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Crossover (fiction)

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255: 1619: 1605: 1141: 1088:, crossed over into an hour long special-like most crossovers, this special is filler, a fan-service episode that follows the common plot line in most crossovers. What makes this crossover unique is when the characters from all three shows split into groups, where the members all share the same clichéd character archetypes, such the main characters Goku, Luffy, and Toriko falling into the dumb, good-natured, strong character archetype. 4438: 1361: 88: 1591: 550: 190: 47: 570: 1689:
Occasionally, authors will include into crossovers classic fictional characters whose copyright is still held by the original authors (or at least their estates), but who are nevertheless considered iconic or 'mythic' enough to be recognised from a few character traits or descriptions without being
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is another example of this, as all of the main characters and most of the secondary / background characters are fictional characters whose copyright has expired, and all are characters of different authors and creators brought together within one massive extended universe. Many of the works of
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rights holders to reap the financial reward of combining two or more popular, established properties. In other cases, the crossover can serve to introduce a new concept derivative of an older one. Another intention is to give fictional characters more emotional credibility and thus increase
2544:"Cinderella's Daughter". In: The Ruby fairy book. Comprising stories by Jules Le Maitre, J. Wenzig, Flora Schmals, F.C. Younger, Luigi Capuani, John C. Winder, Canning Williams, Daniel Riche and others; with 78 illustrations by H.R. Millar. London: Hutchinson & Co. pp. 3–18. 782: 407:. Whereas official crossovers are frequently stymied by such concerns as copyright, royalties payments, quality of writing and ownership of the characters, unofficial crossovers are unfettered by such concerns, so long as property holders do not exercise their right to 339:
Crossovers generally occur between properties owned by a single holder, but they can, more rarely, involve properties from different holders, provided that the inherent legal obstacles can be overcome. They may also involve using characters that have passed into the
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sequences (which has also been explored and developed by other authors) also utilize and interweave numerous otherwise unrelated fictional characters into a rich family history by speculating familial connections between them (such as a blood-relationship between
2236:, with many of the characters in the sketch being portrayed by the shows' real actors—although they may also feature one genuine star from the show amid a cast comprised otherwise of the sketch show's own stable of actors. Parodic crossovers can be used to lend 1955:, used to draw attention to another work of fiction, with little rational explanation in the context of the hosting show's narrative. When not clearly presented as parody, this is frequently scorned by fans as blatant commercialism. A notable example of this is 757:, but was told within the existing Valiant Comics titles (and two bookend special issues). Readers were not obliged to buy all 18 chapters as the story was coherent when reading just one title, but far more layered when all were read. Like 1059: 2071:
The distinction between "spin-off" and "crossover" is sometimes narrow. The two terms can become especially conflated if two shows are linked by a guest star with a single appearance. There is debate, for instance over whether
649:. A crossover in comic book terms only occurs when a story spans more than one title. This has led to "crossover events" in which major occurrences are shown as affecting most or all of the stories in the shared universe; see 1172:, they set off to produce solitary films with popular superheroes from the Avengers team, with characters from upcoming films making cameo appearances in films starring another superhero, leading up to the crossover film 787: 786: 784: 644:
often collaborate. In comic book terminology, these "guest star" roles are common enough that they are generally not considered crossovers; rather, this short-term collaboration to fight crime is called a
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properties that have different owners). Some crossovers are not explained at all. Others are absurd or simply impossible within the fictional setting, and have to be ignored by the series' respective
1014:). Animation companies granted unlimited, royalty-free use of their cartoon characters for this project, a feat that has been unequalled before or since. This cartoon was also introduced by then- 2150:, in which the characters of one show will appear as part of a dream had by a character on another show. This method was perhaps used most famously to explain to audiences that the entirety of 2185:" cameos by characters of one property appearing on another. Crossovers of this type can also be completely wordless. This type of crossover is more common on animated programs, such as when 1686:
combines Sherlock Holmes, Doctor Frankenstein, Jack the Ripper, and the Cthulhu Mythos, although he never specifically identifies them as such ("The Count", "The Good Doctor", "Jack", etc.).
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More complex multi-production franchises can utilize crossovers of characters to serve as a device in establishing continuity in a shared fictional universe. This crossover is common in the
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series, for example, afford a commonality of setting and profession which lends itself to crossovers, both within the franchise and in a wider universe. Following the cancellation of the
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Crossovers are not necessarily composed of characters under common ownership. Two of the most notable cartoon crossovers consisted of characters from different companies. Disney's movie
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crossover which brought all the major Marvel heroes into a 12-issue miniseries to battle a common threat. After the threat was dealt with, they all returned to their regular titles.
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In contrast with legal crossovers, unofficial crossovers are created solely because of the artistic pleasure derived by their creators. Unofficial crossovers often take the form of
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It is also common for authors to 'crossover' characters who have passed into the public domain, and thus do not require copyright or royalty payments for their use in other works.
