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Sandra S. Phillips

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22:(born 1945) is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016. 28:, chief curator of photography at the Museum of Modern Art in New York City, said "I think she is one of the best photography curators that anybody has ever known." 1110: 669: 639: 626: 934: 1019: 332:, San Francisco Museum of Modern Art, CA. Which included Jim Goldberg, Daniel Schwartz, Richard Misrach, Zanele Muholi and Jacob Aue Sobel 1213: 1191: 953: 701: 1261: 656: 610: 597: 584: 571: 563: 536: 523: 510: 497: 484: 467: 454: 441: 428: 415: 402: 389: 369: 154: 553: 64:, where she specialised in the history of photography and American and European art from 1849 to 1940. Her Ph.D dissertation was on 1266: 1053: 1038: 210:, San Francisco Museum of Modern Art, CA. Collaborative effort with SFMOMA’s curators of media arts and painting and sculpture. 725: 820: 759: 1256: 839: 877: 40:, "a farmer's daughter from Illinois who became a well-known landscape architect and author." She grew up in New York's 1165: 1129: 61: 318:, San Francisco Museum of Modern Art, CA. Which included Yto Barrada, Guy Tillim, Judith Joy Ross and Leo Rubenfien, 36:
Phillips' father was Joseph Sammataro, "an immigrant from Sicily who became a New York architect" and her mother was
935:"Wrecked Lives Leave a Trail of Art / Photographer Jim Goldberg's 10-year chronicle of runaways to arrive at SFMOMA" 1241: 143: 95: 125:
Phillips' first husband was Matt Phillips and her second is Stephen Vincent. She has a son, Joshua E.S. Phillips.
139: 91: 1147: 954:"Diane Arbus in a new light / SFMOMA exhibition shatters preconceptions about photographer and her subjects" 887: 769: 1251: 99: 476: 1246: 988: 1073:"Photography that Looks at Us: An Interview with Curator Sandra S. Phillips about Exposed at SFMOMA" 1072: 726:"Photography that Looks at Us: An Interview with Curator Sandra S. Phillips about Exposed at SFMOMA" 730: 65: 796: 911: 791: 1084: 665: 652: 606: 593: 580: 567: 549: 532: 519: 506: 493: 480: 463: 450: 437: 424: 411: 398: 385: 365: 119: 53: 1071:
Turner, Cherie Louise; writer, ContributorBay Area-based freelance art (November 18, 2010).
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in New York City, in collaboration with the curators of those museums. She is interested in
49: 1096: 41: 672:. Exhibition catalog. Edition of 1000 copies. With forewords by Christopher McCall, and 673: 545: 80: 1235: 681: 72: 25: 971: 1187: 236: 45: 106:"examined mug shots and crime scenes and was the first museum show of its kind." 1000: 198: 115: 111: 57: 37: 1054:"REVIEW / Southern exposure -- SFMOMA show captures Mexico in differing lights" 434:
Crossing the Frontier: Photographs of the Developing West, 1849 to the Present
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Crossing the Frontier: Photographs of the Developing West, 1849 to the Present
344:
South Africa in Apartheid and After: David Goldblatt, Ernest Cole, Billy Monk
1173: 302:
Beyond Real: Surrealist Photography and Sculpture from Bay Area Collections
623:
Charmed Places: Hudson River Artists and their Houses, Studios and Vistas
518:, San Francisco: Fraenkel Gallery; New York: Mathew Marks Gallery, 2005. 643: 630: 76: 1111:"Diverse modern-world views on exhibit at SFMOMA's 'Face of Our Time'" 217:, San Francisco Museum of Modern Art, CA. Curated with John Szarkowski 882: 764: 262:, San Francisco Museum of Modern Art, CA. Curated with Leo Rubenfien. 697:
2000: Japan Foundation grant to study Japanese photography in Japan.
