136:
115:
90:
72:
297:. Wagner made several revisions to the full score for the performance. In a subsequent "Essay on the Revival of Youthful Works" he wrote: "If there is anything at all in this work which shows the mark of Richard Wagner, it is the fact that it is not polluted by the hypocritical stance which was to appear later and which Germans find very difficult to get the better of, and the fact that, from the outset, he remained true to himself and was unwilling to be deflected from his proper course."
1468:
1478:
1488:
822:
810:
798:
778:
766:
754:
742:
727:
699:
687:
675:
305:
The same 1882 essay contains a passage in which Wagner implies that
Mendelssohn had tried to deliberately suppress the Symphony. The score had in fact been given by Wagner to Mendelssohn as a gift, as is demonstrable from a letter written by Wagner on 11 April 1836; Wagner perhaps had a grievance
209:
and
Beethoven. According to Emanuel Overbeeke the work shows the composer's inexperience (he was 19 years old when writing it), in particular in the so-called diffuseness of the first and second movements. For John Deathridge, on the other hand, the symphony, albeit unoriginal in its Beethovenian
306:
that
Mendelssohn had not subsequently conducted it. In 1874 Wagner told Cosima that he thought Mendelssohn had destroyed the score "perhaps because he detected in it a talent which was disagreeable to him." This invention was of a piece with Wagner's
200:
According to Wagner himself, in a letter to a friend, he composed the symphony in the brief space of six weeks at the beginning of the summer of 1832. The composition shows the influence of the symphonies of
280:
in 1877 in a trunk which had been left behind by Wagner when he fled the city in 1849. The work was performed again at
Christmas 1882, two months before Wagner's death, for the birthday of Wagner's wife
35:
Wagner also started in 1834 an incomplete symphony in E major (WWV 35), of which only the first movement and part of the second movement exist. The symphony was heavily influenced by
123:
The fourth movement is structured in the same classical sonata form as the opening movement. The idea which follows the presentation of the first theme is equivocal in
1387:
1481:
1377:
604:
809:
250:
went to the
Euterpe hall on Saturday. Listen! Herr Wagner has got ahead of you; a symphony of his was performed, which is said to be as like as two peas to
351:
1053:
85:, a strong contrast existing between the lyrical A and the signal-like B ideas. The movement begins with a motif from the coda of the first movement.
1433:
584:
1512:
1491:
674:
609:
518:
504:
726:
557:
532:
804:
777:
1532:
1522:
294:
537:
Overbeeke, Emanuel (2012), "Richard Wagner: Symphonies in C and E / Huldigungsmarsch /Kaisermarsch / Overture to âRienziâ", in
1448:
1063:
930:
797:
106:
with the traditional structure A + B + A + B + A + coda. The scherzo is characterised by a dynamic rhythm, whilst the trio (
937:
347:
1517:
577:
1187:
1144:
1527:
944:
861:
753:
669:
254:
322:
version of the
Symphony in Wagner's hand, probably prepared in 1832 or 1833. Most of the first movement is in the
1159:
923:
741:
686:
223:
1033:
1443:
205:(especially nos. 3, 5 and 7) and also of the late symphonies of Mozart. The orchestration is in the style of
1471:
1438:
1398:
1332:
1327:
721:
570:
323:
21:
1149:
265:
on 10 January 1833, as part of the annual subscription concerts. The work received another performance at
1410:
1004:
765:
698:
1123:
772:
681:
1304:
1296:
821:
251:
206:
202:
1342:
1237:
965:
958:
331:
219:
1422:
1364:
1169:
916:
792:
262:
131:) halfway through the coda to generate increased excitement as the music moves towards its close.
1270:
1139:
881:
760:
693:
553:
528:
514:
500:
273:
226:, with Wagner in attendance. It received its first public performance on 15 December, at the
1277:
1217:
1202:
849:
640:
48:
1371:
1337:
1232:
1227:
1182:
1154:
1134:
972:
891:
542:
327:
247:
239:
1222:
1177:
1129:
871:
748:
593:
235:
189:
29:
1506:
1428:
1404:
1261:
1197:
997:
736:
335:
282:
169:
1416:
1254:
1207:
1192:
1097:
1043:
900:
103:
82:
81:
The second movement is in the key of A minor; the overall shape is A + B + B + A +
272:
The score was subsequently thought to have been lost after Wagner presented it to
1347:
1212:
1102:
307:
266:
173:
64:
57:
550:
The
British Library Stefan Zweig Collection: Catalogue of the Music Manuscripts
1392:
1073:
319:
210:
style, evinces a technical assurance proving the ability of its young author.
