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765:(named after the first general director). It began during the 1954/55 Season and was given its current name in 1957. The program now annually offers approximately 23 gifted singers, four apprentice coaches, and one apprentice stage director the rare opportunity of studying, coaching, and participating in master classes with established professionals for eleven weeks during the summer. Many went on to international careers, among them
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1076:. These are English translations of the libretto projected over the proscenium simultaneously with the action on stage. The overwhelmingly favorable response prompted the company to introduce the practice in increasing numbers of performances in subsequent seasons. Supertitles are now used for all San Francisco Opera productions and SFO also rents its supertitles internationally to other opera companies.
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559:(1905–1988) came to the United States in 1938 after early experience and training in many aspects of music and theatre in Austria, Germany, and Italy. For five years, he worked to build the chorus of the Chicago Opera Company. Merola heard of him and, over the telephone, invited him to San Francisco opera in 1943 as chorus director.
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in 2008, San
Francisco Opera used these four titles to create its Grand Opera Cinema Series, making these titles available to be presented by performing arts centers, theaters, and universities. Since 2008 the company has added eight additional operas to the Grand Opera Cinema Series, and they have been presented by
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The technology for the simulcasts and other innovations like OperaVision—a series of screens located throughout the War
Memorial Opera House that project close-up shots of the action on stage—is made possible through SFO's Koret-Taube Media Suite. Completed in 2007, The Koret-Taube Media Suite is the
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As a reaction to the economic climate of the times, in 1982 McEwen, created the "San
Francisco Opera Center" to oversee and combine the operation and administration of the numerous affiliate educational and training programs. Providing a coordinated sequence of performance and study opportunities for
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In 2007, San
Francisco Opera returned to regular broadcasts of its productions on national and international radio., and in December the Opera announced the presentation of four operas in movie theaters across the United States. Following the initial presentation of the four operas in movie theaters
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became the SFO's
General Director on 1 January 2006. As part of an announcement of the 2006/2007 season and the future of the company on 11 January, Gockley noted that "this season we debut a new visual identity and logo in keeping with a new artistic philosophy. I believe that it speaks of glamour,
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In
January 2001, Rosenberg announced her first artistic initiative for San Francisco Opera, "Animating Opera", a multi-year plan of interwoven themes and series. These included "Seminal Works of Modern Times", "The Faust Project", "Composer Portrait: Janáček/Berlioz", "Women Outside of Society: Laws
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By the 1970s, the company was highly successful and offered audiences the "cream of the crop" of internationally known singers, but with Adler often bringing in unknowns to make their
American debuts or the surprise of well-known singers replacing ailing ones, there were some exciting nights at the
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Another innovation was "Opera in the Park" which, since 1971, has been an annual free concert in Golden Gate Park on the Sunday following opening night of the Fall Season. It traditionally features artists from the opening weekend in full concert with the San
Francisco Opera Orchestra. The event is
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He took on more and more administrative details as Merola's health and energy diminished, but Adler was not the board's natural choice to replace Merola at the time of his death in 1953. After three months of acting as artistic director, and with the assistance of its president, Robert Watt Miller,
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Adler was often regarded as a difficult, sometimes tyrannical person to work for. However, as
Chatfield-Taylor notes, "singers, conductors, directors, and designers came back season after season. They came back because Adler made the SFO an internationally respected company that ran at a high level
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Merola's tenure lasted 30 years. Characteristics of Merola's SFO included creating opportunities for young
American singers regardless of the fact that the opera lacked a formal training program at that time, and also regular tours by the SFO to Los Angeles between 1937 and 1965, which expanded the
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pledged a $ 5-million gift, and the entire facility was named the Diane B. Wilsey Center for Opera. Designed by San Francisco architectural firm Mark Cavagnero Associates, the center provides additional office space as well as costume storage; two multipurpose rooms for rehearsals, board meetings,
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prior to assuming the role of music director. In SFO's September 2009 program magazine, David Gockley announced that bringing on Luisotti as the company's music director was a large part of his goal to "reinvigorate the core Italian repertory that is San Francisco Opera's birthright." Gockley also
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He continued: "Embattled by financial woes and trying labor negotiations, Rosenberg was routinely blamed for problems that were largely beyond her control. Her taste for new and unusual operas and a European-honed aesthetic that favored brash and even radical reinterpretations of the classics, the
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In the summer of 1972, the San Francisco Opera began its 50th anniversary celebrations with a special free concert in Sigmund Stern Grove. Adler conducted most of the program, which featured performances by many of the surviving singers who had appeared with the company during its history. The
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reopened on 5 September 1997 with a gala concert celebrating this occasion, as well the 75th anniversary of the San Francisco Opera. Fittingly, the concert featured operatic greats of the past, present and future. The project included repairs of damage caused by the 1989 Loma Prieta earthquake,
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began in 1906 when he first visited the city. In 1909, he returned as the conductor of the International Opera Company of Montreal, one of the many visiting troupes that frequented the bustling city. Continued visits over the next decade convinced him that an opera company in San Francisco was
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Adler's had several aims in taking over the company. One was to expand the season which in Merola's time ran. It changed from the Friday after Labor Day until early November (when the Metropolitan Opera's season began). This was to capitalize on the availability of singers by presenting up to
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in the titular role. Characteristic of Merola's years as general director was the fact (as noted by Chatfield-Taylor) that "the great singers of the world came regularly to San Francisco, often performing several roles in deference to the short season and long travel time across the country."
