Knowledge (XXG)

Symphony No. 47 (Haydn)

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variations the surface rhythms are accelerating from eighth notes to sixteenth notes to triplet-sixteenths to thirty-seconds. The fourth variation varies from this pattern in that it is fully scored for the entire variation and serves as a recapitulation for the movement. What follows is a coda where the theme slowly dies away.
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The opening movement begins with a hammerstroke and a dotted-rhythm fanfare of repeated notes which serves as the first theme for the sonata-form movement. The line between the development and recapitulation is blurred by the reappearance of the dotted-rhythm in G minor (the home tonic but the wrong
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in invertible counterpoint. Through the third variation, each appearance of the ternary theme with winds appearing only in the middle section features muted strings in the outer sections. In the second outer section, the theme in two voices is inverted. Also, through each of the first three
291:, ed. W. Dean Sutcliffe, Cambridge: Cambridge University Press (1998): 166. "The most extraordinary of all canonic movements from this time is of course the 'Minuet al rovescio' from Symphony No. 47 in G major (1772), later re-used in Sonata No. 41 in A major 323: 213: 1136: 295:(1773). Here Haydn writes out only one reprise of a two-reprise form, and the performer must play the music 'backward' the second time around." 1155: 332: 1160: 316: 259: 189:
mode) followed by standard recapitulation of the second theme group. The first theme is finally resolved in the concluding
1068: 1129: 1165: 208:": the second part of the Minuet is the same as the first but backwards, and the Trio is also written in this way. 309: 1052: 1044: 1039: 1031: 1023: 1170: 1018: 1013: 1008: 1000: 995: 987: 982: 959: 954: 949: 944: 939: 923: 918: 910: 902: 894: 886: 866: 861: 856: 851: 846: 841: 836: 831: 823: 818: 813: 808: 800: 795: 790: 785: 780: 772: 764: 759: 754: 735: 727: 722: 717: 712: 704: 699: 691: 686: 681: 676: 668: 660: 647: 639: 631: 623: 618: 613: 597: 592: 584: 579: 574: 569: 564: 559: 554: 546: 538: 533: 528: 520: 512: 507: 502: 497: 489: 484: 468: 463: 458: 453: 448: 443: 438: 433: 428: 423: 418: 1122: 1082: 413: 405: 397: 389: 384: 379: 374: 369: 364: 231: 359: 354: 212: 973: 292: 255: 197: 71: 45: 1106: 877: 99: 1149: 338: 190: 95: 61: 25: 254:, 2 volumes. Bloomington and London: Indiana University Press (2002): 2:139–143. 205: 301: 204:
The "Minuetto al Roverso" is the reason this symphony is sometimes called "
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Mark Evan Bonds, "Haydn's 'Cours complet de la composition' and the
