25:
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414:("Howling at the Moon"), which had an introduction by Kitahara Hakushū. The work created a sensation in literary circles. Hagiwara rejected the symbolism and use of unusual words, with consequent vagueness of Hakushū and other contemporary poets in favor of precise wording which appealed rhythmically or musically to the ears. The work met with much critical acclaim, especially for its bleak style, conveying an attitude of pessimism and despair based on modern Western psychological concept of
489:("The Iceland") published in 1934 was Hagiwara's last major anthology of poetry. He abandoned the use of both free verse and colloquial Japanese, and returned to a more traditional structure with a realistic content. The poems are occasionally autobiographical, and exhibit a sense of despair and loneliness. The work received only mixed reviews. For most of his life, Hagiwara relied on his wealthy family for financial support. However, he taught at
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410:("Sentiment"). The magazine was centered on the "new style" of modern Japanese poetry that Hagiwara was developing, in contrast to the highly intellectual and more traditionally structured poems in other contemporary literary magazines. In 1917, Hagiwara brought out his first free-verse collection,
288:, and aphorisms over his long career. His unique style of verse expressed his doubts about existence, and his fears, ennui, and anger through the use of dark images and unambiguous wording. He died from pneumonia aged 55.
280:. He liberated Japanese free verse from the grip of traditional rules, and he is considered the "father of modern colloquial poetry in Japan". He published many volumes of essays,
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in his hometown
Maebashi. His bohemian lifestyle was criticized by his childhood colleagues, and some of his early poems include spiteful remarks about his native Maebashi.
406:
In 1915, Hagiwara attempted suicide because of his continued ill-health and alcoholism. However, in 1916, Hagiwara co-founded with Murō Saisei the literary magazine
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in the summer of 1903. After spending a futile five semesters as a freshman at two national universities, he dropped out of school, living for a period in
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He married again in 1938 to Otani
Mitsuko, but after only eighteen months Sakutarō's mother—who had never registered the marriage in the family register (
457:. Hagiwara subsequently published a number of other volumes of cultural and literary criticism. He was also a scholar of classical verse and published
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509:, he died in May 1942—not quite six months short of his 56th birthday. His grave is at the temple of Jujun-ji, in his native Maebashi.
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521:(1920–2005), also a writer, and Akirako (b. 1922). Ineko deserted her family for a younger man in June 1929 and ran off to
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465:("A Collection of Best-Loved Love Poems", 1931), shows that he had a deep appreciation for classical Japanese poetry, and
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39:
33:
347:. In 1911, when his father was still trying to get him to enter college again, he began studying the mandolin in
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format, from an early age, and started to write poetry much against his parents' wishes, drawing on the works of
50:
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395:("Merman Poetry Group"), dedicated to the study of music, poetry, and religion. The three writers called their
748:
Dorsey, James. "From an
Ideological Literature to a Literary Ideology: 'Conversion in Wartime Japan'," in
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for inspiration. From his early teens, he started to contribute poems to literary magazines and had his
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752:, ed. by Dennis Washburn and A. Kevin Reinhart (Leiden & Boston: Brill, 2007), pp. 465~483.
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597:"Hagiwara Sakutarō's Fitzgerald," in Prairie Schooner, Vol. 47, No. 2, Summer, 1973, pp. 174-77.
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as the son of a prosperous local physician. He was interested in poetry, especially in the
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383:("Earth Pilgrimage"), another journal created by Hakushū. The following year, he joined
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668:. Translated by Wilson, Graeme. Clarendon, Vermont: Tuttle Publishing. p. 13.
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Converting
Cultures: Religion, Ideology and Transformations of Modernity
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469:("Yosa Buson—Poet of Nostalgia", 1936) reveals his respect for the
641:. Translated by Epp, Robert. Unknown Publisher. pp. 275–282.
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611:. New York, NY: The New York Review of Books. pp. xxvii, 3.
371:, who became his mentor and friend. He also contributed verse to
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After more than six months of struggle with what appeared to be
403:("Tabletop Fountain"), and published the first edition in 1915.
