54:, a photograph of which is shown on the cover. The poetry mingles tenderness with satire and hallucination. Scattered through the book is some of the better poetry generated by the San Francisco School. The poems are longer and more sustained than in his previous publications. They are more concerned with ideas than with verbal glitter, singing out boldly with great clarity.
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dragon "… represents 'the force and mystery of life,' the true sight that 'sees the spiritual everywhere translucent in the material world.'" Perhaps what
Ferlinghetti wants his reader to do is to see the jazz music and the everyday images and the repetitive references to common culture found in his poems; and then see beyond them to "the spiritual everywhere translucent."
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Perhaps the best known of the poems is "The Great
Chinese Dragon", although one critic says that the Remedial-English style of this poem makes one doubt that Ferlinghetti would ever be able to write poetry again. Gregory Stephenson, incorporating quotes from "The Great Chinese Dragon", says the
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The poems are based mainly on a journey across the United States and a meditation on the Inca city of
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Robert L. Stilwell (Spring 1963). "Lawrence
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231:"Ferlinghetti, Lawrence (Vol. 111) - Introduction"
91:1961, USA, New Directions Publishing, Hardcover
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65:I find I need a large size typewriter case
63:As I approach the state of pure euphoria
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32:Starting from San Francisco
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151:Contemporary Poetry Review
69:and scars on my conscience
210:The Beloit Poetry Journal
73:the gum eraser of my skin
276:Culture of San Francisco
67:to carry my underwear in
71:are wounds imbedded in
45:Starting from Paumanok
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37:Lawrence Ferlinghetti
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