530:All fifths
5390:-G-C-G-C-E
5342:-G-D-G-B-D
5335:-F-C-F-A-C
5304:-C-G-C-E-G
5255:-B-D-G-B-D
5248:-A-C-F-A-C
5205:-E-G-C-E-G
5073:Repetitive
4869:2008560110
4840:2005561612
4748:2001547503
4708:0415974410
4279:References
4270:0793582199
3841:25 January
3737:8notes.com
3718:, p.
3227:"Notation"
3106:1 November
2993:29 January
2789:Carl Kress
2553:major keys
2518:inversions
2505:See also:
2436:All fifths
2321:Advantages
2226:D Standard
2089:Skip James
1883:John Fahey
1868:repetitive
1492:Repetitive
1402:cross-note
1383:Repetitive
1350:folk music
1093:folk music
504:and basic
373:Scientific
297:scordatura
112:April 2021
82:newspapers
6142:Amplifier
6084:Guitalele
6042:Ancillary
5909:Resonator
5894:Lap steel
5864:Classical
5812:Guitarist
5775:Harmonics
5462:semitones
5357:-C♯-E-A-E
5078:Overtones
5025:Nashville
4603:(2009) .
4542:9 October
4532:1041-7176
4473:74-170019
4223:8 January
3937:1052-3839
3784:(1): 152.
3777:Sing Out!
3286:0001-4966
3041:27 August
2530:augmented
2514:root note
2352:semitones
2252:'s album
2222:Full Step
2175:E♭ tuning
2157:E♭ tuning
2106:slack-key
2102:Don Helms
1756:E–E–B–E–G
1705:D–D–A–D–F
1539:A–A–E–A–C
1497:Overtones
1362:slack key
1211:Moby Dick
1195:hard rock
1187:classical
600:(little)
590:(middle)
368:Frequency
247:alternate
233:The term
204:mnemonics
6234:Category
6219:Category
6099:Requinto
6074:Craviola
6054:Baritone
5947:Armónico
5914:Romantic
5904:Requinto
5884:Fretless
5879:Flat top
5874:Flamenco
5869:Electric
5835:Acoustic
5714:Category
5430:-D-G-B-D
5421:-C-F-A-F
5409:♯
5380:♯
5374:♯
5368:♯
5326:♯
5323:-E-B-E-G
5314:♯
5311:-D-A-D-F
5295:♯
5289:♯
5283:♯
5271:♯
5268:-A-E-A-C
5239:♯
5233:♯
5221:♯
5215:♯
5196:♯
5190:♯
5184:♯
5178:♯
5166:♯
5160:♯
5015:Standard
4922:(2012).
4686:(2006).
4671:25 March
4628:(2011).
4576:(2001).
4483:(1961).
4451:(1972).
4437:Pdf file
4392:(eds.).
4384:(1986).
4308:(2012).
4034:16526869
3741:Archived
3701:24 March
3667:Archived
3637:Archived
3546:"Open C"
3493:(1999).
3474:Archived
3459:Archived
3322:28 March
3237:20 March
3231:Archived
3035:Archived
2888:See also
2794:♭
2778:mandolin
2673:♯
2656:♯
2265:Dystopia
2260:Megadeth
2210:D Tuning
2205:D tuning
2197:D tuning
2190:In Utero
2115:♭
2015:♯
2009:♯
2003:♯
1843:♯
1840:(D–A–D–F
1769:♯
1759:♯
1750:♯
1744:♯
1735:♯
1718:♯
1708:♯
1699:♯
1693:♯
1684:♯
1643:♯
1637:♯
1631:♯
1622:♯
1616:♯
1610:♯
1602:♯
1596:♯
1590:♯
1584:♯
1575:♯
1569:♯
1552:♯
1542:♯
1533:♯
1527:♯
1518:♯
1419:♭
1404:tuning.
1292:nu metal
1240:King's X
1228:♯
598:4th fret
593:3rd fret
588:2nd fret
585:(index)
583:1st fret
514:interval
511:semitone
377:notation
284:Standard
218:ynamite
6167:Luthier
5991:English
5981:Baroque
5952:Russian
5859:Archtop
5807:Tunings
5790:Picking
5763:Playing
5756:Guitars
5573:Trivial
5561:pitches
5458:Regular
5005:General
4953:27 June
4911:27 June
4297:27 June
4264:; p. 5
4128:10 June
3902:10 June
3266:Bibcode
3102:(5): 54
2685:repeats
2578:,
2574:,
2570:-keys (
2558:,
2360:Trivial
2308:Aliases
2297:octave.
2179:Nirvana
2169:" and "
2132:tertian
2108:artist
1952:" and "
1866:used a
1804:(G,B,D)
1783:(F,A,C)
1766:E–B–E–G
1715:D–A–D–F
1656:(C,E,G)
1342:barring
1327:chordal
1294:bands.
