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552:, which got the young band their first exposure in the country's press. However, the reviews and notices were atrocious, which Loša took quite hard and for a time even decided to quit music. Still, the enthusiasm from the rest of the band brought him back into the fold and he began focusing on writing pop ballads, most of which were inspired by unrequited love for a girl he was after at the time. During summer 1983, they held a gig at a Sarajevo club called Trasa where they were spotted by
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592:, had been enjoying Yugoslavia-wide breakout success with their debut album. Loša and Pava returned home first, continuing where they had left off one year earlier while waiting for their rhythm section to come back home as well. However, due to poor gig quality and general malaise, the two got into a row that ended up with Pava quitting the band. Loša then got in touch with music manager
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607:; the two arranged for the band (though the group strictly speaking didn't even exist at the moment) to record a few more demos in Zagreb with the help of Parni Valjak's Husein Hasanefendić and Rastko Milošev. While in Zagreb, Loša managed to get the country's best known record label interested in the group, signing a pre-contract with
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Their second album "Smrt Fašizmu" ("Death to
Fascism") was another outstanding success for the band, selling over 300,000 copies in Yugoslavia and being certified diamond. This album spawned several hits: "Fa, Fa, Fašista", "Puteru Puteru", "Sava Tiho Teče", "Zelene su bile oči te" and "Kad si sam
531:
gig in
Sarajevo. As soon as he became a part of Plavi Orkestar, much more musically experienced Pava arranged for guitarist Krošnjar and bassist Džamonja to be kicked out of the group, seeing them as not committed and dedicated enough. Shortly prior to the summer of 1983,
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Soon after, Lošić switched high schools; transferring from the Third
Sarajevo Gymnasium to First Sarajevo Gymnasium where he met guitarist Mladen "Pava" Pavičić who had already experienced a certain measure of musical prominence having played in a band called
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524:, for teenage Pavičić, that meant traveling 130 km from Sarajevo every weekend for band rehearsals, which his parents weren't too keen on and soon persuaded him to quit the group. He then flirted with and filled in with a variety of bands.
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with Srđan Krošnjar on guitar, Gordan Džamonja on bass, and Admir "Ćera II" Ćeramida on drums. The following year, the four teenagers changed their name to Plavi
Orkestar due to another group called Ševe being active in the city at the time.
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who, noticing their potential, invited them to
Belgrade to record material for a studio album. In September 1983, as a send-off of sorts before going away to serve their respective mandatory
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In 1989, they returned with the album "Sunce na prozoru" which was another big hit for the band. It included such hits as "Kaja", "Lovac i košuta" and "Proljeće". Their 1991 release,
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This is when the group's activity became decidedly more serious and it's generally considered as the band's real beginning. They started opening for big
Yugoslav touring acts like
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Though Pava and Loša hit it off as soon as they had met in high school, it wasn't until 1983 that Pava joined Loša's band. The two agreed to do so at a
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661:), "Goodbye Teens", and the title track, "Soldatski bal". The album's lyrics were based on Loša's experiences whilst serving in the army.
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Over the following weeks, the four band members left for their respective army stints and band activity was put on hiatus.
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A year later, in
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571:(JNA) stints, Plavi Orkestar played another show at Trasa. The next day they boarded a train to Belgrade where, in
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whom he joined as replacement for their outgoing guitarist Branko "Daba" Dabić and soon recorded an album with,
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Mladen Pavičić: Lead/Electric Guitar (occasional keyboards)
30:"Longplay (album)" redirects here. Not to be confused with
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802:Greatest Hits Collection - Plavi Orkestar (
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71:Learn how and when to remove these messages
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233:Learn how and when to remove this message
168:Learn how and when to remove this message
792:The Platinum Collection - Plavi Orkestar
782:The Ultimate Collection - Plavi Orkestar
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692:- Loša: vocals, songwriting, composing
635:In early 1985, the band's first album
889:Bosnia and Herzegovina musical groups
497:with Rock Apoteka's next incarnation
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842:Pavlovic, Filip (27 February 2020).
698:Saša Zalepugin: Lead/Electric Guitar
106:adding citations to reliable sources
605:Elvis J. Kurtović & His Meteors
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93:needs additional citations for
60:or discuss these issues on the
751:Everblue 1 and 2 Greatest Hits
707:Admir Ćeremida, Ćera II: Drums
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623:Plavi orkestar performing at
874:Plavi Orkestar Official Site
818:Sarajevo school of pop rock
659:Better to be drunk than old
197:to comply with Knowledge's
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894:Yugoslav rock music groups
464:In 1981, sixteen-year-old
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869:Saša Lošić Official site
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377:Admir "Ćera II" Ćeremida
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655:Our Friends are Leaving
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271:Background information
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102:improve this article
678:California Dreaming
491:Omladinski festival
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651:Give me hot rakija
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732:Smrt fašizmu
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676:hit single "
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665:druže moj".
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625:Arsenal Fest
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487:Rock Apoteka
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387:Past members
329:1983–present
325:Years active
263:Stara Pazova
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216:January 2016
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204:You can help
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100:Please help
95:verification
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712:Discography
615:Debut album
597: [
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561: [
518:Mumije lažu
350:Pop records
158:August 2023
883:Categories
829:References
690:Saša Lošić
647:SIM studio
629:Kragujevac
573:Enco Lesić
522:Zavidovići
510:Gitarijada
503:Mali Princ
466:Saša Lošić
454:Saša Lošić
448:band from
368:Saša Lošić
128:newspapers
57:improve it
850:12 August
745:Simpatija
670:Simpatija
550:Leb i Sol
540:Beginning
470:gymnasium
309:folk rock
299:power pop
208:talk page
63:talk page
32:LP record
812:See also
763:Infinity
757:Longplay
753:* (1996)
512:winners
499:Super 98
495:Subotica
474:Sarajevo
450:Sarajevo
446:pop rock
346:Diskoton
304:pop punk
294:Pop rock
280:Sarajevo
265:in 2011.
806:, 2016)
798:, 2007)
788:, 2007)
684:Members
609:Jugoton
529:Siluete
507:Zaječar
460:History
442:Bosnian
440:) is a
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404:Website
364:Members
338:Jugoton
316:(early)
142:scholar
771:(2012)
765:(1999)
759:(1998)
747:(1991)
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735:(1986)
727:(1985)
334:Labels
287:Genres
276:Origin
206:. The
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149:JSTOR
135:books
852:2023
548:and
514:Pauk
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426:lit.
413:.net
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