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and that it can differentiate all tones and produce vibrato and glissando transitions. Moreover, the cello/guitar combination, he said, is more tender, more sensitive, and better integrated than any other, as the two instruments are also much alike in the technical respect. According to the music historian Ludomír Česenek, "The 'string duet' combination is much more than a novelty in scoring musical compositions. It constitutes an experiment rooted in the tradition of the technique of music, an endeavor to discover the sources of musical expression, a renaissance of an approach which, while overtaken by the past development, has lost nothing of its aesthetic validity or of the potential to resurrect it and develop it in the modern spirit."
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277:, who had been his contemporary at the Moscow Conservatory. Večtomov was best known for his inimitably sweet tone. “As the concerto develops, it is clear that Večtomov, so august a member of the Czech Trio, was certainly a big enough concerto soloist, but one who does not seek to impose his personality onto the music. Instead he illuminates it from within.” Of the same recording,
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Regarding the unusual combination of cello and guitar in Prague String Duo, Večtomov commented that a piano absorbs some of a cello's gentler shades of tone, which thus become superfluous; that the guitar can respond more sensitively than the harpsichord to the means of expression of the solo cello;
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playing cello in the Czech Trio, in which he continued to perform concerts and record until his death 33 years later. He recorded many works on LP and CD as a solo performer, as well as for radio and television broadcasts. He also performed and recorded with his brother, the guitarist
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observed: “I am glad to have discovered Saša Večtomov’s playing, for on this evidence he was a world-class artist … his aristocratic playing deserves a hearing, and the disc should certainly be of interest to cellists and collectors."
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Along with Sádlo, Večtomov was considered one of
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1st prize. Throughout his career he was particularly associated with the work of
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Večtomov was awarded prizes in 14 international contests, including the 1955
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Večtomov first studied piano and cello with his father, cellist/composer
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385:References
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