891:âSunday Morningsâ is mostly about failing and getting better. When itâs time to change your life, you donât necessarily know what it takes to get it right, right away. So you mostly fail, but youâre still different from heading downhill. Most of âSunday Morningsâ is about failure, but like I said, itâs mostly different from still heading downhill. Even the last song, âCome Aroundâ is about getting dumped or losing a relationship. Itâs also about not letting that ruin your life and deciding to go out and play some rock and roll anyway. Whereas on âSaturday Nightâ in songs like âSundaysâ or âHanging Treeâ thereâs a huge amount of bitterness or âCowboys,â the loss of someone and the attachment and the untethered feeling that comes with it is very angry and bitter and it drives the person getting out of it. Itâs also like âwell, it happened,â and I go get on a bus. It began in âWashington Squareâ which takes about leaving home. Itâs a very sad thought, and thereâs suffering for it, but itâs still a decision to go out there again.
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it and we started to demo some of those songs, we set up a studio in the lounge where we were recording what became âSaturday Nightsâ and we started sort of trying some of these songs out and trying to think of ways to arrange that kind of music âcause it was very different. I didnât want us to do an unplugged record. I think a lot of folk music has become this unplugged thing and it never was intended to be that way. It was a very creative art form at one point, making folk records. As we started to explore that, I started to realize there was a whole other record there. Then I realized I wanted to do it with someone totally different and not like âSatelliteâ but totally separate. Then I sort of thought of the title and the fact that there were two records there and then we started looking for producers and I started looking into who was making the best indie folk music âcause thatâs where the really good stuff is.
881:
a lot of them were really indie so they werenât available on iTunes. Then I read about the band or I read about the bandâs influence and who produced it and look at other records that he produced and sort of chase it around. I was running all the branches of this tree, sort of following them all over the place. I started to realize this name that was popping up all over the place, which was Brian. So I went to allmusic.com to find Deck and the guy made like 50 records since 2000, so I listened to all these records that he made and felt like he was doing a lot of really, really creative work in this sort of genre. Not just unplugged records that were just a guy with an acoustic guitar, but that were really creatively arranged, interesting records. I called him up and he came out and hung out with us and listened to what we were working on and we decided to do it with Brian and thatâs how it all developed.
926:
the violence and the edge in the drums and bass without overwhelming piano arpeggios or picking acoustic guitar. The last step was finding the thing to go on top. Iâd always wanted someone to slash at it with a distorted electric guitar like a
Replacements song and Dan had been trying out just that sound on some other song so I had him play it on this song instead. We made him play as hard as he could because we wanted mistakes and bad notes and some dissonance. Dan just killed it. He was inspired and a little disturbing. We actually got more than HE wanted. Brian and I loved it but we had to talk Dan out of fixing some of it.
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a hotel room in Perth , literally the most isolated city on Earth. There is no other major city that is as far from other cities as Perth on earth. And the sense of being so far from everywhere I was supposed to be in life was so palpable. That was the egg cracking. There wasn't much egg left anyway, but that just cracked me. After that, I just stopped. We played some gigs, but I was essentially done. I walked off the plane to go to the funeral. I mean, I almost didn't do that, and then we didnât do anything for a while.
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idea. They set up a really stripped down drum kit in the small square room with only three mics: two over heads about 3-ft above the kit and one kick drum mic about 6-7 feet away from the kick (as opposed to inside the drum where youâd normally put it). By setting it up this way, you could beat the living crap out of the drums and they never sounded big or bombastic.