167: 127: 106: 87: 305: 1110: 238:, London: Universal Edition & Rockliff (1955): 687. 1066: 971: 932: 875: 747: 606: 477: 347: 51: 41: 31: 18: 74:was probably written in 1772. It was nicknamed 1130: 317: 8: 1137: 1123: 324: 310: 302: 15: 272:The Music of Joseph Haydn: The Symphonies 246: 244: 1073: 274:, London: The Tantivy Press (1976): 74. 224: 196:The slow movement is a theme with four 7: 1091: 1089: 1109:. You can help Knowledge (XXG) by 14: 1093: 1076: 211: 236:The Symphonies of Joseph Haydn 1: 102:. It is in four movements: 1187: 1156:Symphonies by Joseph Haydn 1088: 23: 252:The Symphonic Repertoire 1161:Compositions in G major 130:cantabile in D major, 1101:This article about a 232:H. C. Robbins Landon 66:Symphony No. 47 in 905:(In nomine Domini) 775:(Tempora mutantur) 707:(The Schoolmaster) 1166:1772 compositions 1118: 1117: 1064: 1063: 974:London symphonies 59: 58: 1178: 1139: 1132: 1125: 1097: 1090: 1081: 1080: 1079: 1072: 878:Paris symphonies 663:(Maria Theresia) 523:(Hermannstädter) 342: 341: 326: 319: 312: 303: 296: 281: 275: 270:Antony Hodgson, 268: 262: 250:A. Peter Brown, 248: 239: 229: 215: 184: 183: 182: 181: 164: 163: 162: 161: 144: 143: 142: 141: 123: 122: 121: 120: 76:"The Palindrome" 16: 1186: 1185: 1181: 1180: 1179: 1177: 1176: 1175: 1146: 1145: 1144: 1143: 1087: 1083:Classical Music 1077: 1075: 1067: 1065: 1060: 967: 928: 871: 743: 602: 473: 343: 337: 336: 330: 300: 299: 285:Sturm und Drang 282: 278: 269: 265: 249: 242: 230: 226: 221: 180: 175: 174: 173: 172: 171: 160: 155: 154: 153: 152: 151: 140: 135: 134: 133: 132: 131: 119: 114: 113: 112: 111: 110: 84: 19:Symphony No. 47 12: 11: 5: 1184: 1182: 1174: 1173: 1171:Symphony stubs 1168: 1163: 1158: 1148: 1147: 1142: 1141: 1134: 1127: 1119: 1116: 1115: 1098: 1086: 1085: 1062: 1061: 1059: 1058: 1050: 1042: 1037: 1029: 1021: 1016: 1011: 1006: 998: 993: 985: 979: 977: 969: 968: 966: 965: 957: 952: 947: 942: 936: 934: 930: 929: 927: 926: 921: 916: 908: 900: 892: 883: 881: 873: 872: 870: 869: 864: 859: 854: 849: 844: 839: 834: 829: 821: 816: 811: 806: 798: 793: 788: 783: 778: 770: 762: 757: 751: 749: 745: 744: 742: 741: 738:(Il distratto) 733: 725: 720: 715: 710: 702: 697: 689: 684: 679: 674: 666: 658: 650: 645: 637: 629: 621: 616: 610: 608: 604: 603: 601: 600: 595: 590: 582: 577: 572: 567: 562: 557: 552: 544: 536: 531: 526: 518: 515:(Lamentatione) 510: 505: 500: 495: 487: 481: 479: 475: 474: 472: 471: 466: 461: 456: 451: 446: 441: 436: 431: 426: 421: 416: 411: 403: 395: 387: 382: 377: 372: 367: 362: 357: 351: 349: 345: 344: 331: 329: 328: 321: 314: 306: 298: 297: 276: 263: 240: 223: 222: 220: 217: 206:The Palindrome 186: 185: 176: 165: 156: 145: 136: 124: 115: 83: 80: 57: 56: 53: 49: 48: 43: 39: 38: 33: 29: 28: 21: 20: 13: 10: 9: 6: 4: 3: 2: 1183: 1172: 1169: 1167: 1164: 1162: 1159: 1157: 1154: 1153: 1151: 1140: 1135: 1133: 1128: 1126: 1121: 1120: 1114: 1112: 1108: 1104: 1099: 1096: 1092: 1084: 1074: 1070: 1057: 1056: 1051: 1049: 1048: 1043: 1041: 1038: 1036: 1035: 1030: 1028: 1027: 1022: 1020: 1017: 1015: 1012: 1010: 1007: 1005: 1004: 999: 997: 994: 992: 991: 986: 984: 981: 980: 978: 976: 975: 970: 964: 963: 958: 956: 953: 951: 948: 946: 943: 941: 938: 937: 935: 931: 925: 922: 920: 917: 915: 914: 909: 907: 906: 901: 899: 898: 893: 891: 890: 885: 884: 882: 880: 879: 874: 868: 865: 863: 860: 858: 855: 853: 850: 848: 845: 843: 840: 838: 835: 833: 830: 828: 827: 822: 820: 817: 815: 812: 810: 807: 805: 804: 799: 797: 794: 792: 789: 787: 784: 782: 779: 777: 776: 771: 769: 768: 767:(La Roxelane) 763: 761: 758: 756: 753: 752: 750: 746: 740: 739: 734: 732: 731: 726: 724: 721: 719: 716: 714: 711: 709: 708: 703: 701: 698: 696: 695: 694:(L'impériale) 690: 688: 685: 683: 680: 678: 675: 673: 672: 671:(La passione) 667: 665: 664: 