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American Geography: Photographs of Land Use from 1840 to the Present
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Taking Place: Photographs from the Prentice and Paul Sack Collection
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Taking Place: Photographs from the Prentice and Paul Sack Collection
164:, San Francisco Museum of Modern Art, CA. Retrospective exhibition. 346:. San Francisco Museum of Modern Art, CA. Retrospective exhibition. 325:. San Francisco Museum of Modern Art, CA. Curated with Simon Baker. 989:
http://archv.sfmoma.org/explore/multimedia/interactive_features/34
114:, examined the voyeuristic aspect of photography; it premiered at 1020:"REVIEW / Robert Adams' visions of ravaged forests cut deeply" 1039:"The Photographer's Curator Curates His Own (Published 2005)" 566:, and Die Photographische Sammlung/SK Stiftung Kultur, 2007. 108:
Exposed: Voyeurism, Surveillance, and the Camera Since 1870,
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Exposed: Voyeurism, Surveillance, and the Camera Since 1870
531:, San Francisco: San Francisco Museum of Modern Art, 2005. 462:, San Francisco: San Francisco Museum of Modern Art, 1999. 384:, San Francisco: San Francisco Museum of Modern Art, 1991. 378:, San Francisco Museum of Modern Art, 1989. ASIN B00LSCF3O2 821:"SFMOMA photography curator Sandra Phillips stepping down" 760:"SFMOMA photography curator Sandra Phillips stepping down" 323:
Exposed: Voyeurism, Surveillance and the Camera since 1870
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Phillips' earliest major project was the 1985 exhibition
1214:"Center for Photography at Woodstock auction & gala" 1130:"Forever Young: Rineke Dijkstra Retrospective at SFMOMA" 684:, and texts by Sandra S. Phillips, and Ulrike Schneider. 906: 904: 151:
A History of Photography from California Collections
146:. Co-organized with David Travis and Weston J. Naef. 356:
In conjunction with exhibitions curated by Phillips
753: 751: 749: 592:, New York: Guggenheim Museum Publications, 2012. 44:. She received a B.A. in art and art history from 719: 717: 372:Co-authored with David Travis and Weston J. Naef. 871: 869: 867: 865: 863: 861: 859: 857: 855: 853: 914:. CDS/Honickman First Book Prize in Photography 694:2000: Resident at the American Academy in Rome 421:Public Information: Desire, Disaster, Document 295:Mexico as Muse: Tina Modotti and Edward Weston 208:Public Information: Desire, Disaster, Document 1166:"On Museum Design | American Academy in Rome" 71:She briefly taught history of photography at 8: 651:, New York: New York Graphic Society, 1988. 397:, San Francisco Museum of Modern Art, 1992. 104:Police Pictures: The Photograph as Evidence, 579:, New Haven: Yale University Press, 2010. 423:, an Francisco Museum of Modern Art, 1995. 229:Police Pictures: The Photograph as Evidence 724:Louise Turner, Cherie (18 November 2010). 664:San Francisco: Pier 24 Photography, 2014. 118:in London and toured to SFMOMA and to the 1148:"A Look at Apartheid and After at SFMOMA" 339:, San Francisco Museum of Modern Art, CA. 311:, San Francisco Museum of Modern Art, CA. 304:, San Francisco Museum of Modern Art, CA. 297:, San Francisco Museum of Modern Art, CA. 290:, San Francisco Museum of Modern Art, CA. 283:, San Francisco Museum of Modern Art, CA. 276:, San Francisco Museum of Modern Art, CA. 269:, San Francisco Museum of Modern Art, CA. 255:, San Francisco Museum of Modern Art, CA. 248:, San Francisco Museum of Modern