Knowledge (XXG)

Stash Records

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171:, Suite 411, New York City, then to 140 West 22nd Street, 12th floor, New York City. Founded as an independent jazz label – focused on non-commercial vintage jazz and blues. From the strength of profits from its early releases, particularly the album 677:(born 1930); Vice President; Bernard's widow (his second marriage); she is licensed in New York as a Clinical Social Worker, qualified in Psychotherapy, and is a Fellow of AIPP (American Institute of Psychotherapy and Psychoanalysis) 431:
Jass Records, Inc., a New York entity, incorporated June 21, 1985, dissolved June 27, 2001; Bernard Brighton, CEO; specialized in reissue compilations and releases of archival material; subsidiary and sub-label of Stash
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Latter; 1892–1896), and Bernard's two siblings, Abraham (1918–2002) and Sylvia (subsequent surnames – Mazer, then Lubars; 1916–1885), helped sustain the firm for almost a decade. They sold the firm in the early 1970s.
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in the 1930s, Brightman knew how closely they were linked. He was the first to realize, in the 1970s, that sex and drugs could be used to help sell vintage jazz and blues to younger, rock-oriented audiences.
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Before founding Stash Records, Bernard Brightman worked with his father's company, Brightman Products Co., Inc., maker Britemode "petites" and other ladies handbags and accessories – headquartered at 385
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vocal groups, and the teenagers of that era probably didn't think the expression was cool anymore. The origin of the phrase "Hoy Hoy" in black music of the 1940s is unknown. Bear Family Records GmbH,
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Daybreak M.O. Inc., a New York entity, incorporated April 29, 1994, dissolved December 29, 1999, doing business as Daybreak Records (M.O. stands for "mail order"); subsidiary and sub-label of Stash
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In 1992, Stash launched its mail-order division. Bernard (Bernie) Brightman (1921–2003) was the founder and ran it until it closed. In 1986, Stash announced a discovery of a tape featuring
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Viper's Nest Records, Inc.; Viper's Nest Records released, among other categories, a "Gold," "Discovery," and "Collectors Label" series; "viper" is a direct reference to the traditional
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Under the imprint of Jass Records, Stash released, among other things, themed compilations, including collections relating to women in jazz. Several albums in particular, including
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was an American independent jazz record label based in New York City that flourished from 1975 through the late 1990s. Its name was drawn from the subject of its first album,
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Bernard Brightman, who died Sunday at age 82, founded Stash Records, one of the most vibrant jazz labels of the 1970s and 1980s – and in its original conception, the most
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records, according to Wright, included the phrase in the lyrics, but after 1951 the expression wasn't heard much, since by then everything was changing over to
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Natasha Imports Inc., a New York entity, incorporated February 12, 1993, dissolved September 24, 1997; Bernard Brighton, CEO; subsidiary and sub-label of Stash
150:. Bernard's father, Max Brightman (1896–1962), founded and headed Brightman Products. When Max died in 1962, Bernard, his mother (Max's wife), Anna Brightman 586:
According to Wright's website (www.hoyhoy.com), "Hoy Hoy" was an expression commonly used in R&B lyrics from about 1945 to through 1951. It started with
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Vintage Jazz Classics Ltd. (VJC), a New York entity, incorporated February 16, 1990, dissolved December 27, 1995; subsidiary and sub-label of Stash
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William W. Friedwald (born 1961); Vice President; he often wrote liner notes and served as associate producer; he is currently a music critic
