428:
475:, as the first entry in the Sub Pop Singles Club, a subscription service that would allow subscribers to receive singles by the label on a monthly basis by mail. At its peak in 1990, the club had two thousand subscribers. The club made Sub Pop a powerful force in the Seattle scene, and effectively made the label's name synonymous with the music of the Seattle area—much in the same way
43:
545:
to
Seattle to write an article on the local music scene. As Pavitt had anticipated, the British press became enamoured with Sub Pop and the grunge sound. Pavitt said, "I really felt that the Brits and the Europeans wanted to see something that was unruly and that was more of an American archetype --
455:
and decided that virtually every successful movement in rock music had a regional basis. The pair sought to create a cohesive brand identity for Sub Pop. The label's ads promoted the label itself more than any particular band. The label also sought to market a "Seattle sound", which was accomplished
435:
In early 1988, Pavitt and
Poneman quit their jobs to devote their full attention to Sub Pop. Raising $ 43,000, they incorporated on April 1, 1988. "Of course that was spent in, like, thirty days", Pavitt recalled. "We almost went bankrupt after a month". That August Sub Pop released the first single
418:
that
October. Poneman soon became a full partner in the label. Pavitt focused on the label's artists and repertoire aspects, while Poneman dealt with the business and legal issues. Both men decided they wanted the label to focus on "this primal rock stuff that was coming out," according to Pavitt.
627:
Poneman and Pavitt had a disagreement about the direction the label should take, with
Poneman wanting the label to become larger and make more money. In 1996, unable to take the new corporate culture following the Warner partnership, Pavitt left the label and was able to spend more time with his
581:(1991). A stipulation was also implemented where selected future Nirvana studio LPs were required to carry the Sub Pop logo alongside Geffen's. The album's subsequent commercial success quickly brought Sub Pop out of their financial difficulties. Pavitt noted: "By Christmas ,
634:
In 2006, Sub Pop
Records became the first Green-e certified record label. Through work with the Green-e program and the Bonneville Environmental Foundation, Sub Pop "greened" their label by purchasing enough renewable energy certificates to offset 100 percent of the
1400:
460:, who produced 75 singles, albums, and EPs for Sub Pop between 1987 and 1989. Endino recorded cheaply and quickly; in order to operate this way, he utilized some consistent studio techniques, which gave the records a similar sound.
546:
something that was really primal and really drew from the roots of rock & roll, which was very
American." Poneman explained the label's success: "It could have happened anywhere, but there was a lucky set of coincidences.
802:
Starting in 2008, Sub Pop has released Deluxe
Editions of its top-selling albums, which features a remastered version of the album, as well as some live tracks and demos. The albums released under this were
591:
helped keep the label going for years afterwards. The mainstream success of
Nirvana also brought Poneman and Pavitt worldwide media attention as the self-stylized "creators of the grunge scene". After the
524:
Mindful that garnering the attention of the
American mainstream music press was difficult for all but the largest indie label, Pavitt and Ponemen took inspiration from alternative bands like Sonic Youth,
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408:
was promoted by Sub Pop as "ultra-loose grunge that destroyed the morals of a generation". Also in 1987, Jonathan
Poneman provided $ 20,000 in funding for Sub Pop to release the debut
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The label opened offices worldwide and began major investment in new artists, but without achieving great commercial success, prompting a scaling down and a return to Seattle.
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as a regional scene, Seattle's bands could not easily be confined to a single genre, since groups often blended musical styles and techniques, drawing, for example, on
575:
bought Nirvana's contract from Sub Pop for $ 72,000, it was agreed that the former would pay the latter a percentage of any profits from the band's major label debut,
490:
Some commentators have argued that Sub Pop reframed the history of Seattle's music scene as part of their marketing campaign. Even in the late 1980s, the peak of
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650:. This label is also partially owned by Warner Music. In August 2008, Sub Pop relaunched the singles club for one year to celebrate its twentieth anniversary.
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they use in their office, showing their commitment to putting renewable energy in the mainstream as a way consumers can take action to do something about
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that focused exclusively on American independent record labels. Pavitt undertook the project in order to earn course credit while attending
444:" in an intentionally limited first pressing of 800 copies to create demand. The strategy was later adopted by other independent labels.
