195:. The requirement that all weights have the same width was influenced by the 'duplex' system of lead casting on the Linotype system: each Linotype-matrix can cast two different characters: roman or italic, roman or bold, which must have the same width. It also meant that the typeface then only required one set of copyfitting data (rather than three) when compositors had to estimate the length of a text prior to actual typesetting (a common practice before computer-assisted typesetting). Another hint of the design's origins in hot-metal typesetting technology is the narrow 'f', since Linotype machines cannot cast an 'f' that
379:
339:
38:
2231:
326:
Several digital versions of Sabon exist, sold by
Linotype and Monotype. Monotype Sabon is lighter than the Linotype version. Linotype also released Sabon Georgian and Sabon Paneuropean with extended language support. Adobe had its own version called Adobe Sabon, but it is not widely available as of
361:
Sabon Next Pro consists of 6 weights (Display, Regular, Demi, Bold, Extra Bold, and Black). Despite its designation, the 'Display' weight is considered as another grade of the 'Roman weight' and
Porchez recommended it for 11pt or above, while the 'Regular' weight is designed for smaller text sizes
349:
designed the revival of Sabon known as Sabon Next. Sabon Next is based upon
Tschichold's 1967 Sabon design for the Stempel foundry and Porchez' study of original Garamond and Le BĂ© models. Unlike in the original Sabon, Porchez rejected the approach of a matching-width italic for a more traditional
154:
A classic typeface for body text, Sabon's longstanding popularity has transcended its origin as a commission to fit a tight set of business requirements. Tschichold was commissioned by a coalition of German printers to create a typeface that could be printed identically on
Linotype, Monotype or
365:
Sabon Next Pro includes Latin
Extended characters, but does not have Greek and Cyrillic support. OpenType features include Small caps (except in Black weight), Ligatures, Special ligatures, Alternates, Caps figures, Oldstyle figures, Tabular figures, Fractions, Superiors, Ornaments, Swash,
405:
Sabon eText is a version of Sabon optimized for screen use, designed by Steve
Matteson. Changes include increased x-heights, heavier hairline and serifs, wider inter-character spacing, more open counters, adjusted thicks to thins ratio.
155:
letterpress equipment, simplifying the process of planning lines and pagination when printing a book. The italic and bold styles were to take up exactly as much space as the roman, a feature imposed by the duplexing system of
Linotype
163:, in order to save space and money. Sabon's name was therefore considered appropriate: a Frenchman who had moved to Frankfurt, he had played a role in bringing Garamond's type into use in German printing four hundred years before.
409:
The family includes four fonts in two weights (regular, bold), with complementary italics. OpenType features include case-sensitive forms, fractions, ligatures, lining/old style figures, ordinals, superscript, small capitals.
230:. Tschichold had become more interested in classical book design as his career progressed, and Sabon is a relatively faithful, organic book typeface strongly rooted in tradition. The name "Sabon" was proposed by
186:
machine. They were specific about the kind of font that might work, rejecting the modern and fashionable in favour of solid 16th century tradition - something modelled on the work sixteenth-century engravers
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143:, the source of the face's name, who had bought some of Garamond's type after his death. The italics are based on types designed by a contemporary of Garamond's,
397:
have support for Greek, Cyrillic, and
Turkish characters, but some OpenType features (e.g., stylistic sets and alternative numeric figures) are not available.
234:, an influential British Monotype artistic advisor and historian of printing. Different drawings were used for machining the larger sizes. Tschichold used an
1479:
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design, narrower than the roman style, and chose to take advantage of digital typesetting technology to include a wide 'f' in the sixteenth-century style.
390:
can download two weights (Regular and Bold) of Sabon Next via the cloud fonts feature. This version is called Sabon Next LT, without the 'Pro' label.
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specimen sheet from 1592 to provide initial models to work from, choosing a
Garamond face for the roman letters and a Granjon face for the italics.
