544:, urging him to compare the original script with the RKO version, as he felt that the religious theme he had written into the screenplay had been lost. The conflict eventually led to Rossellini and RKO taking legal action against each other over the international distribution rights to the film. The exact outcome is unknown, but the unrestored RKO version of the film, as distributed, is 102–105 minutes long. It lists credits that were missing in the first RKO version, but it still has 1950 as the production year, and the same MPAA number as the 81-minute version. This indicates that the differences were resolved rather quickly.
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never able to make the lines real nor the emotion sufficiently motivated to seem more than an exercise ... The only visible touch of the famed
Italian director is in the hard photography, which adds to the realistic, documentary effect of life on the rocky, lava-blanketed island. Rossellini's penchant for realism, however, does not extend to Bergman. She's always fresh, clean and well-groomed."
22:
460:. She soon discovers that Stromboli is very harsh and barren, not at all what she expected, and the people very traditional and conservative. Many fishermen show hostility and disdain towards this foreign woman who does not follow their ways. Karin becomes increasingly despondent and eventually decides to escape the volcanic island.
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The film is the result of a famous letter from Ingrid
Bergman to Roberto Rossellini, in which she wrote that she admired his work and wanted to make a movie with him. Bergman and Rossellini set up a joint production company for the film, Societ per Azioni Berit (Berit Films, sometimes written as Bero
531:
The terms of
Rossellini's contract with RKO stated that all footage had to be turned over to RKO, which would edit an American version of the film, based on Rossellini's Italian version. However, the US version was eventually made without the director's input. Rossellini protested, and claimed that
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agreed, writing, "Director
Roberto Rossellini purportedly denied responsibility for the film, claiming the American version was cut by RKO beyond recognition. Cut or not cut, the film reflects no credit on him. Given elementary-school dialog to recite and impossible scenes to act, Ingrid Bergman's
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is perhaps best remembered for the extramarital affair between
Rossellini and Bergman that began during the production of the film, as well as their child born out of wedlock a few weeks before the film's American release. In fact, the affair caused such a scandal in the United States that church
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is fully explained only in a final scene that brings into harmony the protagonist's state of mind and the imagery. This structure...suggests a belief in the transformative power of revelation. Forced to drop her suitcase (itself far more modest than the trunks she arrived with) as she ascends the
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opened his review by writing: "After all the unprecedented interest that the picture 'Stromboli' has aroused — it being, of course, the fateful drama which Ingrid
Bergman and Roberto Rossellini have made — it comes as a startling anticlimax to discover that this widely heralded film is incredibly
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was also negative, writing that
Rossellini's "extempore method is sadly out of place in a film dealing with personal relationships and, although there are indications that Karin is intended to be a complex and interesting character, these are never developed, and her motives and actions remain
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feeble, inarticulate, uninspiring and painfully banal." Crowther added that
Bergman's character "is never drawn with clear and revealing definition, due partly to the vagueness of the script and partly to the dullness and monotony with which Rossellini has directed her." The staff at
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volcano, Karin is stripped of her pride and reduced — or elevated — to the condition of a crying child, a kind of first human being who, divested of the trappings of self, must learn to see and speak again from a personal "year zero" (to borrow from another
Rossellini film title)."
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unpredictable. Other characters have no real identity, and hardly begin to come alive ... Ingrid
Bergman makes a gallant effort with a part ill-conceived and scripted, and calling for a personality and quality which she cannot command."
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groups, women's clubs, and legislators in more than a dozen states around the country called for the film to be banned, and Bergman was denounced as "a powerful influence for evil" on the floor of the US Senate by Colorado Senator
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lamented, "It's a pity that many people who never go to foreign-made pictures will be drawn into this by the Rossellini-Bergman names and will think that this flat, drab, inept picture is what they've been missing."
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RKO's 81-minute version was radically different from his original 105-minute version. Rossellini obtained support from Father Félix Morlión, who had been involved in the screenwriting. He sent a telegram to
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called the film "one of the pioneering works of modern European filmmaking." In an expansive analysis of the film, critic Fred Camper wrote of the drama, "Like many of cinema's masterpieces,
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wrote: "As entertainment, it does have a few moments of distinction, but on the whole it is a dull slow-paced piece, badly edited and mediocre in writing, direction and acting."
