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347:"Many judged the work shockingly amateurish and extremely grotesque. Others, including the exhibition officials and Mrs. Eleanor Roosevelt, singled it out for special and favorable comment ... The artist, far from considering his use of exaggeration and emphasis inappropriate, declared that his eye would not permit him to depart from the normal except when compelled! Brown uses distortion as a naturalistic device to evoke the feeling of pain, anguish, suffering or struggle”.
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520:. He participated in a 1969 exhibit at a professional fine arts show at Philadelphia’s Municipal Services Building sponsored by the National Forum of Professional Artists, where he was cited as “the patriarch of living Philadelphia Negro painters” by the art editor of the Philadelphia Evening Bulletin. He participated in its shows for three years in Philadelphia and New York in the early 1970s.
509:, Brown said, was “the realization of an artist’s dream for the glorification of the Negro child, and the fostering of good will through portraying children of all races in scenes encouraging to correct behavior patterns. Each Poster is the result of hours of thoughtful study, and each has been rendered as a fine art gem. They stand in their simplicity, a beautiful tribute to our children.”
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along with an article that stated, "Years ago, the most daring paint dabbler would not have dared offer the striking conception of a lynching". The article also called the work "one of the unusual paintings" in the PWAP exhibit and stated that "Brown is vitally an individual painter, who, despite his
226:
In 1933, Fiske
Kimball, director of the Philadelphia Museum of Art, appointed Brown to the Public Works of Art Project (PWAP), the first federal employment program for artists. Kimball was in charge of the project in Philadelphia. Brown was the first African American artist selected for the program.
264:
The decade of the 1930s was very productive for Brown. He completed many paintings while employed by the FAP and won high praise for his works at major competitive exhibitions. He caught the attention of the art world and public with two of his FAP paintings and was cited as one of its outstanding
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was in a group exhibit of artwork in possession of the
Philadelphia Museum of Art. In 1980, his works were part of a group show at the Afro-American Historical and Cultural Museum, now the African American Museum in Philadelphia, and in 1989, a traveling show of works from the Brandywine Workshop
806:, she moved with her family to Philadelphia at the age of 7 when her father received a pastorship at a West Philadelphia church. They had three children; their daughter Urlene died of leukemia at age 25 in the mid-1970s. She was the subject of his 1956 painting
199:, after Thrash arrived in Philadelphia in the late 1920s. The two shared a studio in the 1920s to 1950s, and operated a sign-painting business together in the mid-30s. It was one of several jobs Brown worked over the years to sustain his family.
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at the Arthur U. Newton
Galleries in New York in 1935. Brown used a style “bordering on caricature. … His clever adoption of a folk-like style to present a serious subject became the mark of his artistic work.” The work had been rejected by the
327:, looking down vertically on the victim from the tree, with the little people below. I said you have already taken two by Brown. They said we can’t help it we’ve got to have this one also. He was the only man from whom they took more than one.”
182:
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After retiring from teaching in 1971, Brown continued to paint, and ventured into sculpture and jewelry-making. He also produced portraits of school administrators, prominent
Philadelphians, family, friends and religious leaders.
238:(FAP) was formed in 1935, Brown began working with the Philadelphia FAP as a painter in the Easel Division and printmaker at its Fine Print Workshop. He remained there until 1938 before becoming a full-time public school teacher.
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While teaching at
Dobbins High School in 1946, Brown produced a series of serigraph posters on global peace and brotherhood. Roosevelt purchased a set and donated it to Hyde Park Elementary School in New York. The series titled
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In 1953, he won third place in the professional division of the Latham
Foundation’s International Humane Poster Contest. In Latham’s competition in 1962, he won a second prize in the same category out of 31,000 submissions.
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were chosen for long-term loan to the
Philadelphia Art Museum. At the time, Brown was the only WPA artist from whom the museum selected more than one painting. Kimball noted the museum’s deliberations in a letter,
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Brown was a member Tra Club, an organization of Black artists initially formed in 1921. He was president of the club in 1932 when it had 11 members. Brown showed his work at the club's annual art exhibitions.