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In May 2011, it was announced that Gockley's contract was to be extended through SFO's 2015–16 season. In October 2014 it was announced that Gockley would be stepping down from his post at the end of the 2015/16 season. His replacement was announced to be Matthew Shilvock in September 2015.
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After much controversy surrounding her management of the SFO, which included deficits created after the "dot-com" collapse in 2000 and the effects of September 11 on arts attendance, she announced in 2004 that she would not renew her contract with the company when it ended in late 2005.
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in December 2005, "Productions were scuttled or postponed in the face of a $ 7.7 million deficit. Ambitious programming initiatives and plans for a second, smaller performance venue went by the wayside. Company-wide cuts pared 14 percent from the company's $ 67 million budget in 2003."
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legendary tenor Lauritz Melchior conducted the orchestra, rather than sing, in a performance of the famous Radetsky March by Johann Strauss I; it was possibly his last public appearance. One of the highlights of the afternoon program was a moving performance of the love duet from
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By 1975 he was director of the Canadian Opera Company where, in 1983, he had introduced the revolutionary supertitles. Mansouri's feelings on the effects of titling was that the audience would be more engaged in the performance. This was a momentous change in the world of opera.
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In November 1992, Mansouri introduced "Pacific Visions", an ambitious program designed to maintain the vitality of the opera repertoire through new commissions and the presentation of unusual repertoire. It was launched with the commissioning of the following operas:
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In subsequent years, SFO would perform a wide array of Italian operas, rarely performing a given opera more than once. SFO seasons seldom lasted more than two months, and occasionally performed less than one month. The 1923-24 season included productions of
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A characteristic of the Adler years was the interest in developing stronger connections to opera stage directors in an attempt to strengthen the dramatic and theatrical elements of the works. In this, he was greatly supported by his long relationship with
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in February 2016, following the completion of the building's $ 156-million seismic retrofit and renovation. To accomplish this, the company started a campaign to name various locations of the new space after donors in 2011. San Francisco philanthropist
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Merola moved back into the city in 1921 while living with Mrs. Oliver Stine's support Oliver Stine. He drafted plans for a new, locally-owned opera company that would not rely on visiting troupes, a common practice for some opera companies since
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of professionalism and offered them interesting things to do in a warm and supportive atmosphere." Among those who were offered new and exciting challenges were Geraint Evans, the Welsh baritone, Leontyne Price, and Luciano Pavarotti.
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Given his expertise and background in understanding opera and the wonders of the human voice, it is not surprising that his approach in his early years was away from the theatrical side and more focused on singers. With his
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After being approached by Adler regarding the San Francisco opera job, he moved to the city in 1980 and involved himself totally in learning the running of an opera company. In January 1982 McEwen was running the SFO.
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which began in the Summer 1983 and Fall 1984 seasons — and which was presented in its entirety in June 1985 – McEwen demonstrated where his priorities lay: they were focused on hiring the best singers in the world.
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Another aim was to present new talent, and, for this, he was tireless in seeking out up-and-coming new singers, whether American or European, by attending performances in both major and minor opera houses. He heard
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in that city. Moving up the ranks in the 1950s, he landed in New York in 1959 and for the next 20 years made London Records, Decca's classical arm, the most significant classical label in the United States.
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fourteen operas with two or three performances each. Eventually, as seen in the 1961 SFO season, eleven operas were given five or six performances each on average while the season ran to late November.
1105:, Mansouri had received an education in medicine in Los Angeles, but gave it all up upon becoming fixated on opera, first as a young tenor with UCLA's Opera Workshop, and then with opera in general.