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article dated March 12, 1950, reported that the film had not yet been shown publicly in Italy. Apparently, few Italians had a chance to see the film until it was screened at the
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found that there was "nothing whatsoever in the footage that rises above the humdrum", and felt that Bergman "doesn't really seem to have her heart in any of the scenes."
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Dagrada, Elena. "A Triple Alliance for a Catholic Neorealism: Roberto Rossellini According to Felix Norton, Giulio Andreotti and Gian Luigi Rondi."
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camp by marrying an Italian ex-POW fisherman (Mario Vitale), whom she meets in the camp. He promises her a great life in his home island of
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Recent assessments have been more positive. Reviewing the film in 2013 in conjunction with its DVD release as part of
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Films). She also helped Rossellini to secure a production and distribution deal with
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Coe, Richard L. (February 16, 1950). "All That Fuss, and The Thing Is Dull".
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Most villagers are played by actual people from the island, as is typical of
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critics' poll also listed it as one of the 250 greatest films of all time.
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Eds. Daniel Biltereyst and Daniela Treveri Gennari. Routledge, 2014.
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was awarded the Rome Prize for Cinema as the best film of the year.
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Crowther, Bosley (February 16, 1950). "The Screen In Review".
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456:, a volcanic island located between the mainland of Italy and
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The film opened Feb. 15, 1950 in the United States and was a
798:"Ecco i cento film italiani da salvare Corriere della Sera"
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McCarten, John (February 25, 1950). "The Current Cinema".
728:— A 2012 Italian documentary film about the filming of
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Slow Fade to Black: The Decline of RKO Radio Pictures
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858:"Rossellini's 'Stromboli' Awarded Prize of Rome".
879:Moralizing Cinema: Film, Catholicism, and Power.
956:"'Stromboli' Gets Prize As Best Italian Film".
896:"Rossellini and Bergman's Break From Tradition"
764:. Rockhampton, Qld. 24 February 1950. p. 1
421:. The drama is considered a classic example of
413:), is a 1950 Italian-American film directed by
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677:among the 100 most important Italian films ("
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487:Mario Sponzo as The Man from the Lighthouse
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772:– via National Library of Australia.
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1088:, 2000. Last accessed: December 31, 2007.
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106:Learn how and when to remove this message
1135:. University of California. p. 98.
787:film review; February 18, 1950; page 26.
595:in America, however, was very negative.
939:"Senator Proposes U. S. Film Control".
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553:11th Venice International Film Festival
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448:in Italy, who secures release from an
428:In 2008, the film was included on the
430:Italian Ministry of Cultural Heritage
7:
1595:Films directed by Roberto Rossellini
44:adding citations to reliable sources
1007:"'Stromboli' with Ingrid Bergman".
490:Gaetano Famularo as Man with Guitar
1610:Films set in the Mediterranean Sea
14:
1375:(segment: "Ingrid Bergman", 1953)
894:Kehr, Dave (September 27, 2013).
756:"FILM 'STROMBOLI'S' BIG EARNINGS"
493:Angelo Molino as Baby, uncredited
444:Bergman plays Karin, a displaced
135:Italian theatrical release poster
1640:Films scored by Renzo Rossellini
1590:Films about immigration to Italy
1476:The Taking of Power by Louis XIV
1351:(segment: "Envie, L'Envy", 1952)
1099:"STROMBOLI, TERRA DI DIO (1950)"
681:") from 1942–1978. In 2012, the
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31:needs additional citations for
1585:American black-and-white films
1575:English-language Italian films
1471:(segment: "Illibatezza", 1963)
1383:(segment: "Napoli 1943", 1954)
1356:The Machine to Kill Bad People
843:AFI Catalog of Feature Films:
542:Production Code Administration
1:
1645:Italian black-and-white films
434:100 Italian films to be saved
1570:1950s Italian-language films
1202:Modern Marriage on Stromboli
1082:, film analysis and review.