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The above described Hoy Hoy, Inc., is not connected with the current Tokyo-based Hoy-Hoy Records founded December 2014
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James W. Eigo (born 1947); CEO Mail Order Division; currently a jazz publicist connected with Jazz Promo Services,
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Bernard Benjamin Brightman; 1921–2003) founded the label in 1975, structured it as a New York entity May 4, 1977 –
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but in 1995, Hoy Hoy was sold out and out of print; so Stash licensed the compilation from Hoy Hoy released it as
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After the family business was sold, Bernard Brightman founded Stash Records in 1975. Initially located in
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Natasha Imports released several recordings from the 1940s and 1950s by artists that included
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Viper's Nest Records released a few collections with comical and/or taboo titles relating to
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Fredrick D. Brightman (born 1954); Vice President A&R; Bernard's son
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Marcia Marie Mullen; 1917–1997) with Vivian Lord (born 1929; mother of
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playing the saxophone with a six-piece jazz combo on a visit to
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band. In 1994, Stash's Daybreak label released a recording of
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Labels associated with Stash and affiliated entities
568:Hoy Hoy, Inc., was a Vermont corporation, based in 95: 87: 77: 69: 54: 46: 31: 26: 138:(at 36th Street, southeast corner) (1955) and 393 764: 762: 357: 634:Bernard Benjamin Brightman (January 24, 1921 298:VJC releases include several radio broadcast 8: 769:"Bernard Brightman; Founder Stash Records," 627: 402: 852:Defunct record labels of the United States 355:, a jazz critic who had worked for Stash: 23: 582:The Hoy Hoy Collection Rock Before Elvis. 736: 258:in a hotel with sidemen from the 1943 602:. Between 1945 and 1951, hundreds of 7: 857:1975 establishments in New York City 351:As stated in an obituary written by 142:(1961), with showrooms in Chicago, 14: 837:Record labels established in 1975 363:. Having partaken of both the 1: 646:), Brightman enlisted in the 648:United States Army Air Corps 324: 280:Forty Years of Women in Jazz 798:, February 15, 1886, pg. 64 669:Annetta Natasha Brightman, 873: 820:(retrieved April 26, 2016) 703: 691: 680: 664: 656: 629: 551: 541: 522: 495: 475: 455: 435: 414: 404: 347:Legacy of Bernie Brightman 146:, Los Angeles, Miami, and 707: 704: 695: 692: 687: 681: 668: 665: 660: 657: 633: 630: 548: 542: 430: 415: 411: 405: 340:The Copulatin' Collection 317:(when he was young), and 239:Dardanelle Breckenridge, 112:(1976). Bernie Brightman 235:, and Dardanelle Hadley 574:Hoosick Falls, New York 847:American record labels 652:17th Bombardment Group 644:attack on Pearl Harbor 396: 264:President Bill Clinton 441:Vintage Jazz Classics 294:Vintage Jazz Classics 167:, Stash moved to 611 16:American record label 650:, and served in the 516:jazz-age term for a 501:Viper's Nest Records 325:Viper's Nest Records 791:"Cannes Clippings," 756:, November 23, 2003 746:by Peter Keepnews ( 666:Natasha Brightman: 638:– November 9, 2003 631:Bernard Brightman: 118:Stash Records, Inc. 842:Jazz record labels 810:by Morgan Wright, 808:"What Is Hoy Hoy?" 700:and ejazznews.com 578:Rock Before Elvis; 544:Labels distributed 712: 711: 698:Warwick, New York 621: 620: 565: 536: 509: 489: 469: 449: 428: 335:When Hemp Was Hip 197:Branford Marsalis 129:Pre-Stash Records 103: 102: 88:Country of origin 50:Bernard Brightman 864: 821: 819: 816: 814: 805: 799: 788: 782: 766: 757: 741: 658:Fred Brightman: 628: 592:The Honeydripper 563: 562: 555: 534: 533: 526: 507: 506: 499: 487: 486: 479: 467: 466: 459: 447: 446: 439: 426: 425: 418: 403: 394: 65: 63: 42: 40: 24: 872: 871: 867: 866: 865: 863: 862: 861: 827: 826: 825: 824: 811: 806: 802: 789: 785: 781:, November 2003 767: 760: 