374:; in 1931, he lost his contract with Bristol-Myers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music.
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Sam recorded with a plethora of ensemble arrangements, under names such as Lanin's Jazz Band, Lanin's
Arcadians, Lanin's Famous Players, Lanin's Southern Serenaders, Lanin's Red Heads, Sam Lanin's Dance Ensemble, and Lanin's Arkansaw Travelers. He did not always give himself top billing in his
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Among the ensembles he directed were Ladd's Black Aces, The
Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey's Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from
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Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on
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after 1923, and the
Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a
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ensemble's names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s.
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in late 1918. There he established the
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574:20th-century American conductors (music)
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187:in the early 1920s.
135:Samuel Charles Lanin
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497:(2000), Routledge,
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