762:). Says Ratcliffe on Wordsworthâs practice: "writing that transcribes actual things/actions/events in the world as they were, or seemed to be in that present moment of seeing/noting them. The writing in REAL tries to do something of this 'translation' of world into words, not as Dorothy Wordsworth did (whatever she did!) because I'm trying to give a 'shape' to things (the lines) on the page (among other things), but I'm interested to think of her work at this point, having written REAL."
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was about the physical ("real") world in relation to what we âmake of itâ in our perception & thinking/feeling, I see now that itâs also ABOUT time, time passing in fact --- one moment at a time, one day at a time, throughout a lifetime in fact, while weâre âhereâ as such. So the physical takes
660:
in his interview, both
Schrader and Ratcliffe acknowledge that working as a publisher and editor in the world of small press publication is but another facet of devotion to a practice that would âpresent and channel yourself and others this is the story behind Avenue
366:
Ratcliffe never strayed far from the themes of "music" and "being in number" discovered in his initial "Campion project". He has not abandoned the touchstone that is
Mallarmé, whose work he appropriated mid-career, culminating with 1998's
506:
the following works are on-going projects designated by
Ratcliffe as trilogy / triptych(s). The dates in indicate the time period during which the work was written. For example, indicates February 9, 1998 - May 28,
312:" 'crisis of the subject', but continues to invest itself, with increasing compactness and stability, in themes and obsessions he has delineated throughout his career, vocation, and a life devoted to "making" or
814:
The complete text of
Ratcliffeâs book, composed from October 19, 2002 through July 14, 2005. Part of Ubuwebâs series ââPublishing the Unpublishableââ â 026: ubu editions www.ubu.com
808:
The complete text of
Ratcliffeâs book, composed from July 2, 2001 through October 18, 2002. Part of Ubuwebâs series ââPublishing the Unpublishableââ â 025: ubu editions www.ubu.com
585:, presumably up through its 1,000th day. "Temporality" is continuing on Ratcliffe's blog past that day (January 4, 2011). Perhaps a new triptych has been started.
758:âs journal writing in her own âreal timeâ, a kind of practice similar and different from Ratcliffeâs own (D. Wordsworthâs journal was subsequently published as
127:
As of 2010, Ratcliffe has published at least 19 books of poetry (21 including the e-editions on Ubuweb) and as the editor and publisher of Avenue B Press.
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project, becomes the insistent 'capture' of what, following on
Merleau-Ponty, it could mean for us to be "meeting time on the way to subjectivity".
371:. Ratcliffe's discussions of his writing processes, both in his interviews and essays, continue to acknowledge, along with Mallarmé, that:
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343:. Along the way, in either direction, Ratcliffe may take instruction from practices as widely divergent as the radicalized "quietude" of
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Iâve been working "serially" for a long time now...Thatâs one of the things Iâve begun to realize, that whereas I thought the work in
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Ratcliffe recognizes that his own particular commitment to writing has, over the years, displayed itself as something which works "
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where he has been an instructor for more than 25 years, and continues to teach
Creative Writing (poetry) and Literature (poetry,
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during this time period as a defining event in his artistic development and poetic practice up to this point.
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from the publisher of
Ratcliffe's most recent book of criticism: ââReading the Unseen: (Offstage) Hamletââ
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place in & by means of the temporal â hence "temporality" (maybe I will call the work Iâm doing now
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this page has a link to a selection of poems from his 2002 collection ââPortraits & Repetitionsââ
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and critic who has published a number of books of poetry and three books of criticism. He lives in
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The materiality of page, ink, paragraph, and spacing is often just as important as the logic of
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Such an intense avowal implicates
Ratcliffe's project within a timeline moving forward from the
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and is the publisher of Avenue B Press. He was the director of the
Creative Writing program at
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From this perspective, Ratcliffe's work not only addresses (tacitly) the concept of the "
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Ratcliff draws much of his inspiration from where he lives in Bolinas, California.
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By the early 1980s, Ratcliffe had begun to read and âlearnâ about, and from, the
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551:#26 in the âPublishing the Unpublishableâ series available complete and on-line
532:#25 in the âPublishing the Unpublishableâ series available complete and on-line
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which is about when I started to read the essay called âTemporalityâ (by
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commenting on REAL, Ratcliffe compares and contrasts this work with
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to finish his bachelor's degree and complete his PhD. He was also a
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181:, a fellow poet from Bolinas, gave Ratcliffe his set of original
297:
Ratcliffe's writing from the past decade, beginning with 2000's
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635:"Bio Notes and Acknowledgements" in Young, Stephanie, editor.