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Furek, Maxim. "The Death Proclamation of Generation X: A Self-Fulfilling Prophesy of Goth, Grunge and Heroin, i-Universe, 2008.
677:
Domestically, Sub Pop has released three albums that have been certified as platinum, for sales of over 1 million units, by the
661:– the first being The Evil Tambourines in 1999. Ishmael Butler, one half of Shabazz Palaces and former member of jazz rap group
547:
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had sold 2 million. We went from not being able to pay our phone bill to getting a check for half a million bucks." Sales of
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for Pavitt's new label in June 1986; Pavitt couldn't afford to release it until the following year. When finally released,
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was here to document the scene, Jack Endino was here to record the scene. Bruce and I were here to exploit the scene."
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612:(which had distributed Geffen since that label was founded in 1980; after 10 years under Warner, Geffen was sold to
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and the subsequent decline of grunge, Poneman began signing acts that were "not typically Sub Pop-ian", such as
510:. The "Seattle sound" cultivated and marketed by Sub Pop became known as grunge, while other Seattle bands like
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483:—and helped to secure the label's cash flow. The original series was discontinued in 1993, followed by
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family. The split between Pavitt and Poneman was not amicable, and they did not speak for seven years.
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movement. They are often credited with helping popularize grunge music. The label's roster includes
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1427:"Nirvana Blew up 'Monotonous' Music Industry, 'Dark Side of the '90s' Narrator Mark McGrath Says"
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Sub Pop, its founders, and some acts on the label were featured on season 1, episode 5 of
851:
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264:
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440:, a band featuring former members of Green River. Sub Pop released the Mudhoney single "
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1986:
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Ten albums released by the label have been certified gold for sales of 500,000 copies:
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single "Hunted Down"/"Nothing to Say" in July 1987, followed by the band's first EP
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and began alternating issues with compilation tapes of underground rock bands. The
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cassette, released in 1982, sold two thousand copies. In 1983, Pavitt moved to
17:
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207:. Sub Pop achieved fame in the early 1990s for signing Seattle bands such as
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1368:"Sub Pop Signs Shabazz Palaces' Ishmael Butler to A&R Team (Exclusive)"
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1176:
The Strangest Tribe: How a Group of Seattle Rock Bands Invented Grunge
303:. In 1995, the owners of Sub Pop sold a 49% stake of the label to the
2148:
2017:
1512:
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448:
220:
1240:. Bonneville Environmental Foundation. July 31, 2006. Archived from
447:
Pavitt and Poneman studied earlier independent labels ranging from
42:
1733:
1077:
Roberts, Kevan (June 6, 1998). "Radio Unfriendly Unit Shifters".
2160:
1084:
1516:
356:. While in Seattle, he wrote a column for local music magazine
1502:
608:. In 1995, the label signed a $ 20 million joint venture with
646:
In early 2007, Sub Pop started a sister label by the name of
320:
The origins of Sub Pop trace back to the early 1980s, when
1218:"Sub Pop Oral History: "Going Out of Business Since 1988!"
1497:
553:
By 1991, Sub Pop were in financial difficulties, leading
340:. By the fourth issue, Pavitt had shortened the name to
179:
955:"Sub Pop's got some kind of record | The Seattle Times"
431:
Advertising card to subscribe to Sub Pop's single club.
537:
music press. In March 1989, Pavitt and Poneman flew
362:
titled "Sub Pop U.S.A.", a column he ended in 1988.
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1995:
1964:
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1002:
Sub Pop USA - The original articles by Bruce Pavitt
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115:
94:
80:
65:
54:
35:
561:to depart the label and delaying the release of
375:, which featured material by artists including
1264:"Sub Pop founder starts new label, Hardly Art"
1528:
1395:
1393:
487:, launched in 1998 and discontinued in 2002.
8:
1133:Jelbert, Steve (2008) "Labelled With Love",
352:, and released the ninth and final issue of
1478:World Domination: The Sub Pop Records Story
1401:"Gold & Platinum - RIAA: Sub Pop label"
514:, who preceded Sub-Pop, became pioneers of
365:In 1986, Pavitt released the first Sub Pop
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1521:
1513:
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1209:
1207:
1205:
1129:
1127:
1125:
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619:), who acquired 49% of the label's stock.