268:
In 1933, Brown exhibited two pieces in the Harmon
Foundation competition. A year later, he showed four of his works in a regional PWAP exhibit sponsored by the Philadelphia Museum of Art. Included were
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Brown was one of three graduates of the
Philadelphia College of Art, formerly the School of Industrial Art and later the University of the Arts, to be featured in the school's 1973 alumni exhibit.
791:
486:
During the summer of 1945, Brown visited Mexico as part of a good will tour with other
Philadelphians. That winter, he exhibited many of the works from the trip in a solo show at the
774:. Brown's 1985 self-portrait print from the Brandywine Workshop and five from the Federal Art Project are in the Print and Picture Collection at the Free Library of Philadelphia.
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public schools in the early 1930s. In 1938, he was one of ten Black teachers assigned to white schools in the Philadelphia School District, becoming a commercial art teacher at
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384:, which was shown in a solo retrospective at the Balch Institute for Ethnic Studies in Philadelphia. Six other works were included in Locke's book, all courtesy of the FAP:
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125:. Brown often depicted the lives of African Americans in his paintings. He worked primarily in watercolor and oils, and he produced portraits, landscapes and prints.
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organized by the Smithsonian. It included a self-portrait from 1985 that showed an older Brown. It is in the collection of the Woodmere Art Museum in Philadelphia.
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by Brown. Then they reached a picture of striking and delightful fantasy, and said we must have that one too. Later they came to his remarkably imaginative picture,
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Brown married Miriam Lois Ellison in 1938 after they met at a church social that she had organized. She was an elementary school teacher for 30 years. Born in
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In 1990, Brown was represented in the show “Against the Odds: African American Artists and the Harmon Foundation” at the Newark Art Museum in New Jersey.
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Brown was selected to present works at the December 1940 opening of the South Side Community Art Center in Chicago where Roosevelt was the guest speaker.
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561:(FESTAC) at the University of Pennsylvania Museum of Archaeology and Anthropology. Brown was the regional general chairman of FESTAC from 1973-1975.
498:
217:
Writing Lesson by Samuel Joseph Brown, Jr. 1938. Published by Works Progress Administration (WPA), Federal Art Project, Philadelphia, 1935 - 1943
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252:
Brown was employed as a public-school art teacher while simultaneously producing art for the FAP. He worked as a substitute art teacher in
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Abstract by Samuel Joseph Brown, Jr. 1937. Published by Works Progress Administration (WPA), Federal Art Project, Philadelphia, 1935 - 1943
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for its annual exhibition that year. “It is one of the most shocking pieces of stark realism ever perpetrated,” noted an article in the
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170:) for four years. He graduated in 1930 specializing in art education. Brown received a Master of Fine Arts equivalent degree from the
265:
artists. Brown and other Philadelphia artists held jobs in WPA workshops and exhibited around the country in its traveling exhibits.
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1879:
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591:, an organization of Black male professionals founded in 1937. Brown participated in the club's annual art exhibitions, along with
303:
The exhibit had been scheduled for another New York gallery but it pulled out because of “political social and economic pressure”.
152:, and moved with his family to Philadelphia in 1917. His father was a mattress-maker and upholsterer and his mother, a seamstress.
241:
Brown spent most of his time in the easel-painting and watercolor department but did learn printmaking, producing such works as
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in the early 1930s and began his career as a full-time art teacher for the School District of Philadelphia in 1938.
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467:– in Negro Hall at the Texas Centennial Exposition in Dallas. In 1939, he participated in a group show titled
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794:, where he taught for 25 years. Brown retired in 1971 after 33 years of teaching in the public school system.
490:. Some were also exhibited a 1946 solo exhibition at the Barnett-Aden Gallery in Washington, DC. His painting
41:
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In 1986, the Brandywine Workshop and others created a scholarship in his name at the University of the Arts.