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share another type of "network crossover". On rare occasions, networks have chosen to theme an entire night's programming around a crossover "event". In one case, a New York City
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Cartoon crossovers are not uncommon, and most of them – like comics or live-action TV shows – will often feature characters owned by the same company or network. One example is
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to the fictional world of a program. Characters from a fictional television series may appear on a stylized version of an established non-fictional television series, such as
1234:(Radon) each first appeared in standalone films before being set against each other or even teaming up against stronger enemies. Their first encounter was in 1964, first in 254: 2127:
Parodic crossovers can be directly established as being outside the continuity of one or all of the properties being crossed over. A good example is the crossover between
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appears as a significant villain; however, as this character was not in the public domain at the time of writing and the rights still held by the estate of his creator
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Often, the problems of bringing together two shows with different narrative ambitions make the writing of a crossover burdensome. Such difficulties are encountered by
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was hailed as both a critical and commercial success, largely because the events of the crossover had lasting effects on the characters (such as the introduction of
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is a fighting game engine that features many fan-created and fictional characters and stages from various television series, movies, as well as other video games.
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Anime has also participated in many crossover events featuring characters or shows from the same company or network. One of the biggest projects down would be
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Webtoons (animated shows from the internet) can also have crossovers with different webtoons, franchises, YouTubers and more. Some examples are when Kate from
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or episode—is an extremely popular way of circumventing this problem. By various means, such crossovers typically avoid outcry from fans by being obvious
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Crossovers involving principals can also occur when the characters have no prior relationship, but are related by time period, locale or profession. The
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as one such crossover. In it, a nameless narrator is transported to "Twilight Land" and meets famous fairy tale characters for a soirée in an inn:
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A crossover story may try to explain its own reason for the crossover, such as characters being neighbors (notable examples being the casts from
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show or as a humorous interlude on an award telecast. Such crossovers may sometimes involve the real actors—for example, a sketch on
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This article is about combinations of separate fictional universes in new works. For unauthorised adaptations of existing works, see
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as a trick or treater who possesses Matt and Edd in the episode, "Trick or Threat". In addition to this a couple of characters from
544: 241: 171: 74: 2487: 2074: 893: 851: 314:, where one discrete character, setting, or universe, copies another character, setting, or universe, often in a comedic manner. 152: 4477: 4284: 1682: 1160: 926: 736: 2068:" – as the Klingons and Federation had become allies in the century between, the former villains are now portrayed as heroes. 124: 2207:. This would seem to be another case when a popular franchise is acknowledged as fiction and not a crossover of the stories. 1690:
directly named (thus not requiring royalties payments to be made to the copyright holder). A prominent example occurs within
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when the agent has issues over possibly becoming a sperm donor, with David Boreanaz (who plays Booth) repaying the favor in "
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In its simplest and most common form, a television crossover involves a starring character on a parent show appearing on a
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or vice versa because of established character relationships. An obvious example of this type of crossover occurred when
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An essay musing on the numerous elements necessary to a successful crossover (primarily aimed at fan-written fiction).
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also cross over with each other, linking different characters and settings together over a number of different works.
887: 333: 1548:, and others gather in the framing device and tell each other adventurous tales featuring other literary personages. 1421:, a novel published between the first and second Palliser novels in 1865, a character first introduced in the novel, 2626: 1132:, an anime on which he served as director, although the rights to Yamato are actually owned by Yoshinobu Nishizaki. 4462: 4441: 4277: 2168: 2060: 1792: 1382: 1205: 1078: 952: 641: 574: 138: 1851:. Such "event nights" can also be linked by a single character's quest across multiple shows on the same evening. 216: 98: 3988: 3789: 3053: 1655: 1394:, some authors also engage in crossovers by including characters from different novels they have written in one. 845: 694: 650: 3962: 3157: 2290: 2220: 2065: 1174: 989: 939: 875: 817: 66: 120: 1975:
began its second season, its first season having aired on ABC. This episode was largely condemned by fans of
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in the game, as a special guest character, or a major crossover where two or more franchises encounter.
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Perhaps the most obvious parodic crossover is found when characters from two series interact outside
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aired this half-hour special one Saturday morning with characters from all their networks, including
793: 606: 554: 513:. Fan fiction fusions between different science fiction movies and series are often created, such as 437: 368: 1222:, with some of the monsters forming teams in numerous movies, much like the Marvel movie franchise. 4147: 4048: 3930: 3772: 3722: 3690: 3629: 3582: 3354: 3337: 3332: 3325: 3285: 3237: 3145: 3030: 2901: 2383: 2266: 2200: 1733:
and its high-rated finale, several characters crossed over into the network's remaining soap opera
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the distribution of such material. A good example would be the unauthorised live action fan film
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objected, preferring to remove his name from the credits of that particular episode in protest.
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produced a crossover, which was complicated by the shows' incompatible historical settings;
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Crossovers which build upon and take place in Philip José Farmer's World Newton continuity.
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One of the earlier instances of crossovers in TV productions outside the US is the episode
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The first major crossover event was spearheaded by the Marvel Editor-in-Chief at the time,
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meet and interact with each other. These can range from a character simply appearing as a
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has been known to cross over the characters of his various stories and characters such as
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which was essentially a gathering of the Hanna-Barbera characters for a regular series.
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crossover had lasting effects on the Valiant universe; most notably the introduction of
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because it had run away with a "time ball" that was displacing each show through time.
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as Bill Murdoch, a 21st-century descendant of his regular character William Murdoch.
