36:
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425:("Howling at the Moon"), which had an introduction by Kitahara Hakushū. The work created a sensation in literary circles. Hagiwara rejected the symbolism and use of unusual words, with consequent vagueness of Hakushū and other contemporary poets in favor of precise wording which appealed rhythmically or musically to the ears. The work met with much critical acclaim, especially for its bleak style, conveying an attitude of pessimism and despair based on modern Western psychological concept of
500:("The Iceland") published in 1934 was Hagiwara's last major anthology of poetry. He abandoned the use of both free verse and colloquial Japanese, and returned to a more traditional structure with a realistic content. The poems are occasionally autobiographical, and exhibit a sense of despair and loneliness. The work received only mixed reviews. For most of his life, Hagiwara relied on his wealthy family for financial support. However, he taught at
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421:("Sentiment"). The magazine was centered on the "new style" of modern Japanese poetry that Hagiwara was developing, in contrast to the highly intellectual and more traditionally structured poems in other contemporary literary magazines. In 1917, Hagiwara brought out his first free-verse collection,
299:, and aphorisms over his long career. His unique style of verse expressed his doubts about existence, and his fears, ennui, and anger through the use of dark images and unambiguous wording. He died from pneumonia aged 55.
291:. He liberated Japanese free verse from the grip of traditional rules, and he is considered the "father of modern colloquial poetry in Japan". He published many volumes of essays,
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in his hometown
Maebashi. His bohemian lifestyle was criticized by his childhood colleagues, and some of his early poems include spiteful remarks about his native Maebashi.
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In 1915, Hagiwara attempted suicide because of his continued ill-health and alcoholism. However, in 1916, Hagiwara co-founded with Murō Saisei the literary magazine
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in the summer of 1903. After spending a futile five semesters as a freshman at two national universities, he dropped out of school, living for a period in
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He married again in 1938 to Otani
Mitsuko, but after only eighteen months Sakutarō's mother—who had never registered the marriage in the family register (
468:. Hagiwara subsequently published a number of other volumes of cultural and literary criticism. He was also a scholar of classical verse and published
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520:, he died in May 1942—not quite six months short of his 56th birthday. His grave is at the temple of Jujun-ji, in his native Maebashi.
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532:(1920–2005), also a writer, and Akirako (b. 1922). Ineko deserted her family for a younger man in June 1929 and ran off to
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476:("A Collection of Best-Loved Love Poems", 1931), shows that he had a deep appreciation for classical Japanese poetry, and
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358:. In 1911, when his father was still trying to get him to enter college again, he began studying the mandolin in
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format, from an early age, and started to write poetry much against his parents' wishes, drawing on the works of
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406:("Merman Poetry Group"), dedicated to the study of music, poetry, and religion. The three writers called their
50:
44:
759:
Dorsey, James. "From an
Ideological Literature to a Literary Ideology: 'Conversion in Wartime Japan'," in
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61:
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for inspiration. From his early teens, he started to contribute poems to literary magazines and had his
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763:, ed. by Dennis Washburn and A. Kevin Reinhart (Leiden & Boston: Brill, 2007), pp. 465~483.
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608:"Hagiwara Sakutarō's Fitzgerald," in Prairie Schooner, Vol. 47, No. 2, Summer, 1973, pp. 174-77.
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as the son of a prosperous local physician. He was interested in poetry, especially in the
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394:("Earth Pilgrimage"), another journal created by Hakushū. The following year, he joined
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679:. Translated by Wilson, Graeme. Clarendon, Vermont: Tuttle Publishing. p. 13.
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Converting
Cultures: Religion, Ideology and Transformations of Modernity
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480:("Yosa Buson—Poet of Nostalgia", 1936) reveals his respect for the
652:. Translated by Epp, Robert. Unknown Publisher. pp. 275–282.
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622:. New York, NY: The New York Review of Books. pp. xxvii, 3.
382:, who became his mentor and friend. He also contributed verse to
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After more than six months of struggle with what appeared to be
414:("Tabletop Fountain"), and published the first edition in 1915.