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He attended James Logan Elementary School where in fourth grade, he won his first art prize. He attended
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1191:
African-American Artists, 1929-1945: Prints, Drawings, and Paintings in the Metropolitan Museum of Art
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Brown was among more than 500 artists selected for a 1934 national exhibit of PWAP artists at the
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253:
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746:, the Corcoran Gallery of Art, the Philadelphia Museum of Art, the University of Pennsylvania,
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1416:"Daring Conception of Lynching Wins Laurels For Samuel Brown, Local Artist, At PWAP Exhibit".
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Represent: 200 Years of African American Art in Philadelphia in the Philadelphia Museum of Art
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was prominently displayed and drew the most attention. He had two other works in the exhibit:
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training for commercial design at the School of Industrial Art, breaks through conventions."
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596:
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72:
340:
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1373:"Local Artists Get New Blood of Inspiration As WPA Project Pushes Exhibition of Works".
679:
National Forum of Professional Artists, Philadelphia’s Municipal Services Building: 1969
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592:
517:
1718:"Exhibition of Fine Arts Productions by American Negroes, Texas Centennial Exposition"
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17:
1545:"The Artist Wasn't Present: On MOMA's Fumbled First Showing of Black American Art"
445:
sponsored by the Chester County Art Association and School Board of West Chester.
871:
Nicholson, Jim (October 26, 1994). "Samuel J. Brown Jr.; an artist and teacher".
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363:” newspaper column a decade later on April 8, 1946, giving it her own title of
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110:(1907–1994) was a watercolorist, printmaker, and educator. He was the first
2234:
American Dreams: American Art to 1950 in the Williams College Museum of Art
159:
and worked after school for S. Cohen and Sons, a local silkscreen printer.
1613:
Prigmore, Barbara (1946-04-13). "World's First Lady visits Local Artist".
339:, a watercolor of an African American scrubwoman. According to historian
2185:"Spiritual Strivings: A Celebration of African American Works on Paper"
448:
He was one of only two Black artists whose works were selected for the
653:
Pennsylvania Museum and School of Industrial Art: 1930, 1934 and 1937
360:
2210:"Philadelphia Museum of Art - Collections : Search Collections"
2012:
Against the Odds: African American Artists and the Harmon Foundation
1235:
695:
Against the Odds: African American Artists and the Harmon Foundation
1813:"Local Art Pioneers in Painting Posters of Willkie's "One World"".
426:
exhibit sponsored by the Museum of Modern Art and the FAP. Brown’s
1471:"Race Consciousness: African-American Studies for the New Century"
410:
212:
181:
1305:"Samuel Brown, 87, watercolorist whose work was widely acclaimed"
516:
During the 1960s, Brown exhibited in local venues, including the
380:
in 1940 – disappeared. Brown recreated it in 1982 with the title
273:
and two mural panels of Black babies and kindergarten children.
1222:
A History of African American Artists: From 1792 to the Present
422:
In 1936, Brown was one of four African American artists in the
1148:
Dox Thrash: An African American Master Printmaker Rediscovered
162:
Brown graduated from high school in 1926 and enrolled at the
553:
was part of a group show at the Woodmere Art Museum titled “
128:
His paintings are held in the permanent collections of the
559:
Second World Black and African Festival of Art and Culture
443:
Posters and Prints: WPA Federal Art Project, Pennsylvania
287:
was among the works in an NAACP-sponsored exhibit titled
1994:
We Speak: Black Artists in Philadelphia, 1920s to 1970s
970:"Water Color Portraits Have 'Placed' Samuel J. Brown".
459:
At the same time, he was exhibiting two watercolors –
2276:
Franklin D. Roosevelt Presidential Library and Museum
768:
Franklin D. Roosevelt Presidential Library and Museum
704:
Afro-American Images 1971: The Vision of Percy Ricks,
574:
Afro-American Images 1971: The Vision of Percy Ricks.
2029:
Afro-American Images 1971: The Vision of Percy Ricks
1871:
Afro-American Artists: A Bio-bibliographic Directory
1840:"Black Artists Star: Art College Features Graduates"
1662:"Four Negroes have exhibits at Museum of Modern Art"
555:
We Speak: Black Artists in Philadelphia, 1920s-1970s
1591:
The Eleanor Roosevelt Papers Digital Edition (2017)
790:. He worked at Vaux Junior High School followed by
91:
79:
65:
51:
32:
497:In May 1945, he showed 30 oils and watercolors at
2366:"Survey Reveals Advances In Educational System".
