139:
317:
25:
373:. The choir was carved by Damiano Zambelli (1480 - 1549) for the church of San Stefano, which was torn down, and thus the choir stalls moved ultimately to end here. The ceiling of the nave was frescoed by
479:
333:. After this order was suppressed, the convent was granted to the Dominicans, with whom it remains associated today. The monastery was destroyed and rebuilt in 1970 by the Dominicans.
46:
464:
474:
151:
186:
97:
69:
484:
76:
83:
116:
65:
327:
The church was built in 1613-1642, adjacent to a monastery of San
Bartolomeo, which had belonged to the religious order of the
370:
50:
469:
179:
421:
35:
449:
90:
54:
39:
433:
362:
248:
353:
The chapel of the
Madonna of the Rosary is highly decorated in stucco and painting (1752) by the studio of
409:
346:
228:
385:, but died before the completion of all of his designs. Further frescoes in the ceilings, including a
138:
354:
289:
401:
358:
243:
425:
374:
365:
decorated the area of the cupola with a transfiguration. The cornices are decorated with 15
305:
397:
390:
301:
429:
405:
293:
156:
458:
413:
337:
417:
316:
24:
201:
188:
329:
223:
336:
The church houses a large canvas, a masterpiece by the well-known painter
297:
171:
315:
300:
in the
Lombardy region of Italy. The church is associated with a
18:
377:. He also frescoed (1749) in the choir and presbytery, the
480:
17th-century Roman
Catholic church buildings in Italy
275:
267:
262:
254:
242:
234:
222:
217:
178:
167:
162:
150:
145:
131:
304:convent and stands about a block away from the
8:
296:church located at number 1 Largo Belotti in
53:. Unsourced material may be challenged and
137:
128:
465:Roman Catholic churches completed in 1642
117:Learn how and when to remove this message
396:Other altarpieces include paintings by
66:"Santi Bartolomeo e Stefano, Bergamo"
7:
475:Baroque church buildings in Lombardy
51:adding citations to reliable sources
14:
16:Church building in Bergamo, Italy
23:
149:
383:Glory of Santissimi Sacramento
371:Giuseppe Antonio Felice Orelli
1:
485:1642 establishments in Europe
387:Glory of the Dominican Order
367:Holy Mysteries of the Rosary
428:also called il Caversegno,
422:Giovanni Battista Discepoli
501:
389:(1751), were completed by
286:Santi Bartolomeo e Stefano
132:Santi Bartolomeo e Stefano
416:also called il Lucchese,
136:
408:also called il Talpino,
369:(1757) in monochrome by
361:. The Bolognese painter
424:also called lo Zoppo,
324:
180:Geographic coordinates
347:Martinengo Altarpiece
319:
432:da Castelfranco and
202:45.69583°N 9.67153°E
47:improve this article
470:Churches in Bergamo
198: /
410:Francesco Coppella
379:Sacrifice of Isaac
325:
229:Anton Maria Caneva
426:Agostino Facheris
283:
282:
207:45.69583; 9.67153
127:
126:
119:
101:
492:
450:Official website
375:Mattia Bortoloni
323:by Lorenzo Lotto
306:Teatro Donizetti
213:
212:
210:
209:
208:
203:
199:
196:
195:
194:
191:
141:
129:
122:
115:
111:
108:
102:
100:
59:
27:
19:
500:
499:
495:
494:
493:
491:
490:
489:
455:
454:
446:
441:
434:Giorgio Anselmi
398:Mauro Picenardi
391:Gaspare Diziani
363:Francesco Monti
342:Pala Martinengo
321:Pala Martinengo
314:
206:
204:
200:
197:
192:
189:
187:
185:
184:
123:
112:
106:
103:
60:
58:
44:
28:
17:
12:
11:
5:
498:
496:
488:
487:
482:
477:
472:
467:
457:
456:
453:
452:
445:
444:External links
442:
440:
437:
430:Pietro Damiani
406:Enea Salmeggia
402:Giuseppe Brena
313:
310:
294:Roman Catholic
281:
280:
277:
273:
272:
269:
265:
264:
263:Specifications
260:
259:
256:
255:Groundbreaking
252:
251:
246:
240:
239:
236:
232:
231:
226:
220:
219:
215:
214:
182:
176:
175:
169:
165:
164:
160:
159:
157:Roman Catholic
154:
148:
147:
143:
142:
134:
133:
125:
124:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
497:
486:
483:
481:
478:
476:
473:
471:
468:
466:
463:
462:
460:
451:
448:
447:
443:
438:
436:
435:
431:
427:
423:
419:
415:
414:Pietro Ricchi
411:
407:
403:
399:
394:
392:
388:
384:
380:
376:
372:
368:
364:
360:
359:Muzio Camuzio
356:
351:
349:
348:
343:
339:
338:Lorenzo Lotto
334:
332:
331:
322:
318:
311:
309:
307:
303:
299:
295:
291:
287:
278:
274:
270:
266:
261:
257:
253:
250:
247:
245:
241:
237:
233:
230:
227:
225:
221:
216:
211:
183:
181:
177:
173:
170:
166:
161:
158:
155:
153:
144:
140:
135:
130:
121:
118:
110:
99:
96:
92:
89:
85:
82:
78:
75:
71:
68: –
67:
63:
62:Find sources:
56:
52:
48:
42:
41:
37:
32:This article
30:
26:
21:
20:
395:
386:
382:
378:
366:
352:
345:
341:
335:
328:
326:
320:
285:
284:
224:Architect(s)
218:Architecture
113:
107:January 2021
104:
94:
87:
80:
73:
61:
45:Please help
33:
418:Carlo Salis
249:Renaissance
205: /
152:Affiliation
459:Categories
190:45°41′45″N
77:newspapers
330:Humiliati
302:Dominican
193:9°40′18″E
34:does not
292:-style,
168:Location
163:Location
146:Religion
355:Antonio
340:called
312:History
298:Bergamo
290:Baroque
174:, Italy
172:Bergamo
91:scholar
55:removed
40:sources
268:Length
238:Church
93:
86:
79:
72:
64:
439:Notes
344:, or
288:is a
276:Width
244:Style
98:JSTOR
84:books
381:and
357:and
279:14 m
271:60 m
258:1613
235:Type
70:news
38:any
36:cite
49:by
461::
420:,
412:,
404:,
400:,
393:.
350:.
308:.
120:)
114:(
109:)
105:(
95:·
88:·
81:·
74:·
57:.
43:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