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broadcast the regular Friday night performances of the opera on AM and FM (in multiplex stereo with quadraphonic encoding). The broadcasts were hosted by several well-known announcers, including
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As part of his future plans, Gockley stated "I want nothing less than to have the greatest stars of the opera world perform here regularly. You can expect in coming seasons to hear
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while attending the University of California, Berkeley. She returned to SFO with a background of operatic productions in Germany and, specifically, as head of the Stuttgart Opera.
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Short versions of all the works in the season were broadcast on about 30 California, Oregon, Washington, Idaho and British Columbia radio stations, starting about 1941.
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San Francisco Opera press release announcing 2014/15 season https://www.youtube.com/watch?v=_Vt9V1uo0c4 Interview with Bright Sheng and David Henry Hwang about Opera.
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stated that Luisotti would conduct three to four productions each season, including one non-Italian opera; since 2009 these non-Italian operas have included
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in 1957, thus providing her with her first performance on a major operatic stage. A short time later in the same season, she was to step into the role of
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to a libretto by Philip Littell, had its world premiere during the 1994 fall season and was the subject of a nationwide TV broadcast. The cast featured
991:(1929–1998) was Adler's hand-picked successor. Growing up in the Montreal area of Canada, McEwen learned to love opera at an early age, listened to the
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first permanent high-definition broadcast-standard video production facility installed in any American opera house according to the company's website.
679:. Nilsson made her US-debut in San Francisco in 1956. She returned almost every season for 26 years and made her last appearance in the house in 1982.
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would conclude his tenure as music director in 2009. However, he has maintained an association with SFO and conducted the 2010/11 production of
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improvements for the audience and performers, seismic strengthening and a general cleanup that left the 65-year-old Opera House gleaming."
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for a full season of opera in the following year. Following this, the first unaffiliated performance given by the San Francisco Opera was
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In order to consolidate its various office and work spaces scattered throughout San Francisco, SFO took over the fourth floor of the
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As early as 1962, with Mansouri having found work as director in Los Angeles followed by his becoming resident stage director at the
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Unto Themselves", "Metamorphosis: From Fairy Tales to Nightmares", and "Outsiders or Pioneers?: The Nature of the Human Condition".
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Towards the end of the 2001 season, Mansouri announced his retirement after fourteen seasons with SFO and 50 years in opera.
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broadcasts, and at age 14, made a trip to New York one winter break to hear several of his favorite operas, which included
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season into November. However, until well after Merola's death on August 30, 1953, while conducting an open-air concert at
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flying with no notice from New York City to San Francisco – albeit three hours after curtain time – to replace the ailing
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1618:. SFO's has simulcast nine operas to AT&T Park since 2007 that have collectively drawn more than 165,000 opera fans.
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Mansouri introduced many new operas to the SFO repertory. These included more Russian operas with the highlight being
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from Nevada. By "hand holding" her through the various stages of training, he prepared her for the role of Azucena in
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One of Mansouri's triumphs was the overseeing of the reconstruction and renovation of the opera house following the
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sophistication, tradition and innovation all things that infuse our plans for the future of San Francisco Opera."
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open to the public and draws some 30,000 listeners. The concert is presented in conjunction with the non-profit
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On 8 February 1988, McEwen announced his resignation. The following day his mentor, Kurt Herbert Adler, died.
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Bud Cary San Francisco opera collection. Collection guide, California State Library, California History Room.
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San Francisco Opera has presented several world premieres under David Gockley's tenure. So far these include
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thinking went, drove away audiences and donors and ran up costs in the company's hour of greatest need."
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Incorporated within the production programming of "Animating Opera" was the America staged premiere of
1097:(born 1929) was already a known quantity when Terry McEwen announced his retirement. Then head of the
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as the company's new assistant music director. Finzi was named as SFO's resident conductor in 2011.
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1009:. As a singer, Sayão was forever to remain his passion, one which was accentuated by seeing her in
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was named music director and principal conductor of SFO in 1990, and assumed the posts in 1992.
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Opera Companies and Houses of the United States : A Comprehensive, Illustrated Reference
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2357:"San Francisco Opera appoints Nicola Luisotti as Music Director beginning in 2009–10 season"
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Sean Martinfield, "SF OPERA – Announces audited financial results for Fiscal Year 2010/11",
2247:"Gockley era starts off strong with soprano Patricia Racette flexing vocal, dramatic muscle"
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Parts of this article (those related to General and music directors since 2016) need to be
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On 9 January 2007, SFO announced its third music director would be the Italian conductor
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for a crowd of 8,000. Subsequent simulcasts have been presented at Stanford University's
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Auditorium of the War Memorial Opera House at the War Memorial and Performing Arts Center
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In September 2006, it was announced and reported that by mutual agreement with Gockley,
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Please help update this article to reflect recent events or newly available information.