1248:Melvins
1238:bands,
1106:dropped
595:(ring)
577:String
182:Tunings
166:guitars
160:to the
158:pitches
96:scholar
6114:Timple
6079:Cuatro
5964:Brahms
5924:Hybrid
5899:Parlor
5802:Rhythm
5770:Chords
5526:(7, 3)
5474:Unison
5406:-B-E-G
5236:-B-E-G
5218:-A-D-F
5163:-E-A-C
5069:Tuning
5020:DADGAD
4930:
4886:
4867:
4857:
4838:
4828:
4807:
4786:
4765:
4746:
4736:
4706:
4696:
4657:
4636:19 May
4616:19 May
4591:19 May
4562:
4530:
4507:398434
4505:
4495:
4471:
4461:
4406:
4370:
4336:
4316:
4268:
4032:
4022:
3935:
3832:
3663:GGDGBD
3564:
3284:
2984:
2919:DADGAD
2782:violin
2184:Bleach
2012:–B–B–F
1918:Open G
1858:Open C
1832:Open D
1800:Open G
1779:Open F
1747:–B–E–G
1728:Open E
1696:–A–D–F
1677:Open D
1652:Open C
1562:Open B
1555:–E–A–E
1530:–E–A–C
1511:Open A
1288:Helmet
1272:grunge
1268:legato
506:chords
502:scales
364:String
293:guitar
274:- and
230:ddie.
176:, and
98:
91:
84:
77:
69:
6109:Tenor
6094:Rajão
5996:Yepes
5795:strum
5141:Open
5133:Open
5125:Open
5117:Open
5109:Open
5101:Open
5093:Open
5082:Other
5048:Slide
4610:(PDF)
4581:(PDF)
3747:6 May
2925:Notes
2780:or a
2238:blues
2136:metal
1908:" on
1607:B–B–F
1549:E–A–C
1501:Other
1422:, C)
1354:slide
1346:blues
1333:modal
1319:chord
1223:scale
1183:blues
1176:fifth
1115:modal
580:open
509:five-
463:6 (E)
447:5 (A)
431:4 (D)
415:3 (G)
399:2 (B)
383:1 (E)
375:pitch
305:notes
245:, or
210:ddie
103:JSTOR
89:books
6119:Tres
6089:Lyre
6059:Bass
6028:Harp
5817:list
5785:Lead
5780:Jazz
5704:List
5648:Terz
5558:open
5412:-B-E
5377:-B-D
5371:-B-F
5286:-B-D
5280:-B-F
5187:-B-D
5050:and
5044:Open
4955:2012
4928:ISBN
4913:2012
4884:ISBN
4865:LCCN
4855:ISBN
4836:LCCN
4826:ISBN
4805:ISBN
4784:ISBN
4763:ISBN
4744:LCCN
4734:ISBN
4704:LCCN
4694:ISBN
4673:2012
4655:ISBN
4638:2012
4618:2012
4593:2012
4560:ISBN
4544:2012
4528:ISSN
4503:OCLC
4493:ISBN
4469:LCCN
4459:ISBN
4435:and
4404:ISBN
4368:ISBN
4334:ISBN
4314:ISBN
4299:2012
4266:ISBN
4225:2013
4130:2012
4030:OCLC
4020:ISBN
3933:ISSN
3904:2012
3843:2019
3830:ISBN
3809:2023
3749:2018
3703:2013
3675:2013
3645:2013
3599:2013
3562:ISBN
3324:2019
3282:ISSN
3239:2016
3108:2020
3065:2019
3043:2013
2995:2024
2982:ISBN
2738:and
2696:and
2598:and
2187:and
2087:and
2006:–B–F
1975:sus4
1948:", "
1944:'s "
1885:for
1862:The
1836:The
1772:–B–E
1732:(E,G
1721:–A–D
1681:(D,F
1640:–B–D
1634:–B–F
1613:–B–D
1593:–B–D
1566:(B,D
1515:(A,C
1356:and
1348:and
1280:Tool
1278:and
1254:and
1246:and
1215:tone
1209:'s "
1193:and
1185:and
1166:and
1109:open
1000:1st
921:2nd
842:3rd
763:4th
684:5th
605:6th
539:and
533:viol
498:fret
222:ood
75:news
5611:(3)
5605:(3)
4425:urn
3720:164
3274:doi
3262:128
2831:'s
2224:or
1956:".
1889:to
1741:E–G
1738:,B)
1690:D–F
1687:,A)
1628:B–F
1581:B–D
1524:A–C
1521:,E)
1338:key
1330:or
1201:' "
572:IV
569:III
516:(a
226:ye
214:te
164:of
58:by
6236::
6023:25
6018:14
6013:13
6008:12
6003:11
5976:10
5666:E9
5664:,
5662:C6
5426:D-
5417:C-
5365:-F
5353:E-
5329:-B
5317:-A
5292:-F
5274:-E
5242:-B
5230:-G
5224:-A
5212:-F
5193:-F
5181:-F
5175:-D
5169:-E
5157:-C
4863:.
4834:.
4742:.
4728:.
4702:.
4649:.
4583:.
4524:72
4522:.
4518:.
4501:.
4467:.
4431:.
4396:.
4213:20
4211:.
4207:.
4117:.
4100:^
4086:^
4069:^
4054:^
4028:.
4014:.
3931:.
3921:.