659: 657: 656: 651: 649: 646: 644: 643: 638: 636: 635: 630: 628: 627: 622: 620: 617: 615: 612: 611: 609: 605: 599: 596: 594: 591: 589: 588: 583: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 551: 550: 545: 543: 542: 537: 535: 532: 530: 527: 525: 524: 519: 517: 516: 511: 509: 506: 504: 501: 499: 496: 494: 493: 492:(Philosopher) 488: 486: 483: 482: 480: 476: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 415: 412: 410: 409: 404: 402: 401: 396: 394: 393: 388: 386: 383: 381: 378: 376: 373: 371: 368: 366: 363: 361: 358: 356: 353: 352: 350: 346: 340: 334: 327: 322: 320: 315: 313: 308: 307: 304: 294: 290: 289:Haydn Studies 286: 280: 277: 273: 267: 264: 261: 257: 253: 247: 245: 241: 237: 233: 228: 225: 218: 216: 214: 209: 207: 202: 199: 194: 192: 179: 169: 166: 159: 149: 146: 139: 129: 125: 118: 108: 105: 104: 103: 101: 97: 93: 89: 86:Scored for 2 81: 79: 77: 73: 70: 69: 63: 54: 50: 47: 44: 40: 37: 34: 30: 27: 22: 17: 1111:expanding it 1100: 1054: 1046: 1033: 1025: 1002: 989: 972: 961: 912: 904: 896: 888: 876: 825: 802: 774: 766: 737: 729: 706: 693: 670: 662: 655:(Palindrome) 654: 652: 641: 633: 625: 586: 549:(Hornsignal) 548: 540: 522: 514: 491: 407: 399: 391: 339:Joseph Haydn 288: 284: 279: 271: 266: 251: 235: 227: 210: 203: 195: 187: 177: 157: 137: 116: 85: 75: 65: 62:Joseph Haydn 60: 26:Joseph Haydn 24:Symphony by 826:(La chasse) 293:Hob. XVI:26 1150:Categories 1047:(Drumroll) 1026:(Military) 990:(Surprise) 913:(La Reine) 889:(The Bear) 642:(Farewell) 541:(Alleluia) 392:(Le matin) 333:Symphonies 260:025333487X 219:References 198:variations 1003:(Miracle) 897:(The Hen) 626:(Mercury) 408:(Le soir) 400:(Le midi) 82:Movements 72:Hob. I:47 42:Catalogue 1103:symphony 1055:(London) 962:(Oxford) 803:(Laudon) 634:(Trauer) 150:e Trio, 148:Menuetto 126:Un poco 1034:(Clock) 170:assai, 107:Allegro 100:strings 92:bassoon 68:G major 36:G major 1069:Portal 730:(Fire) 587:(Echo) 287:", in 258:  168:Presto 128:adagio 98:, and 46:Hob. I 1105:is a 933:88–92 748:61–81 607:41–60 478:21–40 96:horns 88:oboes 1107:stub 1053:104 1045:103 1032:101 1024:100 348:A–20 256:ISBN 191:coda 94:, 2 55:1772 52:Year 1040:102 1001:96 988:94 960:92 911:85 903:84 895:83 887:82 824:73 801:69 773:64 765:63 736:60 728:59 705:55 692:53 669:49 661:48 653:47 640:45 632:44 624:43 585:38 547:31 539:30 521:27 513:26 490:22 335:by 64:'s 32:Key 1152:: 1019:99 1014:98 1009:97 996:95 983:93 955:91 950:90 945:89 940:88 924:87 919:86 867:81 862:80 857:79 852:78 847:77 842:76 837:75 832:74 819:72 814:71 809:70 796:68 791:67 786:66 781:65 760:62 755:61 723:58 718:57 713:56 700:54 687:52 682:51 677:50 648:46 619:42 614:41 598:40 593:39 580:37 575:36 570:35 565:34 560:33 555:32 534:29 529:28 508:25 503:24 498:23 485:21 469:20 464:19 459:18 454:17 449:16 444:15 439:14 434:13 429:12 424:11 419:10 406:8 398:7 390:6 243:^ 234:, 193:. 109:, 90:, 78:. 1138:e 1131:t 1124:v 1113:. 1071:: 414:9 385:5 380:4 375:3 370:2 365:1 360:B 355:A 325:e 318:t 311:v 178:2 158:4 138:4 117:4

Index

Joseph Haydn
G major
Hob. I
Joseph Haydn
G major
Hob. I:47
oboes
bassoon
horns
strings
Allegro
adagio
Menuetto
Presto
coda
variations
The Palindrome

H. C. Robbins Landon


ISBN
025333487X
Hob. XVI:26
v
t
e
Symphonies
Joseph Haydn
A

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