140:
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956:. The original Spanish dance (inherited through Mexico) was very lively and quick, and famously controversial owing to its perceived lascivious character. However, by the time of its inclusion in the suite via France, it had been totally reimagined as a sedate centerpiece. The Sarabande tends toward harmonic richness and lyrical melody.
1309:. The rhythm is almost always in quaver form. It begins on the last beat of an incomplete bar though the upbeat does not resolve until the end of each section (unlike the bourée or gavotte where there can be a resolution of the upbeat(s) every three or four bars. It is a light dance with a strong feeling of movement.
1012:
and invariably written in two-part counterpoint, whereas the
Italian (sometimes âGigaâ) is a more varied and virtuosic format with running small notes in acrobatic passages. The Italian style largely superseded the French by the early-mid 18th century, at which point German composers had established
409:
is usually credited with establishing the classical suite through his compositions in this form, which were widely published and copied, although this was largely due to his publishers standardizing the order; Froberger's original manuscripts have many different orderings of the movements, e.g. the
506:
By the 1750s, the suite had come to be seen as old-fashioned, superseded by the symphony and concerto, and few composers were still writing suites during that time. But since the 19th century, composers have frequently arranged ballets, operas, and other works into suites for concert performance.
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or related time signature. It begins on the third beat of an incomplete bar. It continues for a few bars where the third beat takes a light stress giving a sense of returning to the beginning of the rhythm structure. The gavotte tends to feature even staccato rhythms and has a charming rustic
1220:
dance in a stately and graceful manner. It is often short and simple often with only clear theme and little variation. In many suites there are two minuets, in such cases the first minuet is played with repeats, then follows the second minuet with repeats, then the first minuet is repeated
1029:: Sometimes an entrée is composed as part of a suite; but there it is purely instrumental music and no dance is performed. It is an introduction, a march-like piece played during the entrance of a dancing group, or played before a ballet. Usually in
996:
most common. However, the Gigue permits by far the most variation among the standard dances, with prominent examples in practically every time signature. The French gigue is characterized by a distinct jaunty dotted rhythm in
839:: Literally translates from French as "Germanâ, but by the time of its canonization in the suite it was thoroughly French, and was archaic as an actual dance by the 17th century. It is a moderate dance with a meter of
1366:
which comes in cycles of two bars. A heavy stress is placed on the first beat of the first bar and a lighter stress is placed on the second beat of the second bar giving a slight feeling of disorientation.
1108:
time. A bourée begins with the last beat of a bar and continues with two or three bars until the 4th beat of one bar takes a light stress giving a sense of return to the beginning of the rhythm structure.
1225:) usually without repeats. This order is standard whenever an optional dance is doubled, but the practice is most common with Minuets. The Minuet is notable in surviving the transition to the
178:
pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a
1402:
in which most of the dance is fixed to one of three typical rhythms involving syncopation and inversion of the rhythm structure. It is often in a minor key and somewhat sombre.
352:
in 1557, giving the first general use of the term "suite" 'suyttes' in music, although the usual form of the time was as pairs of dances. The first recognizable suite is
507:
Arrangement into a suite can make the music more accessible and available to a wider audience, and has greatly helped popularize the music itself, such as in
1184:, though examples found in suites diverge almost completely from the idiom of that instrument. Sometimes likened to a âslow gigueâ, the Loure is usually in
920:, generally in two parts with a simpler harmonic structure, more uniform note values, more virtuosic character, and freer form than its French counterpart.
1013:
it as a showpiece for not only technical virtuosity but also contrapuntal complexity, with some of JS Bachâs gigues nearly qualifying as proper fugues.
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478:
in this form. Handel wrote 22 keyboard suites; Bach produced multiple suites for lute, cello, violin, flute, and other instruments, as well as
1521:
1496:
582:
890:
especially in its formulaic cadences, and bursts of motion over a moderate underlying pulse. The
Corrente is an Italian version in quick
186:
were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the
705:
410:
gigue preceding the sarabande. The publisher's standardized order was, however, highly influential especially on the works of Bach.
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characterized by uniform movement in sixteenth notes, a mostly homophonic texture, even rhythms, and a generally restrained mood.
