344:
276:
593:"His Performance on the Piano Forte, although not such as to stamp him a first rate artist upon that Instrument, was indisputably neat and distinct. In the Finale of one of his Symphonies is a Passage of attractive Brilliancy, which he has given to the Piano Forte, and which the Writer of this Memoir remembers him to have executed with the utmost Accuracy and Precision."
1971:
327:), as is conventional for a sonata form movement in a major key, but no new theme is presented. Instead, the opening theme, albeit in a varied form, is reprised in the new key. The sonata can thus be called monothematic. After the exposition follows a long
279:
The first line shows the first four measures (first violins) of the Adagio introduction to the first movement. The second line shows the first four measures (first violins) of the movement's
Allegro section, which serves as the principal theme of the
577:
when it plays the first theme as a solo. After the recapitulation there is a lengthy coda, in which Haydn slows the tempo to "piu moderato" but then introduces sixteenth notes to give the movement a new momentum. Towards the end of the
315:. The use of common thematic material in an introduction and a movement proper is an uncommon compositional device for the time. After its first statement in the Allegro, the motif then proceeds to dominate the entire movement. The
383:, and it was possibly intended by Haydn as a tribute to his friend and fellow-composer, who died in December 1791: Haydn was composing the symphony when he heard, and was greatly distressed by, the news of his friend's death.
62:
Haydn composed the symphony in early 1792. At the time, Haydn was in the midst of the first of his two visits to London, under contract to perform a series of new symphonies with an orchestra led by
966:
134:
means. The cembalo part is only scored for a brief solo in the fourth movement, but Haydn would have conducted the premiere sitting at the keyboard and probably used it in a
1185:
165:
basso horns were preferred in the 1792 premiere, making the symphony the first of Haydn’s to employ the instrument. The trumpet and timpani parts are also scored in B
1216:
1189:
454:
conclusion. The chromaticism accompanying the final statement of the theme was omitted from published editions of the symphony until the 1950s, when
438:
present the first theme again. Six measures from the end of the movement, the first two measures of the theme are presented for a final time, by an
458:
restored Haydn's original score. Haydn went on to quote the Agnus Dei of Mozart's
Coronation Mass even more exactly in the Agnus Dei of his own
2001:
347:
The strings introduce the main theme of the second movement (measures 1 to 4). The theme is almost identical to the Agnus Dei in Mozart's
1991:
586:
1225:
1020:
879:
1136:
1119:
917:
852:
788:
761:
728:
695:
805:
305:
Haydn then uses the introductory motif as the primary theme of the "Allegro" section of the movement, although this time it is in
667:
513:
1209:
1146:
1086:
1059:
993:
819:
652:
625:
811:
948:
79:
50:
in London on 2 March 1792. Some musicologists and historians interpret this symphony as Haydn’s tribute to his friend
869:
426:
involves new treatments of the principal theme: on its first reprise, the theme is accompanied by a passage for solo
1996:
1961:
1202:
569:
through a wide range of keys and prominent solos for the principal violin who, in the premiere performance, was
1945:
1937:
1932:
1924:
1916:
419:
380:
376:
1911:
1901:
1893:
1888:
1880:
1875:
1852:
1847:
1842:
1837:
1832:
1816:
1811:
1803:
1795:
1787:
1779:
1759:
1754:
1749:
1744:
1739:
1734:
1729:
1724:
1716:
1711:
1706:
1701:
1693:
1688:
1683:
1678:
1673:
1665:
1657:
1652:
1647:
1628:
1620:
1615:
1610:
1605:
1597:
1592:
1584:
1579:
1574:
1569:
1561:
1553:
1545:
1540:
1532:
1524:
1516:
1511:
1506:
1490:
1485:
1477:
1472:
1467:
1462:
1457:
1452:
1447:
1439:
1431:
1426:
1421:
1413:
1405:
1400:
1395:
1390:
1382:
1377:
1361:
1356:
1351:
1346:
1341:
1336:
1331:
1326:
1321:
1316:
1311:
75:
1975:
1306:
1298:
1290:
1282:
1277:
1272:
1267:
1262:
1257:
574:
423:
332:
302:, and consists of three differing statements of an upwards broken chord, followed by a downward motion.
