513:("Something Special") the group released the rock influenced "La La La La Love", released as "Banzai Baby" outside Japan. Although a strong album musically the group was disappointed that it was not promoted internationally, despite following the guidance of the record company, and opted to follow their own creative vision for subsequent releases. This led them to reggae, dancehall and other Jamaican styles which heavily influenced the final Sunsetz albums "Rhythm Chemistry" and "One Love".
308:("Sunset Gang") as a backup singer. Makoto was an accomplished musician with broad influences, and the collaboration went on to be critically acclaimed, though never quite achieving the popular success expected. The music of The Sunset Gang was very influenced by blues, Southern and West Coast rock, but later they became increasingly interested in Hawaiian and Okinawan music. At this time Sandii also became friends with the future members of the
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415:. At this point Makoto also wound up the Sunset Gang and Sandii & The Sunsetz were born. The two groups had the same members, but Sandii became lead vocalist. The collaboration with Mosdell would go on to produce some of the band's biggest hits over the next four years. Sandii and Makoto are on record as saying they were influenced by the sound and success of
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In 1990, the group had another re-invention, just using the name Sandii, although they would carry on using "& The
Sunsetz" for live appearances well into the 1990s. Sandii and Makoto decided to concentrate on the Asian market and subsequent releases sold in greater numbers, helped by Sandii
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band that collaborated from 1979 until the 1990s. The
Sunsetz, led by Makoto Kubota, and Sandii started as separate artists, and each has a separate discography. However, their collaboration provided a particular body of work that is representative of the period, and which successfully blended
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In 1976 Sandii performed at the Yamaha World
Popular Song Festival as a non-competitor interval act, and the next year she won the prestigious “Grand Prix Best Vocal Performance” award with the single "Goodbye Morning", her best selling record to date.
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gave The
Sunsetz extensive coverage which gave the group a lot of credibility in Japan, leading to increased record sales. Their live act gained many fans in the international music industry following their support slot on the final
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In 1979, again using the name "Sandy O'Neil", Sandii released the disco track "Hey! King Kong", which failed to become a hit. The same year saw Sandii's first guest appearance with the Yellow Magic
Orchestra on their album
447:, was released in 17 countries - most international releases adding tunes from "Eating Pleasure". From the release of "Heat Scale" until the next album release "Immigrants" (with a title song penned once more by lyricist
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and
Pacific dance. After becoming accomplished as a singer and dancer, Sandii released her first record "Perusha Neko" under the name Sandi Ai. Returning to Japan in 1975 she was befriended by
500:, including her hit "Babylon". The group had problems with international distribution and promotion and was unable to replicate that success worldwide, but it had an avid cult following.
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In 1985 Sandii & The
Sunsetz left Alfa Records for Toshiba-EMI, whose greater financial muscle gave the group a better budget to work with. Following a collaboration with
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to an
American father of Irish and Spanish ancestry and a Japanese mother. Her father was in the U.S. Navy, and she spent her early life in Japan, but moved to
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naming her "Sandii" because of the connection with Hawaii. However, until 1980 Sandii used a variety of names for different sessions e.g. "Sandra Hohn", "
342:, which became a top 20 hit in Japan. This gave Sandii and Makoto the opportunity to record a follow-up album. With limited time and budget, the album
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492:. Their extensive touring and TV appearances in Australia in 1983 allowed them to achieve the #11 charting hit single "Sticky Music" (lyrics by
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recording key songs in up to four languages. In 1996 Sandii recorded the first of her "Hawaii" albums and became increasingly involved in
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saw
Sunsetz guitarist Keni Inoue play in his distinctive plucking style (as heard on "Open Sesame") and asked to be taught the technique.
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Sandii performed the songs "I Miss You Babe" and "Love Squall"; the latter was a single release paired with the theme of the TV series by
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TV in Japan. Sandii performed during the interval of the "World
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Makoto Kubota is still a major music producer in Japan, always exploring new directions in world music.
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Sandii met Makoto Kubota in 1976, when he was a guest on her NHK TV show and afterward joined his band
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David Kent (1993). Australian Chart Book 1970 - 1992. Australian Chart Book, St Ives, N.S.W.