1520:"Celebrities Jam opening of Lynching Art Exhibit"
762:, the Pennsylvania Academy of the Fine Arts, the
202:In 1933, he drew the cover image for the NAACP's
1271:"PCA Scholarship commemorates a lifetime in art"
993:"Louis Brice, of West Philadelphia (obituary)".
441:In 1937, he was among 12 artists in the exhibit
164:Pennsylvania Museum and School of Industrial Art
96:Pennsylvania Museum and School of Industrial Art
954:. The Balch Institute for Ethnic Studies. 1983.
650:exhibit, Museum of Modern Art and the FAP: 1936
624:Public Works of Art Project artist exhibition,
494:was also in an exhibit at the Balch that year.
2161:"Art Forum and Exhibit at the Citizens Club".
2115:"Artists to Exhibit Works at Local Y.W.C.A.".
1194:. New York: Metropolitan Museum of Art. 2003.
557:.” The painting had been shown in 1975 at the
276:The Philadelphia Tribune published a photo of
2035:in partnership with Aesthetic Dynamics. 2021.
685:African American Museum of Philadelphia: 1980
8:
2427:University of the Arts (Philadelphia) alumni
2092:"Wheatley School Holds Negro History Week".
2010:Reynolds, Gary A.; Wright, Beryl J. (1989).
1960:"African American Prints Shown at the Krasl"
1495:"Philadelphia Now Has Its Salon Des Refuses"
603:, Robert Jefferson, Samuel J. Brown Jr. and
370:The painting – a photo of which appeared in
2343:"Local Artist Gets Federal Arts Work Job".
1764:"Philly Artist Presented in One-Man Show".
691:Pennsylvania Academy of the Fine Arts, 2014
2389:Costantinou, Marianne (14 December 1994).
1996:. Philadelphia: Woodmere Art Museum. 2015.
1220:Bearden, Romare; Henderson, Harry (1993).
40:
29:
2046:"Society: Club gives its first At Home".
1874:. Trustees of the Boston Public Library.
792:Dobbins Vocational-Technical High School
734:His works are in the collections of the
335:in Washington, DC. His entry was titled
46:Self-Portrait by Samuel Joseph Brown Jr.
1746:Paintings and Prints by Samuel J. Brown
1722:Negro Statistical Bulletin, Issues 1-17
818:
2391:"Miriam Lois Ellison Brown (obituary)"
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1526:. via newspapers.com. 23 February 1935
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782:Brown was a substitute art teacher in
643:University of Pennsylvania: 1936, 1975
621:Philadelphia Museum of Art: 1934, 1973
2300:Pennsylvania Academy of the Fine Arts
2189:Pennsylvania Academy of the Fine Arts
1988:
1986:
1984:
1982:
1980:
1643:. Associates in Negro Folk Education.
1303:Richberg, Barbara (27 October 1994).
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1028:. via newspapers.com. 15 January 1938
1022:"Art Project Opens Extension Project"
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306:Some of Brown’s paintings, including
294:Pennsylvania Academy of the Fine Arts
114:artist hired to produce work for the
7:
1908:. via newspapers.com. 19 August 1973
1687:"TROIS SIECLES D'ART AUX ETATS-UNIS"
1574:. Arno Press and the New York Times.
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845:Howard University, Selected Speeches
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2447:Public Works of Art Project artists
1585:Roosevelt, Eleanor (8 April 1946).
1402:. Philadelphia Museum of Art. 2015.
1340:. via newspapers.com. 29 April 1934
27:American visual artist and educator
1748:. Philadelphia Art Alliance. 1945.
1240:New Deal/W.P.A. Artist Biographies
723:Balch Institute for Ethnic Studies
666:Texas Centennial Exposition: 1938.