441:("Blue Cat") was published in 1923 to even greater acclaim and
18:
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Hagiwara married Ueda Ineko in 1919; they had two daughters,
445:. The poems in this anthology incorporated concepts from
426:("Howling at the Moon") written by Hagiwara added in the
479:, who advocated a return to the 17th century rules of
461:("Principles of Poetry", 1928). His critical study
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363:In 1913, Hagiwara published five of his verses in
665:Face at the Bottom of the World and Other Poems
525:and Sakutarō formally divorced her in October.
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736:Howling with Sakutaro: Cries of a Cosmic Waif
710:(Trans. Hiroaki Sato). Green Integer (2001).
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694:Rats' Nests: The Poetry of Hagiwara Sakutaro
638:Rats' Nests: The Poetry of Hagiwara Sakutarō
228: 1938–1940)
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434:(a collection of a number of his works).
318:verse published in the literary journals
69:Learn how and when to remove this message
32:This article includes a list of general
588:
696:. (Trans. Robert Epp). UNESCO (1999).
505:but which doctors diagnosed as acute
7:
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787:A bibliography in foreign languages
763:Works by or about Sakutarō Hagiwara
493:from 1934 until his death in 1942.
367:("Shaddock"), a magazine edited by
821:20th-century Japanese male writers
722:Principles of Poetry: Shi No Genri
38:it lacks sufficient corresponding
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418:influenced by the philosophy of
335:His mother bought him his first
262:, 1 November 1886 – 11 May 1942)
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836:Deaths from pneumonia in Japan
296:Hagiwara Sakutarō was born in
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724:. Cornell University (1998).
437:Hagiwara's second anthology,
708:Howling at the Moon and Blue
826:20th-century Japanese poets
778:(public domain audiobooks)
662:Sakutarō, Hagiwara (2008).
635:Sakutarō, Hagiwara (1999).
607:Hagiwara, Sakutarō (2014).
467:Kyōshu no shijin Yosa Buson
387:and the Christian minister
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772:Works by Sakutarō Hagiwara
841:Japanese literary critics
738:. Zamazama Press (2004).
264:was a Japanese writer of
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577:List of Japanese authors
422:. There is a preface to
53:more precise citations.
687:References and reading
856:Weird fiction writers
428:New York Review Books
851:People from Maebashi
720:Hagiwara, Sakutaro.
706:Hagiwara, Sakutaro.
692:Hagiwara, Sakutaro.
204: 1919;
846:Japanese male poets
572:Japanese literature
455:Arthur Schopenhauer
734:Kurth, Frederick.
532:)—drove her away.
353:mandolin orchestra
286:cultural criticism
173:literary criticism
675:978-1-4629-1267-4
648:978-92-3-103586-9
416:existential angst
397:literary magazine
259:Hagiwara Sakutarō
247:Sakutarō Hagiwara
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128:(1942-05-11)
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385:Murō Saisei
126:11 May 1942
51:introducing
805:Categories
583:References
292:Early life
272:and early
266:free verse
191:Ueda Ineko
168:free verse
140:Occupation
109:1886-11-01
34:references
831:Aphorists
507:pneumonia
449:with the
420:Nietzsche
59:July 2020
776:LibriVox
609:Cat Town
536:See also
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451:nihilism
447:Buddhism
432:Cat Town
345:Kumamoto
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298:Maebashi
282:literary
237:Children
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430:' 2014
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439:Aoneko
377:Shiika
365:Zamboa
270:Taishō
253:萩原 朔太郎
181:Spouse
148:writer
36:, but
497:Death
487:Hyōtō
481:Bashō
477:Buson
475:poet
472:haiku
408:Kanjō
349:Tokyo
329:Myōjō
320:Bunkō
316:tanka
307:tanka
278:Japan
224:(
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162:Tanka
155:Genre
133:Tokyo
740:ISBN
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519:Yōko
343:and
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103:Born
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