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1004:, Tolstoy wrote, comparing this canvas to Repin's painting (the letter is dated 21 April 1889): "A striking illustration of what art is, at the present exhibition: a your painting and Repin's. In R it is represented that a man in the name of Christ stops an execution, i.e. does one of the most striking and important things." In a subsequent passage of the same letter, Tolstoy offers a favourable assessment of Ge's painting while simultaneously offering a critique of Repin's work: "Repin said what he wanted to say, so narrowly, so tightly, that it could be said even more accurately in words. It is said, and nothing more. He prevented the execution, so what? Well, he prevented it. And then? But not only that: since the content is not artistic, not new, not dear to the author, even that is not said. The whole painting is out of focus, and all the figures creep apart." Commenting on these words of Tolstoy, art historian Galina Elshevskaya wrote that Repin "got carried away with the psychology of the 'last minutes', and in the realistic narration of human affects... not only the preachy and edifying overtones of history were removed, but also its high taste in general"
785:, which was previously in the collection of businessman and philanthropist Mikhail Ryabushinsky. Despite the inscription indicating 1884, the prevailing view among art historians is that this date is erroneous and that the pencil sketch should instead be dated 1886. The sketch features five actors, including three condemned men, Nicholas of Myra and the executioner. Notably absent from the main characters is the town governor. In contrast with the final iteration of the painting, the condemned man with a sword does not kneel, but rather lies with his head resting on the scaffold. In addition to the original sketch, the literature makes mention of two further pencil sketches from 1887, one of which is kept in the Tretyakov Gallery, as well as another sketch from 1888. A sketch for the author's repeat from the Kyiv Picture Gallery is held in the State Russian Museum (canvas, oil, cardboard, 34.2 × 28.7 cm, about 1889, inv. Zh-7907).
994:(May 1889 issue), the writer Mitrofan Remezov offered high praise for Repin's Saint Nicholas, considering it the best of all the canvases presented at the 17th travelling exhibition. In his opinion, "at the exhibition, this painting, both in thought and execution, occupies the first place". Discussing the image of Nicholas of Myra, Remezov noted that "it was not the physical strength of the elder bishop that prevented the execution, but the great spiritual power, with amazing skill expressed by the artist in the countenance and in the whole figure of the saint". Furthermore, the writer commended other images, particularly the portrayal of the "full-motion figure of the condemned old man in fetters, falling to his knees and stretching out his hands," as well as the depiction of the exhausted young man, "morally exhausted to the point that he no longer quite clearly understands the meaning of what is happening before his eyes."
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versions the artist's favourite theme of the duel of views appears - and the executioner, defeated by the moral superiority of his opponent, stops the procedure himself". Nevertheless, according to art historian Olga
Lyaskovskaya, the two later versions are considerably weaker than the painting from the Russian Museum: "in them the hysterical note is extremely strengthened, Nicholas himself no longer intervenes in the course of events, he only persuades; the courageous image of the condemned man has been replaced by a figure of a completely different content".
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241:, writing to him in a letter dated 30 September 1886: "Do not forget, please, if you find anything about Nicholas the Wonderworker, put it aside for me. I promised to one backwater convent in my homeland to write them an image in the church". It transpired that Repin commenced work on a large canvas, which he continued throughout the winter of 1886/1887 and the entirety of 1888. For the St Nicholas Convent, the artist was to create an author's reproduction of the painting, incorporating certain alterations.
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675:. In a letter to Alexander Zhirkevich dated 4 September 1896, Repin provided details regarding the Nizhny Novgorod exhibition: "My St. Nicholas was pulled out of Kiev. This failed version I donated in favour of the starving, and it was bought at auction by Tereshchenko for 5000 r. I would never have sent it to this national exhibition." Later on, Fyodor Tereshchenko's collection, including this painting, became part of the collection of the Kyiv Museum of Russian Art (now the Kyiv Picture Gallery).
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555:"all the details of the great feat of humanity". One of the girls in the crowd is trying not to lose sight of the young convict (he could be her brother or fiancé). Mentioning this girl in one of his letters to his pupil, the artist Vera Veryovkina, Repin wrote: "But what struck me: the girl is a perfect portrait of you!" According to Veryovkina's recollections, Repin deliberately took her to the Russian Museum of Alexander III to introduce her to her "double".
951:, noting that "Suvorin was delighted with 'St Nicholas'", then continued: "The crowds at 'St Nicholas' are not thinning, and the talk is very curious and unexpected - for example, that you want to 'show the supremacy of the church over the state'." - If it is true that you have been given only ten thousand for 'St. Nicholas', it is very cheap, especially in view of the price of the 'Phryne'." In this instance, Leskov was making reference to
1068:. Its power lies elsewhere. According to Mashkovtsev, "Repin was fascinated to the point of self-forgetfulness by the expression of the actors, especially the condemned: one, ready to take the blow of the sword, and the other, whose face expresses extreme mental shock". Mashkovtsev wrote that the artist depicted "the initial, the strongest moment of mental shock" on the canvas , and that is the essence of the work.
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155:- "Repin was carried away to the point of self-forgetfulness by the expression of the actors, especially the convicts", and he shows "the initial, the strongest moment of mental impetus". Art historian Nonna Yakovleva noted that Repin "as if calling on the favourite holy wonderworker to stop the flow of blood in Russia, puts the audience in the face of one of his miracles".