25:
1902:"PMA's Watercolor History Lesson"
1445:"An Art Exhibit Against Lynching"
1269:Jordan, Gerald (April 24, 1985).
682:Philadelphia College of Art: 1973
634:Arthur U. Newton Galleries: 1935.
587:Brown was an early member of the
206:magazine. The drawing was titled
1846:. via newspapers.com. 4 May 1973
1493:Bonte, C.H. (24 February 1935).
1469:Fossett, Judith Jackson (1997).
1048:"Biography: Samuel Joseph Brown"
758:, the Museum of Modern Art, the
640:Howard University: 1935 and 1940
456:was featured in the exhibition.
227:He produced mostly watercolors.
1334:"The Nation's Capital (column)"
744:Smithsonian American Art Museum
716:Philadelphia Art Alliance: 1945
697:at the Newark Art Museum: 1990.
661:Three Centuries of American Art
450:Three Centuries of American Art
841:"Samuel Joseph Jr: The Artist"
772:Williams College Museum of Art
648:, New Horizons in American Art
646:Federal Art Project exhibition
632:An Art Commentary on Lynching,
417:Mrs. Simmons, painted in 1936.
157:South Philadelphia High School
120:Work Progress Administration's
1:
1150:. Philadelphia Museum of Art.
952:Samuel Brown: A Retrospective
452:exhibition in Paris in 1938.
289:An Art Commentary on Lynching
271:The Lynching, Smoking My Pipe
232:Works Progress Administration
2324:Free Library of Philadelphia
2320:"Samuel Joseph Brown prints"
1104:"In Pictures: Black Masters"
764:Philadelphia School District
549:In 2015, a Brown watercolor
518:John Wanamaker Store Gallery
424:New Horizons in American Art
2432:Federal Art Project artists
1868:Cederholm, Theresa (1973).
1787:Bonte, C.H. (27 May 1945).
1362:. New York Graphic Society.
1224:. New York: Pantheon Books.
319:“They took a self-portrait
116:Public Works of Art Project
2463:
1929:Donohoe, Victoria (1973).
788:Bok Vocational High School
760:Metropolitan Museum of Art
719:Barnett-Aden Gallery: 1946
656:Museum of Modern Art: 1937
415:Samuel Joseph Brown Jr.'s
172:University of Pennsylvania
150:Wilmington, North Carolina
130:Philadelphia Museum of Art
100:University of Pennsylvania
59:Wilmington, North Carolina
1570:Porter, James A. (1969).
1079:"Samuel Joseph Brown, Jr"
700:Woodmere Art Museum: 2015
688:Brandywine Workshop: 1989
488:Philadelphia Art Alliance
195:Brown befriended artist,
39:
2422:African-American artists
1958:Derbeck, Jeanne (1989).
499:William Penn High School
144:Early life and education
34:Samuel Joseph Brown, Jr.
2395:Philadelphia Daily News
2138:"Germantown (column)".
2031:. Delaware Art Museum:
1964:South Bend (IN) Tribune
1587:"My Day, April 8, 1946"
873:Philadelphia Daily News
756:Baltimore Museum of Art
740:National Gallery of Art
674:Baltimore Museum of Art
626:Corcoran Gallery of Art
473:Baltimore Museum of Art
333:Corcoran Gallery of Art
134:National Gallery of Art
108:Samuel Joseph Brown Jr.
1358:Dover, Cedric (1960).
1146:Ittmann, John (2002).
670:Contemporary Negro Art
564:In 2021, his painting
469:Contemporary Negro Art
419:
349:
329:
310:and the self-portrait
218:
187:
168:University of the Arts
2296:"Samuel Joseph Brown"
2236:. Hudson Hills. 2001.
1935:Philadelphia Inquirer
1906:Philadelphia Inquirer
1844:Philadelphia Inquirer
1793:Philadelphia Inquirer
1639:Locke, Alain (1940).
1499:Philadelphia Inquirer
1338:Philadelphia Inquirer
1309:Philadelphia Inquirer
1275:Philadelphia Inquirer
1236:"Samuel Joseph Brown"
1162:"The Crisis magazine"
839:Smith Jr, JC (1982).