570:
455:
130:, but in many modern performances the part is played on a harpsichord, which is what the German word
71:
63:
47:
46:
as part of the set of symphonies composed on his first trip to London. It was first performed at the
589:, who was at the 1792 premiere, recollected that Haydn had executed the keyboard solo proficiently:
552:
415:
328:
31:
1010:
685:
74:, with Haydn directing the orchestra from the keyboard. The premiere came two weeks after that of
1252:
1247:
566:
411:
316:
1866:
1142:
1115:
1111:
1082:
1076:
1055:
1049:
1016:
989:
983:
913:
909:
875:
848:
844:
815:
784:
778:
757:
751:
724:
720:
691:
648:
642:
621:
615:
399:
35:
1770:
582:
comes the surprising keyboard solo, consisting of an 11-measure passage of sixteenth notes.
544:
485:
451:
403:
335:
that involves unusually significant variations to the material presented in the exposition.
320:
83:
1179:
135:
119:
1985:
1138:
The First Golden Age of the
Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
1104:
1078:
The First Golden Age of the
Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
1051:
The First Golden Age of the
Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
985:
The First Golden Age of the
Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
902:
837:
713:
644:
The First Golden Age of the
Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
617:
The First Golden Age of the
Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
459:
82:. Haydn recalled that at the premiere of No. 98, the first and fourth movements were
67:
43:
1231:
579:
556:
503:
493:
475:
431:
306:
293:
107:
39:
21:
932:
807:
Orchestral music: symphonies and concertos, in "The
Cambridge Companion to Haydn"
525:
364:
289:
281:
123:
127:
1194:
524:
The fourth movement is the longest finale among Haydn's symphonies. It is in
447:
387:
343:
275:
292:
and is preceded by an introduction marked "Adagio". The introduction is in
126:. At the symphony’s premiere, Haydn likely played the cembalo part on a
548:
489:
443:
407:
360:
324:
115:
111:
103:
386:
The movement's principal theme, introduced by the strings and marked "
471:
372:
224:
51:
674:(Oxford and New York: Oxford University Press, 1995), pp. 225–229.
573:. The principal violin's part continues into the beginning of the
462:, and his scoring reflects that of the Adagio in his Symphony 98.
427:
367:. There are no trumpet or timpani parts. The movement, solemn and
249:
228:
204:
184:
180:
95:
942:
940:
647:. Bloomington and London: Indiana University Press. p. 265.
585:
Haydn was not a keyboard virtuoso. But the composer and organist
543:
time. The exposition is repeated, and after it concludes in the
439:
435:
414:
is not repeated. Instead there is a transition section into the
368:
99:
1198:
597:
A typical performance of the symphony lasts about 26 minutes.
512:, but omits the trumpets, horns and timpani. The music critic
450:
accompaniment from the strings. The movement then fades to a
418:. It is in this transition that the quotation from Mozart's
871:
Playing Before the Lord: The Life and Work of Joseph Haydn
371:-like, makes noticeable use of material from two works by
1110:. Oxford and New York: Oxford University Press. pp.
1959:
70:. The symphony was performed on 2 March 1792 at the
1864:
1825:
1768:
1640:
1499:
1370:
1240:
1182:Program for Symphony #98 and Variations in F minor
1103:
901:
836:
712:
484:. Its second section starts conventionally in the
402:" has also been noted. The second theme is in the
745:
743:
895:
893:
891:
933:http://www.adparnassum.org/pdf/abstracts/13.pdf
1141:. Indiana University Press. pp. 264–265.
1081:. Indiana University Press. pp. 263–264.
620:. Indiana University Press. pp. 243–244.
