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343:. Pimenov completed this statue in 1811, depicting Alexander Nevsky after his victory, lowering his shield, removing his armor and turning to the sky. With the consecration of the Kazan Cathedral in 1811, Pimenov was awarded a diamond ring for his work. The Academy elected him an academician in 1807 for his sculpture of Vladimir the Great and he was employed as a teacher at the Academy from 1809, becoming a professor in September 1814. His teaching career lasted for most of the rest of his life, retiring in 1830. He held his post at the Academy alongside a position with the
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262:. Pimenov received several awards during his studies, including a large silver medal in 1801 "for sculpting from life", a small gold medal in 1802 for his bas-relief composition "Jupiter and Mercury visiting Philemon and Baucis in the form of wanderers", and a large gold medal in the autumn of 1803 for his "Killing of Two Viking-Christians who refused to bow to Perun". In 1802 he took part in the competition to design a gravestone for his mentor, sculptor Mikhail Kozlovsky. It was won by a design by
347:, which he joined on 15 June 1809, creating designs for vases, dishes and statuettes. His work included the Guryevsky service, featuring figures of Russian girls and boys in national costumes. He was also responsible for small genre porcelain figurines based on Russian peasants. These included "Girl with a Yoke" and "Boy-Waterman", similar in style to the paintings of
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from 1818 onwards. In the
Yelagin Palace Pimenov created statues for the facades of the kitchen building: bas-reliefs for the greenhouse and high-relief figures for the lobby. For the Mikhailovsky Palace his work included the composition of winged figures of Glory, trophies in the timpanas of the
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Born in 1784, Pimenov attended the
Imperial Academy of Arts and distinguished himself there, winning several medals for his artistic compositions. Graduating in 1803, he was soon involved in an important commission, working with several other famous sculptors and artists on Andrey Voronikhin's
480:. Nicholas criticised Pimenov's characters for the Narva Arch as being too thin, and ordered a new competition. Pimenov was forced to resign from the Academy, though he was still able to complete his design for the Arch, sculpting the figures of "Glory", and supporting characters in 1832.
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in 1807. Pimenov depicted Prince
Vladimir as a militant and courageous leader, trampling on a pagan altar with a sword in one hand and a wooden cross in the other. With the successful completion of this commission, Pimenov was given the task of creating a statue of
270:. He graduated from the Academy in 1803 with his degree certificate, an honorary sword, and the title of an artist of the 14th class. Pimenov's academic credentials gave him the right to travel and live abroad, though with the international upheaval of the
378:. The entrance portico was to be decorated with two sculptural groups at the corners of the staircase. "The Abduction of Proserpina" was executed by Demut-Malinovsky, and "Hercules and Antaeus" by Pimenov. In 1810 he sculpted the tombstone of Prince
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and Ivan
Prokofiev on a series of large plaster bas-reliefs to decorate the ceiling of the Academy of Arts. Pimenov was responsible for the bas-relief depicting "Painting".
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ordered them removed and destroyed, apparently due to their being in a dilapidated state. From around 1817 Pimenov began working with architect
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main facade and numerous reliefs above the ground floor windows. He also produced decorations for the interiors, though only
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in 1817, with
Pimenov sculpting warriors for the facades. Between 1819 and 1820 he worked with fellow sculptors
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A. F. Dmitrienko; E. V. Kuznetsova; O. F. Petrova; N. A. Fedorova, eds. (1971). "Степан Степанович Пименов".
511:, also became a noted sculptor. In 1936 the remains of both Stepan and Nikolai Pimenov were reburied in the
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over the same period. In 1830 he had produced a similar composition to the
General Staff Building's one for
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Pimenov worked with Demut-Malinovsky and Rossi on several large commissions, producing works for the
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Towards the end of his life
Pimenov continued to carry out large commissions, his works adorned the
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In 1809 Pimenov was again working with
Voronikhin on the design and construction of the
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in 1784. His father, Stepan
Afanasyevich Pimenov, was a civil servant with the rank of
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In 1827 Demut-Malinovsky and
Pimenov sculpted decorations for the arch of Rossi's
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of the arch. Pimenov's later work included the chariot of Apollo for the
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he elected not to do so, eventually spending his whole life in Russia.
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22 March] 1833 at the age of 49 and was buried in the
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between 1831 and 1832, and statues of Homer and Plato for the
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in Moscow. He also took part in the competition to design a
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22 March] 1833) was an artist and sculptor of the
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in the gallery and bas-reliefs in the White Hall survive.
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for the cathedral, which had originally been entrusted to
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Awarded with a large gold medal of the Academy of Arts
606:(in Russian). Биографии. История жизни великих людей
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643:(in Russian). Sankt Peterburg Entsiklopediya
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