192:. This was the same convent where he had come to visit his cousin, who was a nun there. The artist's relative's name was Emilia, in monasticism Eupraxia, and Repin referred to her as Olympiada. According to some sources, she was Repin's paternal cousin and her surname was Borisova. Apparently, the order was timed to coincide with the 800th anniversary of the
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to the latter, because it "reminds of the need to stop death, a call to mercy, which alone can resist evil." Emphasising the fact that
Nicholas of Myra is a native image for the Russian people, Yakovleva noted that Repin "as if calling upon the favourite holy wonderworker to stop the flow of blood in
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The critic Boris
Asafiev (literary pseudonym - Igor Glebov) wrote: "When he exhibited at the travelling exhibition of 1889 a remarkable painting "Saint Nicholas of Myra saves from death penalty three innocents in the city of Myra of Lycia", very few people understood that the point here is not in an
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wrote to Repin (the letter is dated 27 February 1889), "I greet the great and undoubted success of your works. At the exhibition, there is nothing better than 'St
Nicholas' and Glazunov's portrait. The praise for you is unanimous. The paintings are priced beautifully, and they need no better." In the
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In the course of his work on the painting and the artist's subsequent repetitions, Repin created a number of graphic studies. Several drawings are preserved at the
Ateneum in Helsinki, including two studies for the image of Nicholas of Myra, one from 1889 (paper, pencil, 31 × 23.5 cm, Inventory A III
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The painting depicts the moment when
Nicholas the Wonderworker intervenes to halt the executioner's blade as it is about to strike the first of the condemned. The painting presents a stark contrast between the unwavering conviction of Nicholas of Myra, confident in his righteousness, the bewilderment
399:, where other works by Russian artists were displayed as well. Repin's paintings were well received by the public and critics alike. In particular, one of the reviewers observed that "never before has Russian art been represented in Germany by so many works, and none of them was received as Repin's
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as the best of all the paintings presented at the exhibition "both in idea and execution", while Leo
Tolstoy noted that the content of the canvas was "not artistic, not new, not dear to the author", "the whole picture is without focus, and all the figures crawl apart". The painting was purchased by
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In the opinion of art historian Galina
Elshevskaya, the alterations evident in the two subsequent versions may have been prompted by the influence of Leo Tolstoy: "if in the first version of the painting the saint draws the executioner's sword, so to speak, purely physically, then in the last two
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The painting depicts a crowd of people at the rear of the scene, their expressions indicating a tense observation of the events unfolding in the foreground. Above the heads of the people in the crowd is the figure of a child who has been lifted up by someone so that he can see better and remember
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requested permission from the artist to create copies of some of the paintings. In 1901, all the copies completed, and in 1908, they were transferred to the Nizhny
Novgorod Museum of Art and History. As a consequence of the museum's restructuring between 1924 and 1934, part of the collection was
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In 1890, Repin created a variation of this painting, which is currently housed in the Kyiv
Picture Gallery (canvas, oil, 215 × 198 cm, inv. Zh-143). The painting was donated by the artist for an exhibition held in Moscow in 1891, aimed at raising funds for starving peasants. It was purchased by
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While he was away, Nicholas of Myra heard that the governor of Myra, Eustathius, had condemned three innocent people to death after being bribed by their ill-wishers. Anxious to stop this injustice, Nicholas hurried back to Myra and arrived at the Dioscurov field where the execution was to take
376:. Prince Vladimir Meshchersky wrote in his memoirs: "The Emperor was very enthusiastic about the idea of the Museum and at this exhibition bought eight paintings, repeatedly saying that it's for the future Museum. After standing at one of the travelling exhibitions in front of Repin's painting
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offers the following account of the story: "When the saint saw this, and turned his eyes to the sad spectacle, he balanced his severity with gentleness, said neither a bold nor a harsh word, but neither did he show any apprehension or timidity; as much as his strength reached he ran to the
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of the executioner, the frightened and flattered expression on the face of the town governor ("Byzantine kingmaker"), and the figures and faces of the condemned, who had lost all hope of salvation - "one submissive, another bewildered and a third in a burst of mad hope".
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as illustrative examples of the selection of themes that were arguably premature for the 1870s and 1880s, indicating that their author "was not at heart a faithful son of the travelling church" and that "he was drawn to other, more exalted spheres".
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dated 17 August 1887 (after his return to St Petersburg), Repin wrote about the results of his trip: "Mainly I thought in Bari to find something for his St. Nicholas - there was nothing, but I do not regret the trip there, a lot of interesting was."
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noted that "the weak point of 'St Nicholas' - the banal expression of the saint, the caricature of the rest", but at the same time, "the only successful place - the sneaky grimace of a Byzantine kingmaker". Benois identified Repin's paintings
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in April of the same year. The part of the exhibition held in St Petersburg was hosted by Botkina at her residence on Sergievskaya Street (now Tchaikovsky Street). The Moscow part of the exhibition was held at the premises of the
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was exhibited at Repin's personal exhibition held in 1936 at the State Tretyakov Gallery in Moscow. Additionally, the painting was exhibited at the 175th anniversary of Repin's birth, held from March to August 2019 at the
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dated 24 May 1887, the artist wrote about this: "In Italy I will now find a lot of material for my ventures. I am even thinking of visiting Bari, if there is something about Nicholas the Wonderworker...". In a letter to
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1754:13), and one undated (paper, pencil, 31 × 23.5 cm, Inventory A III 1754:18), as well as a study for an image of a young convict (1895?, paper, pencil, 31 × 23.5 cm, Inventory No. A III 1754:17), and a study
694:. The chairman subsequently failed to return the painting promptly, instead concealing it in a storage room. The painting was only handed over to the state in 1935 and subsequently placed in the Kharkiv Museum.
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executioner, boldly snatched the sword from his hands, and, fearing nothing, threw it to the ground, and set the condemned free from their chains. No one prevented his autocratic act...".
1076:(which painting can not show), but in the psyche of the people over whom the sword hangs. And not to forget the look of one of the executed - a look of flickering, trembling hope!..."
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was retained within the collection of Saratov collector S. A. Tarasov. The painting was exhibited at the "exhibition of one painting," held from April 27 to June 1, 2006, at the
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Initially, Repin produced a pencil sketch in the style of icon painting. However, he subsequently became increasingly fascinated by this theme, which, as in the painting
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was created by Ilya Repin's students under his direct supervision. In October 1900, following an inspection of Repin's paintings in the Tretyakov Gallery, the writer
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131:("Peredvizhniki"), which opened in February 1889 in St Petersburg. The critical response to the painting was mixed. The writer Mitrofan Remezov praised Repin's
426:), where it remains today. As Alexander III himself was no longer alive in 1897 (he died in 1894), the painting is considered to have been a gift from his son
3419:[Interactive view of the hall of the State Russian Museum, where the painting "Saint Nicholas of Myra saves three innocents from death" is located].
686:(Streletchina). In August 1930, the monastery was closed, after which many icons and paintings were dismantled by local residents. In 1934, the painting
3417:"Интерактивный вид зала Государственного Русского музея, в котором находится картина «Николай Мирликийский избавляет от смерти трёх невинно осуждённых»"
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252:. In a letter to Vladimir Stasov dated 30 May 1887, the artist provided a detailed account of his impressions, particularly highlighting the works of
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116:), whose courageous and principled actions helped to prevent the execution of three innocent people. The relevance of this theme was linked to
682:(paper on canvas, oil, 126 × 98 cm). This is the version of the painting that was created by Repin for the Nicholas Convent in the village of
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Emperor Alexander III, and the decision to establish the Russian Museum was subsequently attributed to this purchase on numerous occasions.
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recalled in a conversation with him, Repin mentioned that the person who commissioned the image of Nicholas the Wonderworker was the
108:(Inventory Zh-4001). The dimensions of the painting are 215 × 196 cm. The narrative of the painting is linked to one of the deeds of
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visited the exhibition as well. In a letter to the artist Nikolai Ge, who presented a painting at the same exhibition entitled
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In the chapter dedicated to Repin in his book "History of Russian Painting in the XIX century", the artist and critic
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Following his visit to Vienna, Repin proceeded to Italy, where he planned to visit Bari in particular. In a letter to
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Saint Nicholas. (Saint Nicholas spares from the death penalty three innocently convicted in the city of Mirah-Likia)
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According to the "legend," which has been repeatedly referenced in publications pertaining to the history of the
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800:(1888, oil on canvas, 30 × 24 cm, inv. A-1995-85). The study was acquired with the collection of Wäinö Valle (
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1787:[Waiting. An exhibition to mark the 175th anniversary of Ilya Repin opened in the Russian Museum].
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562:, with whom Repin talked quite a lot during that period, the face of St Nicholas was painted from the poet
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316:. Additionally, three further paintings by Repin were exhibited at the same event - portraits of the actor
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Furthermore, in 1890 Repin created a smaller iteration of the painting, which is currently housed in the
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New about Repin. Articles and letters of the artist, memories of his students and friends, publications.
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Illustrated catalogue of the XVII travelling exhibition of the Society for Travelling Art Exhibitions
3214:Иллюстрированный каталог XVII передвижной выставки «Товарищества передвижных художественных выставок»
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380:, the Sovereign said: "Here is a beautiful thing for the Museum," and the painting was purchased."
