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73:, suffused throughout with a sunset glow. An executioner stands on a flight of marble stairs, calmly wiping the blood off his scimitar after striking his victim down. The brilliance of the colours contrasts with the repulsiveness of the subject. The low angle at which the scene is depicted, effectively placing the viewer at the executioners feet, gives his life-sized figure an imposing presence. His emotional detachment and relaxed gesture contrast with the gruesome foreground in which the blood drips down the steps from the lifeless body lying at his feet to its just-severed head.
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canvas in order to get a completely natural effect. There is also a tension between the “hyper-real” detail of the setting and the figures - Regnault made extensive and detailed sketches in preparation for the work, as well as working from photographs of the architectural motifs - and the fictional, fantasy world represented in the scene. Regnault himself described the painting as showing “the richest civilisation and the keenest cruelty coexisting in titanic, frightful splendour.”
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In technical terms, there is an extreme contrast between the meticulously detailed depiction of the architectural interior in the background and the gruesome realism of the spattering blood in the foreground. Regnault’s studio assistant
Clairin reported that he literally threw the red paint at the
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paintings. The power of these works drew on the contrast between what was depicted and contemporary
European ideas about reducing the scope and barbarity of judicial execution, thus making the representation of the act both thrilling and terrifying. They were also part of a wider tendency in
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In the late nineteenth century, the North
African male body became the subject of homoerotic fascination for some Europeans. A hint of homoeroticism underpins the elegant, muscular figure of the executioner, suggesting fascination and threat.
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scene, not because of its color and handling, but because it hints at a ghastly story, and they like the humanized monkeys, not because of any pictorial quality, but because they are funny.”
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admired the painting’s technical virtuosity and use of colour, but, like Marx, deplored what he considered the gratuitous horror of the subject, rendered without “emotion, anguish or pity.”
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orientalist art to choose disturbing subjects such as slave markets or acts of violence and present them in a style that was both “real” and escapist.
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wrote that
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The subject is a scene of decapitation that takes place in an architectural setting based on the
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49:. Completed in 1870, it was acquired by the state from Regnault’s heirs for display at the
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The painting was
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Répétition du "Joueur de flûte" et de "La femme de Diomède" chez le prince Napoléon
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Art for Art's Sake Seven
University Lectures on the Technical Beauties of Painting
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Arab Chiefs
Challenging each other to Single Combat under the Ramparts of a City
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57:. A study for the figure of the executioner is also in the collections of the
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and it is possibly
Regnault's most celebrated work. Painted in
610:. Chicago, IL: University of Chicago Press. pp. 11, 234.
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Le génie de l'Orient. L'Europe moderne et les arts de l'Islam
406:"Book Review: Marc Gotlieb, The Deaths of Henri Regnault"
260:"Exécution sans jugement sous les rois maures de Grenade"
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Beaulieu, Jill; Roberts, Mary; Thomas, Nicholas (2002).
539:. Cambridge, MA: Harvard University Press. p. 171.
110:, it was first exhibited at 'Les Envois de Rome' at the
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Art
History and Its Institutions The Nineteenth Century
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Les peintres français et l'Espagne de Delacroix à Manet
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Exécution sans jugement sous les rois maures de Grenade
376:. Université Paris 1 Panthéon Sorbonne. Archived from
437:. University Park, PA: Penn State Press. p. 25.
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Summary Execution under the Moorish Kings of Granada
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Summary Execution under the Moorish Kings of Granada
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in 1871. It has been exhibited on loan many times:
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Summary Execution under the Moorish Kings of Granada
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122:- Ecole nationale supérieure des Beaux-Arts - Paris
573:. Durham, NC: Duke University Press. p. 137.
233:’s view was that “people rather like the Regnault
1366:The Gallic Women: Episode from the Roman Invasion
1645:The Road in Front of Saint-Simeon Farm in Winter
434:Bazille: Purity, Pose, and Painting in the 1860s
678:. New York: Charles Scribner’s Sons. p. 20
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1865:Resting by a Stream at the Edge of the Wood
150:Autour de quelques oeuvres du Second Empire
125:1871-74 - International Exhibition - London
53:. It is currently in the collection of the
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2169:The Return from Fishing: Hauling the Boat
1437:Berthe Morisot with a Bouquet of Violets
468:Visual Culture: Spaces of visual culture
128:1873 - International Exhibition - Vienna
2216:Nature Unveiling Herself Before Science
1392:The Excommunication of Robert the Pious
465:Morra, Joanne; Smith, Marquard (2006).