533:and sought to publicize the label via the
32:
2281:1986 establishments in Washington (state)
873:entitled "Grunge and the Seattle Sound."
679:Recording Industry Association of America
48:We're Not the Best, But We're Pretty Good
2261:Labels distributed by Warner Music Group
426:
1238:"Green-e certification (press release)"
915:
2115:(Warner/Chappell Music v. Fullscreen)
1287:"Sub Pop Launches Hardly Art Imprint"
1072:
1070:
1068:
1066:
1064:
1062:
1060:
1058:
1048:
1046:
7:
965:from the original on October 3, 2016
948:
946:
463:In November 1988, Sub Pop released "
1456:. Little, Brown and Company, 2001.
923:Robert Weinstein (April 23, 2001).
2276:American independent record labels
653:In 2009, they signed their second
25:
2256:Record labels established in 1986
2041:Alternative Distribution Alliance
1749:Alternative Distribution Alliance
1319:. Sub Pop Records. Archived from
1262:Justin Sheppard (March 9, 2007).
1150:. Sub Pop Records. Archived from
953:Scanlon, Tom (January 27, 2008).
886:, the central villain, played by
925:"An Interview with Bruce Pavitt"
41:
1425:Topel, Fred (August 12, 2021).
1148:"Singles Club V.2 is Dead 2002"
289:Rolling Blackouts Coastal Fever
2251:Alternative rock record labels
2097:Music publishing and licensing
1285:Todd Martens (March 9, 2007).
1:
1179:. Seattle: Sasquatch Books.
1453:Our Band Could Be Your Life
1293:. Billboard. Archived from
890:, wears a Sub Pop T-shirt.
2297:
2121:Warner Strategic Marketing
1972:Atlantic Records Nashville
1317:"Sub Pop Singles Club 3.0"
456:with the help of producer
2266:Heavy metal record labels
2223:Resident Evil: Apocalypse
2183:Faust: Love of the Damned
1982:Reprise Records Nashville
1875:Festival Mushroom Records
1608:300 Elektra Entertainment
1480:, BMG, RPM Series, 2018.
1004:from the Sub Pop website.
771:Our Endless Numbered Days
617:Music Entertainment Group
219:, central players in the
40:
2071:Warner Music Philippines
2056:Warner Music Australasia
1987:Warner Records Nashville
1216:Yarn, Mark (July 2008).
1802:Williams Street Records
1704:Atlantic Records France
900:List of Sub Pop artists
839:, The Postal Service's
755:Everything All the Time
467:", the debut single by
334:Evergreen State College
245:Flight of the Conchords
2166:Warner Music Indonesia
1965:Warner Music Nashville
1674:Atlantic Records Group
1343:"The Evil Tambourines"
905:Lists of record labels
750:The Head and the Heart
745:The Head and the Heart
723:Wincing the Night Away
594:suicide of Kurt Cobain
432:
395:chose to record their
2109:Warner Chappell Music
2008:Sesame Street Records
1498:Official Sub Pop site
1429:. Showbiz Cheat Sheet
1173:Tow, Stephen (2011).
870:Dark Side of the 90's
657:group, Seattle-based
430:
27:American record label
1895:Machine Shop Records
610:Warner Bros. Records
469:Aberdeen, Washington
2081:Warner Music Sweden
2076:Warner Music Poland
2066:Warner Music Latina
2061:Warner Music Canada
2046:Warner Music Vision
1942:London-Sire Records
1812:Rhino Entertainment
1782:Magna Carta Records
1772:Cordless Recordings
1729:Maybach Music Group
1699:Atlantic Records UK
1274:on October 8, 2008.
1244:on October 15, 2007
1154:on December 9, 2006
1097:Azerrad, p. 426-27.
1040:Azerrad, p. 423-24.
423:The "Seattle sound"
350:Seattle, Washington
338:Olympia, Washington
199:founded in 1986 by
122:Various; primarily
2271:Punk record labels
1656:Roadrunner Records
1652:Public Consumption
1558:Edgar Bronfman Jr.