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1969:[Repin Ilya Efimovich - Saint Nicholas of Myra saves three innocents from death, 1890].
1204:[Repin Ilya Efimovich - Saint Nicholas of Myra saves three innocents from death, 1888].
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2034:"Репин Илья Ефимович — Николай Мирликийский избавляет от смерти трёх невинно осужденных, 1890"
1967:"Репин Илья Ефимович — Николай Мирликийский избавляет от смерти трех невинно осужденных, 1890"
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1202:"Репин Илья Ефимович — Николай Мирликийский избавляет от смерти трех невинно осужденных, 1888"
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531:). The famous nickname of St Nicholas - "Myrrh of Myra" - is linked to the name of this town.
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Ceremonial Sitting of the State Council on 7 May 1901 Marking the Centenary of its Foundation
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2036:[Repin Ilya Repin - Saint Nicholas of Myra saves three innocents from death, 1890].
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3105:] (in Russian). Vol. 7: Живопись второй половины XIX века (Н—Я). В. А. Леняшин.
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3396:[Repin I.E. - Saint Nicholas of Myra saves three innocents from death. 1888].
3394:"Репин И. Е. — Николай Мирликийский избавляет от смерти трёх невинно осуждённых. 1888"
819:(1889, paper, pencil, coloured crayons, 18.2 × 13.5 cm, Inventory No. A III 1754:16).
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3251:Новое о Репине. Статьи и письма художника, воспоминания учеников и друзей, публикации
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2583:[Peredvizhniki and the Imperial Power. To the 175th anniversary of the birth of
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1172:[Repin I.E. Saint Nicholas of Myra saves three innocents from death. 1888].
1170:"Репин И. Е. Николай Мирликийский избавляет от смерти трех невинно осужденных. 1888"
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2987:"Илья Репин: «Выражаться свободно». О некоторых особенностях творческого метода
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Upon the painting's appearance at the 17th Peredvizhniki exhibition, the writer
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2993:[Ilya Repin: "Free expression". On some features of the creative method of
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303:), which opened on 26 February 1889 in St Petersburg and subsequently moved to
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3317:Товарищество передвижных художественных выставок. Письма, документы. 1869—1899
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511:(approximate dates of life - 270-345 AD), which he performed while serving as
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2444:Верёвкина, В.В. (1949). "Памяти учителя" [In memory of the teacher].
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3193:: Государственное издательство изобразительного искусства. 1936. p. 40.
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In the book «Репин» (издание Института истории искусств АН СССР, volume 2,
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1724:[Ilya Repin. Guide to the exhibition at the New Tretyakov Gallery].
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1113:("old style") is used to date events that took place in the Russian Empire.
570:. The image of the kneeling condemned to death was created from the writer
438:, where it is exhibited alongside other renowned works by Repin, including
3068:Государственный Русский музей — Живопись, XVIII — начало XX века (каталог)
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is "full of such an amazing power of colour, which is found only maybe in
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to establish the museum was influenced by the acquisition of the painting
312:. The painting was catalogued in the exhibition catalogue under the title
1345:[The State Russian Museum: 120th anniversary of its foundation].
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215 cm × 196 cm (85 in × 77 in)
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was discovered in the residence of the chairman of the local council in
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State Russian Museum - Painting, 18th - early 20th century (catalogue)
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to the then emerging Russian Museum of Emperor Alexander III (now the
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was completed in 1888. It was exhibited at the 17th exhibition of the
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Society for Travelling Art Exhibitions. Letters, documents. 1869-1899
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2711:: Государственное издательство культурно-просветительской литературы.
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Germans in Russia. Russian-German scientific and cultural relations
1785:"Ждали. В Русском музее открылась выставка к 175-летию Ильи Репина"
1089:, art historian Nonna Yakovleva wrote that the former is a kind of
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2577:"Передвижники и императорская власть. К 175-летию со дня рождения
1754:[What was expected and what was not expected from Repin].
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2244:"A Young Man, sketch for the painting St. Nicholas of Myra, 1889"
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Discussing the subtle inner connection between Repin's paintings
2215:"Ilya Repin. Sketch for the painting St. Nicholas of Myra, 1895"
2157:"Ilya Repin. Sketch for the painting St. Nicholas of Myra, 1889"
1939:Киевский национальный музей русского искусства — www.kmrm.com.ua
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Although the prototype of Nicholas of Myra appears to have been
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moral teachings and the debate surrounding the abolition of the
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Artists and collectors to the Russian Museum. Gifts (1898-2019)
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2077:[Exhibition of one painting at the Radishchev Museum].
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Russia, puts the audience in the face of one of his miracles."
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In the view of art historian Nikolai Mashkovtsev, the painting
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same letter, Leskov cited the opinion of journalist and critic
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The Life and Works of our Holy Father Nicholas the Wonderworker
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in German criticism of the late XIX - early XX century].
3367:Художники и коллекционеры — Русскому музею. Дары (1898—2019)
2838:]. Художественное наследство (in Russian). Vol. 2.
2454:]. Художественное наследство (in Russian). Vol. 2.
237:. In order to gather material, Repin appealed to art critic
3421:Виртуальный тур по Русскому музею — virtual.rusmuseumvrm.ru
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1343:"Государственный Русский музей: 120-летие со дня основания"
2418:Немцы в России. Русско-немецкие научные и культурные связи
2186:"Ilya Repin. Sketch for the painting St. Nicholas of Myra"
1722:"Илья Репин. Путеводитель по выставке в Новой Третьяковке"
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houses a study for the image of St Nicholas of Myra named
434:). The painting is currently on display in Hall 34 of the
3143:
The State Russian Museum - From the history of the museum
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Sketch and studies for different versions of the painting
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The painting's narrative is based on one of the deeds of
176:(Nicholas the Wonderworker). As the writer and historian
3187:
I. Е. Repin. Exhibition catalogue with 58 illustrations
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Saint Nicholas of Myra saves three innocents from death
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Saint Nicholas of Myra saves three innocents from death
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Saint Nicholas of Myra saves three innocents from death
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Fyodor Tereshchenko. This version was presented at the
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St Nicholas of Myra (on the left) and the town governor
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Saint Nicholas of Myra saves three innocents from death
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Saint Nicholas of Myra saves three innocents from death
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Saint Nicholas of Myra saves three innocents from death
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Saint Nicholas of Myra saves three innocents from death
268:
Saint Nicholas of Myra saves three innocents from death
244:
During a trip to Western Europe in 1887, Repin visited
168:
In 1884, Ilya Repin was commissioned by a nunnery near
127:
The canvas was presented at the 17th exhibition of the
93:
Saint Nicholas of Myra saves three innocents from death
22:
Saint Nicholas of Myra saves three innocents from death
2972:] (in Russian). Vol. 64: Письма (1887—1889).
2617:] (in Russian). Vol. 11: Письма (1881—1895).
1045:
Ivan the Terrible and His Son Ivan on 16 November 1581
3257:] (in Russian). И. А. Бродский, В. Н. Москвинов.
3018:]. Энциклопедия мирового искусства (in Russian).