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is set in the present day. The problem was solved by having the actors cross over as
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as Jacob Doyle, a 19th-century ancestor of his regular character Jake Doyle, while
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and Peter Fuchs join forces to solve a case in the turmoil of the time after the
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and Sonic (as well as their associated characters) appeared in a game together.
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Crossovers in video games occur when otherwise separated fictional characters,
569: 4346: 4213: 4043: 3807: 3712: 3404: 3320: 3315: 2995: 2965: 2713: 2378: 2232: 2080: 1967: 1856: 1755:"), crossovers have also occurred because shows share the same distributor or 1725: 1701: 1651: 1564: 1541: 1525: 1458: 1408: 1398: 1391: 1287: 1001: 985: 835: 732: 629: 621: 598: 590: 549: 531: 504: 408: 359: 4382: 4362: 4253: 4246: 3767: 3734: 3497: 3419: 3220: 3120: 3043: 3000: 2950: 2862: 2797: 2738: 2718: 2697: 2241: 2121: 1697: 1451: 1321: 1183: 1038: 754: 614: 602: 578: 476: 345: 296: 292: 2879: 2108:
programs. The satirical crossover—ranging in length from a cameo to a full
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set of movies involved several crossovers, including such combinations as
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point by capitalizing on the audience's experience of the other program.
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during the 1997 season. There, they proposed that the title character of
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Dream 9 Toriko x One Piece x Dragon Ball Z Super Special Collaboration
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There have been numerous crossovers in Japanese cinema. The boom of
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The earliest example of a crossover in children's television was
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Public domain depictions of some of the main characters used in
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Crossovers often occur in an official capacity in order for the
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had characters from various companies, most notably Disney and
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Unofficial crossovers can also occur in a "what-if" scenario.
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These shows were made by different companies, but owned by
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frequently interact with one another since they live in a "
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Crossovers of multiple characters, owned by one company or
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Performing Jane: A Cultural History of Jane Austen Fandom
1759:. A notable example of this kind of link is that between 2458:"One Piece and Dragon Ball Z Collide in this TV Special" 1855:
attempted this kind of "event night" crossover with its
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The first popular crossover in literature was the 1885
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announced plans to create a cinematic universe on the
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properties. Some of the earliest examples happened on
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brought all the Valiant characters together to defeat
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The Fanfiction Reader: Folk Tales for the Digital Age
1126:. Matsumoto has also created various crossovers with 897:. This was taken to an extreme in the 1977–79 series 2645:
Thoughts On Crossovers In General (Kathryn Andersen)