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a sequence of smaller pieces tied together by a common theme, such as the nationalistically inflected suites of Grieg,
494:'s later suites (which he called "Ordres") often dispensed entirely with the standard dances and consisted entirely of
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413:
Many later suites included other movements placed between sarabande and gigue. These optional movements were known as
966:' originates in Britain and Ireland, and is a fast dance, almost always in compound time and/or triple meter, with
443:, meaning that the first dance is played again after the second (but without the internal repeats), thus I, II, I.
371:(1617) contains 20 sequences of five different dances. The first four-movement suite credited to a named composer,
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83:
50:
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The later addition of an overture to make up an "overture-suite" was extremely popular with German composers;
405:, in that order, and developed during the 17th century in France, the gigue appearing later than the others.
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264:. It was revived in the later 19th century, but in a different form, often presenting extracts from a
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1158:: This section consists of two to four dances at the discretion of the composer that may include a
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an instrumental selection from a larger work such as an opera, ballet, film score, or musical;
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627:, revised in 1905, is probably one of the most famous suites, especially the third movement,
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a work deliberately referential of
Baroque themes, as in the mischievous Suite for Piano by
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During the 18th century, the suite fell out of favour as a cyclical form, giving way to the
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Orchestral Suites I and II, each consisting of four movements. Such suites may consist of
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659:. Modeled on the Baroque keyboard suite, the piece consists of six movements entitled
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of 1611, in which the four dances of the title appear repeatedly in ten suites. The
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208:
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607:, the piano suite was reintroduced by early 20th-century French composers such as
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form which replaced the suite as the most prominent cyclical instrumental genre.
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significance of one of the seven uninhabited planets then known, as well as his
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on a repeated short harmonic progression with a short, repetitive, bass-line.
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time featuring polyphonic textures, characteristic hemiola effects implying
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237:" which often included a series of dances) as with the orchestral suites of
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528:. Suites for orchestra or concert band usually consist of one or more
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Another example of a suite in the 20th-century would come from the
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645:, both requiring tremendous skill and dexterity from the pianist.
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1 in 1888 at the age of 23. In the late 19th century, Sibelius's
1539:"What a Rare, Live 'A Love Supreme' Reveals About John Coltrane"
712:
1017:
A suite may be introduced by a movement such as the following.
860:
or
Corrente: A courante is a highly structured French dance in
816:
The dance suite was a collection of dance music popular in the
711:
There are as well several examples of suites being used in the
963:
33:
696:, a "Suite for Orchestra" in which each piece represents the
462:
had his four orchestral suites along with other suites, and
1514:
English Solo
Keyboard Music of the Middle and Late Baroque
621:
is a suite in three movements, published in 1901, and his
595:
was written for the students of the
Helsinki university.
1087:
common in the
Romanticism as a substitute to the Minuet.
454:
wrote 86 orchestral overture-suites and 57 partitas for
1239:(Pasacalles): a lively, often serious Spanish dance in
1229:
period, becoming standard as the third movement in the
686:
Other famous examples of early 20th-century suites are
439:
with the same name, e.g. Minuet I and II, to be played
1489:
English
Keyboard Music Before the Nineteenth Century
29:
Suite (disambiguation) § Arts and entertainment
64:. Unsourced material may be challenged and removed.
1461:Symphonic Suite the Another Story of Shining Force
450:claimed to have written over 200 overture-suites,
136:Ordered set of classic musical pieces in a concert
1180:: a slow dance of French origin named after the
1053:Between the Sarabande and Gigue, the following
1044:time. It is related to the Italian 'intrada'.
8:
1083:to give rise to a movement of fast tempo in
715:genre. Perhaps the most notable composer is
1491:. Courier Dover Publications. p. 155.
633:. Ravel is particularly well known for his
723:, who produced many suites, amongst them:
753:, and many more. Suites are also used in
322:series), or entirely original movements (
124:Learn how and when to remove this message
138:
27:For other uses of "Suite" in music, see
1424:
435:. Often there would be two contrasting
1345:time of Spanish and/or Italian origin.
655:throughout an entire work was in his
639:suite for piano and lesser known for
7:
62:adding citations to reliable sources
1537:Russonello, Giovanni (2021-10-19).
1114:(Chacona): a slow Spanish dance in
706:Second Suite in F for Military Band
358:Newe Padouan, Intrada, Dantz, and
25:
802:on the first side of the record.