742: 738: 733: 723:discography at 717: 708:Office Manager 626: 616: 615: 585: 584: 560: 559: 557:Hoy Hoy Records 553: 546: 531: 530: 524: 504: 503: 497: 484: 483: 477: 464: 463: 461:Natasha Imports 457: 444: 443: 437: 423: 422: 416: 409: 401: 395: 383: 375:) available in 367:and the potent 349: 333:or sex, namely 327: 319:Dizzy Gillespie 307: 305:Natasha Imports 296: 276: 249:Chris Lord-Alge 185:John Pizzarelli 161: 131: 126: 61: 59: 38: 36: 22: 17: 12: 11: 5: 870: 868: 860: 859: 854: 849: 844: 839: 829: 828: 823: 822: 800: 783: 773:Will Friedwald 758: 753:New York Times 748:Orrin Keepnews 735: 734: 732: 729: 728: 727: 716: 715:External links 713: 710: 709: 706: 702: 701: 694: 690: 689: 686: 683:Will Friedwald 679: 678: 667: 663: 662: 659: 655: 654: 632: 625: 622: 619: 618: 566: 550: 549: 547: 540: 539: 537: 521: 520: 510: 494: 493: 490: 474: 473: 470: 454: 453: 450: 434: 433: 429: 413: 412: 410: 400: 397: 385:Will Friedwald 381: 353:Will Friedwald 348: 345: 326: 323: 306: 303: 300:transcriptions 295: 292: 275: 272: 256:Charlie Parker 160: 157: 130: 127: 125: 122: 101: 100: 97: 93: 92: 89: 85: 84: 79: 75: 74: 71: 67: 66: 56: 52: 51: 48: 44: 43: 33: 29: 28: 20: 15: 13: 10: 9: 6: 4: 3: 2: 869: 858: 855: 853: 850: 848: 845: 843: 840: 838: 835: 834: 832: 818: 809: 804: 801: 797: 796: 792: 787: 784: 780: 779: 774: 770: 765: 763: 759: 755: 754: 749: 745: 740: 737: 730: 726: 722: 721:Stash Records 719: 718: 714: 699: 684: 676: 672: 653: 649: 645: 641: 637: 623: 613: 609: 605: 601: 597: 593: 589: 583: 579: 575: 571: 567: 558: 552: 545: 538: 529: 528:Cedar Records 523: 519: 515: 511: 502: 496: 491: 482: 481:Daybreak M.O. 476: 471: 462: 456: 451: 442: 436: 421: 408: 398: 392: 391: 386: 380: 378: 374: 370: 366: 362: 356: 354: 346: 344: 342: 341: 336: 332: 322: 320: 316: 315:Frank Sinatra 312: 304: 302: 301: 293: 291: 289: 285: 281: 273: 271: 269: 265: 261: 257: 252: 250: 246: 242: 238: 234: 230: 229:Jimmie Rowles 226: 222: 218: 214: 213:Helen Forrest 210: 206: 202: 198: 194: 193:Louis Bellson 190: 186: 182: 178: 174: 170: 166: 159:Stash Records 158: 156: 153: 149: 145: 141: 137: 128: 123: 121: 119: 115: 111: 107: 106:Stash Records 99:New York City 98: 94: 91:United States 90: 86: 83: 80: 76: 72: 68: 57: 53: 49: 45: 34: 30: 27:Stash Records 25: 19: 803: 793: 786: 778:New York Sun 776: 751: 739: 588:Cab Calloway 581: 577: 561:   556: 554:   543: 532:   527: 525:   505:   500: 498:   485:   480: 478:   465:   460: 458:   445:   440: 438:   424:   420:Jass Records 419: 417:   406: 390:New York Sun 388: 371:easily (and 358: 350: 338: 334: 328: 308: 297: 279: 277: 274:Jass Records 253: 240: 236: 217:Chris Connor 209:Buck Clayton 205:Doc Cheatham 201:David Murray 173:Reefer Songs 172: 162: 151: 140:Fifth Avenue 136:Fifth Avenue 132: 117: 113: 110:Reefer Songs 109: 105: 104: 21:Record label 18: 705:Amjad Ali: 596:Joe Liggins 570:Brattleboro 311:Stan Kenton 233:Steve Turre 189:Hilton Ruiz 831:Categories 731:References 693:Jim Eigo: 260:Earl Hines 177:Hank Jones 148:Pittsburgh 795:Billboard 640:Manhattan 624:Personnel 612:Hambergen 564:1994–1999 535:19??–19?? 508:1994–1999 488:1994–1999 468:1993–1997 448:1990–1995 427:1985–2001 369:marijuana 365:big bands 361:salacious 221:Mel Torme 750:' son), 636:Brooklyn 382:—  288:23470354 169:Broadway 165:Brooklyn 96:Location 73:Inactive 815:.hoyhoy 725:Discogs 673:, CSW, 608:doo-wop 604:R&B 518:pothead 373:legally 282:(1989; 225:Al Grey 124:History 60: ( 55:Defunct 47:Founder 37: ( 32:Founded 600:bridge 514:Harlem 393:, 1962 377:Harlem 286:  268:Prague 144:Dallas 70:Status 594:" by 407:Owned 181:Bucky 78:Genre 817:.com 675:LCSW 337:and 331:weed 284:OCLC 247:and 237:(aka 183:and 152:(nÊe 82:Jazz 62:1998 58:1998 39:1975 35:1975 813:www 771:by 671:MSW 251:). 245:Tom 241:nÊe 114:(nÊ 833:: 775:, 761:^ 685:: 387:, 343:. 321:. 313:, 270:. 231:, 227:, 223:, 219:, 215:, 211:, 207:, 203:, 199:, 195:, 191:, 187:, 179:, 64:) 41:)

Index

Jazz
Fifth Avenue
Fifth Avenue
Dallas
Pittsburgh
Brooklyn
Broadway
Hank Jones
Bucky
John Pizzarelli
Hilton Ruiz
Louis Bellson
Branford Marsalis
David Murray
Doc Cheatham
Buck Clayton
Helen Forrest
Chris Connor
Mel Torme
Al Grey
Jimmie Rowles
Steve Turre
Tom
Chris Lord-Alge
Charlie Parker
Earl Hines
President Bill Clinton
Prague
OCLC
23470354

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