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For example, in the Marvel Comics universe, 2592: 2590: 1951:Crossovers can take the form of a promotional 1306:made the first crossover video game featuring 1164:, in 1943. After the comics publishing house 849:which featured appearances by characters from 4285: 3989: 2682: 1918:appeared on the November 25, 2013 episode of 1407:, which had an important guest appearance by 797:, an early unofficial animated crossover film 399:, but the trope is increasingly prevalent in 8: 2314: 1563:, where Cinderella's daughter is courted by 698:#51 (February 1967). This story dealt with 383:, where each show is fiction in the other. 75:Learn how and when to remove these messages 4292: 4278: 4270: 3996: 3982: 3974: 2689: 2675: 2667: 2651:World Newton Universe Crossover Chronology 1218:films saw a lot of crossovers produced at 706:, and seeking the aid of Hawkman, Batman, 573:An early example of the comics crossover: 2181:Parodic crossovers can take the form of " 1890:In 2013, the Canadian crime drama series 702:attempting to reconnect with her father, 636:, just as in the DC Comics Universe, the 242:Learn how and when to remove this message 172:Learn how and when to remove this message 1747:Though most common on shows of the same 1433:Old Friends: Essays in Epistolary Parody 1154:The first film crossover in a series of 824:The Grim Adventures of Billy & Mandy 417:which brings together the properties of 215:by adding descriptive text and removing 2415: 2214:series. This occurs most commonly on a 1240:and a few months later of all three in 773:and the death of a major Valiant hero. 3360:Types of fiction with multiple endings 2172:appeared in a dream of a character on 1926:appeared on a January 2014 episode of 1377:Twenty Thousand Leagues Under the Seas 1344:, released in Japan two months before 1341:Mario & Sonic at the Olympic Games 1324:and Mikey from the Warner Bros. movie 1186:' heroes, announced the production of 1178:(2012). Inspired by Marvel's success, 656:The earliest such crossover event was 4184:Organization for Transformative Works 1841:was experienced by the characters on 1647:The League of Extraordinary Gentlemen 1636:The League of Extraordinary Gentlemen 1461:frequently uses this device, as does 609:, as different characters in various 7: 2663:' history of the fictional crossover 440:makes frequent cameo appearances in 110:adding citations to reliable sources 2606:. November 25, 2013. Archived from 1050:episodes such as "Orcs and Dorks". 710:, the Atom, Green Lantern, and the 2577:"Crossover Event: "The Time Ball"" 2331:. Their respective popular heroes 1404:The Adventures of Huckleberry Finn 1243:Ghidorah, the Three-Headed Monster 1189:Batman v Superman: Dawn of Justice 503:, was made, in a hallucination of 25: 3763:Third-person omniscient narrative 1266:List of crossovers in video games 545:Intercompany crossovers in comics 56:This article has multiple issues. 4437: 4436: 2488:Louisiana State University Press 1617: 1603: 1589: 894:The Jetsons Meet the Flintstones 809:. It features five crossovers – 188: 86: 45: 1791:, which share the character of 1683:A Night in the Lonesome October 1161:Frankenstein Meets the Wolf Man 990:his short-lived cartoon spinoff 927:Cartoon All-Stars to the Rescue 97:needs additional citations for 64:or discuss these issues on the 3151:Conflict between good and evil 2301:(1990), which was produced by 2146:They can occur by virtue of a 1036:series makes an appearance in 807:The Grim Adventures of the KND 344:with those concurrently under 1: 4259:Legal issues with fan fiction 2203:had a talking Bender doll on 1914:of their primary characters; 291:into the context of a single 2434:University of Michigan Press 2230:buying the gas station from 2227:Little Mosque on the Prairie 2104:that wish to crossover with 2001:List of television spin-offs 1182:, who hold movie rights for 977:Teenage Mutant Ninja Turtles 670:#4 (October/November 1964), 4245: 2309:as a crossover between the 1415:appears towards the end of 980:), Bugs Bunny, Daffy Duck, 888:Hanna-Barbera Superstars 10 692:#355 (September 1966), and 4494: 4473:Film and video terminology 2169:The Young and the Restless 2061:Star Trek: Deep Space Nine 1998: 1779:. Another case is that of 1555:wrote a sort of sequel to 1383:In Search of the Castaways 1348:, was the first time that 1263: 542: 29: 27:Film and video terminology 4432: 3790:Stream of unconsciousness 3321:Falling action/Catastasis 2554:epguides.com listing for 2522:. New York: Harper, 1894. 2224:saw Yasir and Sarah from 2088:merely crossed over into 2084:, or whether the star of 2058:appeared together in the 1862:Sabrina the Teenage Witch 1713:Between established shows 1336:for the Famicom in 1988. 