322:
365:
373:
as such seem meaningless and not worthy of examination. Collis is interested in the shift of perception that takes place upon discovery that they are, in fact, careful, intentional acts, and that the materials used are traditionally valued for their financial or decorative properties. A tired stepladder covered with paint drips from years of use has been simulated by the meticulous inlaying of diamonds, pearls,
195:
75:
34:
377:
and other prized materials. A bucket catching a drip from the gallery ceiling may not be the result of neglect, rather a complex staging of pumps, water-tanks and false walls to artificially create the scenario. Typically works involve large amounts of often hidden labor to create an object that may
372:
Collis uses a variety of techniques and strategies to investigate issues concerning interpretation, craft, value and labor. Everyday objects are presented etched, splattered and stained with marks of work, wear and tear. At first glance, the marks seem to be the accidental results of normal use, and
336:, London. She is known for crafting ordinary looking, everyday objects from valuable materials. In her approach to sculpture, Collis manages to elevate the mundane, celebrate traditional craft techniques, and encourage viewers to take second, closer looks.
378:
easily go unnoticed, but is replete with value, be it material or conceptual. Much of Collis’ work can go unnoticed and this visual gamble results in a possible conceptual pay-off that rewards concerted investigation by the viewer.
507:
619:
614:
639:
634:
103:
83:
394:
368:"White Lies" (2006) What appear to be paint spatters are inlays of semi-precious and precious materials such as mother of pearl, opals and diamonds
629:
624:
219:
of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
649:
513:
654:
308:
290:
176:
61:
216:
205:
644:
271:
157:
47:
243:
212:
129:
107:
99:
228:
88:
250:
136:
92:
457:
333:
390:
321:
257:
143:
520:
609:
490:
398:
364:
239:
125:
413:
349:
224:
604:
353:
220:
114:
382:
53:
536:
528:
264:
150:
497:
433:
598:
525:
Extract from 'For all the things we thought we'd love forever' 2009 exhibit catalog:
409:
402:
22:
474:
386:
381:
Collis’s work has been exhibited at venues including Ikon in
Birmingham, the
568:
Milliard, Colline (1 February 2010). "The
Hyperreal World of Susan Collis".
345:
559:
Honoré, Vincent (1 November 2009). "An
Interview with Susan Collis".
529:
Conversation between Mackay
Butcher, Cylena Simonds and Susan Collis.
348:, Scotland. She studied sculpture, gaining a BA(Hons) in 2000 at the
586:
Carey-Kent, Paul (1 December 2007). "Frieze and its followers...".
363:
320:
211:
Please help to demonstrate the notability of the topic by citing
374:
188:
113:
from the article and its talk page, especially if potentially
68:
27:
408:
Collis won a
British Cement Association Award in 2001, the
325:
Part of the 2017 exhibition "When we loved you best of all"
521:V&A Out of the Ordinary: Spectacular Craft
412:Prospects Contemporary Drawing Prize and the
8:
512:, Victoria and Albert Museum, archived from
332:(born 1956) is a British artist working in
62:Learn how and when to remove these messages
106:about living persons that is unsourced or
309:Learn how and when to remove this message
291:Learn how and when to remove this message
177:Learn how and when to remove this message
395:Massachusetts Museum of Contemporary Art
464:, 7 October 2003. Retrieved 2014-03-18.
425:
509:Out of the Ordinary: Spectacular Craft
7:
206:notability guideline for biographies
620:21st-century Scottish women artists
615:20th-century Scottish women artists
475:"Susan Collis: Out of the ordinary"
458:"Engineer - Part Two, Susan Collis"
640:Alumni of the Royal College of Art
477:, a-n.co.uk. Retrieved 2014-03-18.
14:
635:Alumni of Chelsea College of Arts
43:This article has multiple issues.
193:
73:
32:
493:, Austin Chronicle, 1 July 2011
473:Lucinda Holmes (November 2007)
204:may not meet Knowledge (XXG)'s
51:or discuss these issues on the
630:21st-century British sculptors
625:20th-century British sculptors
1:
414:Jerwood Student Drawing Prize
84:biography of a living person
554:. Birmingham: Ikon Gallery.
535:Meessen De Clercq Gallery:
352:, London and a MA from the
111:must be removed immediately
671:
650:British conceptual artists
577:Shirley, Rosemary (2007).
491:'Susan Collis: So it goes'
434:"Susan Collis - Seventeen"
213:reliable secondary sources
202:The topic of this article
20:
655:Women conceptual artists
391:Christchurch Art Gallery
340:Early life and education
21:Not to be confused with
579:Don't get your hopes up
645:Artists from Edinburgh
550:Prince, Nigel (2010).
399:Zabludowicz Collection
369:
326:
98:Please help by adding
537:Works by Susan Collis
367:
350:Chelsea School of Art
324:
581:. London: Seventeen.
