32:
165:, with secondary themes expressed in order to appeal to a general audience; such approaches to sexual or otherwise more adult story-content, in works accessible to the young, often fails to "register" for the young reader, though adults will understand—perhaps even appreciating the mental stimulation offered them, in catching the child-invisible nuances.
154:, a process needed for a clear and complete understanding of the text. A meaning stated explicitly is, by definition not subtext (for lack of hiding), and writers may be criticized for failure artfully to create and use subtext; such works may be faulted as too "on the nose", with the characters meaning what they literally have said, undermining
186:
Facial expressions and voice tone express many things including discontent and suspicion. For example, a quiet one-word answer to a question implies that the speaker is lying and that they do not want to say the true
183:
Implied accusations, often communicated through leading questions, are a form of subtext. For example, when a lawyer asks you "what were you doing on the night of the 23rd", that is an implied accusation.
190:
The subtext of how much people care for each other can be communicated by showing the amount of care, interest, and attentiveness people have for each other's opinions, desires, and character traits.
917:
150:
Subtext is content "sub" i.e. "under" (with the sense of "hidden beneath") the verbatim wording; readers or audience must "gather" subtext "reading between the lines" or
426:
128:
In any communication, in any medium or format, "subtext" is the underlying or implicit meaning that, while not explicitly stated, is understood by an audience.
944:
177:
Have a character comment on an aspect of another person's relationship which is present in the relationship of the people in the current conversation.
812:
674:
419:
392:
303:
1023:
1038:
1028:
922:
115:
412:
53:
775:
180:
Body language communicates subtext. Body language is often used to convey whether a character is welcoming or threatening.
142:
These definitions highlight that subtext involves themes or messages that are not directly conveyed, but can be inferred.
1114:
939:
517:
490:
295:
96:
135:
defines it as "an underlying and often distinct theme in a conversation, piece of writing, etc.", while according to
287:
68:
1221:
679:
480:
42:
731:
132:
1094:
604:
75:
49:
20:
1131:
1007:
435:
822:
561:
82:
1121:
780:
614:
320:
1089:
624:
589:
566:
524:
448:
64:
1033:
770:
721:
669:
1126:
1043:
912:
744:
646:
629:
554:
247:
902:
852:
659:
594:
500:
485:
388:
299:
1226:
1059:
512:
329:
155:
1183:
1157:
842:
739:
709:
534:
495:
136:
1231:
1064:
760:
229:
220:
1215:
1152:
1104:
997:
992:
971:
962:
927:
857:
832:
817:
664:
471:
354:
265:
89:
1002:
987:
954:
599:
1178:
1136:
966:
714:
684:
549:
380:
241:
214:
195:
31:
1099:
1069:
847:
654:
259:
253:
139:, subtext is "the implicit or metaphorical meaning (as of a literary text)".
333:
1109:
897:
837:
765:
634:
571:
544:
529:
208:
162:
151:
404:
934:
700:
609:
539:
475:
466:
235:
198:
studies the kinds of subtext that are often used within language itself.
507:
256: – Branch of linguistics and semiotics relating context to meaning
383:(November 1, 2011). "Chapter 1: Subtext: Definition and Exploration".
250: – Communication about how information is meant to be interpreted
1162:
907:
862:
827:
704:
619:
581:
232: – Writing technique coined by American writer Ernest Hemingway
879:
801:
446:
408:
294:. Translated by Higgins, W. E. University Park, Pennsylvania:
25:
173:
Below are the main types of subtext that are used in film:
292:
The Subtle
Subtext: Hidden Meanings in Literature and Life
918:
Pervasive developmental disorder not otherwise specified
16:
Aspect of communication that is not explicitly announced
244: – Information conveyed verbally yet not literally
225:
Pages displaying short descriptions of redirect targets
262: – Utterance that serves a performative function
1171:
1145:
1078:
1052:
1016:
980:
953:
890:
753:
730:
693:
645:
580:
459:
211: – Writing principle of eliminating redundancy
56:. Unsourced material may be challenged and removed.
319:
223: – Rhetorical device and literary technique
161:Subtext also may be included in the action of
420:
387:. Studio City, CA: Michael Wiese Production.
8:
1082:
887:
876:
798:
456:
443:
427:
413:
405:
945:Social (pragmatic) communication disorder
268: – Hiding messages in other messages
217: – Cultural or emotional association
116:Learn how and when to remove this message
813:Basic interpersonal communicative skills
279:
328:. Oxford University Press. July 2023.
675:High-context and low-context cultures
7:
1024:Computer processing of body language
158:, and leaving the work too prosaic.