538:
276:
in 1836 (see below), but the parts from the Prague performance were found in
1453:
1382:
1011:
286:
36:
816:
633:
181:
161:
124:
25:
1477:
951:
277:
231:
185:
177:
165:
99:
218:
The symphony was performed in rehearsal by a student orchestra at the
647:
290:
234:, conducted by Wagner's early teacher, Christian Gottlieb MĂŒller.
153:
562:
157:
566:
238:
described the performance in a letter to her future husband
426:
Grove's
Dictionary of Music and Musicians, 5th ed., 1954
135:
114:
89:
71:
404:
402:
434:
432:
1356:
1320:
1289:
1246:
1168:
1115:
1090:
1025:
989:
982:
908:
835:
719:
712:
661:
625:
618:
79:Andante ma non troppo, un poco maestoso (208 bars)
144:The performance time is approximately 35 minutes.
945:Das Judenthum in der Musik (Jewishness in Music)
513:(revised edition), London: Thames & Hudson.
39:âs symphonies from its form and orchestration.
1388:List of films using the music of Richard Wagner
244:
1378:International Association of Wagner Societies
578:
110:) features a contrasting smooth melodic line.
56:Sostenuto e maestoso â Allegro con brio (475
8:
525:The Life of Richard Wagner, Vol.1: 1813-1848
499:, Berkeley: University of California Press.
1286:
1087:
1022:
986:
716:
709:
658:
622:
585:
571:
563:
541:accompanying recording of the Symphony by
527:, Cambridge: Cambridge University Press.
352:International Music Score Library Project
261:The second public performance was at the
67:movement prefaced by a slow introduction.
362:
7:
293:; it was conducted by Wagner and by
24:29, from 1832 is the only completed
1487:
121:Allegro molto e vivace. (442 bars)
47:The Symphony in C major is in four
545:, 6â9. Retrieved 22 November 2012.
14:
301:Mendelssohn and Wagner's Symphony
1486:
1476:
1467:
1466:
1054:MĂ€nnerlist gröĂer als Frauenlist
820:
808:
796:
776:
764:
752:
740:
725:
697:
685:
673:
509:Millington, Barry (ed.) (2001),
456:Cited in Deathridge (2008), 181.
134:
127:. Wagner accelerates the tempo (
113:
88:
70:
552:, London: The British Library.
222:in November 1832, conducted by
1513:Compositions by Richard Wagner
1449:Richard Wagner Museum, Lucerne
805:Die Meistersinger von NĂŒrnberg
1:
938:A Communication to My Friends
330:; other movements are at the
152:The symphony is scored for 2
497:Wagner: Beyond Good and Evil
348:Symphony in C major (Wagner)
1188:Houston Stewart Chamberlain
1145:Bayreuth Festival Orchestra
605:List of works for the stage
1549:
862:Das Liebesmahl der Apostel
417:Cited in Newman (1976) 96.
1462:
1160:Richard Wagner Foundation
924:The Artwork of the Future
600:
495:Deathridge, John (2008),
474:Deathridge (2008), 182-7.
310:attitude to Mendelssohn.
96:Allegro assai (447 bars)
63:The first movement is in
1034:Die Laune des Verliebten
300:
242:dated 17 December 1832:
98:The third movement is a
1533:Compositions in C major
1523:Stefan Zweig Collection
1439:Wagner-Werk-Verzeichnis
1399:Nietzsche contra Wagner
1333:Richard Wagner Memorial
1328:Richard Wagner Monument
722:Der Ring des Nibelungen
670:Der fliegende HollÀnder
548:Searle, Arthur (1999),
523:Newman, Ernest (1976),
324:Stefan Zweig Collection
1150:Bayreuth Festspielhaus
483:Searle (1999), 129-30.
396:Deathridge (2008) 191.
378:Millington (2001) 309.
369:Millington (2001) 310.
259:
1411:The Perfect Wagnerite
1005:Ride of the Valkyries
931:Autobiographic Sketch
511:The Wagner Compendium
465:Newman (1976), 95 n.2
438:Newman (1976), 96, n.