480:(Santa Barbara, CA: Santa Barbara Review Publications, 1998)
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features Cage's engraving "Changes and Disappearances, #35"
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http://www.ubu.com/ubu/unpub/Unpub_025_Ratcliffe_Cloud.pdf
706:. London & New York: Routledge Classics, 2002; p. 476
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an ongoing project appearing daily here as a blog text:
736:. Cambridge MA: Harvard University Press, 2007; p. 299
512:
Triptych/Trilogy ~ each book is 474 pages/days :
162:
The focus of Ratcliffe's early academic career was on
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spaces in the light said to be where one/ comes from
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spaces in the light said to be where one/ comes from
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for one and a half years before transferring to the
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Ratcliffe Homepage @ EPC â Electronic Poetry Center
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37:
21:
543:Triptych/Trilogy ~ each book is 1,000 pages/days:
462:). (Bolinas/Oakland, CA: Avenue B / O Books, 1991)
715:the jacket cover of Ratcliffe's 1992 publication
728:from "Translator's Note" in Mallarmé, Stéphane.
301:and stretching towards his most recent, ongoing
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217:foreground, sound of waves breaking in channel
214:ridge, quail landing on redwood fence in right
211:grey whiteness of clouds in front of invisible
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246:grey-white sky reflected in plane of channel,
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468:(Elmwood, CT: Potes & Poets Press, 1992)
449:(Elmwood, CT: Potes & Poets Press, 1989)
249:shadowed slope of sandstone point on horizon
29:
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818:Ratcliffe Author Page @durationpress.com
639:, Cambridge, MA: Faux Press, 2006; p 493
453:Talking in Tranquility: Interviews with
437:(Los Angeles, CA: Echo Park Press, 1987)
598:
166:. Ratcliffe has pointed to his work on
677:Stephen Ratcliffe / Jeffrey Schrader:
486:(Elmwood, CT: Potes & Poets, 1999)
412:(Denver, CO: Counterpath Press, 2010)
410:Reading the Unseen: (Offstage) Hamlet
293:) in the first place -- who knows?).
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149:University of California at Berkeley
139:area when he was 4 and has lived in
331:, or moving backward in time from
784:includes a reading of HUMAN/NATURE
492:(Plein Air Editions) â forthcoming
400:(Routledge & Kegan Paul, 1981)
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849:American book publishers (people)
788:Ratcliffe Author Page @ PENNSound
685:: this interview is appearing in
693:, an on-line literary periodical
549:(Ubu editions, 2007) –
224:temporal in the empirical sense,
782:Audio performances by Ratcliffe
565:available complete and on-line
530:(Ubu editions, 2007) –
236:red right angle, more and more,
143:since 1973. Ratcliffe attended
518:(The Post-Apollo Press, 2002)
406:(Albany, NY: SUNY Press, 2000)
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610:"Stephen Ratcliffe | Jacket2"
431:(Bolinas, CA: Avenue B, 1986)
443:(Oakland, CA: O Books, 1989)
704:Phenomenology of Perception
458:(edited by Ratcliffe &
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776:Publisherâs Ratcliffe Page
563:(Eclipse, 2010) –
516:Portraits & Repetition
689:, a remodeled version of
351:and chance procedures of
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801:poems from CLOUD / RIDGE
745:dissertation at Berkeley
702:Merleau-Ponty, Maurice.
561:Remarks on Color / Sound
425:(Tombouctou Books, 1983)
285:, which can begin after
478:Mallarmé: Poem in Prose
369:Mallarmé: Poem in Prose
192:Poetics and recent work
135:Ratcliffe moved to the
96:(born July 7, 1948, in
844:English-language poets
474:(Littoral Books, 1996)
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252:
869:Poets from California
864:Mills College faculty
387:Selected bibliography
291:Maurice Merleau-Ponty
239:gives the curved line
227:consciousness of time
593:Notes and references
404:Listening to Reading
299:Listening to Reading
104:) is a contemporary
854:American male poets
756:Dorothy Wordsworth
164:Renaissance poetry
760:Grasmere Journals
691:Jacket (magazine)
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524:(Avenue B, 2007)
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325:Stéphane Mallarmé
321:Renaissance poets
177:after his friend
137:San Francisco Bay
124:) courses there.
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398:Campion: On Song
333:Leslie Scalapino
287:Remarks on Color
274:Remarks on Color
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48:July 7, 1948
839:1948 births
795:Temporality
793:poems from
730:Divigations
637:Bay Poetics
614:jacket2.org
582:Temporality
575:Temporality
329:Henry James
303:Temporality
283:Temporality
257:Temporality
185:magazines.
141:Bolinas, CA
122:Shakespeare
118:Oakland, CA
110:Bolinas, CA
833:Categories
619:2020-10-08
441:BIRDS SANG
310:postmodern
60:Occupation
54:Boston, MA
44:1948-07-07
681:7.19.08.
679:Interview
472:Sculpture
392:Criticism
353:John Cage
347:, or the
106:U.S. poet
83:.blogspot
68:Publisher
577:–
429:Distance
357:see also
198:serially
157:Stanford
687:Jacket2
447:Sonnets
335:to the
314:poiesis
74:Website
417:Poetry
377:syntax
270:NATURE
98:Boston
507:1999.
381:sense
278:Sound
266:HUMAN
255:from
683:Note
568:here
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522:REAL
502:note
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85:.com
64:Poet
38:Born
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