2484:Актуальні проблеми всесвітньої та вітчизняної історії
781:
collection includes a graphic sketch of the painting
310:
Moscow School of Painting, Sculpture and Architecture
2411:в немецкой критике конца XIX — начала XX века" [
713:
Version of the painting (1890, Kyiv Picture Gallery)
3543:
3476:
2938:
Two Centuries. Sketches of Russian artistic culture
2248:
Finnish National Gallery — www.kansallisgalleria.fi
2219:
Finnish National Gallery — www.kansallisgalleria.fi
2190:
Finnish National Gallery — www.kansallisgalleria.fi
2161:
Finnish National Gallery — www.kansallisgalleria.fi
2132:
Finnish National Gallery — www.kansallisgalleria.fi
535:place, just as the executioner was about to begin.
391:, were exhibited at an international exhibition in
75:
67:
53:
45:
35:
21:
3145:] (in Russian). И. Н. Карасик, Е. Н. Петрова.
3103:State Russian Museum - catalogue of the collection
2684:[Along Repin's places of Kharkiv region].
1707:
1327:From the history of the State Russian Museum (1995
725:Version of the painting (1890, Kharkiv Art Museum)
100:(1844-1930), completed in 1888. It is held at the
1818:
3183:И. Е. Репин. Каталог выставки с 58 иллюстрациями
3139:Государственный Русский музей — Из истории музея
3099:Государственный Русский музей — каталог собрания
2934:Два века. Очерки русской художественной культуры
2913:Товарищество передвижных художественных выставок
287:17th travelling exhibition and subsequent events
2386:History of Russian painting in the 19th century
1708:Catalogue of the exhibition of I.E. Repin (1936
418:In 1897, the painting was transferred from the
204:, which was expected to be celebrated in 1887.
2750:Correspondence with P. M. Tretyakov, 1873-1898
1848:Letters of I.E. Repin to V.V. Veryovkina (1949
1251:
566:. Repin wrote the executioner from the artist
3454:
2894:] (in Russian). Vol. 2 (1893—1930).
2866:] (in Russian). Vol. 1 (1867—1892).
957:Phryne at the Festival of Poseidon in Eleusis
229:, was associated with the moral preaching of
8:
2075:"Выставка одной картины в Радищевском музее"
1664:State Russian Museum catalogue, vol. 7 (2017
1282:Society for Travelling Art Exhibitions (1987
1157:State Russian Museum catalogue, vol. 7 (2017
430:(the catalogue states that it came from the
403:." The art reviewer of the Berlin newspaper
3398:Виртуальный Русский музей — rusmuseumvrm.ru
2788:Correspondence with V. V. Stasov, 1877-1894
1684:— виртуальный филиал — www.virtualrm.spb.ru
1177:— виртуальный филиал — www.virtualrm.spb.ru
395:, dedicated to the 50th anniversary of the
378:Saint Nicholas Stopping an Unjust Execution
194:translation of the relics of Saint Nicholas
3461:
3447:
3439:
2285:
1997:
1874:
1501:
1424:
1405:
1236:
184:of the Nicholas Convent in the village of
27:
18:
3501:Religious Procession in Kursk Governorate
2848:USSR Academy of Sciences Publishing House
2464:USSR Academy of Sciences Publishing House
2358:Russian painting. Thoughts and ponderings
2009:
1859:
1477:
1378:
1311:
1266:
233:and the question of the abolition of the
3052:The novel of my life. A book of memories
2745:Переписка с П. М. Третьяковым, 1873—1898
2274:
1889:
1679:[Mikhailovsky Palace, Hall 34].
1648:
1636:
1576:
1564:
1540:
1393:
1352:(in Russian). 2015-04-25. Archived from
1034:
764:
669:All-Russia industrial and art exhibition
330:
3016:Historical painting in Russian painting
3012:Историческая картина в русской живописи
2321:
2128:"Ilya Repin. St. Nicholas, study, 1888"
1832:
1624:
1525:
1296:
1125:
1102:
988:In an article published in the journal
625:A convict with a sword hanging over him
527:, specifically the Turkish province of
488:Saint Nicholas on a 13th century icon (
248:and examined the art collection at the
3350:
3300:
3297:: Издание Сретенского монастыря. 2005.
3264:
3234:
3196:
3166:
3122:
2917:Society for Travelling Art Exhibitions
2309:
2297:
2270:
2268:
2020:
1993:
1991:
1961:
1959:
1929:
1927:
1885:
1883:
1870:
1868:
1843:
1841:
1828:
1826:
1814:
1812:
1663:
1659:
1657:
1612:
1588:
1552:
1536:
1534:
1420:
1418:
1416:
1414:
1389:
1387:
1307:
1305:
1156:
297:Society for Travelling Art Exhibitions
129:Society for Travelling Art Exhibitions
2783:Переписка с В. В. Стасовым, 1877—1894
2429:: Дмитрий Буланин. pp. 244–250.
2114:
1819:Saint Nicolas the Wonderworker (2005)
1752:"Что ждали и чего не ждали от Репина"
1600:
1513:
1489:
1473:
1471:
1469:
1435:
1433:
1374:
1372:
1370:
1337:
1335:
1322:
1320:
1292:
1290:
1152:
1150:
1148:
963:in the same year for 30,000 roubles.
959:. This painting was purchased by the
16:Painting by Russian artist Ilya Repin
7:
3261:: Художник РСФСР. 1969. p. 168.
3047:Роман моей жизни. Книга воспоминаний
2102:
2061:
1277:
1275:
1262:
1260:
1247:
1245:
1232:
1230:
1228:
1226:
1140:State Russian Museum catalogue (1980
1135:
1133:
1131:
1129:
745:lost. As of 2006, the repetition of
542:, the 10th-century Byzantine writer
2790:] (in Russian). А. К. Лебедев,
2382:История русской живописи в XIX веке
2332:
1326:
700:Author's variations of the painting
407:, Georg Voß, wrote that the canvas
383:In 1891, two of Repin's paintings,
258:Miracle of Saint Ignatius of Loyola
3509:Ivan the Terrible and His Son Ivan
3189:] (in Russian). М. П. Кристи.
1086:Ivan the Terrible and His Son Ivan
736:Another variation of the painting
226:Ivan the Terrible and His Son Ivan
14:
3525:Reply of the Zaporozhian Cossacks
3221:] (in Russian). Н. П. Собко.
2682:"По репинским местам Харьковщины"
2506:] (in Russian). Vol. 2.
1649:Gifts to the Russian Museum (2019
671:, which opened on 28 May 1896 in
657:Sketches, studies and repetitions
441:Reply of the Zaporozhian Cossacks
3591:Collection of the Russian Museum
3562:
3561:
1252:XVII travelling exhibition (1889
1139:
955:large-format painting, entitled
914:
895:
879:
863:
847:
831:
718:
706:
642:
630:
618:
606:
594:
372:from the 17th exhibition of the
96:is a painting by Russian artist
3287:Saint Nicholas the Wonderworker
3062:: Государственное издательство.
2892:Selected letters in two volumes
2864:Selected letters in two volumes
2730:(in Russian) (5): 188—201 (2nd
1937:[Tereshchenko family].
1905:[Meetings with Repin].
1447:[Dialogue with Repin].