1210:
8:
1167:Mozart, Haydn and Early Beethoven: 1781–1802
1043:
1041:
874:. Wm. B. Eerdmans Publishing. p. 201.
138:role throughout the whole of the symphony.
1217:
1203:
1195:
814:. Cambridge University Press. p. 98.
434:. After the second theme is reprised, the
1190:International Music Score Library Project
1054:. Indiana University Press. p. 263.
988:. Indiana University Press. p. 262.
780:The Music of Joseph Haydn: The Symphonies
753:The Music of Joseph Haydn: The Symphonies
351:. Haydn would return to the theme in his
968:HAYDN: Symphonies, Vol. 14 (Nos. 97, 98)
342:
274:
1966:
606:
516:described the trio as "gently rustic".
551:, there is a lengthy pause before the
502:for a flute solo. The trio remains in
390:", is an almost exact quotation from
7:
908:. Oxford University Press. p.
843:. Oxford University Press. p.
719:. Oxford University Press. p.
147:horn part is commonly played with B
1169:. New York: W. W. Norton & Co.
1015:. Faber & Faber. p. 147.
690:. Faber & Faber. p. 148.
78:, and one week before that of the
14:
159:alto, horns. It is likely that B
54:who had died on 5 December 1791.
34:I/98, is the sixth of the twelve
1969:
1106:The Symphony: A Listener's Guide
949:"Symphony No 98 in B flat major"
904:The Symphony: A Listener's Guide
839:The Symphony: A Listener's Guide
783:. Tantivity Press. p. 137.
756:. Tantivity Press. p. 138.
715:The Symphony: A Listener's Guide
271:First movement: Adagio – Allegro
1012:The Faber Pocket Guide to Haydn
687:The Faber Pocket Guide to Haydn
672:The Symphony: A Listeners Guide
1:
812:Cambridge Companions to Music
470:The third movement is a fast
141:In modern performances, the B
38:(numbers 93–104) composed by
2002:Compositions in B-flat major
1102:Steinberg, Michael (1995).
971:(Media notes). Naxos. 1994.
900:Steinberg, Michael (1995).
835:Steinberg, Michael (1995).
711:Steinberg, Michael (1995).
565:. The development contains
420:Symphony No. 41 ("Jupiter")
381:Symphony No. 41 ("Jupiter")
94:The work is scored for one
2018:
1992:Symphonies by Joseph Haydn
953:www.hyperion-records.co.uk
1035:Heartz (2009), p. 661–662
1009:Wigmore, Richard (2011).
804:Schroeder, David (2005).
684:Wigmore, Richard (2011).
288:The first movement is in
1135:Brown, A. Peter (2002).
1075:Brown, A. Peter (2002).
1048:Brown, A. Peter (2002).
982:Brown, A. Peter (2002).
868:Stapert, Calvin (2014).
777:Hodgson, Antony (1976).
750:Hodgson, Antony (1976).
641:Brown, A. Peter (2002).
614:Brown, A. Peter (2002).
466:Third movement: Menuetto
1186:Symphony No. 98 (Haydn)
1165:Heartz, Daniel (2009).
339:Second movement: Adagio
356:
285:
42:. It was completed in
1180:BBC Discovering Music
346:
278:
571:Johann Peter Salomon
456:H. C. Robbins Landon
398:; a resemblance to "
153:basso, rather than B
80:Sinfonia Concertante
72:Hanover Square Rooms
64:Johann Peter Salomon
48:Hanover Square Rooms
955:. Hyperion Records.
474:. The minuet is in
359:The movement is in
1798:(In nomine Domini)
1668:(Tempora mutantur)
1600:(The Schoolmaster)
947:Wigmore, Richard.