1544:Warner Music Group
1450:Azerrad, Michael.
1378:on August 26, 2013
859:In popular culture
777:The Shepherd's Dog
735:Helplessness Blues
704:Oh, Inverted World
699:The Postal Service
673:Commercial success
602:Combustible Edison
433:
369:, the compilation
305:Warner Music Group
237:The Postal Service
195:is an independent
59:Warner Music Group
2233:
2232:
2104:EMP Merchandising
2051:WEA International
2013:Sh-K-Boom Records
1949:Stateside Records
1777:East West Records
1762:Artery Recordings
1648:Low Country Sound
1617:300 Entertainment
1486:978-1-947-02618-6
1476:Gaar, Gillian G.
1472:978-0-595-46319-0
1137:, August 2, 2008.
1087:. pp. 40–43.
959:The Seattle Times
833:Jason Loewenstein
818:Superfuzz Bigmuff
787:Depression Cherry
717:Chutes Too Narrow
442:Touch Me I'm Sick
257:Father John Misty
190:
189:
153:Country of origin
16:(Redirected from
2288:
2215:Freddy vs. Jason
1925:Roulette Records
1905:Nonesuch Records
1900:Maverick Records
1856:Spinnin' Records
1842:Spinnin' Records
1797:WaterTower Music
1714:Big Beat Records
1693:Atlantic Records
1537:
1530:
1523:
1514:
1439:
1438:
1436:
1434:
1422:
1416:
1415:
1413:
1411:
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1388:
1387:
1385:
1383:
1374:. Archived from
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1339:
1333:
1332:
1330:
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1313:
1307:
1306:
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1270:. Archived from
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1199:Azerrad, p. 441.
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1115:Azerrad, p. 439.
1113:
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1106:Azerrad, p. 436.
1104:
1098:
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1089:
1088:
1083:. No. 702.
1074:
1053:
1052:Azerrad, p. 425.
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1032:
1031:Azerrad, p. 423.
1029:
1023:
1022:Azerrad, p. 422.
1020:
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1013:Azerrad, p. 420.
1011:
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993:
992:Azerrad, p. 414.
990:
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983:Azerrad, p. 413.
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563:The Afghan Whigs
548:Charles Peterson
527:Butthole Surfers
500:psychedelic rock
485:Singles Club V.2
391:. Seattle group
330:Subterranean Pop
205:Jonathan Poneman
186:
183:
181:
175:Official website
124:alternative rock
89:Jonathan Poneman
76:
74:
45:
33:
21:
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2287:
2286:
2285:
2236:
2235:
2234:
2229:
2170:
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2092:
2029:
2024:Warner Classics
1991:
1977:Fervent Records
1960:
1932:Reprise Records
1915:Jubilee Records
1861:
1836:
1806:
1767:Compass Records
1743:
1739:UpFront Records
1724:LaSalle Records
1719:Custard Records
1668:
1643:Fueled by Ramen
1632:Elektra Records
1602:
1546:
1541:
1508:Youtube Channel
1503:BrucePavitt.com
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1447:
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1347:Sub Pop Records
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1323:on July 5, 2008
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1297:on 21 July 2012
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852:Bunny Gets Paid
800:
798:Deluxe editions
782:Iron & Wine
675:
663:Digable Planets
659:Shabazz Palaces
625:
425:
318:
313:
265:Shabazz Palaces
253:Blitzen Trapper
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18:Sub Pop Records
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2018:Teldec Records
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1997:
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1638:Elektra France
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1492:External links
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766:Band of Horses
761:Cease to Begin
726:by The Shins;
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641:global warming
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573:Geffen Records
477:Motown Records
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415:Screaming Life
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2034:Distribution
2022:
1953:
1937:Sire Records
1885:FFRR Records
1880:Clover Music
1854:
1829:
1791:
1757:10K Projects
1709:Bang Records
1691:
1687:Atco Records
1630:
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1477:
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1445:Bibliography
1431:. Retrieved
1420:
1408:. Retrieved
1404:
1380:. Retrieved
1376:the original
1371:
1362:
1350:. Retrieved
1346:
1337:
1325:. Retrieved
1321:the original
1311:
1299:. Retrieved
1295:the original
1290:
1280:
1272:the original
1267:
1257:
1246:. Retrieved
1242:the original
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1221:
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1158:November 24,
1156:. Retrieved
1152:the original
1142:
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933:. Retrieved
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847:Red Red Meat
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568:Congregation
566:
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543:Everett True
539:Melody Maker
538:
531:Dinosaur Jr.
