Knowledge (XXG)

Sarah Peebles

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25: 186:). Resonating Bodies, is a series of integrated media installations, community outreach projects and a web site which illuminates aspects of Canada's biodiversity through focusing on pollination ecology, with special attention paid to the intersection of native bees, habitat and coevolution of plants and pollinators of the Greater Toronto Area and beyond (See "Resonating Bodies" at wordpress and on Facebook). 149:
and psychoacoustic phenomena of the instrument, and many of her works alter its tuning and microphone placement in creating recordings of performances. She has released several recordings which include the instrument, including the album “Delicate Paths” (Unsounds 42U, 2014), which highlights her
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Peebles' “Resonating Bodies” projects, initiated in 2008, feature a series of amplified habitat sculptures for solitary bees, titled "Audio Bee Booths" and "Audio Bee Cabinets". These permanent outdoor works utilize
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and integrated media, sound installation and improvised performance; the duo “Smash and Teeny” with guitarist Nilan Perera, and trio “Cinnamon Sphere” with Perera and painter Chung Gong.
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Her music is published on Unsounds, Cycling '74, innova Recordings, Spool, Post-Concrète, CBC Music, Sonus.ca (Canadian Electroacoustic Community's free library) and others.
54: 321: 115:(USA). Much of her work explores digitally manipulated found sound, unconventional methods of amplification, and distinct approaches to improvisation on the 311: 281: 150:
distinct approaches to performing, recording and composing for the shō. That album features a foreword and images dedicated to the instrument's
316: 142:. Collectively titled “Resonating Bodies”, much of this activity is in collaboration with other artists, technicians and bee biologists. 214: 76: 296: 256: 301: 37: 286: 47: 41: 33: 127:(Japan's imperial court music). Her installation practice focuses on BioArt which explores the lives of native wild 58: 306: 190: 251: 291: 158:
connections to ancient Asia, and includes guest performers Evan Parker, Nilan Perera, and Suba Sankaran.
276: 117: 215:"108:Walking through Tokyo at the turn of the century" by Sarah Peebles, accessed 3 February 2010 261: 189:
Other activities over the past 3 decades have been wide-ranging, including music for dance,
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Sonus online listening library of electroacoustic works, created and managed by the CEC
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Kalvos Chronicle of the NonPop Revolution' biographical page, accessed 3 February 2010
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The Wire: "Sarah Peebles: Electronic Bug Culture" by Marcus Boon, May 2003
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Modern Farmer: "Listening In On Solitary Bees" by Tyler LeBlanc, July 2014
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Canadian-American composer, improviser and installation artist
252:"Delicate Paths" review by Nick Storring, issue 120 Fall 2014 257:
Make Magazine: "Buzz Booth" by Andrew Salomone, May 2014
236: 145:Peebles' approach to the shō draws from gagaku, 46:but its sources remain unclear because it lacks 8: 77:Learn how and when to remove this message 178:, and earth-based building techniques ( 121:(笙), the Japanese mouth-organ used in 322:21st-century American women composers 7: 242:CBC Music artist page, Sarah Peebles 312:American women in electronic music 14: 23: 282:21st-century American composers 232:Resonating Bodies projects site 1: 317:American installation artists 227:Sarah Peebles official site 338: 32:This article includes a 61:more precise citations. 297:Artists from Minnesota 193:, radio, video/film, 302:Artists from Toronto 191:multi-channel sound 109:installation artist 287:Canadian composers 34:list of references 107:, improviser and 87: 86: 79: 329: 111:originally from 82: 75: 71: 68: 62: 57:this article by 48:inline citations 27: 26: 19: 337: 336: 332: 331: 330: 328: 327: 326: 267: 266: 223: 206: 195:performance art 156:ethnozoological 83: 72: 66: 63: 52: 38:related reading 28: 24: 17: 12: 11: 5: 335: 333: 325: 324: 319: 314: 309: 304: 299: 294: 289: 284: 279: 269: 268: 265: 264: 259: 254: 249: 244: 239: 234: 229: 222: 221:External links 219: 218: 217: 212: 205: 202: 152:ethnobotanical 85: 84: 42:external links 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 334: 323: 320: 318: 315: 313: 310: 308: 305: 303: 300: 298: 295: 293: 292:Living people 290: 288: 285: 283: 280: 278: 275: 274: 272: 263: 260: 258: 255: 253: 250: 248: 245: 243: 240: 238: 235: 233: 230: 228: 225: 224: 220: 216: 213: 211: 208: 207: 203: 201: 198: 196: 192: 187: 185: 181: 177: 173: 169: 165: 159: 157: 153: 148: 147:microtonality 143: 141: 137: 134: 130: 126: 125: 120: 119: 114: 110: 106: 103: 99: 95: 91: 90:Sarah Peebles 81: 78: 70: 60: 56: 50: 49: 43: 39: 35: 30: 21: 20: 199: 188: 160: 144: 140:biodiversity 122: 116: 89: 88: 73: 67:January 2020 64: 53:Please help 45: 307:Shō players 277:1964 births 172:electronics 168:woodworking 133:pollination 59:introducing 271:Categories 204:References 176:pyrography 166:and other 164:cabinetry 113:Minnesota 105:composer 102:American 98:Canadian 136:ecology 96:-based 94:Toronto 55:improve 124:gagaku 180:adobe 92:is a 40:, or 182:and 154:and 138:and 129:bees 184:cob 118:shō 273:: 174:, 170:, 131:, 100:- 44:, 36:, 80:) 74:( 69:) 65:( 51:.

Index

list of references
related reading
external links
inline citations
improve
introducing
Learn how and when to remove this message
Toronto
Canadian
American
composer
installation artist
Minnesota
shō
gagaku
bees
pollination
ecology
biodiversity
microtonality
ethnobotanical
ethnozoological
cabinetry
woodworking
electronics
pyrography
adobe
cob
multi-channel sound
performance art

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