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is an
American artist born in 1954. She came to prominence in the early 1980s, with works that echoed and argued with the dominant postmodern feminist aesthetic of the time. In the years since, her focus has never waned yet her aesthetic interests have moved toward abstraction along with her subject
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In the 1990s violence against women was one of the main themes of Sue
Williams' work. She often represents women as sex objects, frequently adding sarcastic texts. In later work text is usually absent.
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Sue
Williams was born in 1954 in Chicago Heights, Illinois. Williams started her education at Cooper Union in 1973. She later transferred to
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310:(2010 edition), published to accompany the 1993 exhibition at the Walter/McBean Gallery of the Chicago Art Institute.
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699:"Take It or Leave It: Institution, Image, Ideology | Take It or Leave It digital archive | Hammer Museum"
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649:"Figuring Color: Kathy Butterly, Felix Gonzalez-Torres, Roy McMakin, Sue Williams | icaboston.org"
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Rebelle: Art and
Feminism 1969-2009, Museum voor Moderne Kunst Arnhem, Netherlands (2009)
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Take It or Leave It: Institution, Image, Ideology, Hammer Museum, Los
Angeles (2014)
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It may require cleanup to comply with
Knowledge's content policies, particularly
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Painting 2.0 Expression in the
Information Age, Museum Brandhorst, Munich (2015)
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574:"Programme du Palais de Tokyo, The Third Mind / carte blanche à Ugo Rondinone"
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875:"Search Result Details - Hirshhorn Museum and Sculpture Garden | Smithsonian"
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America is Hard to See, Whitney Museum of
American Art, New York (2015)
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Comic
Abstraction: Image Breaking, Image Making, MoMA, New York (2007)
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Project for the New
American Century, David Zwirner, New York (2008)
316:(2010), published to accompany the 2010 exhibition at 303 Gallery.
298:(2003), published by Palm Beach Institute of Contemporary Art.
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Art for the Institution and the Home, Secession, Vienna (2002)
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Figuring Color, Institute of Contemporary Art, Boston (2012)
724:"America Is Hard to See | Whitney Museum of American Art"
400:. Arnhem: Museum voor Moderne Kunst Arnhem. p. 262.
549:"Comic Abstraction: Image-Breaking, Image-Making | MoMA"
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Visceral Bodies, Vancouver Art Gallery, Vancouver (2010)
424:. March 26, 1993 – via Christian Science Monitor.
599:"Project for the New American Century | David Zwirner"
454:"artnet.com Magazine News – THE 1997 WHITNEY BIENNIAL"
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Better Than de Kooning, Villa Merkel, Esslingen (2015)
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matter and memories. She lives and works in New York.
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A major contributor to this article appears to have a
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Don't Look Back: The 1990s, MoCA, Los Angeles (2016)
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Hirshhorn Museum and Sculpture Garden | Smithsonian
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Defamation of Character, MoMA P.S.1 New York (2006)
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Contemporary Art Project, Seattle Art Museum (2002)
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174:The following is a list of selected exhibitions:
171:, New York; and Galerie Eva Presenhuber, Zurich.
524:"MoMA PS1: Exhibitions: Defamation of Character"
971:"Whitney Museum of American Art: Sue Williams"
202:The Third Mind, Palais de Tokyo, Paris (2007)
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904:The Museum of Contemporary Art, Los Angeles
829:The Museum of Contemporary Art, Los Angeles
263:Santa Barbara Art Museum, Santa Barbara, CA
229:Greater New York, MoMA PS1, New York (2015)
749:"Museum Brandhorst | München: Exhibitions"
77:
774:"MoMA PS1: Exhibitions: Greater New York"
372:"Sue Williams - Artists - Regen Projects"
167:, New York; Regen Projects, Los Angeles;
64:Learn how and when to remove this message
254:Museum of Contemporary Art San Diego, CA
363:
217:Comic Future, Ballroom Marfa, TX (2013)
481:"Sue Williams | Artists | 303 Gallery"
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422:"Politics Dominates Whitney Biennial"
398:Rebelle: Art & Feminism 1969-2009
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825:"Don't Look Back: The 1990s at MOCA"
674:"Comic Future « Ballroom Marfa"
302:Art for the Institution and the Home
251:Los Angeles Museum of Modern Art, CA
304:(2003), published by Walther König.
145:and graduated with a B.F.A in 1976.
257:Museum of Modern Art, New York, NY
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292:(2000), published by 303 Gallery.
187:Whitney Biennial, New York (1997)
184:Whitney Biennial, New York (1995)
143:California Institute of the Arts
44:. Please discuss further on the
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266:Seattle Art Museum, Seattle, WA
248:Hirshhorn Museum, Washington DC
238:Zeitgeist, MAMCO, Geneva (2017)
163:Sue Williams is represented by
950:"Blue and Gold in Short Skirt"
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269:Whitney Museum, New York, NY
436:"A Quirky Whitney Biennial"
352:Sue Williams page on Artnet
91:1954 (age 69–70)
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578:archives.palaisdetokyo.com
506:"Sue Williams " secession"
279:1993 Guggenheim Fellowship
753:www.museum-brandhorst.de
260:New Museum, New York, NY
137:Early life and education
1017:American women painters
628:www.vanartgallery.bc.ca
624:"Vancouver Art Gallery"
396:Westen, Mirjam (2009).
347:Galerie Eva Presenhuber
975:collection.whitney.org
925:"Sue Williams | MoMA"
678:www.ballroommarfa.org
376:www.regenprojects.com
322:(2016), published by
42:neutral point of view
799:"Villa Merkel: 2015"
850:"MAMCO / Zeitgeist"
803:www.villa-merkel.de
314:They Eat Shit + Die
485:www.303gallery.com
440:The New York Times
1012:American painters
854:archives.mamco.ch
653:www.icaboston.org
442:. March 24, 1995.
407:978-90-72861-45-0
181:, New York (1993)
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978:. Retrieved
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320:Sue Williams
290:Sue Williams
284:Publications
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130:Sue Williams
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82:Sue Williams
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1002:1954 births
805:(in German)
778:momaps1.org
728:whitney.org
528:momaps1.org
337:303 Gallery
324:JRP-Ringier
296:A Fine Line
243:Collections
165:303 Gallery
159:Exhibitions
996:Categories
358:References
120:Painting,
381:April 22,
169:Skarstedt
54:July 2018
46:talk page
980:July 22,
955:July 22,
934:July 22,
909:July 22,
884:July 22,
859:July 22,
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683:July 22,
658:July 22,
633:July 22,
608:July 22,
583:July 22,
558:July 22,
533:July 22,
490:July 22,
122:feminism
117:Movement
99:Illinois
95:Chicago
404:
274:Awards
101:, U.S.
982:2018
957:2018
936:2018
911:2018
886:2018
861:2018
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785:2018
760:2018
735:2018
710:2018
685:2018
660:2018
635:2018
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535:2018
492:2018
402:ISBN
383:2019
150:Work
88:Born
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