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Salve Deus Rex Judaeorum

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in Lanier's lifetime. It did not gain Lanier a fortune as her attempt to attract a patron suggests she wanted. The collection appears to have had an underwhelming reception due to the nontraditional nature of the poems. The British Library explains the writing by stating, "Lanier uses the language of
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was, for the most part, forgotten for centuries. One scholar says, " consigned to oblivion for nearly four centuries, Lanyer has only in recent decades become the focus of a significant body of critical scholarship and achieved a presence in the mainstream of Renaissance poetry."
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As their titles suggest, the ten prefatory poems were each dedicated to a woman Lanier was inspired by, influenced by, or hoped to attract as a patron. These dedications were used to "assert the dignity and merit of all women" by declaring the greatness of the women she wrote to.
461: 188:, a defence of women, and the importance of woman in the Biblical crucifixion narrative. Suzanne Woods observes that the poem is "meditating and expanding on the events from the female point of view," which was a revolutionary retelling of the crucifixion at the time. 249:
was poor, the work has come to claim an important place in the history of English literature. By the account of most scholars, researchers, and biographers Lanier's collection of poems was a groundbreaking text for feminism, literary tradition, and poetry overall.
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piety and respect to mount a radical, self-assured 'defence of Women'. The feminist style that scholars and researchers like those at the British Library attribute to Lanier is probably one of the reasons Salve "Deus Rex Judaeorum" was not well received.
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not to crucify Jesus, shows Lanier's dedication to the recognition of women in the Bible even if they are nameless. Lanier's attention to the women in the poem characterizes her unique retelling of the biblical story.
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was indeed forgotten for centuries, but it has finally achieved recognition thanks to carefully edited editions like that of Suzanne Woods and journal articles including "Remembering Aemilia Lanyer" by Kate Chedgzoy.
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saying, "But surely Adam cannot be excus'd, / Her fault, though great, yet he was most too blame" The poem goes on to explain that Adam should have avoided temptation since he is depicted as stronger than Eve in the
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published in 1611. It was the first book of original poetry published by a woman in England. It was also the first book of poetry written by an English woman in an effort to attract a
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The title poem is a significantly longer work that focuses on the
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Lanier's defense of women shifts the blame of sin from
60:Emilia Lanyer's dedication of her book of poems to 369:"Emilia Lanier's Salve Deus Rex Judaeorum, 1611" 148:The Salutation and Sorrow of the Virgine Marie 229:There is no indication of any recognition of 8: 212:forsook him. For example, Lanier's focus on 493:Cultural depictions of the Passion of Jesus 145:The Teares of the Daughters of Ierusalem. 48:entitled "The Description of Cooke-ham". 358:luminarium.org Salve Deus Rex Judaeorum 264: 32:) is a volume of poems by English poet 435:Chedgzoy, "Remembering Aemilia Lanyer" 16:1611 volume of poems by Emilia Lanier 7: 399:Journal of the Northern Renaissance 216:, a woman who attempts to persuade 102:The Authors Dream to the Lady Marie 142:Eues Apologie in defence of Women. 