Art, CA. 241:, San Francisco Museum of Modern Art, CA. 231:, San Francisco Museum of Modern Art, CA. 224:, San Francisco Museum of Modern Art, CA. 203:. San Francisco Museum of Modern Art, CA. 192:, San Francisco Museum of Modern Art, CA. 185:, San Francisco Museum of Modern Art, CA. 178:, San Francisco Museum of Modern Art, CA. 171:, San Francisco Museum of Modern Art, CA. 878:"SFMOMA curator brings focus and vision" 840:"SFMOMA curator brings focus and vision" 649:Eyes of Time: Photojournalism in America 449:, San Francisco: Chronicle Books, 1997. 436:, San Francisco: Chronicle Books, 1996. 410:, San Francisco: Chronicle Books, 1994. 56:in Pennsylvania in 1969, and a Ph.D. in 713: 1092: 1082: 197:Commonplace Mysteries: Photographs by 819:Desmarais, Charles (April 13, 2016). 605:, Radius Books/SFMOMA, May 18, 2021. 136:AndrĂ© KertĂ©sz: Of Paris and New York, 88:AndrĂ© KertĂ©sz: Of Paris and New York, 7: 1052:Baker, Kenneth (September 2, 2006). 758:Desmarais, Charles (13 April 2016). 408:Dorothea Lange: American Photographs 364:, London: Thames and Hudson, 1985. 362:AndrĂ© KertĂ©sz: Of Paris and New York 183:Dorothea Lange: American Photographs 1192:Center for Photography at Woodstock 1037:Gefter, Philip (January 30, 2005). 1018:Baker, Kenneth (October 26, 2005). 952:Baker, Kenneth (October 19, 2003). 790:Gefter, Philip (25 November 2004). 702:Center for Photography at Woodstock 638:, New York: Abbeville Press, 1988. 636:Perpetual Motif: The Art of Man Ray 625:, New York: Harry N. Abrams, 1988. 838:Whiting, Sam (November 14, 2010). 564:San Francisco Museum of Modern Art 473:Shomei Tomatsu: Skin of the Nation 395:Wright Morris: Origin of a Species 176:Wright Morris: Origin of a Species 155:San Francisco Museum of Modern Art 14: 876:Whiting, Sam (14 November 2010). 617:Writing contributions by Phillips 376:John Gutmann: Beyond the Document 590:Rineke Dijkstra: A Retrospective 260:Shomei Tomatsu: Skin of a Nation 190:William Klein New York 1954-1955 1212:Smart, Paul (17 October 2013). 129:Exhibitions curated by Phillips 110:co-curated with Simon Baker at 79:, CA, and was a curator at the 933:Whiting, Sam (June 15, 1997). 337:Rineke Dijkstra: Retrospective 201:, Andrea Modica and Bill Owens 1: 1001:"The Stanford Daily Archives" 542:John Szarkowski: Photographs. 700:2013: Vision Award from the 288:John Szarkowski, Photographs 972:"Daido Moriyama: Stray Dog" 912:"Sandra S. Phillips (2014)" 492:, Jonathan Cape Ltd, 2003. 62:City University of New York 16:American writer and curator 1283: 1115:The San Francisco Examiner 1005:archives.stanforddaily.com 516:Robert Adams: Turning Back 281:Robert Adams: Turning Back 144:Metropolitan Museum of Art 96:Metropolitan Museum of Art 20:Sandra S. "Sandy" Phillips 1262:Historians of photography 460:Daido Moriyama: Stray Dog 253:Daido Moriyama: Stray Dog 1041:– via NYTimes.com. 267:Larry Sultan: The Valley 140:Art Institute of Chicago 102:. Her SFMOMA exhibition 92:Art Institute of Chicago 1267:American women curators 888:San Francisco Chronicle 770:San Francisco Chronicle 490:Diane Arbus Revelations 246:Diane Arbus Revelations 680:), an introduction by 100:vernacular photography 52:in 1967, an M.A. from 1188:"CPW Awards Honorees" 477:Yale University Press 83:in Poughkeepsie, NY. 1257:Photography curators 1216:. Hudson Vallery One 1117:. September 8, 2011. 678:In The American West 1154:. December 5, 2012. 