110:Saint Nicholas the Wonderworker
2488:National University of Kharkiv
2354:Русская живопись. Мысли и думы
961:Ministry of the Imperial Court
343:(left - I.E. Repin's painting
263:Miracles of St. Francis Xavier
1:
2888:Избранные письма в двух томах
2860:Избранные письма в двух томах
2615:Collected Works in 11 Volumes
2610:Собрание сочинений в 11 томах
1677:"Михайловский дворец, зал 34"
3423:(in Russian). Archived from
3400:(in Russian). Archived from
3282:Святитель Николай Чудотворец
2978:Khudozhestvennaya Literatura
2724:[Contemporary art].
2623:Khudozhestvennaya Literatura
2081:(in Russian). Archived from
2079:Музеи России — www.museum.ru
2040:(in Russian). Archived from
1973:(in Russian). Archived from
1941:(in Russian). Archived from
1909:(in Russian). Archived from
1794:(in Russian). Archived from
1761:(in Russian). Archived from
1728:(in Russian). Archived from
1686:(in Russian). Archived from
1451:(in Russian). Archived from
1208:(in Russian). Archived from
1179:(in Russian). Archived from
1072:act of mercy and not in the
1002:Christ praying in Gethsemane
147:should not be considered an
1750:Кабанова, О. (2019-03-29).
1720:Алленова, Е. (2019-03-22).
490:Saint Catherine's Monastery
3617:
3485:Barge Haulers on the Volga
3005:(in Russian) (4): 120–153.
3559:
3109:: Palace Editions. 2017.
2965:Полное собрание сочинений
2630:Лясковская, О.А. (1982).
2548:Ельшевская, Г.В. (1996).
2519:Евстратова, Е.Н. (2008).
1783:Штраус, О. (2019-10-08).
509:Nicholas the Wonderworker
26:
3551:Repino, Saint Petersburg
2911:Рогинская, Ф.С. (1989).
2697:Москвинов, В.Н. (1955).
2680:Москвинов, В.Н. (1949).
2653:Машковцев, Н.Г. (1943).
2407:Бородина, Т.П. (2000). "
1759:— www.theartnewspaper.ru
1757:The Art Newspaper Russia
364:, the final decision of
3586:Paintings by Ilya Repin
3517:They Did Not Expect Him
3010:Яковлева, Н.А. (2005).
2985:Юденкова, Т.В. (2019).
2722:"Современное искусство"
1050:State Tretyakov Gallery
1008:20th and 21st centuries
982:State Tretyakov Gallery
779:State Tretyakov Gallery
771:State Tretyakov Gallery
742:Alexei Maximovich Gorky
480:Subject and description
217:State Tretyakov Gallery
164:Background and creation
3357:: CS1 maint: others (
3307:: CS1 maint: others (
3271:: CS1 maint: others (
3241:: CS1 maint: others (
3203:: CS1 maint: others (
3173:: CS1 maint: others (
3129:: CS1 maint: others (
2932:Стернин, Г.Ю. (2007).
2692:(in Russian): 393–428.
2575:Кудрина, Ю.В. (2019).
2275:Leskov, vol. 11 (1958)
1312:Tolstoy, vol. 64 (1953
1053:
985:
805:
774:
501:
446:Seeing off the recruit
397:Berlin Academy of Arts
389:Seeing off the recruit
357:
220:
174:Saint Nicholas of Myra
172:to create an image of
2486:(in Ukrainian) (14).
2333:New about Repin (1969
1038:
969:
933:Reviews and criticism
838:Saint Nicolas (1888,
806:Wäinö Wallin kokoelma
769:Pencil sketch (1886,
768:
751:Radishchev Art Museum
544:Symeon the Metaphrast
487:
470:New Tretyakov Gallery
366:Emperor Alexander III
334:
210:
143:Nikolai Mashkovtsev,
3379:State Russian Museum
3373:] (in Russian).
3323:] (in Russian).
3289:] (in Russian).
3151:State Russian Museum
3074:] (in Russian).
3054:] (in Russian).
2940:] (in Russian).
2919:] (in Russian).
2842:, Ilya Silberstein.
2752:] (in Russian).
2707:] (in Russian).
2663:] (in Russian).
2640:] (in Russian).
2638:Ilya Efimovich Repin
2556:] (in Russian).
2533:: ОЛМА Медиа Групп.
2529:] (in Russian).
2458:, Ilya Silberstein.
2425:] (in Russian).
2388:] (in Russian).
2360:] (in Russian).
1541:Grabar, vol. 2 (1964
953:Henryk Siemiradzki's
921:Sketch (circa 1889,
761:Sketches and studies
747:St. Nicholas of Myra
519:, a city located in
424:State Russian Museum
341:State Russian Museum
102:State Russian Museum
3601:Paintings of saints
3291:Андрей Вознесенский
2980:. pp. 248–249.
2850:. pp. 200–218.
2633:Илья Ефимович Репин
2466:. pp. 185–199.
2117:, pp. 328–329)
2105:, pp. 190–197)
2064:, pp. 190–197)
2021:Repin, vol. 2 (1969
1903:"Встречи с Репиным"
1627:, pp. 148–149)
1613:Repin, vol. 1 (1969
1589:Repin, vol. 1 (1969
1567:, pp. 135–136)
1555:, pp. 321–323)
1553:Repin, vol. 1 (1969
1504:, pp. 277–278)
1480:, pp. 393–428)
1441:Dmytro, Yavornytsky
1396:, pp. 293–294)
1314:, pp. 248–249)
1142:, pp. 248–249)
688:St Nicholas of Myra
580:Dmitry Merezhkovsky
436:Mikhailovsky Palace
401:St Nicholas of Myra
2830:(1893-1929)].
2822:(1893—1929)" [
2038:www.art-catalog.ru
1971:www.art-catalog.ru
1790:Rossiyskaya Gazeta
1445:"Диалог с Репиным"
1206:www.art-catalog.ru
1054:
986:
975:Christ praying in
870:Study (not dated,
775:
680:Kharkiv Art Museum
502:
358:
320:and the composers
221:
178:Dmytro Yavornytsky
3573:
3572:
3228:М. М. Стасюлевича
3116:978-3-906917-17-7
3042:Yasinsky, Ieronim
2951:978-5-269-01052-6
2540:978-5-37300-683-5
2471:Вовк, О. (2011).