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dance in Japan and allowing Sandii to release roughly two albums a year of
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and other Pacific style music. In late 2005 Sandii achieved the rank of
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756:(A&M, US/Canada, 1989; compilation of material from 1980 to 1988)
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744:(Alfa Records, 1984; a different version was released in Australia)
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and celebrated with an event at a shrine in Ise, with old friend
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world tour. The Sunsetz went on to tour and play festivals with
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451:) The Sunsetz spent a lot of time in the UK, recording with
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496:). Sandii & the Sunsetz also wrote songs for pop idol
707:(Alfa Records, 1982; title track lyrics by Chris Mosdell)
530:, in Harajuku, Tokyo and Yokohama and has a TV series on
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consists of disco and pop cover versions including "
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667:"Sticky Music" (Alfa Records/WEA, 1983; lyrics:
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616:) "Something Special" (Ten Records/Virgin, 1985)
312:, frequent collaborators with the Sunset Gang;
772:"The Bomb the Bass Remix" (Alfa Records, 1991)
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439:in December 1980. In 1981 their next album
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373:by Yamamoto Sho, whose backing band became
357:Other guest appearances include the albums
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277:, who helped her to get a job as a DJ on
117:Learn how and when to remove this message
760:Twins – Super Best of Sandii and Sunsetz
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606:) "Hey! King Kong" (Toshiba-EMI, 1979)
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269:in her early teens and began to study
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234:Eastern, Western and pop influences.
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657:Sandii & The Sunsetz discography
650:Come Again – Remixes and Rare Tracks
599:) "Mystery Nile" (Toshiba-EMI, 1978)
534:, contributing to the popularity of
55:adding citations to reliable sources
592:) "Love Squall" (Vap Records, 1978)
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674:"Viva Lava Vida" (1984) - AUS #45
923:Winners of Yamaha Music Festival
407:, who, as he had done for YMO's
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871:Australian Chart Book 1970–1992
748:Orientation (Best of 1985–1988)
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713:(Sire Records, 1983) - AUS #11
677:"Immigrants" (1984) - AUS #100
419:and later became friends with
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719:(Eastworld/Toshiba EMI, 1986)
526:culture. Sandii now runs two
717:La La La La Love~Banzai Baby
443:, again featuring lyrics by
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918:Japanese pop music groups
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517:1990-present: Latter days
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903:Sandii & the Sunsetz
285:. Sandii's debut album,
227:Sandii & the Sunsetz
133:Sandii & the Sunsetz
846:April 18, 2007, at the
680:'Babes in the Woods" (
459:producer Dave Jordan.
401:Yellow Magic Orchestra
399:, featuring lyrics by
310:Yellow Magic Orchestra
639:(EMI/Eastworld, 1991)
550:providing the music.
323:On the soundtrack of
762:(Alfa Records, 1996)
409:Solid State Survivor
392:Solid State Survivor
51:improve this article
750:(Toshiba EMI, 1990)
731:(Toshiba EMI, 1988)
725:(Toshiba EMI, 1987)
684:/Toshiba EMI, 1985)
557:Sandii Discography
431:1980s: The Sunsetz
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170:Years active
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49:Please help
44:verification
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867:Kent, David
671:) - AUS #11
576:as Sandi Ai
569:as Sandi Ai
490:David Bowie
425:Chris Stein
371:Melting Pot
291:John Lennon
187:Toshiba EMI
163:World Music
912:Categories
819:2014-08-21
792:References
705:Immigrants
695:Heat Scale
478:Eurythmics
441:Heat Scale
403:lyricist,
243:Early days
216:Keni Inoue
159:Techno Pop
77:newspapers
682:Eastworld
544:Kumu Hula
331:Yuji Ohno
174:1981–1990
155:Synth Pop
869:(1993).
844:Archived
813:"Sandii"
780:See also
729:One Love
637:Pacifica
583:as Sandy
540:Hawaiian
359:Dead End
287:Sandi Ai
257:- born
231:synthpop
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562:Singles
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367:Godiego
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238:Career
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139:Origin
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98:JSTOR
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488:and
482:INXS
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151:Rock
70:news
532:NHK
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