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The next day when the other guys came in, Brian had them set up to play the pretty acoustic version but made them play it to these insane drums, bass, and vocal tracks. And that didnât suck at all. It worked. The song would seem really pretty and then it would blow up in your face. You could hear all
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We started out electric, figuring it would make a jarring centerpiece to the latter album. It didnât work. The drums and bass made the song too bombastic. It wasnât jarring at all. It was just turning into an arena rock power ballad. Which sucked. So then we took the drums and the electric guitar out
819:
At the end of it I had totally lost my mind. Not that I wasn't doing it for 20 years already, but there was this moment when my grandmother died and I lost this girl I had been dating all in the same five-minute moment, where I got the phone call from both of them at the same moment, while sitting in
880:
On my computer, I had iTunes, Allmusic.com and Amazon all up at once and I was going through all of those and reading about different bands and different records and listening to them in iTunes, clips of them, and then downloading them or buying them or ordering them if they werenât available âcause
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When we came back to finish it, my life had changed a little bit by then and I started thinking about another set of songs and a possible different album that might work as a companion piece to this one that would fit together, but I wasnât sure what it was. The further we sort of started to explore
952:
in
November 2007. However, Duritz directly requested to Geffen Records to postpone the album's release until early 2008, citing the lack of promotional preparation including the selection of a single and album photography as the reasoning to do so. The label agreed, and the album's release date was
913:
Finally, after singing about 20 versions of the song that day, I went out to dinner and most of the guys went home. I came back a few hours later to find our drummer Jim and our producer scurrying around the hallways excitedly between our studio and one down the hall that was empty. Theyâd had an
823:
I mean, we played. We still toured every summer. We did some gigs here and there, but I didn't want to make any more records. I knew I didn't know how to live anymore. I knew I had lost my mind. I knew that I'd never make it through another tour, but I also thought, "You can't stop fucking around
931:
From mid-March through mid-April 2007, the band recorded "Sunday
Mornings" in Berkeley. After Duritz took a two-week break, the band would reconvene with their engineer James Brown to mix the "Saturday Nights" half of the record from late-April to mid-May, followed finally by over three weeks of
919:
Theyâre violent but they go 'crack' instead of 'boom'. We called our bass player
Millard, woke him up, and made him run back to the studio with this little Hofner Beatle Bass. Then, with everything weâd recorded muted (except the piano track so we had something to play to), Jim, Millard, and me
846:
Suddenly, I thought, âWe have to go in the studio now. Right now.â Everyone came to NYC in JuneâI still wasn't capable of leaving homeâand we did 20 days or something. We got the basis of
Saturday Nights, which is all the record was at that time. Then we went on tour, and afterward I just went
1005:," was released to radio on February 4, 2008. A music video for the song was released on March 20, 2008. It would go on to peak at No. 2 on Billboard's Adult Alternative chart (also known as the Triple A format), held off the top spot by R.E.M's "
901:
The acoustic demos we cut at my apartment while we were finishing
Saturday Nights all sucked for the same reason my original demo sort of sucked: they were too pretty. So when we went out to Berkeley to record Sunday Mornings, we took a different
691:
states that the album "is about really wanting to mean something and failing to do it. You want your life to mean something. You want to be somebody and then what you turn out to be is so much less than what you thought you were going to be."
920:
played the song as hard and as loud as we could play it. We had Jim keep his high hat open so it sounded really sloppy and we just beat the crap out of the song until we had this insane aggro version of it. Then we went home.
824:
with this. This is really serious mental illness and you've got to figure out your life before you go and do this again, because there's nowhere lower that you can go." I was wrong about that actually; it did get a lot worse.
1020:" (previously released as half of the "digital 45" that preceded the release of the album) would make its first chart appearance on the Adult Alternative chart in December 2008, and has since peaked at No. 7.
863:
Despite the band initially intending to release a single album under the "Saturday Nights" concept, Duritz began contemplating a companion piece for the record as they were finalizing their existing material:
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While there has been no follow-up physical single releases, two album tracks have been serviced as airplay singles to the Adult
Alternative format; both of which have enjoyed strong airplay. "
908:
and went back to playing it acoustically with a dobro, an upright bass and some percussion but that just had no balls at all so we had to abandon that as well. Because that really sucked.
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17:
1016:" first charted the format in summer of 2008, and went on to top the chart the week of September 19, 2008 (it remained the #1 single for four weeks). A third track, "
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intensive mixing of "Sunday
Mornings" throughout the remainder of May 2007. By early June the album was mastered. The album was the first album in which featured
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Duritz claimed the band's decision to draft Brian Deck as the producer for the "Sunday
Mornings" half of the record came out of frequent Internet research:
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2008:
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After some initial studio sessions and brainstorming, Duritz then realized a thematic significance and cohesion of the two records:
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860:" at the beginning of March, the band agreed to reconvene with Norton for another several weeks to complete the material at hand.