2378:Benois, Alexandre
2288:, pp. 67–69)
1935:"Семья Терещенко"
1516:, pp. 97–98)
1427:, pp. 84–85)
1239:, pp. 67–69)
1159:, pp. 89–90)
568:Nikolai Kuznetsov
448:and portraits of
275:Vladimir Chertkov
254:Peter Paul Rubens
211:Self-portrait by
89:
88:
3608:
3565:
3564:
3463:
3456:
3449:
3440:
3435:
3433:
3432:
3412:
3410:
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3382:
3362:
3356:
3348:
3338:
3334:
3333:С. Н. Гольдштейн
3330:
3326:
3312:
3306:
3298:
3276:
3270:
3262:
3246:
3240:
3232:
3230:
3223:Saint Petersburg
3208:
3202:
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3147:Saint Petersburg
3134:
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3120:
3107:Saint Petersburg
3094:
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2996:
2990:
2981:
2955:
2928:
2907:
2897:
2879:
2869:
2851:
2829:
2828:V. В. Veryovkina
2825:
2821:
2820:В. В. Верёвкиной
2817:
2814:(1949). "Письма
2807:
2793:
2773:
2759:
2755:
2754:М. Н. Григорьева
2735:
2719:
2712:
2693:
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2598:
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2427:Saint Petersburg
2414:
2410:
2403:
2373:
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2313:
2307:
2301:
2295:
2289:
2286:Ельшевская (1996
2283:
2277:
2272:
2263:
2262:
2260:
2259:
2250:. Archived from
2240:
2234:
2233:
2231:
2230:
2221:. Archived from
2211:
2205:
2204:
2202:
2201:
2192:. Archived from
2182:
2176:
2175:
2173:
2172:
2163:. Archived from
2153:
2147:
2146:
2144:
2143:
2134:. Archived from
2124:
2118:
2112:
2106:
2100:
2094:
2093:
2091:
2090:
2071:
2065:
2059:
2053:
2052:
2050:
2049:
2030:
2024:
2018:
2012:
2010:Москвинов (1955)
2007:
2001:
1998:Лясковская (1982
1995:
1986:
1985:
1983:
1982:
1963:
1954:
1953:
1951:
1950:
1931:
1922:
1921:
1919:
1918:
1898:
1892:
1887:
1878:
1875:Лясковская (1982
1872:
1863:
1857:
1851:
1845:
1836:
1830:
1821:
1816:
1807:
1806:
1804:
1803:
1780:
1774:
1773:
1771:
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1747:
1741:
1740:
1738:
1737:
1717:
1711:
1705:
1699:
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1696:
1695:
1673:
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1652:
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1640:
1634:
1628:
1622:
1616:
1610:
1604:
1598:
1592:
1586:
1580:
1574:
1568:
1562:
1556:
1550:
1544:
1538:
1529:
1523:
1517:
1511:
1505:
1502:Лясковская (1982
1499:
1493:
1487:
1481:
1475:
1464:
1463:
1461:
1460:
1437:
1428:
1425:Евстратова (2008
1422:
1409:
1406:Лясковская (1982
1403:
1397:
1391:
1382:
1376:
1365:
1364:
1362:
1361:
1339:
1330:
1324:
1315:
1309:
1300:
1294:
1285:
1279:
1270:
1264:
1255:
1249:
1240:
1237:Ельшевская (1996
1234:
1221:
1220:
1218:
1217:
1198:
1192:
1191:
1189:
1188:
1166:
1160:
1154:
1143:
1137:
1114:
1107:
1081:Nicholas of Myra
1029:Nicholas of Myra
1014:Alexandre Benois
918:
899:
883:
867:
851:
835:
722:
710:
646:
634:
622:
610:
598:
572:Ieronim Yasinsky
405:National-Zeitung
385:Nicholas of Myra
354:
250:Belvedere Palace
190:Kharkovsky Uyezd
145:Nicholas of Myra
84:Saint Petersburg
31:
19:
3616:
3615:
3611:
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3405:
3392:
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3365:
3349:
3336:
3332:
3329:М. В. Астафьева
3328:
3324:
3315:
3299:
3293:, Фёдор Гусев.
3279:
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3249:
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3009:
3003:Искусствознание
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2827:
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2791:
2776:
2757:
2753:
2738:
2717:
2716:Ремезов, М.Н. (
2715:
2705:Repin in Moscow
2696:
2687:
2679:
2655:
2652:
2629:
2605:Leskov, Nikolai
2603:
2596:
2588:
2584:
2578:
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2568:
2547:
2541:
2518:
2494:
2479:
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2027:
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2015:
2008:
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1996:
1989:
1980:
1978:
1965:
1964:
1957:
1948:
1946:
1933:
1932:
1925:
1916:
1914:
1901:Жиркевич, А.В.
1900:
1899:
1895:
1890:Yasinsky (1926)
1888:
1881:
1873:
1866:
1860:Верёвкина (1949
1858:
1854:
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1733:
1719:
1718:
1714:
1706:
1702:
1693:
1691:
1675:
1674:
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1662:
1655:
1647:
1643:
1635:
1631:
1623:
1619:
1611:
1607:
1599:
1595:
1587:
1583:
1575:
1571:
1563:
1559:
1551:
1547:
1539:
1532:
1524:
1520:
1512:
1508:
1500:
1496:
1488:
1484:
1478:Москвинов (1949
1476:
1467:
1458:
1456:
1439:
1438:
1431:
1423:
1412:
1404:
1400:
1392:
1385:
1379:Машковцев (1943
1377:
1368:
1359:
1357:
1341:
1340:
1333:
1325:
1318:
1310:
1303:
1295:
1288:
1280:
1273:
1267:Рогинская (1989
1265:
1258:
1250:
1243:
1235:
1224:
1215:
1213:
1200:
1199:
1195:
1186:
1184:
1168:
1167:
1163:
1155:
1146:
1138:
1127:
1122:
1117:
1111:Julian calendar
1108:
1104:
1100:
1066:religious theme
1064:or a work on a
1010:
949:Aleksey Suvorin
940:
935:
930:
929:
928:
927:
926:
919:
911:
910:
900:
892:
891:
886:Study, (1895?,
884:
876:
875:
868:
860:
859:
852:
844:
843:
836:
827:
826:
763:
730:
729:
728:
727:
726:
723:
715:
714:
711:
702:
701:
673:Nizhny Novgorod
664:
659:
654:
653:
652:
651:
650:
647:
639:
638:
635:
627:
626:
623:
615:
614:
611:
603:
602:
599:
590:
589:
482:
454:A.G. Rubinstein
348:
289:
280:Pavel Tretyakov
239:Vladimir Stasov
166:
161:
17:
12:
11:
5:
3614:
3612:
3604:
3603:
3598:
3596:Saint Nicholas
3593:
3588:
3578:
3577:
3571:
3570:
3560:
3557:
3556:
3554:
3553:
3547:
3545:
3541:
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3538:
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3529:
3521:
3513:
3505:
3497:
3489:
3480:
3478:
3474:
3473:
3468:
3466:
3465:
3458:
3451:
3443:
3437:
3436:
3413:
3388:
3387:External links
3385:
3384:
3383:
3363:
3325:В. В. Андреева
3313:
3277:
3247:
3209:
3179:
3159:
3135:
3115:
3095:
3064:
3038:
3032:
3007:
2982:
2970:Complete Works
2956:
2950:
2929:
2908:
2896:И. А. Бродский
2880:
2868:И. А. Бродский
2852:
2808:
2774:
2758:А. Н. Щекотова
2736:
2713:
2700:Репин в Москве
2694:
2677:
2650:
2627:
2601:
2595:(in Russian) (
2572:
2566:
2545:
2539:
2516:
2492:
2468:
2441:
2435:
2404:
2398:
2392:: Республика.
