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spectrum." Davidovsky describes the goals of his series: "In those works, I try to keep, on the one hand, as much as possible of what is characteristic of the electronic instrument , and, on the other, what is characteristic of the live performer. At the same time, each extends the other." In the
37:, the first dating from 1963. Davidovsky explains that, "One of the central ideas of these pieces is the search to find ways of embedding both the acoustic and the electronic into a single, coherent musical and aesthetic space."
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160:). The Pulitzer jury found that the piece, "shows mastery of a new medium and its imaginative use in combination with the solo pianoforte." Violinist
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The series, "is characterized by the interaction of virtuoso musicians with a counterpoint of electronically generated sounds covering a broad
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Attack, Sustain and Decay: An
Analysis of 'Synchronisms No. 3 for Cello and Electronic Sounds' by Mario Davidovsky
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series
Davidovsky attempts, "exact coordination only in short passages of intricate
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GryÄŤ, Stephen
Michael (1978). "Stratification and Synthesis in Mario Davidovsky's
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A Topical Guide to
Schenkerian Literature: An Annotated Bibliography with Indices
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were played at the
Davidovsky Memorial Concert (2020) in Yellow Barn, Vermont
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All Music Guide to
Classical Music: The Definitive Guide to Classical Music
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Music in the Late
Twentieth Century: The Oxford History of Western Music
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434:
768:
288:, p.341-2. Woodstra, Chris; Brennan, Gerald; and Schrott, Allen; eds.
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http://yellowbarn.org/sites/default/files/july_23_programnotes.pdf
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Electronic and
Experimental Music: Technology, Music, and Culture
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as prompting her initial interest in electronic music.
25:
for solo or ensemble live instruments and pre-recorded
414:
The
Pulitzer Diaries: Inside America's Greatest Prize
179:
Boston Musica Viva Plays
Schwanter, Ives and Others
258:4/4: 8-39. M.M. thesis, University of Michigan.
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284:Grimshaw, Jeremy (2005). "Mario Davidovsky",
133:and electronic sound (1970), was awarded the
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466:"Michael Nicolas – Transitions (2016, CD)"
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145:, it was premiered August 19, 1970 at the
35:Columbia-Princeton Electronic Music Center
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848:Pulitzer Prize for Music-winning works
435:Performance Practice in Computer Music
113:Synchronisms No's. 3, 6, 9, 11, and 12
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164:, who studied with Davidovsky, cites
68:Flute, clarinet, violin, cello (1963)
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786:. You can help Knowledge (XXG) by
452:"Bird as Prophet, by David Bowlin"
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80:Piano and electronic sound (1970)
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611:From the Diary of Virginia Woolf
158:The Group for Contemporary Music
152:No. 6 was written for pianist
1:
433:Kimura, Mari (Spring 1995). "
397:Robert Miller, Pianist-Lawyer
633:Visions of Terror and Wonder
484:Berry, David Carson (2004).
853:Classical composition stubs
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403:(December 1): D31, col. 4.
380:"Search | YellowBarn"
346:Taruskin, Richard (2009).
309:, unpaginated. Routledge.
60:The works are as follows:
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666:In Memory of a Summer Day
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77:Percussion quintet (1969)
552:Pulitzer Prize for Music
509:Susser, Peter Matthew. "
412:Hohenberg, John (1997).
147:Berkshire Music Festival
135:Pulitzer Prize for Music
843:Electronic compositions
655:Aftertones of Infinity
439:Computer Music Journal
21:is a series of twelve
775:This article about a
305:Holmes, Thom (2012).
191:Jennifer Frautschi -
177:Boston Musica Viva -
590:String Quartet No. 3
23:musical compositions
107:Performance History
86:Wind quintet (1974)
569:Synchronisms No. 6
515:Music.Columbia.edu
212:Michael Nicolas -
166:Synchronisms No. 6
126:Synchronisms No. 6
833:1963 compositions
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661:David Del Tredici
650:Joseph Schwantner
441:, 19:1, pp.64-75.
332:MilkenArchive.org
252:Synchronism No. 6
57:is introduced'".
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186:Secret Geometry
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141:. Published by
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65:Flute (1963)
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51:counterpoint
39:
29:composed by
18:Synchronisms
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780:composition
554:(1971–1980)
214:Transitions
162:Mari Kimura
143:E. B. Marks
95:Bass (2005)
827:Categories
263:References
200:Flashbacks
193:Solovision
172:Recordings
777:classical
751:Citations
744:2011–2020
737:2001–2010
730:1991–2000
723:1981–1990
716:1971–1980
709:1961–1970
702:1951–1960
695:1943–1950
622:Air Music
617:Ned Rorem
488:, p.280.
437:", p.64,
416:, p.150.
395:. 1981. "
350:, p.212.
55:of chance
600:Notturno
221:See also
663:('80):
652:('79):
644:Deja Vu
641:('78):
630:('77):
619:('76):
608:('75):
597:('74):
588:('73):
580:Windows
577:('72):
566:('71):
474:. 2016.
471:Discogs
216:(2016)
209:(2019)
202:(2000)
195:(2003)
188:(1996)
181:(1987)
46:timbral
33:at the
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129:, for
782:is a
131:piano
120:No. 6
42:tonal
784:stub
490:ISBN
418:ISBN
352:ISBN
311:ISBN
290:ISBN
156:(of
139:1971
44:and
27:tape
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399:".
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256:ITO
137:in
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