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227:considered it “vulgarly melodramatic.”
2085:Imperial Fritillaries in a Copper Vase
1829:Avenue of Poplars near Moret-sur-Loing
505:. New York: Sterling. pp. 35–36.
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1859:Regatta at Molesey near Hampton Court
1509:Portrait of Monsieur and Madame Manet
644:. Taylor & Francis. p. 168.
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1765:Portrait of the Painter Claude Monet
1615:A Cart on the Snowy Road at Honfleur
1418:The Quai Saint-Michel and Notre-Dame
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1703:The Luxembourg Station in Brussels
1503:Portrait of Marguerite de Conflans
412:. Nineteenth-Century Art Worldwide
368:Gartlan, Luke (26 February 2014).
131:1874 - Musée du Luxembourg - Paris
14:
2145:Portrait of Robert de Montesquiou
1485:The Port of Boulogne by Moonlight
471:. London: Routledge. p. 31.
2079:Doctor Gachet's Garden in Auvers
1871:Rue de la Chaussée in Argenteuil
1190:Arab Horses Fighting in a Stable
1137:Café-Concert at Les Ambassadeurs
45:is an oil on canvas painting by
1158:Portraits at the Stock Exchange
672:Van Dyke, John Charles (1893).
214:Perseus with the Head of Medusa
2350:Paintings in the Musée d'Orsay
2115:Pasteur's portrait by Edelfelt
1877:View of the Canal Saint-Martin
1609:The Artist's Garden at Giverny
1443:Blonde Woman with Bare Breasts
1353:A Session of the Painting Jury
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1753:Frédéric Bazille at his Easel
1515:Portrait of Stéphane Mallarmé
1177:Boabdil's Farewell to Granada
1080:The Romans in their Decadence
973:Vue de toits (Effet de neige)
834:The Improvised Field Hospital
638:Mansfield, Elizabeth (2005).
374:imagesanalyses.univ-paris1.fr
607:The Deaths of Henri Regnault
289:"Museum number 1910,0218.20"
2064:Starry Night Over the RhĂ´ne
1939:The Resurrection of Lazarus
1729:Bal du moulin de la Galette
1309:Tahitian Women on the Beach
1260:A Studio at Les Batignolles
998:Portrait of Gustave Geffroy
502:From Realism to Art Nouveau
187:Museum of Fine Arts of Lyon
112:École des Beaux-Arts, Paris
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1771:Portrait of William Sisley
1639:Resting Under a Lilac Bush
1590:Shepherdess with her Flock
1152:The Orchestra at the Opera
872:Ploughing in the Nivernais
161:Henri Regnault (1843-1871)
16:Painting by Henri Regnault
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1461:Flowers in a Crystal Vase
941:Three Women with Parasols
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967:Les raboteurs de parquet
499:Lombardi, Laura (2009).
317:Hooper, Lucy H. (1875).
2340:Oil on canvas paintings
1995:What is Called Vagrancy
1621:Le DĂ©jeuner sur l'herbe
1455:Le DĂ©jeuner sur l'herbe
1248:The Corner of the Table
859:Pilgrims going to Mecca
431:Pitman, Dianne (1998).
2070:Portrait of Dr. Gachet
1883:The Village of Voisins
1841:The Canal Saint-Martin
1546:Luxe, Calme et Volupté
1497:Portrait of Emile Zola
1491:Portrait of Clemenceau
1297:Self-Portrait in a Hat
986:The Hanged Man's House
604:Gotlieb, Marc (2016).
533:Irwin, Robert (2012).
410:19thc-artworldwide.org
404:MacNamidhe, Margaret.