731:The Huffington Post 562:Göttingen: Steidl, 1095:has generic name ( 797:The New York Times 503:Ansel Adams at 100 239:: Raised by Wolves 215:Ansel Adams at 100 81:Vassar Art Gallery 1242:American curators 670:978-0-9839917-2-4 120:Walker Art Center 94:and shown at the 90:organised by the 54:Bryn Mawr College 1274: 1226: 1225: 1223: 1221: 1209: 1203: 1202: 1200: 1198: 1184: 1178: 1177: 1172:. Archived from 1162: 1156: 1155: 1144: 1138: 1137: 1125: 1119: 1118: 1107: 1101: 1100: 1094: 1090: 1088: 1080: 1068: 1062: 1061: 1049: 1043: 1042: 1034: 1028: 1027: 1015: 1009: 1008: 997: 991: 986: 980: 979: 968: 962: 961: 949: 943: 942: 930: 924: 923: 921: 919: 908: 899: 898: 896: 894: 873: 848: 847: 835: 829: 828: 816: 810: 809: 807: 805: 792:"Newly Released" 787: 781: 780: 778: 776: 755: 744: 743: 741: 739: 721: 330:Face of our Time 316:Face of our Time 122:in Minneapolis. 50:Upstate New York 1282: 1281: 1277: 1276: 1275: 1273: 1272: 1271: 1232: 1231: 1230: 1229: 1219: 1217: 1211: 1210: 1206: 1196: 1194: 1186: 1185: 1181: 1164: 1163: 1159: 1146: 1145: 1141: 1128:Camhi, Leslie. 1127: 1126: 1122: 1109: 1108: 1104: 1091: 1081: 1070: 1069: 1065: 1051: 1050: 1046: 1036: 1035: 1031: 1017: 1016: 1012: 999: 998: 994: 987: 983: 970: 969: 965: 951: 950: 946: 932: 931: 927: 917: 915: 910: 909: 902: 892: 890: 875: 874: 851: 837: 836: 832: 818: 817: 813: 803: 801: 789: 788: 784: 774: 772: 757: 756: 747: 737: 735: 723: 722: 715: 710: 691: 619: 447:Police Pictures 358: 353: 131: 42:Upper East Side 34: 17: 12: 11: 5: 1280: 1278: 1270: 1269: 1264: 1259: 1254: 1249: 1244: 1234: 1233: 1228: 1227: 1204: 1179: 1176:on 2016-07-24. 1170:www.aarome.org 1157: 1139: 1120: 1102: 1063: 1044: 1029: 1010: 992: 981: 963: 944: 925: 900: 849: 830: 811: 782: 745: 712: 711: 709: 706: 705: 704: 698: 695: 690: 687: 686: 685: 674:Richard Avedon 659: 657:978-0821216576 646: 633: 618: 615: 614: 613: 611:978-1942185796 600: 598:978-0892074242 587: 585:978-0300163438 574: 572:978-3865213914 557: 539: 537:978-0918471789 526: 524:978-1933045016 513: 511:978-0821225158 500: 498:978-0224071833 487: 485:978-0300106046 470: 468:978-0918471505 457: 455:978-0811819848 444: 442:978-0811814201 431: 429:978-1881616450 418: 416:978-0811807258 405: 403:978-0918471246 392: 390:978-0918471208 379: 373: 370:978-0500541067 357: 354: 352: 349: 348: 347: 340: 333: 326: 319: 312: 305: 298: 291: 284: 277: 270: 263: 256: 249: 242: 232: 225: 218: 211: 204: 193: 186: 179: 172: 165: 158: 147: 130: 127: 33: 30: 15: 13: 10: 9: 6: 4: 3: 2: 1279: 1268: 1265: 1263: 1260: 1258: 1255: 1253: 1252:Living people 1250: 1248: 1245: 1243: 1240: 1239: 1237: 1215: 1208: 1205: 1193: 1189: 1183: 1180: 1175: 1171: 1167: 1161: 1158: 1153: 1149: 1143: 1140: 1135: 1131: 1124: 1121: 1116: 1112: 1106: 1103: 1098: 1093:|first2= 1086: 1078: 1074: 1067: 1064: 1059: 1055: 1048: 1045: 1040: 1033: 1030: 1025: 1021: 1014: 1011: 1006: 1002: 996: 993: 990: 985: 982: 977: 973: 967: 964: 959: 955: 948: 945: 940: 936: 929: 926: 913: 907: 905: 901: 889: 885: 884: 879: 872: 870: 868: 866: 864: 862: 860: 858: 856: 854: 850: 845: 841: 834: 831: 826: 822: 815: 812: 799: 798: 793: 786: 783: 771: 767: 766: 761: 754: 752: 750: 746: 733: 732: 727: 720: 718: 714: 707: 703: 699: 696: 693: 692: 688: 683: 682:Philip Gefter 679: 675: 671: 667: 663: 660: 658: 654: 650: 647: 645: 641: 637: 634: 632: 628: 624: 621: 620: 616: 612: 608: 604: 601: 599: 595: 591: 588: 586: 582: 578: 575: 573: 569: 565: 561: 560:Henry Wessel. 