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65:. Ernst later described Stupid as "a secession from Cologne Dada. As far as Hoerle and especially Seiwert were concerned, Dada's activities were aesthetically too radical and socially not concrete enough". Seiwert described the group's esthetic: "We are attempting to be so clear that everyone will be able to understand us."
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Räderscheidt's studio was their base of operations, but by 1920 he had abandoned the constructivist style. The group exhibited together and issued a publication, "Stupid 1", before disbanding. Many of the members joined the
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The Stupid group aimed to address sociopolitical issues through an art of proletarian character. Seiwert and Räderscheidt had previously been active in the
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German Post-Expressionism: the Art of the Great
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Max Ernst collages: the invention of the surrealist universe
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Art in the Modern Era: A Guide to
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189:Michalski, Sergiusz (1994).
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124:Crockett 1999, p. 80.
106:Dempsey 2002, p. 295.
52:Franz Wilhelm Seiwert
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