136:Exposition Universelle
40:
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2355:Orientalist paintings
1976:Sailboats and Estuary
1633:Regatta at Argenteuil
1559:French Campaign, 1814
903:Equality Before Death
231:John Charles Van Dyke
165:fr:Musée des Avelines
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2058:The Church at Auvers
2019:The Wheel of Fortune
1747:Dance in the Country
1690:The Fiancée of Belus
1527:A Sprig of Asparagus
1285:Breton Peasant Women
1055:The Painter's Studio
380:on 28 September 2020
2310:Musée des Augustins
1651:Women in the Garden
1279:The Beautiful Angel
1254:Homage to Delacroix
1131:The Bellelli Family
802:In the Conservatory
89:Style and technique
51:Musée du Luxembourg
2308:On display at the
2255:Virgin with a Lily
2139:Madame Charles Max
1835:The Canal du Loing
1759:Girls at the Piano
1565:The Siege of Paris
1049:L'Origine du monde
1043:A Burial at Ornans
1024:The Poor Fisherman
954:The Birth of Venus
885:The Birth of Venus
828:The Family Reunion
193:Critical reception
120:Les Envois de Rome
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747:Gare d'Orsay
680:. Retrieved
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536:The Alhambra
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516:. Retrieved
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467:
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378:the original
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143:Grand Palais
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29:
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18:
2249:Delaplanche
2013:Burne-Jones
1902:La Toilette
1735:The Bathers
1578:The Angelus
1521:The Reading
1431:The Balcony
1093:The Harvest
961:Caillebotte
929:Bracquemond
909:Les Oréades
201: [
176:Goya Museum
78:Orientalist
2329:Categories
2268:Rhinocéros
2262:Jacquemart
2192:Sculptures
1816:The Circus
1677:The Cradle
1627:The Magpie
1553:Meissonier
1379:The Source
1229:The Enigma
1125:L'Absinthe
1005:Chassériau
879:Bouguereau
796:Bartholomé
682:14 January
657:14 January
623:14 January
586:14 January
552:14 January
518:14 January
484:14 January
450:14 January
416:14 January
384:14 January
348:14 January
299:14 January
270:14 January
241:References
198:Roger Marx
159:1991-92 -
148:1978-79 -
2223:Clésinger
1777:The Swing
1467:The Fifer
1449:Bullfight
1405:The Truth
1334:Jerusalem
1315:Vairumati
1216:The Dream
1184:Delacroix
1171:Dehodencq
916:Boulanger
815:Haymaking
765:Paintings
235:Execution
178:, Castres
2314:Toulouse
2109:Edelfelt
2037:van Gogh
1989:The Bath
1946:Whistler
1926:Solitude
1920:Harrison
1912:American
1797:SĂ©rusier
1784:Rousseau
1710:Regnault
1399:Lefebvre
1210:Detaille
1087:Daubigny
891:La Danse
737:Building
343:20568814
108:Tangiers
71:Alhambra
2278::
2275:Gauguin
2265::
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2236:Claudel
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2210:Barrias
2166::
2163:Sorolla
2155:Spanish
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2133:Boldini
2125:Italian
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2101:Finnish
2040::
2016::
2005:British
1986::
1983:Stevens
1973::
1962:Belgian
1949::
1936::
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1479:Olympia
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866:Bonheur
856::
825::
822:Bazille
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789:Remorse
786::
329:: 378.
181:2011 -
170:1997 -
156:, Paris
145:- Paris
141:1974 -
138:- Paris
134:1878 -
118:1871 -
98:History
65:Subject
2202:French
1933:Tanner
1896:Le Lit
1823:Sisley
1810:Seurat
1723:Renoir
1658:Moreau
1572:Millet
1373:Ingres
1360:Glaize
1347:Gervex
1322:GĂ©rĂ´me
1141:(1885)
783:Baader
775:French
648:
614:
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543:
509:
475:
441:
341:
37:French
2287:Oviri
2029:Dutch
1684:Motte
1603:Monet
1425:Manet
1197:Denis
1119:Degas
853:Belly
339:JSTOR
205:]
1412:Luce
1223:Doré
684:2023
659:2023
646:ISBN
625:2023
612:ISBN
588:2023
575:ISBN
554:2023
541:ISBN
520:2023
507:ISBN
486:2023
473:ISBN
452:2023
439:ISBN
418:2023
386:2023
350:2023
301:2023
272:2023
2312:in
331:doi
211:’s
2331::
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