558: 555: 554:9780821261989 551: 547: 543: 540: 538: 534: 530: 527: 525: 521: 517: 514: 512: 508: 504: 501: 499: 495: 491: 488: 486: 482: 478: 475:, New Haven: 474: 471: 469: 465: 461: 458: 456: 452: 448: 445: 443: 439: 435: 432: 430: 426: 422: 419: 417: 413: 409: 406: 404: 400: 396: 393: 391: 387: 383: 380: 377: 374: 371: 367: 363: 360: 359: 355: 350: 345: 341: 338: 334: 331: 327: 324: 320: 317: 313: 310: 306: 303: 299: 296: 292: 289: 285: 282: 278: 275: 271: 268: 264: 261: 257: 254: 250: 247: 243: 240: 238: 233: 230: 226: 223: 219: 216: 212: 209: 205: 202: 200: 194: 191: 187: 184: 180: 177: 173: 170: 166: 163: 159: 156: 152: 148: 145: 141: 137: 133: 132: 128: 126: 123: 121: 117: 113: 109: 105: 101: 97: 93: 89: 84: 82: 78: 74: 73:Mills College 69: 67: 66:AndrĂ© KertĂ©sz 63: 60:in 1985 from 59: 55: 51: 47: 43: 39: 32:Life and work 31: 29: 27: 26:Peter Galassi 23: 21: 1218:. Retrieved 1207: 1195:. Retrieved 1182: 1174:the original 1169: 1160: 1152:7x7 Bay Area 1151: 1142: 1133: 1123: 1114: 1105: 1076: 1066: 1057: 1047: 1032: 1023: 1013: 1004: 995: 984: 975: 966: 957: 947: 938: 928: 916:. Retrieved 891:. Retrieved 881: 843: 833: 824: 814: 802:. Retrieved 795: 785: 773:. Retrieved 763: 736:. Retrieved 729: 677: 661: 648: 635: 622: 602: 589: 576: 559: 541: 528: 515: 502: 489: 472: 459: 446: 433: 420: 407: 394: 382:Helen Levitt 381: 375: 361: 351:Publications 343: 336: 329: 322: 315: 309:Henry Wessel 308: 301: 294: 287: 280: 273: 266: 259: 252: 245: 237:Jim Goldberg 235: 228: 221: 214: 207: 196: 189: 182: 175: 169:Helen Levitt 168: 162:John Gutmann 161: 150: 135: 124: 107: 103: 87: 85: 70: 46:Bard College 35: 24: 19: 18: 1247:1945 births 662:About Face. 199:Peter Hujar 116:Tate Modern 112:Tate Modern 58:art history 38:Nelva Weber 1236:Categories 800:. New York 734:. New York 708:References 644:B000NUKGOM 631:B01FEL4GTU 544:New York: 142:, and The 1085:cite web 1077:HuffPost 548:, 2005. 546:Bulfinch 505:, 2001. 479:, 2004. 77:Oakland 1220:29 May 1197:29 May 1058:SFGATE 1024:SFGATE 976:SFMOMA 958:SFGATE 939:SFGATE 918:29 May 893:29 May 883:SFGate 844:SFGATE 825:SFGATE 804:29 May 775:29 May 765:SFGate 738:29 May 689:Awards 676:(from 668:  655:  642:  629:  609:  596:  583:  570:  552:  535:  522:  509:  496:  483:  466:  453:  440:  427:  414:  401:  388:  368:  342:2012: 335:2012: 328:2011: 321:2010: 314:2009: 307:2007: 300:2006: 293:2006: 286:2005: 279:2005: 272:2005: 265:2004: 258:2004: 251:2004: 244:2003: 234:1997: 227:1997: 220:1996: 213:1995: 206:1995: 195:1995: 188:1995: 181:1994: 174:1992: 167:1991: 160:1989: 149:1989: 134:1985: 1134:Vogue 157:, CA. 1222:2017 1199:2017 1097:help 920:2017 895:2017 806:2017 777:2017 740:2017 666:ISBN 653:ISBN 640:ASIN 627:ASIN 607:ISBN 594:ISBN 581:ISBN 568:ISBN 550:ISBN 533:ISBN 520:ISBN 507:ISBN 494:ISBN 481:ISBN 464:ISBN 451:ISBN 438:ISBN 425:ISBN 412:ISBN 399:ISBN 386:ISBN 366:ISBN 138:The 75:in 48:in 1238:: 1190:. 1168:. 1150:. 1132:. 1113:. 1089:: 1087:}} 1083:{{ 1075:. 1056:. 1022:. 1003:. 974:. 956:. 937:. 903:^ 886:. 880:. 852:^ 842:. 823:. 794:. 768:. 762:. 748:^ 728:. 716:^ 153:, 68:. 1224:. 1201:. 1136:. 1099:) 1079:. 1060:. 1026:. 1007:. 978:. 960:. 941:. 922:. 897:. 846:. 827:. 808:. 779:. 742:. 556:.

Index

Peter Galassi
Nelva Weber
Upper East Side
Bard College
Upstate New York
Bryn Mawr College
art history
City University of New York
André Kertész
Mills College
Oakland
Vassar Art Gallery
Art Institute of Chicago
Metropolitan Museum of Art
vernacular photography
Tate Modern
Tate Modern
Walker Art Center
Art Institute of Chicago
Metropolitan Museum of Art
San Francisco Museum of Modern Art
Peter Hujar
Jim Goldberg
ISBN
978-0500541067
ISBN
978-0918471208
ISBN
978-0918471246
ISBN

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