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was a harmonious example of pictorial unity; to the contrary, Hofmann saw the painting as a "coded manifesto", a rejection by Menzel of academic canons in favor of an aesthetic that celebrated the fragmentary and disjointed, and symbolic of the triumph of painting over sculpture. Fried rejects
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The painting depicts a red colored wall of the artist's studio at night, upon which are hung a series of plaster casts illuminated from below. The casts include portrait busts, death masks and life masks of friends of the artist, children, classical personae such as
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Hofman's view of fragmentariness and anti-academicism, seeing the picture as a structured composition of objects arranged in successive rows. For Fried the likeliest allegorical meaning would be the sublimation of tangible existence to that of "
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in Berlin. That painting features casts of two arms and a separate hand, the arms arranged so as to suggest a relationship to a body from which they have been removed.
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Gisela Hopp, "Menzels 'Atelierwand' als Bildträger von
Gedanken über Kriegsnot und Machtmissbrauch,"
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96:, 1872–1875. Oil on canvas, 158 cm × 254 cm. Alte Nationalgalerie. Begun in the same year as
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was preceded by a work of the same title painted in 1852, an oil on paper now in the
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111 cm × 79.3 cm (44 in × 31.2 in)
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may have been inspired by
Friedrich Eggers' description of steel mills.
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Menzel's
Realism: Art and Embodiment in Nineteenth-Century Berlin
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Adolph Menzel 1815–1905: Between
Romanticism and Impressionism
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Interpretations of the work vary greatly. For art historian
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The
Meeting of Frederick II and Joseph II in Neisse in 1769
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Departure of King
Wilhelm I for the Army, July 31, 1870
335:. London and New Haven: Yale University Press, 1996.
321:. London and New Haven: Yale University Press, 2002.
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is also seen as related to Menzel's larger painting
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354:Jahrbuch der Berliner Museen
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514:Paintings by Adolph Menzel
422:The Berlin-Potsdam Railway
430:Laying out the March Dead
406:Falcon Attacking a Pigeon
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16:Painting by Adolph Menzel
331:Keisch, Claude, et al.
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78:Hamburger Kunsthalle
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24:Studio Wall
503:Categories
309:References
301:Fried, 246
283:Fried, 242
251:Fried, 249
242:Fried, 245
224:Fried, 241
177:painting.
175:alla prima
66:Dimensions
398:Paintings
135:Schiller
74:Location
488:Realism
481:Related
82:Hamburg
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143:Wagner
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197:Notes
131:Dante
337:ISBN
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133:and
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383:e
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