408:Deathridge (2008) 180
387:Overbeeke (2012) 6-7.
318:Fragments exist of a
295:Engelbert Humperdinck
610:List of compositions
203:Ludwig van Beethoven
108:un poco meno allegro
1518:Romantic symphonies
1343:Wagner Ice Piedmont
1247:Cultural depictions
1238:Eva Wagner-Pasquier
1064:Wieland der Schmied
966:Music of the Future
842:Symphony in C major
447:Overbeeke (2012) 7.
332:Library of Congress
269:on 27 August 1833.
255:Symphony in A major
220:Prague Conservatory
18:Symphony in C major
1423:Der Ring in Minden
1365:The Case of Wagner
1124:Bayreuther BlÀtter
917:Art and Revolution
836:Non-operatic music
793:Tristan und Isolde
314:Piano duet version
263:Leipzig Gewandhaus
214:Early performances
1528:1832 compositions
1500:
1499:
1316:
1315:
1140:Bayreuth Festival
1116:Bayreuth Festival
1111:
1110:
1086:
1085:
1079:
1078:(1858; text only)
1069:
1068:(1850; text only)
1059:
1049:
1039:
1026:Unfinished operas
1021:
1020:
897:
887:
882:Wesendonck Lieder
877:
876:(1844, rev. 1855)
867:
857:
846:
831:
830:
787:
786:
708:
707:
657:
656:
519:978-0-500-28274-8
505:978-0-520-25453-4
274:Felix Mendelssohn
230:music society in
1540:
1490:
1489:
1480:
1470:
1469:
1321:Named for Wagner
1290:Film adaptations
1287:
1218:Siegfried Wagner
1203:Katharina Wagner
1088:
1077:
1067:
1057:
1047:
1037:
1023:
987:
895:
885:
875:
865:
855:
844:
824:
812:
800:
780:
768:
756:
744:
729:
717:
710:
701:
689:
677:
659:
641:Das Liebesverbot
623:
587:
580:
573:
564:
484:
481:
475:
472:
466:
463:
457:
454:
448:
445:
439:
436:
427:
424:
418:
415:
409:
406:
397:
394:
388:
385:
379:
376:
370:
367:
350:: Scores at the
138:
117:
92:
74:
1548:
1547:
1543:
1542:
1541:
1539:
1538:
1537:
1503:
1502:
1501:
1496:
1458:
1372:Gesamtkunstwerk
1352:
1338:Wagner (crater)
1312:
1285:
1242:
1233:Wolfgang Wagner
1228:Winifred Wagner
1183:Eva Chamberlain
1164:
1155:Jahrhundertring
1135:Bayreuth Circle
1107:
1082:
1017:
978:
973:Opera and Drama
904:
892:Siegfried Idyll
827:
783:
773:GötterdÀmmerung
704:
662:Romantic operas
653:
619:Complete operas
614:
596:
591:
543:Chandos Records
492:
487:
482:
478:
473:
469:
464:
460:
455:
451:
446:
442:
437:
430:
425:
421:
416:
412:
407:
400:
395:
391:
386:
382:
377:
373:
368:
364:
360:
344:
328:British Library
316:
303:
248:Friedrich Wieck
240:Robert Schumann
216:
198:
150:
148:Instrumentation
142:
45:
12:
11:
5:
1546:
1544:
1536:
1535:
1530:
1525:
1520:
1515:
1505:
1504:
1498:
1497:
1495:
1494:
1484:
1474:
1463:
1460:
1459:
1457:
1456:
1451:
1446:
1441:
1436:
1431:
1426:
1419:
1414:
1407:
1405:Parsifal bells
1402:
1395:
1390:
1385:
1380:
1375:
1368:
1360:
1358:
1354:
1353:
1351:
1350:
1345:
1340:
1335:
1330:
1324:
1322:
1318:
1317:
1314:
1313:
1311:
1310:
1302:
1293:
1291:
1284:
1283:
1275:
1271:Wagner's Dream
1267:
1259:
1250:
1248:
1244:
1243:
1241:
1240:
1235:
1230:
1225:
1223:Wieland Wagner
1220:
1215:
1210:
1205:
1200:
1195:
1190:
1185:
1180:
1178:Isolde Beidler
1174:
1172:
1166:
1165:
1163:
1162:
1157:
1152:
1147:
1142:
1137:
1132:
1130:Bayreuth canon
1127:
1119:
1117:
1113:
1112:
1109:
1108:
1106:
1105:
1100:
1094:
1092:
1084:
1083:
1081:
1080:
1070:
1060:
1050:
1040:
1029:
1027:
1019:
1018:
1016:
1015:
1008:
1001:
993:
991:
990:Opera excerpts
984:
980:
979:
977:
976:
969:
962:
955:
948:
941:
934:
927:
920:
912:
910:
906:
905:
903:
898:
888:
878:
872:Faust Overture
868:
858:
847:
839:
837:
833:
832:
829:
828:
826:
825:
813:
801:
788:
785:
784:
782:
781:
769:
757:
745:
732:
730:
714:
706:
705:
703:
702:
690:
678:
665:
663:
655:
654:
652:
651:
644:
637:
629:
627:
620:
616:
615:
613:
612:
607:
601:
598:
597:
594:Richard Wagner
592:
590:
589:
582:
575:
567:
561:
560:
546:
535:
521:
507:
491:
488:
486:
485:
476:
467:
458:
449:
440:
428:
419:
410:
398:
389:
380:
371:
361:
359:
356:
355:
354:
343:
342:External links
340:
315:
312:
302:
299:
215:
212:
197:
194:
149:
146:
141:
140:
139:
132:
119:
118:
111:
94:
93:
86:
77:
76:
75:
68:
53:
44:
41:
30:Richard Wagner
13:
10:
9:
6:
4:
3:
2:
1545:
1534:
1531:
1529:
1526:
1524:
1521:
1519:
1516:
1514:
1511:
1510:
1508:
1493:
1485:
1483:
1479:
1475:
1473:
1465:
1464:
1461:
1455:
1452:
1450:
1447:
1445:
1442:
1440:
1437:
1435:
1434:Controversies
1432:
1430:
1429:Tristan chord
1427:
1425:
1424:
1420:
1418:
1415:
1413:
1412:
1408:
1406:
1403:
1401:
1400:
1396:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1374:
1373:
1369:
1367:
1366:
1362:
1361:
1359:
1355:
1349:
1346:
1344:
1341:
1339:
1336:
1334:
1331:
1329:
1326:
1325:
1323:
1319:
1309:
1307:
1303:
1301:
1299:
1295:
1294:
1292:
1288:
1282:
1280:
1276:
1273:
1272:
1268:
1265:
1264:
1260:
1257:
1256:
1252:
1251:
1249:
1245:
1239:
1236:
1234:
1231:
1229:
1226:
1224:
1221:
1219:
1216:
1214:
1211:
1209:
1206:
1204:
1201:
1199:
1198:Cosima Wagner
1196:
1194:
1191:
1189:
1186:
1184:
1181:
1179:
1176:
1175:
1173:
1171:
1170:Wagner family
1167:
1161:
1158:
1156:
1153:
1151:
1148:
1146:
1143:
1141:
1138:
1136:
1133:
1131:
1128:
1126:
1125:
1121:
1120:
1118:
1114:
1104:
1101:
1099:
1096:
1095:
1093:
1089:
1076:
1075:
1071:
1066:
1065:
1061:
1056:
1055:
1051:
1046:
1045:
1041:
1036:
1035:
1031:
1030:
1028:
1024:
1013:
1009:
1006:
1002:
999:
998:Bridal Chorus
995:
994:
992:
988:
985:
981:
975:
974:
970:
967:
963:
961:
960:
956:
954:
953:
949:
946:
942:
939:
935:
932:
928:
925:
921:
918:
914:
913:
911:
907:
902:
899:
894:
893:
889:
884:
883:
879:
874:
873:
869:
864:
863:
859:
854:
852:
848:
843:
840:
838:
834:
823:
819:
818:
814:
811:
807:
806:
802:
799:
795:
794:
790:
789:
779:
775:
774:
770:
767:
763:
762:
758:
755:
751:
750:
746:
743:
739:
738:
737:Das Rheingold
734:
733:
731:
728:
724:
723:
718:
715:
711:
700:
696:
695:
691:
688:
684:
683:
679:
676:
672:
671:
667:
666:
664:
660:
650:
649:
645:
643:
642:
638:
636:
635:
631:
630:
628:
624:
621:
617:
611:
608:
606:
603:
602:
599:
595:
588:
583:
581:
576:
574:
569:
568:
565:
559:
558:0-7123-4600-7
555:
551:
547:
544:
540:
536:
534:
533:0-521-29094-5
530:
526:
522:
520:
516:
512:
508:
506:
502:
498:
494:
493:
489:
480:
477:
471:
468:
462:
459:
453:
450:
444:
441:
435:
433:
429:
423:
420:
414:
411:
405:
403:
399:
393:
390:
384:
381:
375:
372:
366:
363:
357:
353:
349:
346:
345:
341:
339:
337:
336:Washington DC
333:
329:
325:
321:
313:
311:
309:
298:
296:
292:
288:
284:
279:
275:
270:
268:
264:
258:
256:
253:
249:
243:
241:
237:
233:
229:
225:
221:
213:
211:
208:
204:
195:
193:
191:
187:
183:
179:
175:
171:
170:contrabassoon
167:
163:
159:
155:
147:
145:
137:
133:
130:
126:
122:
120:
116:
112:
109:
105:
101:
97:
95:
91:
87:
84:
80:
78:
73:
69:
66:
62:
61:
59:
55:
54:
52:
50:
42:
40:
38:
33:
31:
27:
23:
19:
1444:Museo Wagner
1421:
1417:Rhinemaidens
1409:
1397:
1370:
1363:
1305:
1297:
1278:
1269:
1262:
1255:Wagner Dream
1253:
1208:Minna Wagner
1193:Ludwig Geyer
1122:
1098:Holztrompete
1072:
1062:
1052:
1044:Die Hochzeit
1042:
1032:
971:
957:
950:
901:Kaisermarsch
890:
880:
870:
860:
850:
841:
815:
803:
791:
771:
759:
747:
735:
720:
713:Music dramas
692:
680:
668:
646:
639:
632:
549:
524:
510:
496:
479:
470:
461:
452:
443:
422:
413:
392:
383:
374:
365:
317:
304:
271:
260:
245:
227:
224:Dionys Weber
217:
199:
151:
143:
128:
107:
46:
34:
17:
15:
1492:WikiProject
1348:3992 Wagner
1308:(1982 film)
1300:(1904 film)
1281:(1986 film)
1274:(2012 film)
1266:(1983 film)
1213:Nike Wagner
1103:Wagner tuba
983:Other opera
749:Die WalkĂŒre
626:Early works
308:antisemitic
289:theatre in
252:Beethoven's
236:Clara Wieck
196:Composition
129:piĂč allegro
65:sonata form
1507:Categories
1393:Musikdrama
1091:Inventions
1074:Die Sieger
959:Mein Leben
682:TannhÀuser
539:CD booklet
358:References
320:piano duet
1454:Wahnfried
1383:Leitmotif
1279:Wahnfried
1012:Liebestod
761:Siegfried
694:Lohengrin
287:La Fenice
182:trombones
162:clarinets
49:movements
37:Beethoven
1472:Category
1306:Parsifal
1298:Parsifal
909:Writings
853:Overture
817:Parsifal
634:Die Feen
267:WĂŒrzburg
180:in C, 3
178:trumpets
176:in C, 2
166:bassoons
164:in C, 2
125:tonality
26:symphony
1357:Related
1258:(opera)
952:Leubald
851:Polonia
490:Sources
326:at the
285:at the
278:Dresden
246:Father
232:Leipzig
228:Euterpe
190:strings
186:timpani
100:scherzo
1263:Wagner
1058:(1838)
1048:(1832)
1038:(1830)
896:(1870)
886:(1858)
866:(1843)
856:(1836)
845:(1832)
648:Rienzi
556:
531:
517:
503:
291:Venice
283:Cosima
154:flutes
1482:Audio
207:Weber
174:horns
158:oboes
554:ISBN
529:ISBN
515:ISBN
501:ISBN
188:and
172:, 4
160:, 2
156:, 2
104:trio
102:and
83:coda
58:bars
43:Form
16:The
334:in
28:of
22:WWV
1509::
431:^
401:^
338:.
192:.
184:,
168:,
60:)
51::
32:.
20:,
1014:"
1010:"
1007:"
1003:"
1000:"
996:"
968:"
964:"
947:"
943:"
940:"
936:"
933:"
929:"
926:"
922:"
919:"
915:"
586:e
579:t
572:v
257:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
