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206:(2018); MAK Center for Art and Architecture, Los Angeles (2018); Gwangju Biennale (2018, 2016); Museum of Modern and Contemporary Art, Seoul (2017); Villa Vassilieff, Paris (2016); National Museum of Modern and Contemporary Art, Gwacheon (2016); Audio Visual Pavilion, Seoul (2015); Seoul Museum of Art (2014); Gallery Factory, Seoul (2013); Old House, Seoul (2013); and Bloomberg New Contemporaries, London (2012). She is the recipient of the
102:, Korea. Kang's practice traverses painting, sculpture, performance, video and installation. Inspired by cultural traditions of Korea as well as contemporary artistic and literary discourses. Kang decodes rules and values that govern these disciplines, turning to artistic languages of the past to construct a contextual lens through which she explores the notion of individuality and freedom in the present moment.
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Kang's installations all include objects that are liftable by the artist and any performers, and have sizes and weights that are at most as large as a standard human body. This technique has been a catalyst to convey themes relating to the subjects of her work. For example, the shape of the sculpture
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Among the themes of Kang's work are the coming together of individuals, and how they both form community and experience their own histories. She is also inspired by classical Korean poetry and dance. Her installation work explores concepts relating to grids and their aesthetics, and how objects are
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Kang's practice draws on her early training in traditional Korean painting. In her works, she espouses the philosophical disposition of Chosun-era painters, who aimed to convey their own observations and interpretations of history through poetry, writing, and visual art.
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incorporates sculpture, painting, and video. The colors of the objects in the installation are based on colors from her paintings. The work also included performers who carry and arrange objects, and sit and drag their bodies on the floor.
652:'Smile' joins new public art pieces scattered across Doha such as the reflective sculpture 'Toub Toub Ya Bahar' by Salman Al-Malek, 'Gekrose' by Franz West, 'Hear We Hear' by Suki Seokyeong Kang, and more.
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Galleries reported strong sales across all market segments, including works by 20th-century masters such as
Alexander Calder, ..., Suki Seokyeong Kang, ...
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was inspired by the posture of her grandmother. She has also incorporated traditional hand-woven reed mats that she had commissioned.
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489:"Paris+ par Art Basel broadens its presence in Paris with highly successful second edition and outstanding city-wide programming"
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265:, Seoul; Arario Museum, Seoul; Booth Collection-University of Chicago, Chicago; National Art Bank, Korea, among others.
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Selected solo and group exhibitions of Suki
Seokyeong Kang include "The Shape of Time: Korean Art after 1989" at the
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428:"Suki Seokyeong Kang Reimagines the Korean Landscape by Turning Traditional Techniques on their Head"
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279:. Institute of Contemporary Art, University of Pennsylvania & Roma Publications. p. 240.
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Kang's multimedia work often takes the form of immersive installations. Her 2017 project
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Hunter, Bea Huff (2018). "Suki
Seokyeong Kang: Institute of Contemporary Art".
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The work of Suki
Seokyeong Kang is included in the permanent collections of
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541:"Suki Seokyeong Kang continues experimenting with space at Venice Biennale"
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575:"[Weekender] What to expect in the Korean art scene next year"
459:"Korea, from 12th century to present, highlighted at major US museums"
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Kang was born in Seoul, South Korea. She studied
Oriental painting at
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HG Masters (March–April 2019). "Where I Work: Suki
Seokyeong Kang".
636:"'Smile' sculpture unveiled at Doha Corniche celebrates positivity"
354:. Institute of Contemporary Art, University of Pennsylvania. 2018.
233:. She was also shortlisted for the SongEun Art Award in 2013–2014.
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249:(National Museum of Modern and Contemporary Art), Seoul;
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arranged within a room. Her style has influence from
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In March 2022, Kang had two solo exhibitions at the
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516:. La Biennale di Venezia. May 15, 2019.
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170:painting every day as part of her work.
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634:Alexandra Evangelista (May 17, 2023) .
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352:"Suki Seokyeong Kang: Black Mat Oriole"
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202:(2018); San José Museum of Art (2018);
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277:Suki Seokyeong Kang: Black Mat Oriole
210:(2018) and Songeun Art Award (2013).
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194:(2019); Seoul Museum of Art (2019);
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410:(112). artasiapacific.com: 155–158.
98:(강서경) is a visual artist based in
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767:21st-century South Korean artists
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642:from the original on May 18, 2023
457:Park Han-sol (October 20, 2023).
243:Los Angeles County Museum of Art
118:, London. She is a professor of
539:Woo-hyun, Shim (May 14, 2019).
514:"Suki Seokyeong Kang (b. 1977)"
426:Caleb Mathern (July 10, 2019).
261:, Princeton; MUDAM Luxembourg;
259:Princeton University Art Museum
229:Kang was a recipient of a 2018
573:Yuma, Park (January 1, 2022).
16:South Korean multimedia artist
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71:Ewha Womans University, Seoul
275:Suki Seokyeong Kang (2019).
215:Leeum, Samsung Museum of Art
73:Royal College of Art, London
695:"The 13th SongEun ArtAward"
255:Leeum Samsung Museum of Art
122:at Ewha Womans University.
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180:Philadelphia Museum of Art
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157:Korean musical notation
386:Artforum International
315:Jeppe Ugelvig (2018).
112:Ewha Womans University
89:2018 Baloise Art Prize
665:"Suki Seokyeong Kang"
605:"Suki Seokyeong Kang"
162:Kang has a studio in
116:Royal College of Art
114:and painting at the
263:Seoul Museum of Art
96:Suki Seokyeong Kang
25:Suki Seokyeong Kang
757:Multimedia artists
752:Artists from Seoul
609:Liverpool Biennial
491:. October 22, 2023
196:Liverpool Biennial
174:Exhibition History
54:Seoul, South Korea
701:. December 2013.
638:. The Peninsula.
286:978-94-92811-54-7
251:Walker Art Center
231:Baloise Art Prize
208:Baloise Art Prize
200:Shanghai Biennale
145:Grandmother Tower
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747:1977 births
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388:: 233–234.
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331:August 13,
295:References
153:Jeongganbo
699:akive.org
257:, Seoul;
184:Art Basel
68:Education
703:Archived
673:Archived
640:Archived
613:Archived
611:. 2018.
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190:(2019);
182:(2023),
646:May 17,
168:gouache
164:Seochon
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225:Awards
86:Awards
63:Korean
669:Mudam
100:Seoul
711:2020
681:2020
648:2023
621:2020
591:2022
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526:2020
497:2023
475:2023
444:2020
364:2020
333:2020
281:ISBN
247:MMCA
219:Doha
106:Life
51:1977
48:Born
31:강서경
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