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The painting is a large vista of fields that recede to the background, giving way to a gulf and the ocean. By using a "mutually reinforcing geometry of diagonals that intersect with three distinct color bands ," de Momper allowed his composition to "convincingly lead the eye deep into the picture."
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The picture is an earthy depiction of nature and humanity, both at ease and engaged in physical exertion. Some people are working hard in the fields, others are having a picnic, others still are in the middle of a romantic encounter. Over seventy figures are depicted in the painting, and their
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To the left, people are relaxing in the shade of the crop. They are eating food and drinking at a picnic. On the road, a dog greets a man walking up in front of his empty wagon to the viewer, and a woman sets the basket she is carrying on the ground, to rest a while on her way home.
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activities reveal a cohesive and studied narrative. Some farmers are cutting off the grain, while others roll it into sheaves. Wagons are carrying the harvest to town, where it will be shipped to overseas markets, as indicated by the ships sailing in the faraway sea.
132:. After having been exposed in Toledo as an "anonymous loan," the Museum directory opted for the purchase, influenced by the reaction of the public. The painting was acquired by the Toledo Museum of Art in 2003.
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171:. The two collaborated on several occasions, with de Momper always painting the landscape and Brueghel taking care of the staffage, usually the animated figures.
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187:. The painting previously was part of private collections in Spain, and was possibly part of the collection decorating the
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124:. It was painted in the first quarter of the 17th century, probably around 1610, and is currently housed at the
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Brueghel Family: Jan
Brueghel the Elder. The Brueghel Family Database. University of California, Berkeley, 2016
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Toledo Museum of Art, Toledo Museum of Art
Masterworks, Toledo, 2009, p. 154-55, repr. (col.) and (det.).
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might be part of one of the series dedicated to the four seasons started by de Momper in 1615, of which
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Jan
Brueghel der Ältere (1568-1625): Kritischer Katalog der Gemälde. Ertz Klaus, 2008–10, cat. #745
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The painting was acquired by the Toledo Museum of Art in March 2003 at an yearly
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166.4 cm Ă— 65.5 cm (251.1 in Ă— 98.8 in)
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is considered one of many collaborations between de Momper of
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Excursion in the
Countryside of Infanta Isabel Clara Eugenia
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The
Infanta Isabel Clara Eugenia in the Mariemont Park
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Mountainous
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356:. Retrieved
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199:Madrid
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