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Edwin MacArthur led the San Francisco Opera Orchestra in several 78-rpm recordings for
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On October 15, 1932, the company inaugurated the new opera house with a performance of
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young artists, the San Francisco Opera Center included the "Merola Opera Program", "
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The five-day season's lacked any financial success; Merola instead successfully
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1216:. It was performed in 1996 as a joint commission and co-production of the SFO,
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1240:. The work had its premiere during the 1998–99 fall season. The cast included
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2177:"Pamela Rosenberg's time at the Opera was as full of drama as any production"
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1508:, among many others. We will have a world premiere for you in 2007, and the
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Rita Moreno to Host KQED's San Francisco Opera Broadcasts, TheaterMania.com
2218:"San Francisco Opera Picks Matthew Shilvock, an Insider, to be its Leader"
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cycles in June 2011. The complete cycles in June 2011 were conducted by
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During the 1983 fall season, the student/family matinee performances of
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During the nine years following the opening season, the San Francisco
2362:(Press release). San Francisco Opera. January 9, 2007. Archived from
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Joshua Kosman, "David Gockley seeks to overhaul S.F. Opera funding,"
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482:, the main San Francisco season rarely extended beyond late October.
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Stage, curtain, and proscenium corner ornamentation in the auditorium
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lovers among you will be happy to hear that we expect to commence a
2067:"Two views of Mansouri's S.F. era: Opera director was gambling man"
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served as the chief financial officer of the San Francisco Opera.
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2393:"Nicola Luisotti named Opera's music director, starting in 2009"
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Joshua Kosman, "S.F. Opera to Return to Radio after 25 years,"
1990:"Kurt Adler, Conductor Who Led San Francisco Opera, Dies at 82"
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in 2011. In 2013, the company presented three world premieres:
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Cori Ellison, "Opera Recalls A Hero's Life, Love and Song",
1614:, four theaters in Northern California, and San Francisco's
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Among his successes in this regard was the mezzo-soprano
471:. Some of these were later reissued by RCA on LP and CD.
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In January 2009, Gockley announced the reappointment of
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Following Adler's retirement announcement in June 1979,
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Adler developed a strong professional relationship with
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Daniel Wakin, "Met has New Rival in Operas at Movies,"
1909:"SF Opera Honors Its Italian Founders of a Century Ago"
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His passion for opera in general led him to visit the
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and social events; and a 299-seat performance venue.
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Several innovations undertaken by Adler included the
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in the late 1930s, including performances by soprano
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San Francisco War Memorial and Performing Arts Center
2493:"3 Generations of Chinese Women Find Voice in Opera"
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was appointed music director and served until 1989.
105:, and by adding encyclopedic content written from a
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History of San Francisco Opera on company's website
1236:to a libretto by Philip Littell, after the play by
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1280:as Sister Helen Prejean, John Packard as Joe; and
2604:San Francisco Opera: The First Seventy-Five Years
1947:Zietz, Karyl Lynn (1995). "San Francisco Opera".
1843:San Francisco Opera's recent commissions include
1600:, a live broadcast of a mainstage performance of
2125:"Runnicles Won't Renew Contract with S.F. Opera"
2586:Janos Gereben, "Music News: 22 November 2011",
1419:Rosenberg returned to Germany to work with Sir
2550:San Francisco Chronicle review, September 2013
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1820:. In the summer of 2015 the world premiere of
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2093:"San Francisco Opera's 75th Anniversary Gala"
1063:for the summer 1986 season to great acclaim.
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1642:Music directors and conductors under Gockley
1572:(making his role debut in the title role of
1372:, as well as a commission for a new work by
2793:Entertainment companies based in California
1934:"Gaetano Merola – conductor and impresario"
955:. Unsourced material may be challenged and
828:. Unsourced material may be challenged and
786:and the San Francisco Chronicle Charities.
729:. Unsourced material may be challenged and
617:. Unsourced material may be challenged and
524:. Unsourced material may be challenged and
64:Learn how and when to remove these messages
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2647:
2639:
2528:San Francisco Chronicle review, March 2013
1316:noted: "He's never been interested in the
190:
2539:San Francisco Chronicle review, June 2013
975:Learn how and when to remove this message
886:From 1971 to 1979, San Francisco station
848:Learn how and when to remove this message
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575:Adler was confirmed as general director.