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Tschichold was well known as an eminent book designer in his own right, having promoted the now-popular ragged right style of book layout. A
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Fontsite released a version under the name Savoy, while
Bitstream released a less faithful version under the name of Classical Garamond.
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were set by hand in a process called thought-unit typography, where Thompson broke the lines at their spoken syntactical breaks.
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139:), particularly a specimen printed by the Frankfurt printer Konrad Berner. Berner had married the widow of a fellow printer
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A specimen of the font family Sabon Next created by FontShop, showing the range of weights and stylistic alternates.
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Proportional Lining figures. Except in Black weights, the fonts include a collection of printers' ornaments and
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printers who sought a "harmonized" or uniform font that would look the same whether set by hand or on a
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Kelly, Jerry (2001). "Adobe Garamond (from Printing History 13:2, 1991)". In Heller, Steven (ed.).
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machines of the period. Finally, the new font was to be five per cent narrower than their existing
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214:, a publisher which specialised in issuing cheap paperbacks. In his early life, he had lived in
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The commercial version of Sabon Next is commonly called Sabon Next LT Pro or Sabon Next Pro.
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370:. These ornaments are also offered independently as a font named Sabon Next Ornaments.
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Typography: An encyclopedic survey of type design and techniques through history.
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Into Print: selected writings on printing history, typography and book production
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147:. It is effectively a Garamond revival, though a different name was chosen as
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206:, after the war, from 1947 to 1949, he played a hugely significant role in
269:, as well as all of that church's secondary liturgical texts (such as the
210:
book design, creating a unified, simple and inexpensive layout design for
17:
1575:
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English and Greek characters of Sabon Next LT (Microsoft Office Version).
223:
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109:
45:
2005:
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513:(1st ed.). Sebastopol, Calif.: O'Reilly Media. pp. 377–381.
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type foundries in 1967. The design of the roman is based on types by
116:(1902–1974) in the period 1964–1967. It was released jointly by the
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and promoting the replacement of the jumble of fonts with a simple
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Linotype updates a classic: Sabon Next – new life for an old font
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eText Typefaces: Typefaces for High-Quality e-Reading Experiences
1038:"How to choose the right font size and style for legal documents"
304:
use a slightly modified version of it for headlines. Since 2010,
1035:
How to choose the right font size and style for legal documents
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1391:
Revival of the Fittest: Digital Versions of Classic Typefaces.
424:
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679:(1994). "Jan Tschichold's Sabon: The First Harmonised Type".
280:
Sabon was used in the 2000s as the official logo typeface of
310:
has used Sabon for the page text in its print edition. The
1454:
comparing type set in Sabon on the three release versions
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and in the 1920s had devised a "universal alphabet" for
171:
Sabon was developed in the early 1960s for a group of
1442:
Brochure about Sabon Next, part I, Linotype GmbH 2009
112:
designed by the German-born typographer and designer
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Dates are approximate only. Not all typefaces shown.
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Friedl, Friederich, Nicholas Ott and Bernard Stein.
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1992:
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573:(2nd ed.). London: Laurence King. p. 99.
241:An early first use of Sabon was the setting of the
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707:Typeface Legibility: Towards defining familiarity
259:Sabon was also used as the typeface in the 1979
856:"Universitetets logotyper - Ă–rebro universitet"
1419:Perfect, Christopher & Rookledge, Gordon.
819:Texts on Type: Critical Writings on Typography
1473:
1421:Rookledge's Classic International Typefinder.
8:
1304:"Type Q&A: Steve Matteson from Monotype"
821:. New York: Allworth Press. pp. 54–63.
788:Stanley Morison: his typographic achievement
30:
1376:Typographic Specimens: The Great Typefaces.
683:. London: British Library. pp. 190–4.
608:One Hundred Years Of Type Making, 1897-1997
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1110:"Classical Garamond in use - Fonts In Use"
1017:""Adobe Sabon" font pack as of 2003-10-22"
36:
1107:Classical Garamond in use - Fonts In Use
1014:"Adobe Sabon" font pack as of 2003-10-22
456:
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248:in 1973 by the American graphic designer
763:"Just what makes a Garamond a Garamond?"