523:
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389:Scratch Acid
381:Naked Raygun
370:
364:
357:
353:
345:
341:
329:
322:Bruce Pavitt
319:
201:Bruce Pavitt
197:record label
192:
191:
85:Bruce Pavitt
47:
30:Record label
2194:(2000–2001)
2186:(2000–2001)
2175:Soundtracks
1664:YSL Records
1626:DTA Records
1622:300 Studios
1588:John Janick
1583:Jac Holzman
792:Beach House
740:Fleet Foxes
729:Fleet Foxes
637:electricity
623:Post-Pavitt
541:journalist
516:avant garde
504:garage rock
458:Jack Endino
453:SST Records
410:Soundgarden
393:Green River
377:Sonic Youth
372:Sub Pop 100
269:Weyes Blood
233:Beach House
225:Fleet Foxes
213:Soundgarden
2240:Categories
2207:Spider-Man
1996:Arts Music
1910:Parlophone
1578:Mike Caren
1410:August 21,
1382:August 23,
1352:August 21,
1248:2007-12-07
935:August 21,
931:. Tripzine
911:References
883:The Killer
865:Vice Media
648:Hardly Art
598:5ive Style
359:The Rocket
346:Sub Pop #5
324:started a
169:Washington
1372:Billboard
1135:The Times
969:August 3,
709:The Shins
583:Nevermind
578:Nevermind
519:post-punk
512:The U-Men
508:pop hooks
496:folk rock
465:Love Buzz
316:Formation
301:The Shins
297:TV Priest
261:clipping.
134:indie pop
129:punk rock
111:(digital)
2144:Songkick
2139:HipHopDX
1890:Helium 3
1787:Rykodisc
1080:Kerrang!
963:Archived
894:See also
828:Bakesale
813:Mudhoney
555:Mudhoney
438:Mudhoney
293:Kiwi Jr.
217:Mudhoney
161:Location
106:(Canada)
2246:Sub Pop
1792:Sub Pop
1327:July 3,
1223:Blender
842:Give Up
823:Sebadoh
805:Nirvana
694:Give Up
689:Nirvana
667:A&R
665:became
655:hip-hop
535:British
481:Detroit
479:was to
473:Nirvana
354:Sub Pop
342:Sub Pop
328:called
326:fanzine
311:History
209:Nirvana
193:Sub Pop
182:.subpop
165:Seattle
139:hip hop
81:Founder
71: (
66:Founded
36:Sub Pop
2226:(2004)
2218:(2003)
2210:(2002)
2202:(2002)
2149:Uproxx
1660:Sparta
1551:People
1484:
1470:
1460:
1268:Prefix
1183:
845:, and
809:Bleach
784:; and
701:, and
684:Bleach
588:Bleach
529:, and
506:, and
492:grunge
449:Motown
387:, and
385:Wipers
221:grunge
215:, and
144:comedy
1734:Owsla
837:Codes
471:band
277:Bully
249:Foals
116:Genre
61:(49%)
2161:Vevo
1482:ISBN
1468:ISBN
1458:ISBN
1435:2021
1412:2021
1405:RIAA
1384:2013
1354:2021
1329:2008
1303:2012
1181:ISBN
1160:2006
1085:EMAP
971:2023
937:2021
929:trip
774:and
758:and
732:and
720:and
604:and
557:and
299:and
285:METZ
203:and
184:.com
101:(US)
73:1986
69:1986
880:’s
876:In
867:'s
849:'s
835:'s
825:'s
815:'s
807:’s
790:by
780:by
764:by
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707:by
697:by
687:by
614:MCA
559:Tad
451:to
436:by
336:in
281:Low
229:Tad
180:www
99:ADA
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