544:Learn how and when to remove this message
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1596:In May 2006 Gockley oversaw SFO's first
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2629:San Francisco Opera Performance Archive
2606:, San Francisco: Chronicle Books, 1997
2564:web page on San Francisco Opera website
1900:
1879:War Memorial and Performing Arts Center
1707:as principal guest conductor and named
1582:(making his role debut as Siegfried in
658:on the radio and offered her a role in
428:with Queena Mario, De Luca, and Gigli.
384:, on September 26, 1923, in the city's
2441:"S.F. Opera finally snags John Adams'
2216:Cooper, Michael (September 22, 2015).
2149:Robins, Cynthia (September 30, 2001).
86:contains content that is written like
2670:San Francisco Opera General Directors
1312:Summing up his years at the SFO, the
1133:and a firm link established with the
445:San Francisco Opera programs, 1934–36
7:
2624:San Francisco Opera official website
1988:Rockwell, John (February 11, 1988).
1022:in London and a lowly paid job with
953:adding citations to reliable sources
913:Adler retired on December 15, 1981.
875:and the last-minute substitution by
826:adding citations to reliable sources
727:adding citations to reliable sources
615:adding citations to reliable sources
522:adding citations to reliable sources
2783:Musical groups established in 1923
2417:Patrick Summers bio on SFO website
1857:in the fall of 2016, based on the
1782:, based on the children's book by
1675:, and returned in 2008 to conduct
1560:and featured cycle role debuts of
343:operatic tenor Giovanni Martinelli
25:
2788:1923 establishments in California
2439:Gilmore, Sue (January 18, 2011).
2428:Giuseppe Finzi bio on SFO website
2175:Winn, Steven (December 7, 2005).
1552:in June 2010, and three complete
256:, home of the San Francisco Opera
45:This article has multiple issues.
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2091:Richter, Judy (September 1997).
1786:(and staged in conjunction with
1443:After 33 years of directing the
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798:
699:
587:
494:
277:
263:
242:
141:
75:
34:
1532:began a co-production of a new
1405:As noted by Steven Winn in the
328:Merola's road to prominence in
53:or discuss these issues on the
1252:as Stanley Kowalski and tenor
486:Kurt Herbert Adler (1953–1981)
1:
2588:San Francisco Classical Voice
2271:Joshua Kosman, "Date Lines",
1719:The company secured composer
1978:Chatfield-Taylor, p. ??
1800:The Gospel of Mary Magdalene
1327:Pamela Rosenberg (2001–2005)
224:; 101 years ago
2037:"Opera in the Park History"
1296:in 1992. The cast included
668:at short notice to replace
661:Dialogues of the Carmelites
214:, California, United States
18:San Francisco Opera Company
2809:
2773:California opera companies
2151:"Rosenberg's in the House"
1729:for their 2011/12 season.
1284:as Mrs. Patrick de Rocher.
1090:Lotfi Mansouri (1988–2001)
1015:performances in Montreal.
917:Terence McEwen (1982–1988)
324:Gaetano Merola (1923–1953)
2676:
1757:The Bonesetter's Daughter
1592:Technological innovations
1530:Washington National Opera
1439:David Gockley (2006–2016)
1272:after the book by Sister
784:San Francisco Parks Trust
566:Kurt Herbert Adler (1966)
198:
2778:Culture of San Francisco
2602:Chatfield-Taylor, Joan,
1846:Dream of the Red Chamber
1816:, based on the novel by
1568:(Brünnhilde) as well as
1528:San Francisco Opera and
1396:The Cunning Little Vixen
1289:The Death of Klinghoffer
1229:A Streetcar Named Desire
1162:War Memorial Opera House
1048:Adler Fellowship Program
869:on the opening night of
433:War Memorial Opera House
250:War Memorial Opera House
2397:San Francisco Chronicle
2302:San Francisco Chronicle
2273:San Francisco Chronicle
2251:San Francisco Chronicle
2203:San Francisco Chronicle
2181:San Francisco Chronicle
2155:San Francisco Chronicle
2129:San Francisco Chronicle
2071:San Francisco Chronicle
1953:McFarland & Company
1873:Wilsey Center for Opera
1784:Frances Hodgson Burnett
1764:and Donna Di Novelli's
1762:Christopher Theofanidis
1653:Der Ring des Nibelungen
1408:San Francisco Chronicle
1359:Saint-François d'Assise
1314:San Francisco Chronicle
1158:October 1989 earthquake
2745:San Francisco Bay Area
2123:(September 16, 2006).