1046:make appearances in some 846:The New Scooby-Doo Movies 695:Justice League of America 651:Category:Crossover comics 310:This is different from a 3158:Self-fulfilling prophecy 2341:reunification of Germany 2221:Royal Canadian Air Farce 1857:Friday night programming 818:Codename: Kids Next Door 121:"Crossover" fiction 3785:Stream of consciousness 3248:Suspension of disbelief 2436:. pp. 12–13, 206. 2337:fall of the Berlin Wall 1979:as existing to promote 1817:Thursday night schedule 1346:Super Smash Bros. Brawl 1129:Space Battleship Yamato 982:Alvin and the Chipmunks 910:Who Framed Roger Rabbit 858:Josie and the Pussycats 460:were seen in the final 301:intercompany crossovers 217:less pertinent examples 18:Superman/Fantastic Four 4478:Television terminology 4414:Retroactive continuity 3326:Denouement/Catastrophe 3307:Rising action/Epitasis 2482:Sarah Glosson (2020). 2315: 2156:had been the dream of 2019:visited his daughter, 1865:should chase her cat, 1387: 1253:King Kong vs. Godzilla 1151: 1147:King Kong vs. Godzilla 974:), Michelangelo (from 948:Huey, Dewey, and Louie 798: 682:#19 (June/July 1965), 676:#336 (February 1965), 594: 589:number 21, artwork by 581:join forces to battle 566: 561:number 32, artwork by 491:Road to the North Pole 272: 3672:Utopian and dystopian 2610:on December 12, 2013. 2264:and the townsfolk of 1743:Between related shows 1546:Valiant Little Tailor 1365:The Mysterious Island 1363: 1143: 1064:as it includes three 967:The Real Ghostbusters 791: 771:Magnus, Robot Fighter 607:comic book publishers 572: 552: 329:intellectual property 257: 4179:The Gossamer Project 3226:Narrative techniques 3006:Story within a story 2818:Supporting character 2369:Continuity (fiction) 2163:The Bob Newhart Show 1940:The Electric Company 1848:Madman of the People 1751:(see, for example, " 1499:Edgar Rice Burroughs 1495:Sir H. Rider Haggard 1431:'s 1890 collection, 1424:Can You Forgive Her? 1333:Konami Wai Wai World 1194:DC Extended Universe 972:Extreme Ghostbusters 852:Harlem Globetrotters 794:Bambi Meets Godzilla 688:#42 (January 1966), 664:which took place in 493:". An appearance by 346:copyright protection 106:improve this article 4148:The Love Hypothesis 4049:Real person fiction 3931:Political narrative 3773:Unreliable narrator 3630:Speculative fiction 3338:Nonlinear narrative 3286:Three-act structure 3146:Deal with the Devil 2384:Fictional character 2267:The Vicar of Dibley 2106:dramatic television 1807:initially followed 1516:conceived his work 1467:James Branch Cabell 1237:Mothra vs. Godzilla 1144:Battle sequence in 1008:(from Jim Henson's 833:, and a quote from 830:The Powerpuff Girls 393:fan-written fiction 258:Ivan Tsarevich and 213:improve the article 4468:Comics terminology 4189:Archive of Our Own 4126:Fallout: Equestria 4019:Alternate universe 3909:Narrative paradigm 3904:Narrative identity 3834:Dominant narrative 3780:Multiple narrators 3064:Fictional location 2907:Dramatic structure 2629:2007-08-10 at the 2563:2007-10-12 at the 2490:. pp. 49–51. 2404:Wold Newton family 2389:Fictional universe 2250:situation comedies 2175:The King of Queens 2102:situation comedies 2096:Parodic crossovers 1947:Promotional cameos 1803:) and a schedule ( 1757:television network 1753:Hurricane Saturday 1749:production company 1665:Wold Newton family 1661:Philip JosĂ© Farmer 1388: 1374:to Verne's famous 1318:Universal Pictures 1292:playable character 1198:Paramount Pictures 1158:monster films was 1152: 1107:Galaxy Express 999 1070:franchises, being 996:, and the trio of 799: 595: 567: 299:holders (known as 273: 4463:Crossover fiction 4450: 4449: 4442:Superhero fiction 4301:Superhero fiction 4267: 4266: 4141:Gabriel's Inferno 4119:Beautiful Bastard 4029:Expanded universe 3971: 3970: 3914:Narrative therapy 3348:television series 3293:Freytag's Pyramid 3136:Moral development 3039:Alternate history 2749:False protagonist 2531:"Princess Mimi", 2364:Callback (comedy) 2277:Antiques Roadshow 2258:once appeared on 2078:is a spin-off of 2026:A Different World 1928:Republic of Doyle 1920:Murdoch Mysteries 1908:Republic of Doyle 1904:Murdoch Mysteries 1899:Murdoch Mysteries 1893:Republic of Doyle 1775:and broadcast on 1773:Universal Studios 1762:Murder, She Wrote 1708:Television