374:Microsoft Office Version (Sabon Next LT)
418:
199:, or extends beyond the letter's body.
2282:Typefaces and fonts introduced in 1967
1152:
1142:
841:Stanford University Identity Toolkit,
354:Commercial Version (Sabon Next LT Pro)
29:
853:Ă–rebro University Design Guidelines,
567:Haslam, Andrew; Baines, Phil (2005).
312:Incorporated Council of Law Reporting
7:
884:, p.253; B. Willen & N. Strals,
1903:Palace and Dorchester Script (1938)
1540:(1911) and Italian Old Style (1919)
1389:Meggs, Philip B. and McKelvey, Roy.
954:"Garamond - Linotype Font Feature"
25:
1346:Black Dog & Leventhal: 1998.
951:Garamond - Linotype Font Feature
610:. Monotype. 1997. pp. 24–25.
461:McNeil, Paul (November 9, 2017).
2229:
1423:Laurence King Publishing: 2004.
1374:Meggs, Philip B. and Rob Carter.
1139:. Linotype GmbH. pp. 18–21.
650:Berry, John D. (10 March 2003).
267:Episcopal Church (United States)
284:until 2012. It is also used by
2262:Typefaces with infant variants
431:"Die Sabon von Jan Tschichold"
1:
1408:John Wiley & Sons: 1998.
1217:"Sabon Next by Linotype GmbH"
288:, together with the typeface
222:, improving its non-phonetic
133:
2287:Typefaces with optical sizes
1279:"Sabon Next LT - Typography"
714:(PhD thesis). pp. 76–77
507:Haralambous, Yannis (2007).
2257:Typefaces with text figures
898:Sabon and Its Current Usage
792:. Lund Humphries. pp.
429:Ronneberger, Volke (2002).
393:This version of Sabon Next
271:Book of Occasional Services
149:many other modern typefaces
2303:
1769:Zarotto/Mardersteig (1932)
1406:History of Graphic Design.
1238:"dot-font: The Next Sabon"
541:Shaw, Paul (12 May 2011).
464:The Visual History of Type
2252:Old style serif typefaces
2227:
151:already carry this name.
35:
1514:French Round Face (1906)
1197:"Sabon Next font family"
996:"Sabon Paneuropean Font"
254:King James biblical text
1824:(for the Greynog Press)
1393:RC Publications: 2000.
993:Sabon Paneuropean Font
871:. Retrieved 2012-05-29.
844:. Retrieved 2012-11-15.
738:"Type held in the hand"
632:& Oak Knoll Press,
275:Lesser Feasts and Fasts
1357:Lawson, Alexander S.,
1259:"Sabon Next Ornaments"
1131:Porchez, Jean François
383:
343:
1856:(for R & R Clark)
1360:Anatomy of a Typeface
975:"Sabon Georgian Font"
933:"Monotype Sabon Font"
892:Architectural Press,
784:Moran, James (1971).
704:Beier, Sofie (2009).
570:Type & typography
510:Fonts & Encodings
381:
347:Jean-François Porchez
341:
262:Book of Common Prayer
184:hot metal typesetting
157:hot metal typesetting
1799:Felix Titling (1934)
1129:Burke, Christopher;
1083:"Classical Garamond"
972:Sabon Georgian Font
930:Monotype Sabon Font
886:Lettering & Type
712:Royal College of Art
626:Typeforms: A History
2083:News Plantin (1979)
1640:(1926, private use)
1219:. 17 September 2012
1136:Sabon Next specimen
478:. p. 378–379.
