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Symphony No. 2, "The Imp of the Perverse"

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premiered it on 19 July 1995. In this form, prepared in London from 16 February to 17 March 1995, the instrumentation is for piccolo, 2 flutes/piccolo II, 2 oboes, English horn/oboe III, 2 clarinets/E clarinet, bass clarinet/clarinet III, 2 bassoons, double bassoon/bassoon III, 2 horns, 2 trumpets,
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technique (variations built around fixed melodic units). This leads to many false climaxes before the final one, a vast crescendo over a steady, pounding beat. The Poe story parallels the macabre elements in the symphony: A man commits the perfect murder, but after a long struggle with his soul
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freedom—of a superhuman freedom not bound even by rational self-interest—was a distinctly modern psychological discovery by Poe, with many points of contact with the composer's transition from the comforts of Classical sonata form to the hazards of contemporary free form.
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was composed in London between 30 October and 10 December 1992. Contrary to his usual methods, Ching worked straight into full score by sustaining the initial burst of inspiration for several weeks, almost in a trance-like state akin to
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four-movement symphony. In his second symphony, he explored the possibilities of a consciously anti-Classical approach, fragmented, and avoiding fluid textures in favour of abrupt shifts between extreme moods. There are also
50: 169:, and without recourse to sketches or outlines of any kind. Originally scored for chamber orchestra, the work was rewritten for substantially larger forces when the 97: 69: 210:
finally gives himself up, not because of a guilty conscience, but because he cannot the resist the thrill of self-destruction, so falling prey to his ‘
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passages (where fragments are freely played by individual players without measure or fixed beat), but unity is sought through the pre-Classical
190:’s sculptures, the title was chosen after the piece was finished, and implies no literary or programmatic inspiration for the music. In his 65: 277: 116: 144:
I am not more certain that I breathe, than that the assurance of the wrong or error of any action is often the one unconquerable
90: 54: 136:'s Second Symphony. It is in a single fantasy-like movement lasting about fifteen minutes. The title comes from a story by 282: 43: 192: 148:
which impels us, and alone impels us to its prosecution… In the case of that something which I term
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2 tenor trombones, bass trombone, timpani, 3 percussionists, and strings.
202: 237:"The true, the beautiful: Ching's Symphony No. 2. Cecile's new triumph" 26: 140:, from which these lines serve as epigraph to the score: 196:, Ching explored to the limit many techniques of the 264:
World Youth Orchestra concert, Manila, 19 July 1995.
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Symphony No. 2 (Ching)

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Jeffrey Ching
Edgar Allan Poe
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Woldemar Nelsson
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Symphony No. 1 in C
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imp of the perverse
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"The true, the beautiful: Ching's Symphony No. 2. Cecile's new triumph"
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Symphonies by Jeffrey Ching
1992 compositions

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