796:included the epic 23 minute-long
1448:(2002 edition), article; "Suite"
1435:(2002 edition), article; "Suite"
812:Baroque music § Dance suite
207:era, the suite was an important
38:
1487:Caldwell, John (1 April 1985).
820:. It consists of the following
49:needs additional citations for
1446:The Oxford Dictionary of Music
1433:The Oxford Dictionary of Music
1:
1279:: A French dance movement in
1118:, much used as a vehicle for
475:Music for the Royal Fireworks
1512:Cooper, Barry A. R. (1989).
1136:: The gavotte is a dance in
1269:meter. Commonly based on a
1182:instrument of the same name
926:: A slow, stately dance in
1613:
1093:: A light, quick dance in
1079:time that merged with the
809:
583:Suite for String Orchestra
419:: common examples are the
26:
1372:(Sicilienne): A dance in
1064:: a brief quick dance in
679:(Minuet, with Trio), and
377:, was published in 1663.
1516:. Garland. p. 40.
1413:List of musical medleys
799:Atom Heart Mother Suite
657:Suite for Piano, op. 25
233:(after the theatrical "
166:, is an ordered set of
164:Western classical music
1131:
941:time, infrequently in
832:
726:Black, Brown and Beige
642:Le tombeau de Couperin
407:Johann Jakob Froberger
155:
1541:. Critic's Notebook.
1129:
830:
702:First Suite in E-flat
653:twelve-tone technique
555:, or Tchaikovsky and
502:18th and 19th century
498:with fanciful names.
488:Partitas for keyboard
316:'s 1994 suite to the
305:Lieutenant Kije Suite
219:(the term favored by
142:
1444:Alison Latham (ed.)
1431:Alison Latham (ed.)
750:Latin American Suite
651:'s first use of the
58:improve this article
792:. Their 1970 album
389:suite consisted of
1597:Types of groupings
1544:The New York Times
1315:: A slow dance in
1132:
833:
738:The Far East Suite
732:Such Sweet Thunder
525:Appalachian Spring
452:Christoph Graupner
365:Banchetto musicale
343:Estienne du Tertre
314:Motoaki Takenouchi
239:Christoph Graupner
156:
73:"Suite" music
1523:978-0-8240-0191-9
1498:978-0-486-24851-6
1057:may be included.
794:Atom Heart Mother
764:Freedom Now Suite
744:New Orleans Suite
649:Arnold Schoenberg
624:Suite bergamasque
492:François Couperin
221:François Couperin
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16:(Redirected from
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962:: The gigue or '
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786:progressive rock
532:. An example is
496:character pieces
276:incidental music
271:Nutcracker Suite
211:, also known as
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1027:Entrée (ballet)
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721:Billy Strayhorn
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441:alternativement
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374:Sandley's Suite
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213:Suite de danses
182:. The separate
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717:Duke Ellington
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1469:on 2018-01-24
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69:Find sources:
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1055:Galanteries
818:Baroque era
806:Dance suite
689:The Planets
663:(Prelude),
558:The Planets
513:suite from
509:Tchaikovsky
469:Water Music
456:harpsichord
437:galanteries
416:galanteries
381:Baroque era
347:suyttes de
331:The Planets
1581:Categories
1566:2024-03-02
1473:2012-01-04
1419:References
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1152:character.
831:Allemande.
810:See also:
790:Pink Floyd
769:Don Cherry
673:Intermezzo
570:Schoenberg
345:published
310:video game
291:Masquerade
172:orchestral
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1277:Passepied
1227:Classical
1168:polonaise
1120:variation
1062:Badinerie
924:Sarabande
837:Allemande
822:movements
781:, etc.).
759:Max Roach
755:free jazz
661:PrÀludium
539:Peer Gynt
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231:Ouverture
184:movements
148:J.S. Bach
114:July 2022
1407:See also
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1112:Chaconne
1048:Overture
858:Courante
553:Sibelius
466:put his
448:Telemann
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349:bransles
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243:Telemann
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193:and the
1561:1645522
1223:da capo
1172:gavotte
1164:bourrée
1134:Gavotte
1091:Bourrée
1081:Scherzo
1022:Prelude
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669:Musette
665:Gavotte
636:Miroirs
613:Debussy
581:made a
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425:gavotte
387:Baroque
338:History
319:Shining
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146:from
105:JSTOR
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1557:OCLC
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