1834:novel of the same name
1244:as Blanche DuBois and
1181:The Dangerous Liaisons
1099:Canadian Opera Company
861:opera. These included
790:Success of the company
567:
446:
27:American opera company
2332:San Francisco Sentine
1859:work of the same name
1460:Innovations announced
1431:. From 2004 to 2007,
1308:as the First Officer.
883:in the role of Aida.
565:
444:
307:(1881–1953) based in
107:neutral point of view
2445:for its 89th season"
2391:(January 10, 2007).
1672:La forza del destino
1536:in 2006 directed by
1369:The Mother of Us All
1304:as The Captain, and
1254:Anthony Dean Griffey
1248:as Stella, baritone
1072:were presented with
949:improve this section
822:improve this section
763:Merola Opera Program
723:improve this section
691:Merola Opera Program
685:Jean-Pierre Ponnelle
611:improve this section
578:
518:improve this section
418:and Martinelli, and
2369:on January 14, 2010
1738:Christopher Hampton
1606:to San Francisco's
1478:Dmitri Hvorostovsky
1445:Houston Grand Opera
1425:Berlin Philharmonic
1282:Frederica von Stade
1268:from a libretto by
1222:New York City Opera
1218:Houston Grand Opera
1194:Frederica von Stade
1137:. Also, there was
382:Giovanni Martinelli
303:founded in 1923 by
293:San Francisco Opera
203:General information
194:San Francisco Opera
99:promotional content
2687:Kurt Herbert Adler
2515:The New York Times
2501:The New York Times
2481:The New York Times
2449:Contra Costa Times
2317:The New York Times
2222:The New York Times
2065:(August 5, 2001).
1994:The New York Times
1766:Heart of a Soldier
1656:as well as 2015's
1612:Frost Amphitheater
1608:Civic Center Plaza
1538:Francesca Zambello
1238:Tennessee Williams
1150:I vespri siciliani
568:
557:Kurt Herbert Adler
447:
101:and inappropriate
2726:
2725:
2693:Terence A. McEwen
2503:, September 2008]
2497:Anthony Tommasini
2477:Anthony Tommasini
1855:David Henry Hwang
1813:Dolores Claiborne
1779:The Secret Garden
1570:Jay Hunter Morris
1494:Juan Diego Flórez
1482:Marcello Giordani
1212:to a libretto by
1123:'s conducting of
1020:Royal Opera House
989:Terence A. McEwen
985:
984:
977:
894:and Fred Cherry.
858:
857:
850:
777:Opera in the Park
759:
758:
751:
670:Antonietta Stella
647:
646:
639:
554:
553:
546:
299:) is an American
236:
235:
189:
188:
181:
171:
170:
135:
134:
127:
68:
16:(Redirected from
2800:
2755:
2754:
2743:
2742:
2741:
2734:
2717:Matthew Shilvock
2705:Pamela Rosenberg
2663:
2656:
2649:
2640:
2591:
2583:
2577:
2572:
2566:
2558:
2552:
2547:
2541:
2536:
2530:
2525:
2519:
2517:, September 2011
2510:
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2334:l, February 2012
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2259:
2257:
2245:(May 29, 2006).
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2079:
2077:
2059:
2053:
2052:
2050:
2048:
2043:. March 16, 2011
2041:Golden Gate Park
2033:
2027:
2026:
2019:
2013:
2012:
2010:
2008:
1985:
1979:
1976:
1967:
1966:
1944:
1938:
1937:
1930:
1924:
1923:
1921:
1919:
1905:
1861:by 18th-century
1792:Cal Performances
1648:Donald Runnicles
1603:Madama Butterfly
1558:Donald Runnicles
1506:Angela Gheorghiu
1392:Le Grand Macabre
1340:
1332:Pamela Rosenberg
1270:Terrence McNally
1261:Dead Man Walking
1246:Elizabeth Futral
1169:Donald Runnicles
1153:which followed.
980:
973:
969:
966:
960:
929:
921:
900:Madama Butterfly
853:
846:
842:
839:
833:
802:
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747:
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734:
703:
695:
642:
635:
631:
628:
622:
591:
583:
549:
542:
538:
535:
529:
498:
490:
469:Kirsten Flagstad
437:Arthur Brown Jr.
