306:. One of Susan Cervantes’ significant contributions to the mural consisted of developing Menchú’s huipil, connecting the idea of textile manufacturing that is evident throughout the mural, even though the seven participating artists never claimed any of the motifs as their own. The mural’s use of textiles includes Zapotec fabrics, Chinese needlework, and North American quilts, all which constitute a popular form of artistic expression for women all around the world. Overall, Cervantes and the other artists contribution led to a beautiful two-walled mural that represents themes of feminism, social activism, and the achievements of women throughout history.
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artists to plan and execute their own mural design at their school or local building. Precita Eyes partners with mural artists to teach technique and creative thinking to the students that they work with, making sure that they have guidance but the freedom to create a mural that is meaningful to them and their community. Also among their slew of programs is a toddler art class, support for young student artists through exhibitions of their work, and providing educational tours of the murals in the neighborhood.
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Maestrapiece is a monumental mural, created by Susan
Cervantes and six other artists with the help of over one hundred volunteers, that depicts vibrant and powerful images of women from various cultures and historical periods, highlighting their strength, resilience, and contributions to society.
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Precita Eyes has participated in many of the murals that are in San
Francisco's historic Mission District neighborhood, known for the murals that cover the walls of many buildings in the neighborhood. They collaborate with schools in the community, as well as other youth programs, to allow youth
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in San
Francisco, California, the mural serves as a hub for various organizations and programs that promote women's rights, social justice, and cultural diversity. For her part, Cervantes drew inspiration from artists with various backgrounds such as
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where her
Thursday night painting workshop quickly became a mural workshop. The class did not have a wall to teach on, so they painted on five plywood panels, totaling 20 feet when assembled. That mural, named
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Susan
Cervantes is considered a leader in the Mission District community mural movement and considers herself a community artist responsible for over 400 murals. Cervantes was introduced to murals through
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was the first and only mural Susan created that didn't have a wall waiting for it, meaning that "Walls come to " and that her work is all currently by request. It was displayed in the
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to attend art school at the age of 16. Since her parents could not help pay her tuition after losing their floral and nursery business Kelk accepted a scholarship from the
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at Paco's Tacos, a restaurant on the corner of 24th and South Van Ness, which marks the moment she lost interest in her studio work on canvas. Though
Cervantes was not
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has been recognized for creating public art that reflects its community's history and culture. One of only three community mural centers in the
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In her first year of college in the 1960s, Kelk met her husband and collaborator, Luis
Cervantes (1924–2005). They had three sons together.
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741:"Taking Intersectionality Seriously: Learning from LGBTQ Heritage Initiatives for Historic Preservation"
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674:"Northeastern's newest artist-in-residence puts mural in students' hands"
477:"NORTHEASTERN'S NEWEST ARTIST-IN-RESIDENCE PUTS MURAL IN STUDENTS' HANDS"
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702:""MAESTRAPEACE:" Picturing the Power of Women's Histories of Creativity"
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The heart of the
Mission : Latino art and politics in San Francisco
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Later, Susan began volunteering as an art teacher at the
Precita Valley
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and attended the San Francisco School of Fine Arts, (now known as the
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Walls of Empowerment : Chicana/o Indigenist Murals of California
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Walls of empowerment : Chicana/o indigenist murals of California
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868:"Life is Art and Art is Life- Kellee Marlow & Susan Cervantes"
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The Heart of the Mission: Latino art and politics in San Francisco
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and internationally. Some of her notable work has appeared at the
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395:"Luis Cervantes -- muralist who inspired generations of artists"
578:(1st ed.). Austin: University of Texas Press. p. 95.
508:. Philadelphia: University of Pennsylvania Press. p. 134.
422:. Philadelphia: University of Pennsylvania Press. p. 51.
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sponsors and implements ongoing mural projects throughout the
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Susan Elizabeth Kelk graduated high school a year early in
369:"Giving Thanks: Precita Eyes Makes the Mission Beautiful"
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her work was strongly influenced by and sensitive to the
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in the early 1970s. She was asked to help paint with the
807:. Vol. 1st ed. Austin: University of Texas Press.