90:To All Vertuous Ladies in Generall 14: 503:Depictions of Jesus in literature 456: 156:To the Doubtfull Reader (prose) 79:Queenes Most Excellent Majestie 126:To the Vertuous Reader (prose) 1: 395:"Remembering Aemilia Lanyer" 153:The Description of Cooke-ham 466:public domain audiobook at 425:The Poems of Aemilia Lanyer 318:The Poems of Aemilia Lanyer 30:Hail, God, King of the Jews 519: 498:English poetry collections 245:Although the reception to 463:Salve Deus Rex Judaeorum 252:Salve Deus Rex Judeaorum 247:Salve Deus Rex Judaeorum 239:Salve Deus Rex Judaeorum 231:Salve Deus Rex Judaeorum 132:Salve Deus Rex Judaeorum 42:Salve Deus Rex Judaeorum 21:Salve Deus Rex Judaeorum 451:Salve Deus Rex Iudæorum 393:Chedgzoy, Kate (2010). 316:Woods, Suzanne (1993). 303:"Ameilia Lanyer "SDRJ"" 178:Lucas Cranach the Elder 181: 117:To the Ladie Katherine 65: 44:and the first English 172: 139:The passion of Christ 59: 186:crucifixion of Jesus 74:Prefatory material: 182: 99:To the Ladie Susan 66: 62:Lady Anne Clifford 46:country house poem 282:Poetry Foundation 510: 460: 459: 436: 433: 427: 421: 415: 414: 412: 410: 390: 384: 383: 381: 379: 365: 359: 356: 350: 347: 341: 338: 332: 331: 313: 307: 306: 299: 293: 292: 290: 288: 274: 518: 517: 513: 512: 511: 509: 508: 507: 473: 472: 457: 445: 440: 439: 434: 430: 422: 418: 408: 406: 392: 391: 387: 377: 375: 373:British Library 367: 366: 362: 357: 353: 348: 344: 339: 335: 328: 315: 314: 310: 301: 300: 296: 286: 284: 278:"Æmilia Lanyer" 276: 275: 266: 261: 227: 163: 85:Lady Elizabeths 71: 54: 17: 12: 11: 5: 516: 514: 506: 505: 500: 495: 490: 485: 475: 474: 471: 470: 454: 444: 443:External links 441: 438: 437: 428: 416: 385: 360: 351: 342: 333: 326: 308: 294: 263: 262: 260: 257: 226: 223: 162: 159: 158: 157: 154: 150: 149: 146: 143: 140: 136: 135: 129: 128: 127: 124: 118: 115: 113:Ladie Margaret 109: 103: 100: 97: 95:Ladie Arabella 91: 88: 81: 70: 67: 53: 50: 15: 13: 10: 9: 6: 4: 3: 2: 515: 504: 501: 499: 496: 494: 491: 489: 486: 484: 481: 480: 478: 469: 465: 464: 455: 453: 452: 449:Full text of 447: 446: 442: 432: 429: 426: 420: 417: 404: 400: 396: 389: 386: 374: 370: 364: 361: 355: 352: 349:Woods, xxxvii 346: 343: 340:Woods, xxxiii 337: 334: 329: 327:0-19-508361-X 323: 319: 312: 309: 304: 298: 295: 283: 279: 273: 271: 269: 265: 258: 256: 253: 248: 243: 240: 235: 232: 224: 222: 219: 215: 214:Pilate's wife 211: 207: 203: 198: 194: 189: 187: 179: 175: 171: 167: 160: 155: 152: 151: 147: 144: 141: 138: 137: 133: 130: 125: 123: 119: 116: 114: 110: 108: 104: 101: 98: 96: 92: 89: 86: 82: 80: 76: 75: 73: 72: 68: 63: 58: 51: 49: 47: 43: 39: 35: 34:Emilia Lanier 31: 27: 23: 22: 462: 450: 431: 424: 419: 407:. Retrieved 402: 398: 388: 376:. Retrieved 372: 363: 354: 345: 336: 317: 311: 297: 285:. Retrieved 281: 251: 246: 244: 238: 236: 230: 228: 190: 183: 173: 164: 131: 41: 29: 20: 19: 18: 218:her husband 161:Description 107:Ladie Lucie 488:1611 poems 483:1611 books 477:Categories 259:References 122:Ladie Anne 237:Lanier's 225:Reception 210:disciples 208:when his 195:and onto 468:LibriVox 409:10 April 378:10 April 287:10 April 69:Contents 423:Woods, 120:To the 111:To the 105:To the 93:To the 83:To the 77:To the 405:(2): 1 324:  180:, 1528 38:patron 206:Jesus 202:Bible 87:Grace 52:Poems 26:Latin 411:2018 380:2018 322:ISBN 289:2018 197:Adam 193:Eve 176:by 174:Eve 479:: 401:. 397:. 371:. 280:. 267:^ 28:: 413:. 403:1 382:. 330:. 305:. 291:. 134:: 64:. 24:(

Index

Latin
Emilia Lanier
patron
country house poem

Lady Anne Clifford
Queenes Most Excellent Majestie
Lady Elizabeths
Ladie Arabella
Ladie Lucie
Ladie Margaret
Ladie Anne

Lucas Cranach the Elder
crucifixion of Jesus
Eve
Adam
Bible
Jesus
disciples
Pilate's wife
her husband



"Æmilia Lanyer"
"Ameilia Lanyer "SDRJ""
ISBN
0-19-508361-X
"Emilia Lanier's Salve Deus Rex Judaeorum, 1611"

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