3878:^
3845:.
3782:49
3780:.
3739:.
3735:.
3692:.
3661:.
3635:.
3631:.
3619:^
3585:.
3556::
3552:.
3548:.
3482:^
3464:–
3431:^
3385:^
3370:^
3360:.
3315:.
3280:.
3272:.
3260:.
3256:.
3183:^
3140:^
3100:63
3098:.
3094:.
3033:.
3029:.
3003:^
2816:–D
2812:–B
2808:–G
2804:–C
2800:–F
2765:–B
2761:–E
2757:–A
2753:–D
2749:–G
2679:–C
2670:–G
2666:–E
2662:–C
2653:–G
2630:–F
2626:–C
2622:–G
2618:–D
2614:–A
2580:Bm
2576:Em
2572:Am
2539:("
2520:.
2426:,
2336:("
2220:,
2216:,
2193:.
1893:.
1762:–B
1753:–B
1711:–A
1702:–A
1619:–F
1599:–F
1587:–F
1572:,F
1545:–E
1536:–E
1242:,
1231:.
1154:A
1063:/
1030:/
984:/
951:/
897:/
864:/
826:/
785:/
747:/
706:/
668:/
635:/
566:II
307::
241:,
180:.
172:,
5971:9
5959:8
5942:7
5748:e
5741:t
5734:v
5668:)
5660:(
5621:)
5619:4
5617:(
5599:)
5597:3
5595:(
5589:)
5587:2
5585:(
5579:)
5577:1
5575:(
5563:)
5556:(
5536:)
5534:7
5532:(
5520:)
5518:6
5516:(
5510:)
5508:5
5506:(
5500:)
5498:4
5496:(
5490:)
5488:3
5486:(
5480:)
5478:0
5476:(
5464:)
5460:(
5428:G
5419:F
5404:E
5396:D
5388:C
5363:B
5355:A
5340:G
5333:F
5321:E
5309:D
5302:C
5278:B
5266:A
5253:G
5246:F
5228:E
5210:D
5203:C
5173:B
5155:A
5143:G
5135:F
5127:E
5119:D
5111:C
5103:B
5095:A
5054:)
5046:(
4985:e
4978:t
4971:v
4957:.
4938:)
4936:.
4915:.
4892:.
4871:.
4842:.
4813:.
4792:.
4771:.
4750:.
4710:.
4640:.
4620:.
4595:.
4568:.
4546:.
4509:.
4475:.
4427::
4412:.
4376:.
4342:.
4324:)
4322:.
4301:.
4227:.
4132:.
4036:.
3939:.
3906:.
3811:.
3751:.
3722:)
3705:.
3677:.
3647:.
3601:.
3570:.
3425:.
3364:.
3326:.
3288:.
3276::
3268::
3241:.
3110:.
3067:.
3045:.
3015:.
2997:.
2941:.
2841:4
2837:4
2818:4
2814:3
2810:3
2806:3
2802:2
2798:1
2767:4
2763:4
2759:3
2755:3
2751:2
2747:2
2745:C
2681:4
2677:3
2668:3
2664:3
2660:2
2651:2
2632:4
2628:4
2624:3
2620:3
2616:2
2612:2
2610:E
2564:D
2560:G
2556:C
2454:)
2452:8
2450:(
2442:)
2440:7
2438:(
2430:)
2428:3
2424:7
2422:(
2414:)
2412:6
2410:(
2402:)
2400:5
2398:(
2390:)
2388:4
2386:(
2378:)
2376:3
2374:(
2366:)
2364:0
2362:(
2354:)
2350:(
2054:G
2046:F
2038:E
2030:D
2022:C
2000:F
1997:B
1989:A
1973:A
1578:)
1122:)
1071:4
1065:A
1059:4
1053:G
1048:4
1045:G
1038:4
1032:G
1026:4
1020:F
1015:4
1012:F
1007:4
1004:E
992:4
986:E
980:4
974:D
969:4
966:D
959:4
953:D
947:4
941:C
936:4
933:C
928:3
925:B
915:3
912:B
905:3
899:B
893:3
887:A
882:3
879:A
872:3
866:A
860:3
854:G
849:3
846:G
834:3
828:G
822:3
816:F
811:3
808:F
803:3
800:E
793:3
787:E
781:3
775:D
770:3
767:D
755:3
749:D
743:3
737:C
732:3
729:C
724:2
721:B
714:2
708:B
702:2
696:A
691:2
688:A
676:2
670:A
664:2
658:G
653:2
650:G
643:2
637:G
631:2
625:F
620:2
617:F
612:2
609:E
563:I
560:0
476:2
473:E
467:0
457:2
454:A
441:3
438:D
425:3
422:G
409:3
406:B
393:4
390:E
350:.
348:4
345:E
343:–
341:3
338:B
336:–
334:3
331:G
329:–
327:3
324:D
322:–
320:2
317:A
315:–
313:2
310:E
276:B
272:G
228:E
224:B
220:G
216:D
212:A
208:E
200:4
196:2
125:)
119:(
114:)
110:(
100:·
93:·
86:·
79:·
52:.
20:)
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