Knowledge (XXG)

Sakara drum

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goat skin to make the heads of these drums, or for the largest drum may use cow or antelope skin. The fingers of one hand change the tone of the drum, while the drummer hits the face of the drum with a stick. When several sakara drums are played together, the iya ilu is the main voice, and dictates the pace and rhythmic style. The fixed pitch omele ako and omele abo drums talk rhythmically, and the smaller and higher-toned omele "chord" drum adds flavour by playing varied pitches.
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The Sakara is a shallow drum with a circular body made with baked clay. The clay shell is perhaps ten inches in diameter and one and a half inches deep, sloping inward funnel-wise towards the back. The skin is secured to the shell with twine and tuned using pegs spaced around its body. The men use
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drum. Each family includes drums of different sizes, with the mother drum (iya ilu) playing the lead role and other drums playing in support. The Sakara is also made and used by the
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The Yoruba have traditionally used Sakara drums for a variety of purposes. They are played during Yoruba wedding ceremonies. The
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was traditionally played using Sakara drums to call Muslims to feast and prayer during
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grew from this musical form. The Sakara drum and the solemn-sounding
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Fela: the life & times of an African musical icon
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Index


Yoruba
drummers
omele ako
batá

Yoruba
Nigeria
talking drum
Batá drum
Gbedu
Hausa people
Wéré music
Ramadan
Fuji music
Goje
Sakara music
Yusuf Olatunji
"The Yoruba Talking Drums"


"Sakara Drums"
the original


"Sakara Ensemble"
the original
Percussion instruments and their history
56
ISBN

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