2374:
2350:Asafyev, Boris
2344:
2341:
2338:
2337:
2335:, p. 168)
2325:
2322:Asafyev (1966)
2314:
2312:, p. 274)
2302:
2300:, p. 272)
2290:
2278:
2264:
2235:
2206:
2177:
2148:
2119:
2107:
2095:
2066:
2054:
2025:
2023:, p. 119)
2013:
2002:
2000:, p. 278)
1987:
1955:
1923:
1893:
1879:
1877:, p. 281)
1864:
1862:, p. 190)
1852:
1850:, p. 212)
1837:
1835:, p. 190)
1822:
1808:
1775:
1742:
1712:
1700:
1682:Russian museum
1668:
1653:
1641:
1639:, p. 246)
1637:Бородина (2000
1629:
1617:
1615:, p. 331)
1605:
1603:, p. 118)
1593:
1591:, p. 320)
1581:
1579:, p. 136)
1577:Юденкова (2019
1569:
1565:Юденкова (2019
1557:
1545:
1530:
1528:, p. 349)
1518:
1506:
1494:
1492:, p. 328)
1482:
1465:
1429:
1410:
1408:, p. 277)
1398:
1394:Яковлева (2005
1383:
1366:
1331:
1316:
1301:
1299:, p. 189)
1286:
1284:, p. 629)
1271:
1269:, p. 419)
1256:
1241:
1222:
1193:
1175:Russian Museum
1161:
1144:
1124:
1123:
1121:
1118:
1116:
1115:
1101:
1099:
1096:
1025:Russian Museum
1009:
1006:
944:Nikolai Leskov
939:
936:
934:
931:
923:Russian Museum
920:
913:
912:
901:
894:
893:
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861:
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830:
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629:
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605:
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600:
593:
592:
591:
587:
586:
585:
584:
564:Apollon Maykov
481:
478:
458:I.R. Tarkhanov
362:Russian Museum
288:
285:
165:
162:
160:
157:
153:religious work
133:Saint Nicholas
106:St. Petersburg
87:
86:
80:Russian Museum
77:
73:
72:
69:
65:
64:
55:
51:
50:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
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6:
4:
3:
2:
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3479:
3475:
3471:
3464:
3459:
3457:
3452:
3450:
3445:
3444:
3441:
3427:on 2017-11-08
3426:
3422:
3418:
3414:
3404:on 2017-11-08
3403:
3399:
3395:
3391:
3390:
3386:
3380:
3376:
3372:
3368:
3364:
3360:
3354:
3346:
3342:
3337:Н. Л. Приймак
3322:
3318:
3314:
3310:
3304:
3296:
3292:
3288:
3284:
3283:
3278:
3274:
3268:
3260:
3256:
3252:
3248:
3244:
3238:
3229:
3225:: Типография
3224:
3220:
3216:
3215:
3210:
3206:
3200:
3192:
3188:
3184:
3180:
3176:
3170:
3162:
3160:5-900872-04-1
3156:
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3112:
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3077:
3073:
3069:
3065:
3061:
3057:
3053:
3049:
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3035:
3033:5-7793-0898-5
3029:
3025:
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3017:
3013:
3008:
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2877:
2873:
2865:
2861:
2857:
2853:
2849:
2845:
2841:
2837:
2833:
2824:I. Е. Repin's
2813:
2809:
2805:
2801:
2797:
2789:
2785:
2784:
2779:
2775:
2771:
2767:
2763:
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2438:
2436:5-8600-7248-1
2432:
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2401:
2399:5-250-02524-2
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2299:
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2279:
2276:
2271:
2269:
2265:
2254:on 2021-11-13
2253:
2249:
2245:
2239:
2236:
2225:on 2021-11-13
2224:
2220:
2216:
2210:
2207:
2196:on 2021-11-13
2195:
2191:
2187:
2181:
2178:
2167:on 2021-11-13
2166:
2162:
2158:
2152:
2149:
2138:on 2021-11-14
2137:
2133:
2129:
2123:
2120:
2116:
2111:
2108:
2104:
2099:
2096:
2085:on 2021-11-14
2084:
2080:
2076:
2070:
2067:
2063:
2058:
2055:
2044:on 2016-03-04
2043:
2039:
2035:
2029:
2026:
2022:
2017:
2014:
2011:
2006:
2003:
1999:
1994:
1992:
1988:
1977:on 2021-11-11
1976:
1972:
1968:
1962:
1960:
1956:
1945:on 2012-10-29
1944:
1940:
1936:
1930:
1928:
1924:
1913:on 2016-04-04
1912:
1908:
1904:
1897:
1894:
1891:
1886:
1884:
1880:
1876:
1871:
1869:
1865:
1861:
1856:
1853:
1849:
1844:
1842:
1838:
1834:
1833:Ремезов (1889
1829:
1827:
1823:
1820:
1815:
1813:
1809:
1798:on 2021-11-13
1797:
1793:
1791:
1786:
1779:
1776:
1765:on 2021-11-13
1764:
1760:
1758:
1753:
1746:
1743:
1732:on 2021-11-13
1731:
1727:
1723:
1716:
1713:
1710:, p. 40)
1709:
1704:
1701:
1690:on 2016-03-14
1689:
1685:
1683:
1678:
1672:
1669:
1666:, p. 90)
1665:
1660:
1658:
1654:
1651:, p. 34)
1650:
1645:
1642:
1638:
1633:
1630:
1626:
1625:Кудрина (2019
1621:
1618:
1614:
1609:
1606:
1602:
1597:
1594:
1590:
1585:
1582:
1578:
1573:
1570:
1566:
1561:
1558:
1554:
1549:
1546:
1543:, p. 68)
1542:
1537:
1535:
1531:
1527:
1526:Стернин (2007
1522:
1519:
1515:
1510:
1507:
1503:
1498:
1495:
1491:
1486:
1483:
1479:
1474:
1472:
1470:
1466:
1455:on 2016-04-09
1454:
1450:
1446:
1442:
1436:
1434:
1430:
1426:
1421:
1419:
1417:
1415:
1411:
1407:
1402:
1399:
1395:
1390:
1388:
1384:
1381:, p. 78)
1380:
1375:
1373:
1371:
1367:
1356:on 2016-03-05
1355:
1351:
1349:
1344:
1338:
1336:
1332:
1329:, p. 23)
1328:
1323:
1321:
1317:
1313:
1308:
1306:
1302:
1298:
1297:Ремезов (1889
1293:
1291:
1287:
1283:
1278:
1276:
1272:
1268:
1263:
1261:
1257:
1253:
1248:
1246:
1242:
1238:
1233:
1231:
1229:
1227:
1223:
1212:on 2016-05-27
1211:
1207:
1203:
1197:
1194:
1183:on 2016-04-20
1182:
1178:
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1171:
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1149:
1145:
1141:
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1103:
1097:
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1021:
1015:
1007:
1005:
1003:
999:
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992:
983:
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964:
962:
958:
954:
950:
945:
937:
932:
924:
917:
908:
904:
898:
889:
882:
873:
866:
857:
854:Study (1889,
850:
841:
834:
820:
818:
815:
809:
807:
803:
799:
798:Saint Nicolas
795:
791:
786:
784:
780:
772:
767:
760:
758:
756:
752:
748:
743:
739:
734:
721:
709:
695:
693:
689:
685:
681:
676:
674:
670:
661:
656:
645:
633:
621:
609:
601:Young convict
597:
583:
581:
577:
573:
569:
565:
561:
556:
552:
548:
545:
541:
538:In his work,
536:
532:
530:
526:
523:(present-day
522:
518:
514:
510:
507:
499:
495:
491:
486:
479:
477:
475:
471:
466:
463:The painting
461:
459:
455:
451:
447:
443:
442:
437:
433:
432:Winter Palace
429:
425:
421:
420:Winter Palace
416:
414:
410:
406:
402:
398:
394:
390:
386:
381:
379:
375:
374:Peredvizhniki
371:
367:
363:
355:
352:
347:
342:
338:
335:The painting
333:
329:
327:
323:
322:A.K. Glazunov
319:
318:M.S. Schepkin
315:
311:
306:
302:
301:Peredvizhniki
298:
294:
291:The painting
286:
284:
281:
276:
271:
269:
265:
264:
259:
255:
251:
247:
242:
240:
236:
235:death penalty
232:
228:
227:
218:
214:
209:
205:
203:
199:
195:
191:
187:
183:
179:
175:
171:
163:
158:
156:
154:
150:
146:
142:
141:art historian
139:According to
137:
134:
130:
125:
123:
122:death penalty
119:
118:Leo Tolstoy's
115:
111:
107:
103:
99:
95:
94:
85:
81:
78:
74:
70:
66:
63:
59:
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
3531:
3523:
3515:
3507:
3499:
3491:
3483:
3429:. Retrieved
3425:the original
3420:
3406:. Retrieved
3402:the original
3397:
3370:
3366:
3320:
3316:
3286:
3281:
3254:
3250:
3218:
3213:
3186:
3182:
3142:
3138:
3102:
3098:
3071:
3067:
3051:
3046:
3015:
3011:
3002:
2989:И. Е. Репина
2969:
2964:
2960:Tolstoy, Leo
2937:
2933:
2916:
2912:
2891:
2887:
2863:
2859:
2835:
2831:
2816:И. Е. Репина
2792:Г. К. Бурова
2787:
2782:
2749:
2744:
2727:Russian Mind
2725:
2704:
2699:
2685:
2660:
2654:
2637:
2632:
2614:
2609:
2592:
2579:И. Е. Репина
2553:
2549:
2526:
2521:
2503:
2499:
2496:Grabar, Igor
2483:
2475:І. Ю. Рєпіна
2451:
2446:
2422:
2417:
2385:
2381:
2357:
2353:
2343:Bibliography
2328:
2317:
2310:Benois (1995
2305:
2298:Benois (1995
2293:
2281:
2256:. Retrieved
2252:the original
2247:
2238:
2227:. Retrieved
2223:the original
2218:
2209:
2198:. Retrieved
2194:the original
2189:
2180:
2169:. Retrieved
2165:the original
2160:
2151:
2140:. Retrieved
2136:the original
2131:
2122:
2110:
2098:
2087:. Retrieved
2083:the original
2078:
2069:
2057:
2046:. Retrieved
2042:the original
2037:
2028:
2016:
2005:
1979:. Retrieved
1975:the original
1970:
1947:. Retrieved
1943:the original
1938:
1915:. Retrieved
1911:the original
1907:ilyarepin.ru
1906:
1896:
1855:
1800:. Retrieved
1796:the original
1788:
1778:
1767:. Retrieved
1763:the original
1755:
1745:
1734:. Retrieved
1730:the original
1726:artguide.com
1725:
1715:
1703:
1692:. Retrieved
1688:the original
1680:
1671:
1644:
1632:
1620:
1608:
1596:
1584:
1572:
1560:
1548:
1521:
1509:
1497:
1485:
1457:. Retrieved
1453:the original
1449:ilyarepin.ru
1448:
1401:
1358:. Retrieved
1354:the original
1346:
1254:, p. 3)
1214:. Retrieved
1210:the original
1205:
1196:
1185:. Retrieved
1181:the original
1173:
1164:
1105:
1084:
1080:
1078:
1073:
1070:
1057:
1055:
1048:(1883-1885,
1043:
1028:
1018:
1011:
1001:
996:
991:Russian Mind
989:
987:
974:
956:
941:
938:19th century
902:
816:
813:
810:
797:
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2995:I. Е. Repin
2884:Repin, Ilya
2856:Repin, Ilya
2840:Igor Grabar
2826:letters to
2812:Repin, Ilya
2778:Repin, Ilya
2740:Repin, Ilya
2661:I. E. Repin
2656:И. Е. Репин
2599:): 136–149.
2593:Иные берега
2585:I. Е. Repin
2456:Igor Grabar
2413:I. Е. Repin
2409:И. Е. Репин
2115:Repin (1949
1601:Repin (1946
1514:Repin (1949
1490:Repin (1949
1040:I. Е. Repin
998:Leo Tolstoy
903:A Young Man
649:Executioner
613:Old convict
560:Leo Tolstoy
474:Krymsky Val
450:V.V. Stasov
428:Nicholas II
409:St Nicholas
349: [
231:Leo Tolstoy
3580:Categories
3470:Ilya Repin
3431:2017-11-08
3408:2017-11-08
3024:Bely Gorod
2944:: Галарт.
2732:pagination
2720:) (1889).
2554:Ilya Repin
2550:Илья Репин
2490:: 190–197.
2258:2021-11-14
2229:2021-11-14
2200:2021-11-14
2171:2021-11-14
2142:2021-11-14
2103:Вовк (2011
2089:2021-11-14
2062:Вовк (2011
2048:2021-07-17
1981:2021-11-11
1949:2021-10-27
1917:2015-07-10
1802:2021-11-13
1769:2021-11-13
1736:2021-11-13
1694:2015-07-08
1459:2015-07-08
1360:2015-07-08
1216:2021-07-17
1187:2015-07-07
1120:References
1091:antithesis
1060:is not an
977:Gethsemane
971:Nikolai Ge
662:Variations
415:himself."
346:Belarusian
213:I.E. Repin
98:Ilya Repin
68:Dimensions
40:Ilya Repin
3477:Paintings
3353:cite book
3345:Iskusstvo
3303:cite book
3267:cite book
3259:Leningrad
3237:cite book
3199:cite book
3169:cite book
3125:cite book
3091:Iskusstvo
3076:Leningrad
3060:Leningrad
2925:Iskusstvo
2904:Iskusstvo
2876:Iskusstvo
2804:Iskusstvo
2800:Leningrad
2770:Iskusstvo
2766:Leningrad
2718:М. Анютин
2673:Iskusstvo
2669:Leningrad
2646:Iskusstvo
2560:: Слово.
2370:Iskusstvo
2366:Leningrad
1350:— tass.ru
1074:innocents
817:Young Man
684:Strilecha
576:Symbolist
186:Strilecha
3567:Category
3153:. 1995.
3044:(1926).
2962:(1953).
2886:(1969).
2858:(1969).
2780:(1949).
2742:(1946).
2607:(1958).
2498:(1964).
2380:(1995).
2352:(1966).
794:Helsinki
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3544:Related
3381:. 2019.
3347:. 1987.
3231:. 1889.
3093:. 1980.
1792:— rg.ru
1023:(1876,
980:(1888,
907:Ateneum
905:(1889,
888:Ateneum
872:Ateneum
856:Ateneum
840:Ateneum
802:Finnish
790:Ateneum
755:Saratov
578:writer
529:Antalya
413:Böcklin
339:in the
215:(1887,
182:hegumen
170:Kharkiv
159:History
3536:(1903)
3528:(1891)
3520:(1888)
3512:(1885)
3504:(1883)
3496:(1876)
3488:(1873)
3375:Moscow
3341:Moscow
3295:Moscow
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2921:Moscow
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2872:Moscow
2844:Moscow
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2665:Moscow
2642:Moscow
2619:Moscow
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2508:Moscow
2460:Moscow
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2362:Moscow
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692:Lyptsi
588:Actors
525:Turkey
513:bishop
393:Berlin
305:Moscow
246:Vienna
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