668:Steinberg, Michael
357:
286:
1997:1792 compositions
1957:
1956:
1867:London symphonies
514:Michael Steinberg
400:God Save the King
319:modulates to the
36:London symphonies
2009:
1974:
1973:
1972:
1965:
1771:Paris symphonies
1556:(Maria Theresia)
1416:(Hermannstädter)
1235:
1234:
1219:
1212:
1205:
1196:
1188:: Scores at the
1153:
1152:
1132:
1126:
1125:
1109:
1099:
1093:
1092:
1072:
1066:
1065:
1045:
1036:
1033:
1027:
1026:
1006:
1000:
999:
979:
973:
972:
963:
957:
956:
944:
935:
930:
924:
923:
907:
897:
886:
885:
865:
859:
858:
842:
832:
826:
825:
801:
795:
794:
774:
768:
767:
747:
738:
737:
735:steinberg haydn.
718:
708:
702:
701:
681:
675:
665:
659:
658:
638:
632:
631:
611:
562:
561:
542:
541:
540:
539:
509:
508:
499:
498:
492:but shifts into
481:
480:
331:section, then a
312:
311:
299:
298:
266:
265:
264:
263:
245:
244:
243:
242:
221:
220:
219:
218:
201:
200:
199:
198:
170:
169:
164:
163:
158:
157:
152:
151:
146:
145:
27:
26:
2017:
2016:
2012:
2011:
2010:
2008:
2007:
2006:
1982:
1981:
1980:
1976:Classical Music
1970:
1968:
1960:
1958:
1953:
1860:
1821:
1764:
1636:
1495:
1366:
1236:
1230:
1229:
1223:
1176:
1162:
1157:
1156:
1149:
1134:
1133:
1129:
1122:
1101:
1100:
1096:
1089:
1074:
1073:
1069:
1062:
1047:
1046:
1039:
1034:
1030:
1023:
1008:
1007:
1003:
996:
981:
980:
976:
965:
964:
960:
946:
945:
938:
931:
927:
920:
899:
898:
889:
882:
867:
866:
862:
855:
834:
833:
829:
822:
803:
802:
798:
791:
776:
775:
771:
764:
749:
748:
741:
731:
710:
709:
705:
698:
683:
682:
678:
666:
662:
655:
640:
639:
635:
628:
613:
612:
608:
603:
559:
558:
538:
533:
532:
531:
530:
529:
522:
506:
505:
496:
495:
478:
477:
472:minuet and trio
468:
396:Coronation Mass
377:Coronation Mass
349:Coronation Mass
341:
309:
308:
296:
295:
273:
262:
257:
256:
255:
254:
253:
241:
236:
235:
234:
233:
232:
217:
212:
211:
210:
209:
208:
197:
192:
191:
190:
189:
188:
177:
167:
166:
161:
160:
155:
154:
149:
148:
143:
142:
92:
90:Instrumentation
76:Symphony No. 93
60:
24:
23:
18:Symphony No. 98
12:
11:
5:
2015:
2013:
2005:
2004:
1999:
1994:
1984:
1983:
1979:
1978:
1955:
1954:
1952:
1951:
1943:
1935:
1930:
1922:
1914:
1909:
1904:
1899:
1891:
1886:
1878:
1872:
1870:
1862:
1861:
1859:
1858:
1850:
1845:
1840:
1835:
1829:
1827:
1823:
1822:
1820:
1819:
1814:
1809:
1801:
1793:
1785:
1776:
1774:
1766:
1765:
1763:
1762:
1757:
1752:
1747:
1742:
1737:
1732:
1727:
1722:
1714:
1709:
1704:
1699:
1691:
1686:
1681:
1676:
1671:
1663:
1655:
1650:
1644:
1642:
1638:
1637:
1635:
1634:
1631:(Il distratto)
1626:
1618:
1613:
1608:
1603:
1595:
1590:
1582:
1577:
1572:
1567:
1559:
1551:
1543:
1538:
1530:
1522:
1514:
1509:
1503:
1501:
1497:
1496:
1494:
1493:
1488:
1483:
1475:
1470:
1465:
1460:
1455:
1450:
1445:
1437:
1429:
1424:
1419:
1411:
1408:(Lamentatione)
1403:
1398:
1393:
1388:
1380:
1374:
1372:
1368:
1367:
1365:
1364:
1359:
1354:
1349:
1344:
1339:
1334:
1329:
1324:
1319:
1314:
1309:
1304:
1296:
1288:
1280:
1275:
1270:
1265:
1260:
1255:
1250:
1244:
1242:
1238:
1237:
1224:
1222:
1221:
1214:
1207:
1199:
1193:
1192:
1183:
1175:
1174:External links
1172:
1171:
1170:
1161:
1158:
1155:
1154:
1147:
1127:
1120:
1094:
1087:
1067:
1060:
1037:
1028:
1022:978-0571268733
1021:
1001:
994:
974:
958:
936:
925:
918:
887:
881:978-0802868527
880:
860:
853:
827:
820:
796:
789:
769:
762:
739:
729:
703:
696:
676:
660:
653:
633:
626:
605:
604:
602:
599:
595:
594:
575:recapitulation
534:
521:
520:Finale: Presto
518:
467:
464:
424:recapitulation
394:from Mozart's
340:
337:
333:recapitulation
272:
269:
268:
267:
258:
246:
237:
222:
213:
202:
193:
176:
173:
91:
88:
59:
56:
13:
10:
9:
6:
4:
3:
2:
2014:
2003:
2000:
1998:
1995:
1993:
1990:
1989:
1987:
1977:
1967:
1963:
1950:
1949:
1944:
1942:
1941:
1936:
1934:
1931:
1929:
1928:
1923:
1921:
1920:
1915:
1913:
1910:
1908:
1905:
1903:
1900:
1898:
1897:
1892:
1890:
1887:
1885:
1884:
1879:
1877:
1874:
1873:
1871:
1869:
1868:
1863:
1857:
1856:
1851:
1849:
1846:
1844:
1841:
1839:
1836:
1834:
1831:
1830:
1828:
1824:
1818:
1815:
1813:
1810:
1808:
1807:
1802:
1800:
1799:
1794:
1792:
1791:
1786:
1784:
1783:
1778:
1777:
1775:
1773:
1772:
1767:
1761:
1758:
1756:
1753:
1751:
1748:
1746:
1743:
1741:
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1720:
1715:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1697:
1692:
1690:
1687:
1685:
1682:
1680:
1677:
1675:
1672:
1670:
1669:
1664:
1662:
1661:
1660:(La Roxelane)
1656:
1654:
1651:
1649:
1646:
1645:
1643:
1639:
1633:
1632:
1627:
1625:
1624:
1619:
1617:
1614:
1612:
1609:
1607:
1604:
1602:
1601:
1596:
1594:
1591:
1589:
1588:
1587:(L'impériale)
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1566:
1565:
1564:(La passione)
1560:
1558:
1557:
1552:
1550:
1549:
1544:
1542:
1539:
1537:
1536:
1531:
1529:
1528:
1523:
1521:
1520:
1515:
1513:
1510:
1508:
1505:
1504:
1502:
1498:
1492:
1489:
1487:
1484:
1482:
1481:
1476:
1474:
1471:
1469:
1466:
1464:
1461:
1459:
1456:
1454:
1451:
1449:
1446:
1444:
1443:
1438:
1436:
1435:
1430:
1428:
1425:
1423:
1420:
1418:
1417:
1412:
1410:
1409:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1386:
1385:(Philosopher)
1381:
1379:
1376:
1375:
1373:
1369:
1363:
1360:
1358:
1355:
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1335:
1333:
1330:
1328:
1325:
1323:
1320:
1318:
1315:
1313:
1310:
1308:
1305:
1303:
1302:
1297:
1295:
1294:
1289:
1287:
1286:
1281:
1279:
1276:
1274:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1245:
1243:
1239:
1233:
1227:
1220:
1215:
1213:
1208:
1206:
1201:
1200:
1197:
1191:
1187:
1184:
1181:
1178:
1177:
1173:
1168:
1164:
1163:
1159:
1150:
1144:
1140:
1139:
1131:
1128:
1123:
1121:9780195126655
1117:
1113:
1108:
1107:
1098:
1095:
1090:
1084:
1080:
1079:
1071:
1068:
1063:
1057:
1053:
1052:
1044:
1042:
1038:
1032:
1029:
1024:
1018:
1014:
1013:
1005:
1002:
997:
991:
987:
986:
978:
975:
970:
969:
962:
959:
954:
950:
943:
941:
937:
934:
929:
926:
921:
919:9780195126655
915:
911:
906:
905:
896:
894:
892:
888:
883:
877:
873:
872:
864:
861:
856:
854:9780195126655
850:
846:
841:
840:
831:
828:
823:
817:
813:
809:
808:
800:
797:
792:
790:9780838616840
786:
782:
781:
773:
770:
765:
763:9780838616840
759:
755:
754:
746:
744:
740:
736:
732:
730:9780195126655
726:
722:
717:
716:
707:
704:
699:
697:9780571268733
693:
689:
688:
680:
677:
673:
669:
664:
661:
656:
650:
646:
645:
637:
634:
629:
623:
619:
618:
610:
607:
600:
598:
592:
591:
590:
588:
587:Samuel Wesley
583:
581:
576:
572:
568:
564:
555:commences in
554:
550:
546:
537:
527:
519:
517:
515:
511:
501:
491:
487:
483:
473:
465:
463:
461:
460:Harmoniemesse
457:
453:
449:
445:
441:
437:
433:
429:
425:
422:appears. The
421:
417:
413:
409:
405:
401:
397:
393:
389:
384:
382:
378:
374:
370:
366:
362:
354:
353:Harmoniemesse
350:
345:
338:
336:
334:
330:
326:
322:
318:
314:
303:
301:
291:
283:
277:
270:
261:
251:
247:
240:
230:
226:
223:
216:
206:
203:
196:
186:
182:
179:
178:
174:
172:
139:
137:
133:
129:
125:
121:
117:
113:
109:
105:
101:
97:
89:
87:
85:
81:
77:
73:
69:
68:concertmaster
65:
57:
55:
53:
49:
45:
41:
37:
33:
29:
19:
1947:
1939:
1926:
1918:
1906:
1895:
1882:
1865:
1854:
1805:
1797:
1789:
1781:
1769:
1718:
1695:
1667:
1659:
1630:
1622:
1599:
1586:
1563:
1555:
1548:(Palindrome)
1547:
1534:
1526:
1518:
1479:
1442:(Hornsignal)
1441:
1433:
1415:
1407:
1384:
1300:
1292:
1284:
1232:Joseph Haydn
1166:
1137:
1130:
1105:
1097:
1077:
1070:
1050:
1031:
1011:
1004:
984:
977:
967:
961:
952:
928:
903:
870:
863:
838:
830:
806:
799:
779:
772:
752:
734:
714:
706:
686:
679:
671:
663:
643:
636:
616:
609:
596:
584:
535:
523:
469:
432:counterpoint
395:
391:
385:
358:
352:
348:
304:
287:
259:
238:
214:
194:
140:
131:
93:
61:
40:Joseph Haydn
17:
15:
1719:(La chasse)
567:modulations
553:development
526:sonata form
416:development
365:sonata form
329:development
290:sonata form
282:sonata form
1986:Categories
1940:(Drumroll)
1919:(Military)
1883:(Surprise)
1806:(La Reine)
1782:(The Bear)
1535:(Farewell)
1434:(Alleluia)
1285:(Le matin)
1226:Symphonies
1160:References
1148:025333487X
1088:025333487X
1061:025333487X
995:025333487X
821:0521833477
654:025333487X
627:025333487X
452:pianissimo
412:exposition
317:exposition
128:fortepiano
1896:(Miracle)
1790:(The Hen)
1519:(Mercury)
1301:(Le soir)
1293:(Le midi)
448:chromatic
392:Agnus Dei
388:cantabile
284:movement.