435:was designed by
416:Giuseppe De Luca
386:Civic Auditorium
281:
267:
246:
232:
230:
225:
191:
184:
177:
166:
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137:
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88:an advertisement
79:
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30:
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2507:
2491:
2487:
2483:, October 2007]
2467:
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2343:
2339:
2328:
2324:
2319:, December 2007
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2075:
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2061:
2060:
2056:
2046:
2044:
2035:
2034:
2030:
2021:
2020:
2016:
2006:
2004:
1987:
1986:
1982:
1977:
1970:
1963:
1946:
1945:
1941:
1932:
1931:
1927:
1917:
1915:
1907:
1906:
1902:
1893:
1875:
1838:Alberto Moravia
1808:J. D. McClatchy
1748:Stewart Wallace
1717:
1705:Patrick Summers
1667:Nicola Luisotti
1644:
1585:Götterdämmerung
1490:Marcelo Álvarez
1462:
1441:
1334:
1329:
1318:succès d'estime
1302:James Maddalena
1210:Stewart Wallace
1092:
981:
970:
964:
961:
946:
930:
919:
908:Frederick Jagel
863:Plácido Domingo
854:
843:
837:
834:
819:
803:
792:
779:
755:
744:
738:
735:
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632:
626:
623:
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581:
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515:
499:
488:
406:Beniamino Gigli
326:
321:
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39:
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28:
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22:
15:
12:
11:
5:
2806:
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2796:
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2790:
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2775:
2765:
2764:
2760:
2759:
2747:
2724:
2723:
2721:
2720:
2714:
2708:
2702:
2699:Lotfi Mansouri
2696:
2690:
2684:
2681:Gaetano Merola
2677:
2674:
2673:
2668:
2666:
2665:
2658:
2651:
2643:
2637:
2636:
2631:
2626:
2619:
2618:External links
2616:
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2614:
2593:
2592:
2578:
2567:
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2520:
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2443:Nixon in China
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2389:Kosman, Joshua
2380:
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2292:
2278:
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2243:Kosman, Joshua
2234:
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2193:
2167:
2141:
2121:Kosman, Joshua
2109:
2083:
2054:
2028:
2014:
1980:
1968:
1961:
1955:. p. 19.
1939:
1925:
1899:
1892:
1889:
1874:
1871:
1840:, took place.
1774:Carey Harrison
1726:Nixon in China
1716:
1713:
1709:Giuseppe Finzi
1643:
1640:
1546:in June 2008,
1502:Natalie Dessay
1474:Thomas Hampson
1461:
1458:
1440:
1437:
1394:and Janáček's
1364:Virgil Thomson
1328:
1325:
1310:
1309:
1306:Thomas Hammons
1285:
1264:, composed by
1257:
1232:, composed by
1225:
1201:
1198:Thomas Hampson
1184:, composed by
1144:Guillaume Tell
1121:Valery Gergiev
1095:Lotfi Mansouri
1091:
1088:
1081:John Pritchard
1001:Jussi Björling
983:
982:
933:
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904:Licia Albanese
881:Margaret Price
877:Leontyne Price
867:Carlo Cossutta
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771:Thomas Hampson
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677:Birgit Nilsson
656:Leontyne Price
645:
644:
595:
593:
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551:
502:
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493:
487:
484:
395:Andrea Chénier
345:performing in
325:
322:
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305:Gaetano Merola
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103:external links
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2711:David Gockley
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2612:0-8118-1368-1
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2275:, 23 May 2007
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2134:September 10,
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2110:
2098:
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2087:
2084:
2072:
2068:
2064:
2063:Joshua Kosman
2058:
2055:
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2038:
2032:
2029:
2024:
2018:
2015:
2003:
1999:
1995:
1991:
1984:
1981:
1975:
1973:
1969:
1964:
1962:9780899509556
1958:
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1809:
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1804:Tobias Picker
1801:
1797:
1793:
1789:
1785:
1781:
1780:
1775:
1771:
1767:
1763:
1760:in 2008; and
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1616:AT&T Park
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1543:Das Rheingold
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1470:Anna Netrebko
1467:
1466:Renée Fleming
1459:
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1449:David Gockley
1446:
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1403:
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1383:Doctor Atomic
1379:
1378:Peter Sellars
1375:
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1274:Helen Prejean
1271:
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1242:Renée Fleming
1239:
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1215:
1214:Michael Korie
1211:
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1199:
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1190:Renée Fleming
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1131:
1130:War and Peace
1126:
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1113:
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1084:
1082:
1079:In 1986, Sir
1077:
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1056:
1055:Dolora Zajick
1051:
1049:
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1024:Decca Records
1021:
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1002:
998:
994:
990:
979:
976:
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944:
943:
939:
934:This section
932:
928:
923:
922:
916:
914:
911:
909:
905:
902:with soprano
901:
895:
893:
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884:
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878:
874:
873:
868:
864:
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849:
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831:
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807:This section
805:
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796:
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776:
774:
772:
768:
764:
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750:
742:
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728:
724:
718:
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713:
708:This section
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690:
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671:
667:
663:
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606:
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596:This section
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572:
564:
560:
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519:
513:
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503:This section
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2364:the original
2351:
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2310:
2304:, March 2007
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1916:. Retrieved
1913:www.sfcv.org
1912:
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1895:
1894:
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1863:Qing Dynasty
1851:Bright Sheng
1844:
1842:
1826:Marco Tutino
1821:
1818:Stephen King
1811:
1799:
1777:
1770:Nolan Gasser
1765:
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1734:Philip Glass
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1300:in 3 roles,
1298:Janice Felty
1287:
1278:Susan Graham
1259:
1234:André Previn
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1147:and Verdi's
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1060:Il trovatore
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820:Please help
808:
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767:Carol Vaness
760:
745:
736:
721:Please help
709:
681:
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652:
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633:
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609:Please help
597:
579:Adler's aims
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531:
516:Please help
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368:raised funds
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93:Please help
85:
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47:Please help
44:
2562:La Ciociara
2454:January 18,
2227:February 5,
2186:January 16,
2160:January 16,
2097:Opera Glass
1884:Dede Wilsey
1832:, based on
1822:La Ciociara
1788:UC Berkeley
1715:Programming
1659:Les Troyens
1632:Rita Moreno
1630:with hosts
1566:Nina Stemme
1549:Die Walküre
1498:Ben Heppner
1433:Keith Cerny
1429:Intendantin
1390:, Ligeti's
1335: [
1266:Jake Heggie
1208:, composer
1205:Harvey Milk
1186:Conrad Susa
1135:Kirov Opera
1074:supertitles
1069:La traviata
892:Scott Beach
480:Stern Grove
401:Mefistofele
2767:Categories
2471:Appomattox
2402:August 10,
2102:August 10,
2076:August 10,
2047:August 19,
2023:"About Us"
1891:References
1867:Cao Xueqin
1830:Luca Rossi
1796:Mark Adamo
1743:Appomattox
1721:John Adams
1580:Ian Storey
1534:Ring Cycle
1523:Ring Cycle
1518:in 2008."
1515:Ring Cycle
1374:John Adams
1294:John Adams
1250:Rod Gilfry
1038:Ring Cycle
997:Bidu Sayão
906:and tenor
465:RCA Victor
313:California
95:improve it
50:improve it
2373:August 8,
2007:April 24,
2002:0362-4331
1918:April 24,
1746:in 2007;
1691:Lohengrin
1678:La bohème
1636:Joan Chen
1598:simulcast
1575:Siegfried
1380:entitled
1256:as Mitch.
1125:Prokofiev
1006:Rigoletto
965:June 2021
936:does not
838:June 2021
809:does not
739:June 2021
710:does not
627:June 2021
598:does not
534:June 2021
505:does not
425:Rigoletto
373:La bohème
348:Pagliacci
56:talk page
1423:and the
1354:Messiaen
455:on with
333:viable.
208:Location
2731:Portals
2597:Sources
1865:writer
1752:Amy Tan
1628:KQED-TV
1427:as its
1343:standee
1139:Rossini
1103:Toronto
957:removed
942:sources
830:removed
815:sources
731:removed
716:sources
619:removed
604:sources
526:removed
511:sources
376:, with
319:History
252:at the
227: (
152:updated
2719:(2016)
2713:(2006)
2707:(2001)
2701:(1988)
2695:(1982)
2689:(1953)
2683:(1917)
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1959:
1802:; and
1697:Carmen
1694:, and
1685:Salome
1578:) and
1510:Wagner
1504:, and
1220:, and
1196:, and
872:Otello
357:, and
354:Carmen
219:Opened
2757:Opera
2367:(PDF)
2360:(PDF)
1896:Notes
1339:]
1012:Manon
452:Tosca
420:Verdi
414:with
411:Tosca
404:with
360:Faust
2608:ISBN
2456:2011
2404:2007
2375:2007
2258:2012
2229:2016
2188:2021
2162:2021
2136:2007
2104:2007
2078:2007
2049:2022
2009:2024
1998:ISSN
1957:ISBN
1920:2024
1853:and
1828:and
1806:and
1772:and
1750:and
1736:and
1634:and
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1376:and
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940:any
938:cite
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