725:in Philadelphia: 1983
570:Delaware Art Museum's
551:The Odd Sister (1973)
492:Impressions of Mexico
414:
345:
317:
298:Philadelphia Inquirer
216:
185:
118:, a precursor to the
2397:. via newspapers.com
2368:Philadelphia Tribune
2345:Philadelphia Tribune
2163:Philadelphia Tribune
2140:Philadelphia Tribune
2117:Philadelphia Tribune
2094:Philadelphia Tribune
2071:Philadelphia Tribune
2048:Philadelphia Tribune
2014:. The Newark Museum.
1966:. via newspapers.com
1937:. via newspapers.com
1815:Philadelphia Tribune
1795:. via newspapers.com
1766:Philadelphia Tribune
1694:Museum of Modern Art
1615:Philadelphia Tribune
1501:. via newspapers.com
1418:Philadelphia Tribune
1375:Philadelphia Tribune
1311:. via newspapers.com
1277:. via newspapers.com
995:Philadelphia Tribune
972:Philadelphia Tribune
568:was featured in the
402:Moments of Thought (
138:Museum of Modern Art
2252:Woodmere Art Museum
2214:www.philamuseum.org
2033:Delaware Art Museum
1052:Woodmere Art Museum
748:Woodmere Art Museum
706:Delaware Art Museum
482:1940s through 1970s
406:Child With Toy Horn
359:in her syndicated “
236:Federal Art Project
222:Federal Art Project
123:Federal Art Project
18:Samuel Joseph Brown
2248:"Urlene, Age Nine"
2069:"Clubs (column)".
1789:"Sam Brown's Show"
1524:Pittsburgh Courier
1360:American Negro Art
784:Camden, New Jersey
436:The Writing Lesson
420:
394:The Writing Lesson
254:Camden, New Jersey
243:The Writing Lesson
219:
188:
148:Brown was born in
1668:. 24 October 1936
1083:www.metmuseum.org
808:Urlene, Age Nine.
752:Howard University
637:Harmon Foundation
398:Two Smart Girls (
386:Little Boy Blue (
355:recalled viewing
353:Eleanor Roosevelt
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597:Howard N. Watson
566:Urlene, Age Nine
377:The Negro in Art
312:Smoking My Pipe,
112:African American
73:Philadelphia, PA
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465:The Plaid Dress
365:The Scrub Woman
341:James A. Porter
321:Smoking My Pipe
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2370:. 1938-03-17.
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2347:. 1934-01-04.
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2201:
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2165:. 1930-04-17.
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2142:. 1933-11-23.
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2119:. 1932-12-08.
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2096:. 1934-02-22.
2084:
2073:. 1929-05-09.
2061:
2050:. 1929-01-31.
2038:
2017:
1999:
1976:
1947:
1931:"Art (column)"
1918:
1893:
1880:
1857:
1828:
1817:. 1946-05-18.
1805:
1779:
1768:. 1946-02-09.
1751:
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1420:. 1934-04-19.
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1377:. 1939-11-23.
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1102:Adams, Susan.
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997:. 1987-08-14.
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974:. 1936-06-04.