175:Movements
1948:(London)
1855:(Oxford)
1696:(Laudon)
1527:(Trauer)
560:♭
545:dominant
507:♭
497:♭
486:dominant
479:♭
404:dominant
321:dominant
310:♭
297:♭
248:Finale.
225:Menuetto
168:♭
162:♭
156:♭
150:♭
144:♭
136:continuo
112:trumpets
104:bassoons
25:♭
1927:(Clock)
549:F major
490:F major
446:with a
444:bassoon
410:). The
408:C major
361:F major
325:F major
185:Allegro
132:cembalo
124:cembalo
120:strings
116:timpani
84:encored
58:History
32:Hoboken
1962:Portal
1623:(Fire)
1480:(Echo)
1145:
1118:
1085:
1058:
1019:
992:
916:
878:
851:
818:
787:
760:
727:
694:
651:
624:
442:and a
375:, the
373:Mozart
250:Presto
229:Presto
205:Adagio
181:Adagio
110:, two
106:, two
102:, two
98:, two
52:Mozart
1826:88–92
1641:61–81
1500:41–60
1371:21–40
1114:–29.
601:Notes
563:major
510:major
500:major
482:major
436:oboes
428:cello
313:major
300:minor
108:horns
100:oboes
96:flute
28:major
1946:104
1938:103
1925:101
1917:100
1241:A–20
1143:ISBN
1116:ISBN
1083:ISBN
1056:ISBN
1017:ISBN
990:ISBN
914:ISBN
876:ISBN
849:ISBN
816:ISBN
785:ISBN
758:ISBN
725:ISBN
692:ISBN
649:ISBN
622:ISBN
580:coda
528:and
440:oboe
379:and
369:hymn
363:and
122:and
44:1792
16:The
1933:102
1894:96
1881:94
1853:92
1804:85
1796:84
1788:83
1780:82
1717:73
1694:69
1666:64
1658:63
1629:60
1621:59
1598:55
1585:53
1562:49
1554:48
1546:47
1533:45
1525:44
1517:43
1478:38
1440:31
1432:30
1414:27
1406:26
1383:22
1228:by
1112:228
910:228
845:227
721:229
547:of
488:of
430:in
66:as
20:in
1988::
1912:99
1907:98
1902:97
1889:95
1876:93
1848:91
1843:90
1838:89
1833:88
1817:87
1812:86
1760:81
1755:80
1750:79
1745:78
1740:77
1735:76
1730:75
1725:74
1712:72
1707:71
1702:70
1689:68
1684:67
1679:66
1674:65
1653:62
1648:61
1616:58
1611:57
1606:56
1593:54
1580:52
1575:51
1570:50
1541:46
1512:42
1507:41
1491:40
1486:39
1473:37
1468:36
1463:35
1458:34
1453:33
1448:32
1427:29
1422:28
1401:25
1396:24
1391:23
1378:21
1362:20
1357:19
1352:18
1347:17
1342:16
1337:15
1332:14
1327:13
1322:12
1317:11
1312:10
1299:8
1291:7
1283:6
1040:^
951:.
939:^
912:.
890:^
847:.
810:.
742:^
733:.
723:.
670:,
252:,
231:,
227:.
207:,
187:,
183:–
171:.
118:,
114:,
86:.
30:,
1964::
1307:9
1278:5
1273:4
1268:3
1263:2
1258:1
1253:B
1248:A
1218:e
1211:t
1204:v
1151:.
1124:.
1091:.
1064:.
1025:.
998:.
922:.
884:.
857:.
824:.
793:.
766:.
700:.
657:.
630:.
557:A
536:8
504:B
494:A
476:B
406:(
355:.
323:(
307:B
294:B
260:8
239:4
215:4
195:2
22:B
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