314:uses Sabon for its
282:Stanford University
252:. All books of the
32:
2272:Monotype typefaces
2267:Linotype typefaces
1621:Goudy Heavy (1925)
1543:Forum Title (1911)
1523:Goudy Light (1908)
1452:1969 advertisement
742:Typefoundry (blog)
710:(Thesis). London:
543:"Flawed Typefaces"
401:Sabon eText (2013)
384:
344:
2277:Stempel typefaces
2239:
2238:
2206:Classic Grotesque
2065:(general release)
1980:(general release)
1871:Twentieth Century
1610:Italian Old Style
1429:978-1-85669-406-3
1404:Meggs, Philip B.
1369:978-0-87923-333-4
1174:"Sabon Next Font"
880:Cf. S. Garfield,
593:Cf. S. Garfield,
580:978-1-85669-437-7
520:978-0-596-10242-5
438:Publishing Praxis
334:Sabon Next (2002)
286:Ă–rebro University
250:Bradbury Thompson
161:Monotype Garamond
100:
99:
16:(Redirected from
2294:
2233:
2232:
2166:Strayhorn (1995)
2137:Ellington (1990)
2040:Albertina (1964)
2019:(public release)
1967:Mercurius (1957)
1964:Castellar (1957)
1935:Festival Titling
1881:Van Dijck (1937)
1807:Van Dijck (1935)
1664:Pastonchi (1928)
1627:Horley Old Style
1482:
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1363:. Godine: 1990.
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243:Washburn College
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137: 1480–1561
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105:is an old-style
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1931:Condensa (1951)
1920:
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1865:(for J.M. Dent)
1803:Tempest Titling
1772:Monoline Script
1764:Times New Roman
1725:Ashley Crawford
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1612:(Goudy, 1924/7)
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1559:Caslon Old Face
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1520:(1907 and 1920)
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1300:Matteson, Steve
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1281:. 30 March 2022
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189:Claude Garamond
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2018:
1979:
1949:Klang (1955)
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1817:Grock (1935)
1811:
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1518:Scotch Roman
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1337:Bibliography
1324:
1312:. Retrieved
1307:
1294:
1283:. Retrieved
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1262:. Retrieved
1253:
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1010:
999:. Retrieved
989:
978:. Retrieved
968:
957:. Retrieved
947:
936:. Retrieved
926:
915:. Retrieved
912:"Sabon Font"
905:
897:
885:
882:Just My Type
881:
876:
864:. Retrieved
860:the original
849:
837:
818:
812:
787:
779:
767:. Retrieved
757:
745:. Retrieved
741:
728:
716:. Retrieved
706:
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659:. Retrieved
656:Creative Pro
655:
645:
637:
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616:
607:
602:
595:Just My Type
594:
589:
569:
562:
550:. Retrieved
546:
536:
524:. Retrieved
509:
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441:. Retrieved
437:
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345:
329:
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307:First Things
305:
299:
293:
290:Trade Gothic
279:
274:
270:
260:
258:
240:
201:
170:
153:
102:
101:
2218:Joanna Sans
2208:(2012/2016)
1894:Sachsenwald
1760:Littleworth
1731:Braggadocio
1594:Baskerville
909:Sabon Font
769:11 December
526:13 December
443:13 December
316:Law Reports
70:Designer(s)
2246:Categories
2172:Gill Facia
2160:Carré Noir
1899:Haarlemmer
1742:Leysbourne
1696:Goudy Sans
1644:Bernard MT
1600:Poliphilus
1310:. Monotype
1285:2022-09-02
1264:2022-09-03
1244:2022-09-22
1223:2022-09-22
1202:2022-09-02
1179:2022-09-02
1115:2022-10-11
1089:. Monotype
1062:FontSpring
1043:2022-10-11
1022:2022-10-11
1001:2022-10-11
980:2022-10-11
959:2022-10-21
938:2022-10-11
917:2022-10-11
866:2012-05-29
765:. Linotype
638:s.v. Sabon
622:A. Bartram
494:1004655550
414:References
228:sans serif
18:Sabon Next
2112:Footlight
2036:Traveller
1836:Gill Kayo
1821:Gwendolin
1790:Colmcille
1704:(c. 1929)
1668:Gill Sans
1624:Engravers
1509:Old Style
1491:typefaces
1155:ignored (
1145:cite book
890:Princeton
386:Users of
224:spellings
204:modernist
63:Old-style
2186:Neo Sans
2122:Cantoria
2017:Fontana
2012:Octavian
1941:Spectrum
1876:Ehrhardt
1849:(1935-9)
1847:Albertus
1810:Fontana
1785:Rockwell
1754:Falstaff
1690:Deepdene
1659:Perpetua
1616:Fournier
1588:Garamond
1576:Garamont
1538:Veronese
1489:Monotype
1314:27 March
1308:Typecast
1133:(2009).