452:("Blue Cat") was published in 1923 to even greater acclaim and
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Hagiwara married Ueda Ineko in 1919; they had two daughters,
456:. The poems in this anthology incorporated concepts from
437:("Howling at the Moon") written by Hagiwara added in the
490:, who advocated a return to the 17th century rules of
472:("Principles of Poetry", 1928). His critical study
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374:In 1913, Hagiwara published five of his verses in
676:Face at the Bottom of the World and Other Poems
536:and Sakutarō formally divorced her in October.
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747:Howling with Sakutaro: Cries of a Cosmic Waif
721:(Trans. Hiroaki Sato). Green Integer (2001).
8:
705:Rats' Nests: The Poetry of Hagiwara Sakutaro
649:Rats' Nests: The Poetry of Hagiwara Sakutarō
239: 1938–1940)
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445:(a collection of a number of his works).
329:verse published in the literary journals
80:Learn how and when to remove this message
43:This article includes a list of general
599:
707:. (Trans. Robert Epp). UNESCO (1999).
516:but which doctors diagnosed as acute
7:
641:
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798:A bibliography in foreign languages
774:Works by or about Sakutarō Hagiwara
504:from 1934 until his death in 1942.
378:("Shaddock"), a magazine edited by
832:20th-century Japanese male writers
733:Principles of Poetry: Shi No Genri
49:it lacks sufficient corresponding
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429:influenced by the philosophy of
346:His mother bought him his first
273:, 1 November 1886 – 11 May 1942)
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847:Deaths from pneumonia in Japan
307:Hagiwara Sakutarō was born in
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735:. Cornell University (1998).
448:Hagiwara's second anthology,
719:Howling at the Moon and Blue
837:20th-century Japanese poets
789:(public domain audiobooks)
673:Sakutarō, Hagiwara (2008).
646:Sakutarō, Hagiwara (1999).
618:Hagiwara, Sakutarō (2014).
478:Kyōshu no shijin Yosa Buson
398:and the Christian minister
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783:Works by Sakutarō Hagiwara
852:Japanese literary critics
749:. Zamazama Press (2004).
275:was a Japanese writer of
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588:List of Japanese authors
433:. There is a preface to
64:more precise citations.
698:References and reading
867:Weird fiction writers
439:New York Review Books
862:People from Maebashi
731:Hagiwara, Sakutaro.
717:Hagiwara, Sakutaro.
703:Hagiwara, Sakutaro.
215: 1919;
857:Japanese male poets
583:Japanese literature
466:Arthur Schopenhauer
745:Kurth, Frederick.
543:)—drove her away.
364:mandolin orchestra
297:cultural criticism
184:literary criticism
686:978-1-4629-1267-4
659:978-92-3-103586-9
427:existential angst
408:literary magazine
270:Hagiwara Sakutarō
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139:(1942-05-11)
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827:1942 deaths
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396:Murō Saisei
137:11 May 1942
62:introducing
816:Categories
594:References
303:Early life
283:and early
277:free verse
202:Ueda Ineko
179:free verse
151:Occupation
120:1886-11-01
45:references
842:Aphorists
518:pneumonia
460:with the
431:Nietzsche
70:July 2020
787:LibriVox
620:Cat Town
547:See also
534:Hokkaidō
462:nihilism
458:Buddhism
443:Cat Town
356:Kumamoto
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309:Maebashi
293:literary
248:Children
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441:' 2014
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335:Shinsei
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450:Aoneko
388:Shiika
376:Zamboa
281:Taishō
264:萩原 朔太郎
192:Spouse
159:writer
47:, but
508:Death
498:Hyōtō
492:Bashō
488:Buson
486:poet
483:haiku
419:Kanjō
360:Tokyo
340:Myōjō
331:Bunkō
327:tanka
318:tanka
289:Japan
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173:Tanka
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144:Tokyo
751:ISBN
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530:Yōko
354:and
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