series 1534:Sinbad the Sailor 1479:Margaret Laurence 1202:Entertainment One 1156:Universal Studios 1019:George H. W. Bush 882:The Addams Family 827:, a reference to 789: 507:'s, on TV sitcom 265:Pepper and Carrot 260:cameo appearances 252: 251: 244: 234: 233: 182: 181: 174: 156: 79: 16:(Redirected from 4485: 4440: 4439: 4388:Comic book death 4294: 4287: 4280: 4271: 4250: 4080:Author surrogate 3998: 3991: 3984: 3975: 3894:Literary science 3437:Narrative poetry 3333:Linear narrative 3243:Stylistic device 3238:Show, don't tell 3201:Figure of speech 2991:Shaggy dog story 2734:Characterization 2691: 2684: 2677: 2668: 2633: 2618: 2612: 2611: 2594: 2585: 2584: 2573: 2567: 2551: 2545: 2542: 2536: 2529: 2523: 2514: 2508: 2501: 2479: 2473: 2472: 2470: 2469: 2454: 2448: 2447: 2420: 2333:Horst Schimanski 2320: 2299: 2284:German crossover 2280:, for instance. 2160:'s character on 1953:cameo appearance 1837:'s character on 1736:General Hospital 1730:One Life to Live 1621: 1607: 1597:Allan Quatermain 1593: 1569:Charles Perrault 1491:Mordecai Richler 1475:William Faulkner 1447:Charlotte BrontĂ« 1442:Northanger Abbey 1413:Anthony Trollope 1170:movie production 876:Batman and Robin 790: 690:Detective Comics 673:Detective Comics 662:Zatanna's Search 448:makes cameos on 433:in one setting. 414:Batman: Dead End 354:The Golden Girls 268:in episode 4 of 247: 240: 229: 226: 220: 192: 191: 184: 177: 170: 166: 163: 157: 155: 114: 90: 82: 71: 49: 48: 41: 21: 4493: 4492: 4488: 4487: 4486: 4484: 4483: 4482: 4453: 4452: 4451: 4446: 4428: 4392: 4378:Secret identity 4351: 4303: 4298: 4268: 4263: 4233: 4200: 4166: 4160: 4155:Time's Champion 4104:Published works 4099: 4068: 4054:Shared universe 4007: 4002: 3972: 3967: 3899:Literary theory 3839:Fiction writing 3822: 3794: 3729: 3481: 3473: 3364: 3262: 3167: 3102: 3025: 2896:Deus ex machina 2837: 2823:Title character 2808:Stock character 2754:Focal character 2700: 2695: 2657:"On Crossovers" 2641: 2636: 2631:Wayback Machine 2623:A Star Is Burns 2619: 2615: 2596: 2595: 2588: 2575: 2574: 2570: 2565:Wayback Machine 2552: 2548: 2543: 2539: 2530: 2526: 2515: 2511: 2498: 2481: 2480: 2476: 2467: 2465: 2456: 2455: 2451: 2444: 2424:Francesca Coppa 2422: 2421: 2417: 2413: 2408: 2399:Tommy Westphall 2394:Shared universe 2374:Cross-licensing 2359:Canon (fiction) 2349: 2293: 2286: 2270:have had their 2098: 2086:Out of the Blue 2075:Out of the Blue 2003: 1997: 1963:A Star Is Burns 1949: 1937:' 1971 program 1872:Boy Meets World 1745: 1715: 1710: 1670:Sherlock Holmes 1642: 1641: 1640: 1639: 1633: 1629: 1628: 1627: 1622: 1614: 1613: 1611:Jekyll and Hyde 1608: 1600: 1599: 1594: 1583: 1574:Hop-o'-My-Thumb 1503:Robert Heinlein 1465:. The works of 1358: 1268: 1262: 1138: 1124:Queen Millennia 1113:Queen Millennia 1101:Captain Harlock 1096:Leiji Matsumoto 1056: 1054:Anime and manga 964:, Slimer (from 958:Winnie the Pooh 950:(from Disney's 803:Cartoon Network 781: 779: 769:, the birth of 714:along the way. 626:shared universe 547: 541: 389: 365:science fiction 325: 320: 270:Morevna Project 248: 237: 236: 235: 230: 224: 221: 210: 193: 189: 178: 167: 161: 158: 115: 113: 103: 91: 50: 46: 39: 28: 23: 22: 15: 12: 11: 5: 4491: 4489: 4481: 4480: 4475: 4470: 4465: 4455: 4454: 4448: 4447: 4445: 4444: 4433: 4430: 4429: 4427: 4426: 4421: 4416: 4411: 4406: 4400: 4398: 4394: 4393: 4391: 4390: 4385: 4380: 4375: 4370: 4365: 4359: 4357: 4353: 4352: 4350: 4349: 4344: 4343: 4342: 4332: 4327: 4322: 4317: 4311: 4309: 4305: 4304: 4299: 4297: 4296: 4289: 4282: 4274: 4265: 4264: 4262: 4261: 4256: 4251: 4241: 4239: 4238:Related topics 4235: 4234: 4232: 4231: 4226: 4221: 4216: 4210: 4208: 4202: 4201: 4199: 4198: 4193: 4192: 4191: 4181: 4176: 4174:FanFiction.Net 4170: 4168: 4162: 4161: 4159: 4158: 4151: 4144: 4137: 4129: 4122: 4115: 4107: 4105: 4101: 4100: 4098: 4097: 4095:Self-insertion 4092: 4087: 4082: 4076: 4074: 4073:Writing styles 4070: 4069: 4067: 4066: 4061: 4056: 4051: 4046: 4041: 4036: 4031: 4026: 4021: 4015: 4013: 4009: 4008: 4003: 4001: 4000: 3993: 3986: 3978: 3969: 3968: 3966: 3965: 3963:Verisimilitude 3960: 3955: 3950: 3945: 3944: 3943: 3933: 3928: 3927: 3926: 3916: 3911: 3906: 3901: 3896: 3891: 3890: 3889: 3879: 3878: 3877: 3868: 3866:Parallel novel 3863: 3862: 3861: 3856: 3851: 3836: 3830: 3828: 3824: 3823: 3821: 3820: 