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593:Henry B. Jones
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80:Resting place
78:
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2399:. Retrieved
2394:
2384:
2367:
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2344:
2338:
2327:. Retrieved
2323:
2314:
2303:. Retrieved
2299:
2290:
2279:. Retrieved
2275:
2266:
2255:. Retrieved
2251:
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2233:
2228:
2217:. Retrieved
2213:
2204:
2193:. Retrieved
2188:
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2133:
2116:
2110:
2093:
2087:
2070:
2064:
2047:
2041:
2028:
2011:
1993:
1968:. Retrieved
1963:
1939:. Retrieved
1934:
1910:. Retrieved
1905:
1896:
1885:. Retrieved
1870:
1850:November 28,
1848:. Retrieved
1843:
1814:
1808:
1797:. Retrieved
1792:
1782:
1765:
1745:
1726:. Retrieved
1721:
1698:. Retrieved
1693:
1681:
1670:. Retrieved
1666:New York Age
1665:
1640:
1614:
1594:. Retrieved
1590:
1580:
1571:
1565:
1555:November 28,
1553:. Retrieved
1548:
1539:
1528:. Retrieved
1523:
1514:
1503:. Retrieved
1498:
1488:
1477:. Retrieved
1464:
1453:. Retrieved
1451:. April 1935
1448:
1417:
1399:
1374:
1368:
1359:
1353:
1342:. Retrieved
1337:
1315:November 28,
1313:. Retrieved
1308:
1281:November 28,
1279:. Retrieved
1274:
1245:November 28,
1243:. Retrieved
1239:
1230:
1221:
1190:
1170:. Retrieved
1166:Google Books
1165:
1156:
1147:
1111:. Retrieved
1107:
1097:
1086:. Retrieved
1082:
1055:. Retrieved
1051:
1042:
1030:. Retrieved
1026:New York Age
1025:
994:
988:
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951:
872:
844:
807:
801:
781:
733:
703:
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589:Pyramid Club
586:
582:
579:Affiliations
573:
572:exhibition,
565:
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550:
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531:
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454:Mrs. Simmons
453:
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428:Mrs. Simmons
427:
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401:
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393:
390:Mrs. Simmons
389:
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381:
375:
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325:The Lynching
324:
320:
318:
311:
308:The Lynching
307:
305:
302:
288:
285:The Lynching
284:
283:
278:The Lynching
277:
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127:
107:
106:
2442:1994 deaths
2437:1907 births
2272:"Wash Girl"
1168:. June 1933
1032:28 November
736:White House
730:Collections
611:Exhibitions
524:Later years
372:Alain Locke
351:First Lady
208:The Problem
85:Collingdale
2416:Categories
2401:2021-11-28
2329:2021-12-09
2305:2021-11-28
2281:2021-11-28
2257:2021-11-08
2219:2021-12-08
2195:2021-01-17
1970:2021-11-28
1941:2021-11-28
1912:2021-11-28
1887:2021-11-28
1799:2021-11-28
1728:2021-11-28
1700:2021-12-02
1672:2021-11-28
1596:2021-11-28
1530:2021-11-28
1505:2021-11-28
1479:2021-11-28
1455:2021-11-28
1449:The Crisis
1344:2021-11-28
1172:2021-12-04
1113:2021-11-07
1088:2021-11-07
1057:2021-11-07
813:References
605:Dox Thrash
204:The Crisis
197:Dox Thrash
191:Early work
178:Art career
136:, and the
2376:531517282
2353:531320374
2171:531027032
2148:531332265
2125:531334436
2102:531328881
2079:531014753
2056:530967932
1823:531784326
1774:531798099
1623:531794491
1426:531341086
1383:531512299
1003:532931127
980:531415443
507:One World
230:When the
166:(now the
92:Education
2372:ProQuest
2349:ProQuest
2167:ProQuest
2144:ProQuest
2121:ProQuest
2098:ProQuest
2075:ProQuest
2052:ProQuest
1819:ProQuest
1770:ProQuest
1619:ProQuest
1422:ProQuest
1379:ProQuest
999:ProQuest
976:ProQuest
770:and the
396:(1937),
392:(1936),
357:So Tired
337:So Tired
315:stating:
247:Abstract
1549:Artnews
672:at the
659:MOMA's
471:at the
461:Flowers
408:(1939).
404:1938),
400:1938),
388:1937),
2374:
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1696:. 1938
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1198:
1108:Forbes
1001:
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766:, the
754:, the
742:, the
738:, the
676:: 1939
628:: 1934
361:My Day
132:, the
1690:(PDF)
1474:(PDF)
616:Group
260:1930s
1876:ISBN
1852:2021
1557:2021
1317:2021
1283:2021
1247:2021
1196:ISBN
1034:2021
711:Solo
463:and
434:and
245:and
87:, PA
69:1994
66:Died
55:1907
52:Born
374:’s
234:’s
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