54:adding citations to reliable sources
1039:List of facial expression databases
1029:Emotion recognition in conversation
14:
923:Childhood disintegrative disorder
30:
41:needs additional citations for
1:
169:Formats for creating subtext
940:Nonverbal learning disorder
518:Speech-independent gestures
491:Facial Action Coding System
296:Penn State University Press
238: – A suggestive remark
1248:
680:Interpersonal relationship
481:Body-to-body communication
18:
1085:
886:
875:
808:
797:
455:
442:
326:Oxford English Dictionary
133:Oxford English Dictionary
1095:Behavioral communication
21:Subtext (disambiguation)
535:Interpersonal synchrony
436:Nonverbal communication
1132:Monastic sign lexicons
823:Emotional intelligence
334:10.1093/OED/5646349087
321:"Subtext, N., Sense 2"
1122:Impression management
1137:Verbal communication
1090:Animal communication
1008:Targeted advertising
525:Haptic communication
290:(2021) . "Preface".
50:improve this article
19:For other uses, see
1146:Non-verbal language
1034:Gesture recognition
881:Further information
771:Emotion recognition
722:Silent service code
1172:Art and literature
1127:Meta-communication
1115:Passive-aggressive
1044:Sentiment analysis
745:Non-verbal leakage
298:. pp. vii–x.
248:Meta-communication
1222:Literary concepts
1209:
1208:
1205:
1204:
1201:
1200:
1197:
1196:
903:Asperger syndrome
871:
870:
853:Social competence
793:
792:
789:
788:
595:Emotional prosody
501:Subtle expression
486:Facial expression
394:978-1-932907-96-4
305:978-0-271-09197-6
152:inferring meaning
126:
125:
118:
100:
1239:
1083:
1060:Ray Birdwhistell
888:
877:
803:Broader concepts
799:
776:First impression
457:
444:
429:
422:
415:
406:
399:
398:
377:
371:
370:
368:
366:
351:
345:
344:
342:
340:
323:
316:
310:
309:
284:
226:
156:dramatic tension
121:
114:
110:
107:
101:
99:
58:
34:
26:
1247:
1246:
1242:
1241:
1240:
1238:
1237:
1236:
1212:
1211:
1210:
1193:
1184:Mimoplastic art
1167:
1158:Tactile signing
1141:
1074:
1048:
1012:
976:
949:
882:
867:
843:Social behavior
804:
785:
749:
740:Microexpression
726:
710:One-bit message
689:
641:
576:
496:Microexpression
451:
438:
433:
403:
402:
395:
385:Writing Subtext
379:
378:
374:
364:
362:
359:Merriam-Webster
353:
352:
348:
338:
336:
318:
317:
313:
306:
288:Pernot, Laurent
286:
285:
281:
276:
271:
224:
204:
171:
148:
137:Merriam-Webster
122:
111:
105:
102:
59:
57:
47:
35:
24:
17:
12:
11:
5:
1245:
1243:
1235:
1234:
1229:
1224:
1214:
1213:
1207:
1206:
1203:
1202:
1199:
1198:
1195:
1194:
1192:
1191:
1186:
1181:
1175:
1173:
1169:
1168:
1166:
1165:
1160:
1155:
1149:
1147:
1143:
1142:
1140:
1139:
1134:
1129:
1124:
1119:
1118:
1117:
1112:
1107:
1102:
1092:
1086:
1080:
1076:
1075:
1073:
1072:
1067:
1065:Charles Darwin
1062:
1056:
1054:
1050:
1049:
1047:
1046:
1041:
1036:
1031:
1026:
1020:
1018:
1014:
1013:
1011:
1010:
1005:
1000:
995:
990:
984:
982:
978:
977:
975:
974:
969:
959:
957:
951:
950:
948:
947:
942:
937:
932:
931:
930:
925:
920:
915:
910:
905:
894:
892:
884:
883:
880:
873:
872:
869:
868:
866:
865:
860:
855:
850:
845:
840:
835:
830:
825:
820:
815:
809:
806:
805:
802:
795:
794:
791:
790:
787:
786:
784:
783:
778:
773:
768:
763:
761:Affect display
757:
755:
751:
750:
748:
747:
742:
736:
734:
728:
727:
725:
724:
719:
718:
717:
707:
697:
695:
691:
690:
688:
687:
682:
677:
672:
667:
662:
657:
651:
649:
647:Social context
643:
642:
640:
639:
638:
637:
632:
627:
622:
617:
612:
607:
597:
592:
586:
584:
578:
577:
575:
574:
569:
564:
559:
558:
557:
555:Pupil dilation
552:
542:
537:
532:
527:
522:
521:
520:
515:
505:
504:
503:
498:
493:
483:
478:
469:
463:
461:
453:
452:
447:
440:
439:
434:
432:
431:
424:
417:
409:
401:
400:
393:
372:
355:"subtext noun"
346:
311:
304:
278:
277:
275:
272:
270:
269:
263:
257:
251:
245:
239:
233:
230:Iceberg theory
227:
221:Dramatic irony
218:
212:
205:
203:
200:
192:
191:
188:
184:
181:
178:
170:
167:
147:
144:
124:
123:
106:September 2013
38:
36:
29:
15:
13:
10:
9:
6:
4:
3:
2:
1244:
1233:
1230:
1228:
1225:
1223:
1220:
1219:
1217:
1190:
1187:
1185:
1182:
1180:
1177:
1176:
1174:
1170:
1164:
1161:
1159:
1156:
1154:
1153:Sign language
1151:
1150:
1148:
1144:
1138:
1135:
1133:
1130:
1128:
1125:
1123:
1120:
1116:
1113:
1111:
1108:
1106:
1103:
1101:
1098:
1097:
1096:
1093:
1091:
1088:
1087:
1084:
1081:
1077:
1071:
1068:
1066:
1063:
1061:
1058:
1057:
1055:
1051:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1021:
1019:
1015:
1009:
1006:
1004:
1001:
999:
998:Freudian slip
996:
994:
993:Lie detection
991:
989:
986:
985:
983:
979:
973:
972:Mirror neuron
970:
968:
964:
963:Limbic system
961:
960:
958:
956:
952:
946:
943:
941:
938:
936:
933:
929:
928:Rett syndrome
926:
924:
921:
919:
916:
914:
911:
909:
906:
904:
901:
900:
899:
896:
895:
893:
889:
885:
878:
874:
864:
861:
859:
858:Social skills
856:
854:
851:
849:
846:
844:
841:
839:
836:
834:
833:People skills
831:
829:
826:
824:
821:
819:
818:Communication
816:
814:
811:
810:
807:
800:
796:
782:
779:
777:
774:
772:
769:
767:
764:
762:
759:
758:
756:
754:Multi-faceted
752:
746:
743:
741:
738:
737:
735:
733:
729:
723:
720:
716:
713:
712:
711:
708:
706:
702:
699:
698:
696:
692:
686:
683:
681:
678:
676:
673:
671:
668:
666:
665:Display rules
663:
661:
658:
656:
653:
652:
650:
648:
644:
636:
635:Voice quality
633:
631:
628:
626:
623:
621:
618:
616:
613:
611:
608:
606:
603:
602:
601:
598:
596:
593:
591:
588:
587:
585:
583:
579:
573:
570:
568:
565:
563:
560:
556:
553:
551:
548:
547:
546:
543:
541:
538:
536:
533:
531:
528:
526:
523:
519:
516:
514:
511:
510:
509:
506:
502:
499:
497:
494:
492:
489:
488:
487:
484:
482:
479:
477:
473:
472:Body language
470:
468:
465:
464:
462:
458:
454:
450:
445:
441:
437:
430:
425:
423:
418:
416:
411:
410:
407:
396:
390:
386:
382:
376:
373:
361:. 15 May 2024
360:
356:
350:
347:
335:
331:
327:
322:
315:
312:
307:
301:
297:
293:
289:
283:
280:
273:
267:
266:Steganography
264:
261:
258:
255:
252:
249:
246:
243:
240:
237:
234:
231:
228:
222:
219:
216:
213:
210:
207:
206:
201:
199:
197:
189:
185:
182:
179:
176:
175:
174:
168:
166:
164:
159:
157:
153:
146:About subtext
145:
143:
140:
138:
134:
129:
120:
117:
109:
98:
95:
91:
88:
84:
81:
77:
74:
70:
67: –
66:
62:
61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
1188:
988:Cold reading
981:Applications
955:Neuroanatomy
600:Paralanguage
384:
381:Seger, Linda
375:
363:. Retrieved
358:
349:
337:. Retrieved
325:
314:
291:
282:
193:
172:
160:
149:
141:
130:
127:
112:
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
967:Limbic lobe
732:Unconscious
715:Missed call
685:Social norm
660:Conventions
550:Eye contact
242:Implication
215:Connotation
196:implicature
194:Linguistic
1216:Categories
1100:Aggressive
1070:Paul Ekman
1053:Key people
1017:Technology
1003:Poker tell
848:Social cue
655:Chronemics
605:Intonation
449:Modalities
274:References
260:Speech act
254:Pragmatics
163:narratives
76:newspapers
1105:Assertive
913:Fragile X
898:Aprosodia
891:Disorders
838:Semiotics
766:Deception
572:Proxemics
562:Olfaction
545:Oculesics
530:Imitation
209:Concision
65:"Subtext"
935:Dyssemia
781:Intimacy
701:Emoticon
610:Loudness
540:Laughter
476:Kinesics
467:Blushing
460:Physical
236:Innuendo
202:See also
1227:Fiction
1189:Subtext
1110:Passive
1079:Related
670:Habitus
615:Prosody
567:Posture
508:Gesture
187:answer.
90:scholar
1163:Tadoma
908:Autism
863:Unsaid
828:Nunchi
705:Smiley
625:Stress
620:Rhythm
590:Affect
582:Speech
391:
365:22 May
339:22 May
302:
92:
85:
78:
71:
63:
1232:Theme
694:Other
97:JSTOR
83:books
1179:Mime
630:Tone
513:List
389:ISBN
367:2024
341:2024
300:ISBN
131:The
69:news
330:doi
52:by
1218::
965:/
703:/
474:/
357:.
324:.
428:e
421:t
414:v
397:.
369:.
343:.
332::
308:.
119:)
113:(
108:)
104:(
94:·
87:·
80:·
73:·
46:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