3815: 3810: 3804: 3802: 3796: 3795: 3793: 3792: 3787: 3782: 3777: 3776: 3775: 3770: 3765: 3755: 3750: 3745: 3739: 3737: 3731: 3730: 3728: 3727: 3726: 3725: 3720: 3710: 3709: 3708: 3703: 3698: 3693: 3688: 3687: 3686: 3681: 3680: 3679: 3674: 3669: 3659: 3654: 3649: 3648: 3647: 3637: 3627: 3622: 3617: 3616: 3615: 3610: 3600: 3595: 3590: 3585: 3580: 3575: 3570: 3565: 3560: 3555: 3550: 3545: 3540: 3535: 3530: 3525: 3520: 3515: 3510: 3508:Action fiction 3500: 3495: 3489: 3487: 3475: 3474: 3472: 3471: 3466: 3461: 3456: 3451: 3446: 3445: 3444: 3434: 3429: 3424: 3423: 3422: 3417: 3412: 3407: 3402: 3392: 3387: 3380: 3374: 3372: 3366: 3365: 3363: 3362: 3357: 3352: 3351: 3350: 3345: 3335: 3330: 3329: 3328: 3323: 3318: 3309: 3304: 3290: 3289: 3288: 3283: 3272: 3270: 3264: 3263: 3261: 3260: 3255: 3250: 3245: 3240: 3235: 3234: 3233: 3223: 3218: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3177: 3175: 3169: 3168: 3166: 3165: 3160: 3155: 3154: 3153: 3148: 3138: 3133: 3128: 3123: 3118: 3112: 3110: 3104: 3103: 3101: 3100: 3095: 3090: 3089: 3088: 3087: 3086: 3076: 3071: 3061: 3056: 3051: 3046: 3041: 3035: 3033: 3027: 3026: 3024: 3023: 3018: 3013: 3008: 3003: 2998: 2993: 2988: 2986:Self-insertion 2983: 2978: 2973: 2971:Poetic justice 2968: 2963: 2958: 2953: 2948: 2941: 2934: 2929: 2924: 2919: 2914: 2909: 2904: 2899: 2892: 2887: 2882: 2877: 2872: 2871: 2870: 2860: 2855: 2847: 2845: 2839: 2838: 2836: 2835: 2830: 2825: 2820: 2815: 2810: 2805: 2800: 2795: 2794: 2793: 2788: 2783: 2773: 2766: 2761: 2756: 2751: 2746: 2741: 2736: 2731: 2729:Character flaw 2726: 2721: 2716: 2710: 2708: 2702: 2701: 2696: 2694: 2693: 2686: 2679: 2671: 2665: 2664: 2654: 2648: 2640: 2639:External links 2637: 2635: 2634: 2613: 2586: 2568: 2546: 2537: 2533:The Living Age 2524: 2516:Pyle, Howard. 2509: 2496: 2474: 2464:. 8 April 2013 2449: 2442: 2414: 2412: 2409: 2407: 2406: 2401: 2396: 2391: 2386: 2381: 2376: 2371: 2366: 2361: 2356: 2354:Amalgam Comics 2350: 2348: 2345: 2328:Polizeiruf 110 2285: 2282: 2238:verisimilitude 2189:found and ate 2148:dream sequence 2097: 2094: 2016:The Cosby Show 2011:Cliff Huxtable 1996: 1993: 1948: 1945: 1924:Yannick Bisson 1799:), a setting ( 1744: 1741: 1714: 1711: 1709: 1706: 1631: 1630: 1623: 1616: 1615: 1609: 1602: 1601: 1595: 1588: 1587: 1586: 1585: 1584: 1582: 1579: 1553:Jules LemaĂ®tre 1551:French author 1483:Thomas Pynchon 1418:Miss Mackenzie 1357: 1354: 1264:Main article: 1261: 1258: 1168:ventured into 1137: 1134: 1055: 1052: 900:Laff-A-Lympics 812:Ed, Edd n Eddy 778: 775: 741:Valiant Comics 575:Captain Marvel 563:Alex Schomburg 543:Main article: 540: 537: 510:The Torkelsons 481:Admiral Ackbar 473:Moff Jerjerrod 458:Klaus Heissler 388: 385: 336:for the fans. 324: 321: 319: 316: 250: 249: 232: 231: 196: 194: 187: 180: 179: 94: 92: 85: 80: 54: 53: 51: 44: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4490: 4479: 4476: 4474: 4471: 4469: 4466: 4464: 4461: 4460: 4458: 4443: 4435: 4434: 4431: 4425: 4422: 4420: 4417: 4415: 4412: 4410: 4407: 4405: 4402: 4401: 4399: 4395: 4389: 4386: 4384: 4381: 4379: 4376: 4374: 4371: 4369: 4366: 4364: 4361: 4360: 4358: 4356:Plot elements 4354: 4348: 4345: 4341: 4338: 4337: 4336: 4333: 4331: 4328: 4326: 4323: 4321: 4318: 4316: 4313: 4312: 4310: 4306: 4302: 4295: 4290: 4288: 4283: 4281: 4276: 4275: 4272: 4260: 4257: 4255: 4252: 4249: 4248: 4243: 4242: 4240: 4236: 4230: 4227: 4225: 4222: 4220: 4217: 4215: 4212: 4211: 4209: 4207: 4203: 4197: 4194: 4190: 4187: 4186: 4185: 4182: 4180: 4177: 4175: 4172: 4171: 4169: 4167:organizations 4163: 4157: 4156: 4152: 4150: 4149: 4145: 4143: 4142: 4138: 4136: 4134: 4130: 4128: 4127: 4123: 4121: 4120: 4116: 4114: 4113: 4109: 4108: 4106: 4102: 4096: 4093: 4091: 4088: 4086: 4083: 4081: 4078: 4077: 4075: 4071: 4065: 4062: 4060: 4059:Slash fiction 4057: 4055: 4052: 4050: 4047: 4045: 4042: 4040: 4037: 4035: 4032: 4030: 4027: 4025: 4022: 4020: 4017: 4016: 4014: 4010: 4006: 3999: 3994: 3992: 3987: 3985: 3980: 3979: 3976: 3964: 3961: 3959: 3956: 3954: 3951: 3949: 3948:Screenwriting 3946: 3942: 3939: 3938: 3937: 3934: 3932: 3929: 3925: 3922: 3921: 3920: 3917: 3915: 3912: 3910: 3907: 3905: 3902: 3900: 3897: 3895: 3892: 3888: 3885: 3884: 3883: 3880: 3876: 3872: 3869: 3867: 3864: 3860: 3857: 3855: 3852: 3850: 3847: 3846: 3845: 3842: 3841: 3840: 3837: 