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a diversified approach by integrating strategic marketing and research concepts into their solutions. Part of their success is also due to their openness to design on a global scale, joining the best design schools in
America and Europe, but also sporadically partnering with designers from diverse backgrounds. These associations allowed G + A employees to see and apprehend several graphic styles influenced by the different pathways and professional experiences of each guest designer. These exchanges are not unrelated to the Swiss style adopted by G + A, which was a Canadian detonator and competed with major international agencies such as Pentagram in London, Total Design in the Netherlands or Unimark in Chicago.
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Following the appearance of the visual identity for Expo 67, in addition to Canada's 100th birthday, Stuart Ash was awarded the
Canadian Centennial Medal in 1968, a medal awarded to all Canadian professionals who contributed to the cultural, economic and advertising development of the country in this
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In 2008, he received the
Lifetime Achievement Award from the Society of Graphic Designers of Canada (SGDC), also known as the Fellowship Award, awarded to Canadian graphic designers who have contributed significantly to the development of the discipline or who have influenced and developed the field
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The company quickly became a staple on the international scene. The growth of the company benefits in particular from the visibility brought by the Expo 67 to the city of
Montreal in the design circles. On the other hand, their overall vision of design goes beyond the graphic aspect; they offer
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in 1965. In 1966, Ash and
Gottschalk joined together to create Gottschalk + Ash. This new agency quickly built an international reputation. He remained at the head of this agency, until his retirement in 2007. He was present, in 2012, at the signing of the contract between G + A and
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Over the years, G + A opened several offices in
America and Europe. In 1972, they moved to Toronto, then to New York in 1978. Gottschalk then went to Switzerland to establish an office in Zurich in 1979, while the Calgary office was inaugurated in 1997. Today, G + A still has offices in
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In 2012, Stuart Ash participated in the signing of the agreement between G + A and Entro; an environmental communication firm that occupies offices on every continent. They are recognized for associating frequently with renowned architects in order to design sustainable communication strategies
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The graphic universe of
Gottschalk + Ash impresses the lack of ornamentation. The company considers that ornaments are not necessary. However, that the message or information must be well understood by the public. That's why G + A was largely a corporate client. It offers a simple, straight and
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In 1966 in
Montreal, Stuart Ash teamed up with Swiss-born designer Fritz Gottschalk to found Gottschalk + Ash International. The philosophy of the design agency aims to provide global companies with "solutions tailored to the public's vision". The creative duo relies on a healthy
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geometric international design. Their achievements show a play in space and composition. In addition, Helvetica is the featured typography of their works. The international style of Swiss and
Canadian influence makes their graphic works something unique.
197:, among others. During the 1960s, these advertising agencies were among the most popular in Canada. They were mainly recognized for their typographic creations and their large-scale advertising campaigns. While working at Cooper & Beatty, he met
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Toronto and Zurich. Stuart Ash retired in 2007 and sold
Calgary and Toronto offices to DW + Partners, a business partnership that is actively involved in Canadian design development.
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Umchlag und ganze Seite eines Falprospektes, mit dem sich eine Firma als Agentin für Künstler empfiehlt. Grün und Blau auf Shwarz. (1970-1971)
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By working on the centennial logo, he met Fritz Gottschalk, a designer of Swiss origin, with whom he conceived the visual identity of the
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Cover of a booklet on a Roche tranquillizer for use in depressive states. Black and Blue 1967-1968
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relationship of internal competition where each of the parties is complementary to the other.
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Cover (blue and red) and spread from an annual report of the Canada Council. (1970-1971)
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Stuart Ash's personal work has also been exhibited; among others at the
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logo, used on many metric products in Canada during the 1970s and 1980s
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In the same year 1968, he was the host of the annual congress of the
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Canadian Centiennial Symbol's Visual Identity + Stationery - 1966
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from the article and its talk page, especially if potentially
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in 1964. Upon leaving school, he worked among others with
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adapted to contemporary trends in environmental design.
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Mark for Champlain Container and Box Co. Ltd. 1967-1968
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in 1998 for the influence of his work across Canada.
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323:The Quick, the Slick and the Familiar - 1995
213:Entro, an environmental communication firm.
56:about living persons that is unsourced or
329:fhk henrion AGI Annals 1950 - 1980 - 1989
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326:Visual identity of Gottschalk+Ash - 1966
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427:http://www.communicationdesigners.org/
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503:People from Hamilton, Ontario
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371:CCCA Canadian Art Database
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