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Stover, Gabriel N.; Northridge, Mary E. (April 2002).
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Rehistoricizing The Time Around Abstract Expressionism
342:"Mural matriarch Susan Cervantes makes it big in art"
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202:and was inspired by and then joined the
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275:Chicano Art: Resistance and Affirmation
241:Muralists. Susan and Luis founded the
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943:21st-century American women painters
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739:Graves, Donna; Dubrow, Gail (2019).
672:Callahan, Molly (October 3, 2016).
475:Callahan, Molly (October 3, 2016).
237:and was debuted as the work of the
918:San Francisco Art Institute alumni
607:Jackson, Carlos Francisco (2009).
393:Estrella, Cicero A. (2005-05-02).
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834:American Journal of Public Health
340:Whiting, Sam (January 4, 2014).
285:Latinx Student Cultural Center.
131:movement and the co-founder and
938:21st-century American painters
928:20th-century American painters
830:"The Health of Women of Color"
243:Precita Eyes Mural Arts Center
196:Showing the Building of a City
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167:or SFAI). Kelk received her
872:Spark Conversations Podcast
613:University of Arizona Press
574:Arreola, Daniel D. (2004).
271:Clarion Alley Mural Project
165:San Francisco Art Institute
147:Personal life and education
79:San Francisco Art Institute
51:1944 (age 79–80)
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913:Artists from San Francisco
801:Latorre, Guisela (2008).
758:10.1525/tph.2019.41.2.290
543:University of Texas Press
537:Latorre, Guisela (2008).
228:Masks of God, Soul of Man
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948:Painters from California
908:American women muralists
700:PĂ©rez, Laura E. (2007).
541:(1st ed.). Austin:
283:Northeastern University
135:of the community-based
101:(m. ?—2005; death)
706:Chicana/Latina Studies
504:Cordova, Cary (2017).
452:"Susan Kelk Cervantes"
418:Cordova, Cary (2017).
141:Precita Eyes Muralists
846:10.2105/AJPH.92.4.511
169:Bachelor of Fine Arts
745:The Public Historian
216:Chicano art movement
200:Diego Rivera Gallery
161:Dallas Museum of Art
122:Susan Elizabeth Kelk
118:Susan Kelk Cervantes
48:Susan Elizabeth Kelk
37:The Women's Building
23:Susan Kelk Cervantes
175:in 1968 from SFAI.
173:Master of Fine Arts
903:American muralists
304:Mujeres Muralistas
208:Mujeres Muralistas
204:Mujeres Muralistas
133:executive director
814:978-0-292-71883-8
678:News@Northeastern
645:"Susan Cervantes"
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263:MaestraPeace
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255:Precita Eyes
247:Precita Eyes
239:Precita Eyes
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171:in 1965 and
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281:and on the
279:Balmy Alley
892:Categories
877:2020-06-01
840:(4): 511.
683:2021-02-05
611:. Tucson:
585:0292702671
461:2021-07-10
404:2021-07-10
379:2021-07-10
314:References
198:(1931) at
137:non-profit
854:0090-0036
783:182804443
767:0272-3433
718:1550-2546
631:236117299
594:191935693
561:311063888
524:960292537
489:March 25,
438:960292537
353:March 25,
245:in 1977.
35:Mural on
775:26862134
726:23014500
657:April 7,
481:News at
259:Bay Area
108:Children
89:Muralism
649:Art at
347:SF Gate
235:Library
212:Chicana
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194:Fresco
182:Career
153:Dallas
95:Spouse
61:, U.S.
55:Dallas
779:S2CID
771:JSTOR
722:JSTOR
157:Texas
129:mural
120:(née
59:Texas
850:ISSN
809:ISBN
763:ISSN
714:ISSN
659:2019
627:OCLC
617:ISBN
590:OCLC
580:ISBN
557:OCLC
547:ISBN
520:OCLC
510:ISBN
491:2018
434:OCLC
424:ISBN
355:2018
44:Born
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