3835: 3832: 3831: 3829: 3825: 3819: 3816: 3814: 3811: 3809: 3806: 3805: 3803: 3801: 3797: 3791: 3788: 3786: 3783: 3781: 3778: 3774: 3771: 3769: 3766: 3764: 3761: 3760: 3759: 3756: 3754: 3753:Second-person 3751: 3749: 3746: 3744: 3741: 3740: 3738: 3736: 3732: 3724: 3721: 3719: 3716: 3715: 3714: 3711: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3685: 3682: 3678: 3675: 3673: 3670: 3668: 3665: 3664: 3663: 3660: 3658: 3657:Magic realism 3655: 3653: 3650: 3646: 3643: 3642: 3641: 3638: 3636: 3633: 3632: 3631: 3628: 3626: 3623: 3621: 3618: 3614: 3611: 3609: 3606: 3605: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3588:Psychological 3586: 3584: 3581: 3579: 3576: 3574: 3571: 3569: 3568:Philosophical 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3549: 3546: 3544: 3541: 3539: 3536: 3534: 3531: 3529: 3526: 3524: 3521: 3519: 3516: 3514: 3511: 3509: 3506: 3505: 3504: 3501: 3499: 3496: 3494: 3493:Autobiography 3491: 3490: 3488: 3485: 3480: 3476: 3470: 3467: 3465: 3462: 3460: 3457: 3455: 3452: 3450: 3447: 3443: 3440: 3439: 3438: 3435: 3433: 3432:Narrative art 3430: 3428: 3425: 3421: 3418: 3416: 3413: 3411: 3408: 3406: 3403: 3401: 3398: 3397: 3396: 3393: 3391: 3390:Flash fiction 3388: 3386: 3385: 3381: 3379: 3376: 3375: 3373: 3371: 3367: 3361: 3358: 3356: 3353: 3349: 3346: 3344: 3341: 3340: 3339: 3336: 3334: 3331: 3327: 3324: 3322: 3319: 3317: 3313: 3310: 3308: 3305: 3303: 3299: 3296: 3295: 3294: 3291: 3287: 3284: 3282: 3281:Act structure 3279: 3278: 3277: 3274: 3273: 3271: 3269: 3265: 3259: 3256: 3254: 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3232: 3229: 3228: 3227: 3224: 3222: 3219: 3217: 3214: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3178: 3176: 3174: 3170: 3164: 3161: 3159: 3156: 3152: 3149: 3147: 3144: 3143: 3142: 3139: 3137: 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3113: 3111: 3109: 3105: 3099: 3098:Worldbuilding 3096: 3094: 3091: 3085: 3082: 3081: 3080: 3077: 3075: 3072: 3070: 3067: 3066: 3065: 3062: 3060: 3057: 3055: 3052: 3050: 3047: 3045: 3042: 3040: 3037: 3036: 3034: 3032: 3028: 3022: 3019: 3017: 3014: 3012: 3009: 3007: 3004: 3002: 2999: 2997: 2994: 2992: 2989: 2987: 2984: 2982: 2979: 2977: 2974: 2972: 2969: 2967: 2964: 2962: 2959: 2957: 2954: 2952: 2949: 2947: 2946: 2945:KishĹŤtenketsu 2942: 2940: 2939: 2938:In medias res 2935: 2933: 2930: 2928: 2925: 2923: 2920: 2918: 2917:Foreshadowing 2915: 2913: 2912:Eucatastrophe 2910: 2908: 2905: 2903: 2900: 2898: 2897: 2893: 2891: 2888: 2886: 2883: 2881: 2878: 2876: 2875:Chekhov's gun 2873: 2869: 2866: 2865: 2864: 2861: 2859: 2856: 2854: 2853: 2849: 2848: 2846: 2844: 2840: 2834: 2831: 2829: 2826: 2824: 2821: 2819: 2816: 2814: 2811: 2809: 2806: 2804: 2801: 2799: 2796: 2792: 2789: 2787: 2784: 2782: 2779: 2778: 2777: 2774: 2772: 2771: 2767: 2765: 2764:Gothic double 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2744:Deuteragonist 2742: 2740: 2737: 2735: 2732: 2730: 2727: 2725: 2724:Character arc 2722: 2720: 2717: 2715: 2712: 2711: 2709: 2707: 2703: 2699: 2692: 2687: 2685: 2680: 2678: 2673: 2672: 2669: 2662: 2658: 2655: 2652: 2649: 2646: 2643: 2642: 2638: 2632: 2628: 2625: 2624: 2617: 2614: 2609: 2605: 2604: 2603:National Post 2599: 2593: 2591: 2587: 2582: 2578: 2572: 2569: 2566: 2562: 2559: 2557: 2556:Pandora's Box 2550: 2547: 2541: 2538: 2534: 2528: 2525: 2521: 2520: 2519:Twilight Land 2513: 2510: 2507: 2504: 2499: 2497:9780807173350 2493: 2489: 2485: 2478: 2475: 2463: 2459: 2453: 2450: 2445: 2443:9780472053483 2439: 2435: 2431: 2430: 2425: 2419: 2416: 2410: 2405: 2402: 2400: 2397: 2395: 2392: 2390: 2387: 2385: 2382: 2380: 2377: 2375: 2372: 2370: 2367: 2365: 2362: 2360: 2357: 2355: 2352: 2351: 2346: 2344: 2342: 2338: 2334: 2330: 2329: 2325:crime series 2324: 2319: 2318: 2313:crime series 2312: 2308: 2304: 2300: 2297: 2292: 2291:Unter BrĂĽdern 2283: 2281: 2279: 2278: 2273: 2269: 2268: 2263: 2262: 2257: 2256: 2255:Mama's Family 2251: 2247: 2246:reality shows 2243: 2239: 2235: 2234: 2229: 2228: 2223: 2222: 2217: 2216:sketch comedy 2213: 2208: 2206: 2202: 2198: 2197: 2193:'s shorts on 2192: 2188: 2184: 2179: 2177: 2176: 2171: 2170: 2165: 2164: 2159: 2155: 2154: 2149: 2144: 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Index

Superman/Fantastic Four
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