552:Tell me what you see
393:in New Zealand, the
354:Royal College of Art
104:Contentious material
502:, Seventeen Gallery
344:Collis was born in
370:
327:
208:
383:Walker Art Center
319:
318:
311:
301:
300:
293:
275:
203:
187:
186:
179:
161:
87:needs additional
66:
662:
591:
582:
573:
564:
561:20 Hoxton Square
555:
517:
516:on 4 August 2012
503:
478:
471:
465:
455:
449:
448:
446:
444:
430:
314:
307:
296:
289:
285:
282:
276:
274:
233:
197:
196:
189:
182:
175:
171:
168:
162:
160:
119:
100:reliable sources
77:
76:
69:
58:
36:
35:
28:
670:
669:
665:
664:
663:
661:
660:
659:
595:
594:
585:
576:
570:Modern Painters
567:
558:
549:
546:
506:
496:
487:
482:
481:
472:
468:
456:
452:
442:
440:
432:
431:
427:
422:
362:
342:
315:
304:
303:
302:
297:
286:
280:
277:
234:
232:
210:
198:
194:
183:
172:
166:
163:
120:
118:
97:
78:
74:
37:
33:
26:
17:
12:
11:
5:
668:
666:
658:
657:
652:
647:
642:
637:
632:
627:
622:
617:
612:
607:
597:
596:
593:
592:
583:
574:
565:
556:
545:
542:
541:
540:
533:
523:
518:
504:
494:
486:
485:External links
483:
480:
479:
466:
450:
424:
423:
421:
418:
405:in Jerusalem.
361:
358:
341:
338:
317:
316:
299:
298:
240:"Susan Collis"
201:
199:
192:
185:
184:
167:September 2013
126:"Susan Collis"
108:poorly sourced
81:
79:
72:
67:
41:
40:
38:
31:
16:British artist
15:
13:
10:
9:
6:
4:
3:
2:
667:
656:
653:
651:
648:
646:
643:
641:
638:
636:
633:
631:
628:
626:
623:
621:
618:
616:
613:
611:
610:Living people
608:
606:
603:
602:
600:
589:
584:
580:
575:
571:
566:
562:
557:
553:
548:
547:
543:
538:
534:
532:
531:
530:
524:
522:
519:
515:
511:
510:
505:
501:
500:
495:
492:
489:
488:
484:
476:
470:
467:
463:
459:
454:
451:
439:
435:
429:
426:
419:
417:
415:
411:
410:Pizza Express
406:
404:
403:Israel Museum
400:
396:
392:
388:
384:
379:
376:
366:
360:Life and work
359:
357:
355:
351:
347:
339:
337:
335:
331:
323:
313:
310:
295:
292:
284:
273:
270:
266:
263:
259:
256:
252:
249:
245:
242: –
241:
237:
236:Find sources:
230:
226:
222:
218:
214:
207:
200:
191:
190:
181:
178:
170:
159:
156:
152:
149:
145:
142:
138:
135:
131:
128: –
127:
123:
122:Find sources:
116:
112:
109:
105:
101:
95:
94:
90:
85:
80:
71:
70:
65:
63:
56:
55:
50:
49:
44:
39:
30:
29:
24:
23:Susan Collins
19:
587:
578:
569:
560:
551:
527:
526:
514:the original
508:
499:Susan Collis
498:
469:
461:
453:
441:. Retrieved
437:
428:
407:
380:
371:
343:
330:Susan Collis
329:
328:
305:
287:
278:
268:
261:
254:
247:
235:
173:
164:
154:
147:
140:
133:
121:
110:
93:verification
86:
59:
52:
46:
45:Please help
42:
18:
605:1956 births
387:Minneapolis
217:independent
599:Categories
420:References
401:, and the
251:newspapers
225:redirected
137:newspapers
48:improve it
588:Art World
462:Art Daily
438:Seventeen
416:in 2002.
356:in 2002.
346:Edinburgh
281:July 2016
215:that are
89:citations
54:talk page
115:libelous
544:Sources
443:5 March
334:Hackney
265:scholar
229:deleted
151:scholar
397:, the
389:, the
267:
260:
253:
246:
238:
221:merged
153:
146:
139:
132:
124:
375:opals
272:JSTOR
258:books
227:, or
158:JSTOR
144:books
82:This
445:2016
244:news
130:news
91:for
385:in
601::
460:,
436:.
223:,
102:.
57:.
590:.
572:.
563:.
539:.
447:.
312:)
306:(
294:)
288:(
283:)
279:(
269:·
262:·
255:·
248:·
231:.
209:.
180:)
174:(
169:)
165:(
155:·
148:·
141:·
134:·
117:.
96:.
64:)
60:(
25:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.