305:
46:. The c 1460–70 copy is by an unknown follower. Each show a giant, bearded man, wading through water with a large stick, carrying the infant Christ on his shoulders. The implication is that St. Christopher, patron saint of travelers, carries the weight of the world on his back; The works show him leaning on a large stick as Christ holds a globe, with arms raised in blessing, his robe billowing to the right. The pair are set in a highly detailed, richly coloured and atmospheric landscape. There are jagged rocks on either side, set against an early evening sky, with star formations.
22:
50:
85:, is placed as around 1460, and probably closely follows the colourisation of the original. However it omits a lot of detail found in the drawing, which is considered superior.
681:
615:
336:
304:
549:
694:
379:
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512:
439:
213:
180:
141:
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734:
641:
628:
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321:
660:
258:
292:
198:
744:
363:
173:
105:
39:
49:
739:
575:
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271:
400:
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21:
478:
749:
387:
166:
588:
408:
250:
153:
101:
673:
137:
60:
The painting was hugely influential and widely copied. It is directly referenced in a wing of
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Van Eyck to Durer: The
Influence of Early Netherlandish painting on European Art, 1430–1530
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74:
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38:. The painting is mainly recorded through a 1460–70 copy on oil on oak panel, in the
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Philadelphia Museum of Art. Oil on panel, 29.5cm x 21.1cm
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682:Christ on the Cross with the Virgin and Saint John
16:Painting by an unknown follower of Jan van Eyck
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181:
167:
159:
380:Virgin and Child with Canon van der Paele
280:Portrait of Giovanni di Nicolao Arnolfini
42:since 1917, and a c 1480 drawing at the
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440:Crucifixion and Last Judgement Diptych
235:Portrait of Cardinal Niccolò Albergati
214:Portrait of a Man with a Blue Chaperon
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136:. London: Thames & Hudson, 2011.
7:
513:Study for Cardinal Niccolò Albergati
337:Saint Francis Receiving the Stigmata
243:Portrait of a Man (Self Portrait?)
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154:At the Philadelphia Museum of Art
642:Portrait of a Man with Carnation
550:Portrait of Isabella of Portugal
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597:Madonna of Nicolas van Maelbeke
81:The Philadelphia copy, through
259:Portrait of Baudouin de Lannoy
56:, follower of van Eyck, Louvre
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293:Portrait of Margaret van Eyck
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108:. Retrieved 15 December 2014
83:dendrochronological analysis
616:The Three Marys at the Tomb
364:Madonna of Chancellor Rolin
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589:Vera Icon (Head of Christ)
106:Philadelphia Museum of Art
40:Philadelphia Museum of Art
735:Paintings by Jan van Eyck
695:Saint Jerome in His Study
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272:Portrait of Jan de Leeuw
526:Study for a Crucifixion
401:Madonna at the Fountain
132:Borchert, Till-Holger.
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34:is a lost painting by
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388:Madonna in the Church
66:Adoration of the Maji
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629:The Fountain of Life
745:Paintings of Jesus
409:Madonna of Jan Vos
251:Arnolfini Portrait
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674:Ince Hall Madonna
563:Saint Christopher
479:Turin–Milan Hours
435:, completed 1432)
142:978-0-500-23883-7
102:Saint Christopher
54:Saint Christopher
31:Saint Christopher
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395: 1438–1440
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358: 1434–1436
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199:List of works
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750:Water in art
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677:(after 1434)
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623: 1420s
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600:(after 1440)
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350:Annunciation
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190:Jan van Eyck
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70:Hans Memling
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62:Dieric Bouts
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36:Jan van Eyck
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29:
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18:
689: 1435
661:Crucifixion
636: 1432
583: 1434
570: 1460
533: 1440
520: 1432
487: 1420
482:("Hand G",
471:manuscripts
469:Illuminated
460: 1437
412:(1441–1443)
287: 1438
266: 1435
221: 1430
729:Categories
420:Polyptychs
715:(brother)
608:Contested
206:Portraits
653:Workshop
497:Drawings
325:(Madrid)
706:Related
127:Sources
64:Munich
698:(1442)
645:(1435)
508:(1437)
431:(with
404:(1439)
383:(1436)
375:(1436)
367:(1435)
296:(1439)
275:(1436)
254:(1434)
246:(1433)
238:(1432)
230:(1432)
140:
68:, and
315:works
89:Notes
542:Lost
138:ISBN
104:".
72:'s
731::
686:c.
665:c.
633:c.
620:c.
580:c.
567:c.
554:c.
530:c.
517:c.
484:c.
457:c.
444:c.
392:c.
355:c.
341:c.
328:c.
284:c.
263:c.
218:c.
113:^
78:.
489:)
182:e
175:t
168:v
100:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