679:100 film italiani da salvare
1630:American multilingual films
1131:Jewell, Richard B. (2016).
334:September 8, 1952
290:February 15, 1950
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1635:Italian multilingual films
1508:L'età di Cosimo de' Medici
1340:The Flowers of St. Francis
1186:titles and selected scenes
55:"Stromboli" 1950 film
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1061:The Monthly Film Bulletin
646:The Monthly Film Bulletin
312:October 8, 1950
301:August 17, 1950
128:
1580:Italian neorealist films
1013:: 26. February 18, 1950.
996:: 13. February 15, 1950.
928:: 90. February 20, 1950.
922:"Storm over Stromboli".
725:The War of the Volcanoes
655:The Criterion Collection
323:April 12, 1952
1412:Giovanna d'Arco al rogo
570:for her performance in
411:Stromboli, terra di Dio
683:British Film Institute
591:Initial reception for
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402:Stromboli, Land of God
1348:The Seven Deadly Sins
1068:(197): 83. June 1950.
945:: 33. March 15, 1950.
864:: 21. March 13, 1950.
1650:1950s American films
1625:American drama films
1615:Films set on islands
1428:General Della Rovere
1284:The Man with a Cross
1211:Criterion Collection
962:: 5. March 13, 1950.
761:The Morning Bulletin
713:Strombolian eruption
671:Venice Film Festival
555:on August 26, 1950.
514:and its then owner,
163:Gian Paolo Callegari
40:improve this article
1655:1950s Italian films
1605:Films set in Sicily
1565:Italian drama films
1120:. February 4, 1950.
1116:"Of Local Origin".
1044:The Washington Post
959:The Washington Post
636:The Washington Post
1620:RKO Pictures films
1600:Films set in Italy
1420:India: Matri Bhumi
1324:Germany, Year Zero
1248:Roberto Rossellini
1246:Films directed by
1177:TCM Movie Database
1010:Harrison's Reports
976:The New York Times
942:The New York Times
901:The New York Times
784:Harrison's Reports
616:Harrison's Reports
602:The New York Times
580:Critical reception
525:Germany, Year Zero
423:Italian neorealism
415:Roberto Rossellini
277:RKO Radio Pictures
264:RKO Radio Pictures
193:Roberto Rossellini
185:Roberto Rossellini
145:Roberto Rossellini
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1500:Agostino d'Ippona
1388:Where Is Freedom?
1380:Mid-Century Loves
861:Los Angeles Times
848:Linked 2013-10-20
845:Stromboli – Notes
833:Linked 2013-10-20
830:Stromboli – Notes
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210:Mario Vitale
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38:Please help
33:verification
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1532:The Messiah
1468:Ro.Go.Pa.G.
388:US$ 900,000
260:Berit Films
190:Produced by
141:Directed by
1555:1950 films
1549:Categories
1460:Anima nera
1364:Europe '51
807:2021-03-11
742:References
695:Box office
584:In Italy,
505:Background
499:neorealism
478:as Antonio
450:internment
446:Lithuanian
338:1952-09-08
327:1952-04-12
316:1950-10-08
305:1950-08-17
294:1950-02-15
250:Production
118:1950 film
66:newspapers
1516:Cartesius
1444:Garibaldi
1332:Stromboli
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663:Stromboli
659:Dave Kehr
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586:Stromboli
573:Anastasia
559:Stromboli
454:Stromboli
396:Stromboli
377:Languages
360:Countries
298: (US)
252:companies
229:Edited by
124:Stromboli
1524:Anno uno
1484:Socrates
768:21 March
707:See also
472:as Karin
239:Music by
198:Starring
182:Story by
168:Art Cohn
1316:L'Amore
1209:at the
1191:YouTube
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907:June 2,
735:Vulcano
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407:Italian
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538:MPPDA
366:Italy
87:JSTOR
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1404:Fear
1166:IMDb
1137:ISBN
925:Time
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770:2013
732:and
669:The
464:Cast
440:Plot
59:news
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