1093:19 April
1067:19 April
896:(2009),
661:22 April
636:(2007),
597:, p.251.
368:dingbats
181:Linotype
177:Monotype
122:Monotype
118:Linotype
110:typeface
91:Linotype
87:Monotype
46:Category
2117:Calisto
2087:Calvert
2043:Cartier
2006:Univers
1946:Angelus
1885:Pegasus
1841:Romulus
1830:Emerson
1796:Menhart
1776:Walbaum
1745:Placard
1719:Lutetia
1678:Arrighi
1674:Centaur
1654:Lutetia
1553:Plantin
1547:Imprint
1087:MyFonts
1058:"Savoy"
794:149-150
552:30 June
468:(print)
301:Esquire
265:of the
216:Leipzig
208:British
167:History
126:Stempel
95:Stempel
82:Foundry
2220:(2015)
2214:(2013)
2169:Cachet
2141:Amasis
2089:(1979)
2062:Barbou
2058:(1967)
2052:(1967)
2032:(1962)
2030:Apollo
2021:(1961)
2014:(1961)
2008:(1961)
2002:(1960)
1982:(1958)
1977:Joanna
1973:(1957)
1955:(1956)
1943:(1955)
1937:(1951)
1887:(1937)
1878:(1937)
1867:(1937)
1862:Joanna
1858:(1937)
1853:Bulmer
1843:(1936)
1832:(1936)
1826:(1935)
1814:(1935)
1787:(1934)
1778:(1933)
1766:(1932)
1757:Inflex
1751:Script
1739:(1931)
1733:(1930)
1727:(1930)
1721:(1930)
1698:(1929)
1692:(1929)
1686:(1929)
1680:(1929)
1661:(1928)
1647:Gallia
1637:Barbou
1633:(1926)
1618:(1925)
1606:(1923)
1596:(1923)
1590:(1922)
1584:(1921)
1582:Bodoni
1578:(1921)
1561:(1915)
1555:(1913)
1549:(1912)
1511:(1900)
1504:Modern
1427:
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747:19 May
718:17 May
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634:London
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517:
492:
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472:London
327:2022.
220:German
173:German
124:, and
2199:2010s
2190:Slate
2180:2000s
2156:Curlz
2131:1990s
2107:Arial
2097:1980s
2074:1970s
2050:Sabon
2025:Forte
1993:1960s
1971:Dante
1958:Swing
1925:1950s
1911:1940s
1793:Runic
1712:1930s
1702:Solus
1684:Bembo
1676:with
1604:Blado
1569:1920s
1531:1910s
1497:1900s
434:(PDF)
295:Vogue
246:Bible
197:kerns
107:serif
103:Sabon
51:Serif
31:Sabon
1748:Kino
1737:Bell
1602:and
1425:ISBN
1410:ISBN
1395:ISBN
1380:ISBN
1365:ISBN
1348:ISBN
1316:2016
1157:help
1095:2015
1069:2015
823:ISBN
798:ISBN
771:2015
749:2018
720:2018
685:ISBN
663:2016
620:Cf.
575:ISBN
554:2015
528:2015
515:ISBN
490:OCLC
480:ISBN
445:2015
395:does
298:and
273:and
191:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