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988:" (as the A-side) and "When I Dream of Michelangelo" (as the B-side). The latter song appeared at the end of an episode of the
984:
On
January 16, 2008, the band released a digital single as a free download on their official website. It comprises the songs "
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After initial slow progress, Duritz has mentioned that, realizing Gil Norton was scheduled to produce the
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2407:"allmusic (((Saturday Nights & Sunday Mornings > Charts & Awards > Billboard Singles)))"
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671:, released in the United States on March 25, 2008. It is thematically divided into two sides: the
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1009:" and briefly charted on the Billboard Hot Adult Contemporary Singles chart, peaking at No. 35.
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2164:"Australiancharts.com â Counting Crows â Saturday Nights & Sunday Mornings"
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download upon its original release, additionally mentioned while performing on
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2270:"Norwegiancharts.com â Counting Crows â Saturday Nights & Sunday Mornings"
2230:"Offiziellecharts.de â Counting Crows â Saturday Nights & Sunday Mornings"
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2298:"Swedishcharts.com â Counting Crows â Saturday Nights & Sunday Mornings"
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1976:"Saturday Nights & Sunday Mornings : Counting Crows : Review"
2310:"Swisscharts.com â Counting Crows â Saturday Nights & Sunday Mornings"
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2218:"Dutchcharts.nl â Counting Crows â Saturday Nights & Sunday Mornings"
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Duritz also described the recording process for "You Can't Count On Me":
472:
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1349: â drums on "Los Angeles", "Sundays" and "Baby, I'm a Big Star Now"
2706:
1770:"Counting Crows - Saturday Nights & Sunday Mornings - Album Review"
1258:
1250:
1176:
2188:"Ultratop.be â Counting Crows â Saturday Nights & Sunday Mornings"
2176:"Ultratop.be â Counting Crows â Saturday Nights & Sunday Mornings"
2059:"Monica, Bonnie Raitt and Counting Crows Aiming High on Billboard 200"
1156:"On a Tuesday in Amsterdam Long Ago" (Duritz, Gillingham) â 4:57
2258:"Charts.nz â Counting Crows â Saturday Nights & Sunday Mornings"
2114:"The Culture Shock â Counting Crows â Adam Duritz (2008)"
1305:
1212:"Sunday Morning L.A." (Duritz, Gillingham, ImmerglĂźck) â 5:48
45:
2470:
1810:"Review: Counting Crows - Saturday Nights & Sunday Mornings"
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and it sold 106,000 copies in first week. The cover depicts the
2474:
1343: â bass guitar on "Sundays" and "Baby, I'm a Big Star Now"
814:
explained he had, emotionally and physically, reached a nadir:
1220:
version also includes a track-by-track interview with Duritz.
847:
completely down the pipe and we never went back to work on it.
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2668:
New Amsterdam: Live at Heineken Music Hall February 4â6, 2003
1153:"Le Ballet D'or" (Duritz, Gillingham, ImmerglĂźck) â 5:01
1143:"Anyone But You" (Duritz, Gillingham, ImmerglĂźck) â 5:25
185:
New Amsterdam: Live at Heineken Music Hall February 4â6, 2003
1400:
2618:
Underwater Sunshine (or What We Did on Our Summer Vacation)
1864:"CD: Counting Crows, Saturday Nights & Sunday Mornings"
16:
For other uses of "Saturday Night and Sunday Morning", see
1742:"Critic Reviews for Saturday Nights & Sunday Mornings"
790:
2401:
2399:
1391:
and "Come Around", co-production on "1492" and "Sundays"
786:
2009:"Counting Crows: Saturday Nights & Sunday Mornings"
1948:"Counting Crows: Saturday Nights & Sunday Mornings"
1209:"Sessions" (Duritz, Gillingham, ImmerglĂźck) â 4:17
1140:" (Duritz, Gillingham, ImmerglĂźck, Vickrey) â 3:10
810:
After aggressively touring for five years, lead singer
782:
2190:(in French). Hung Medien. Retrieved November 4, 2021.
1892:"Counting Crows - Saturday Nights And Sunday Mornings"
829:
However, Duritz acknowledged that, upon listening to "
2220:(in Dutch). Hung Medien. Retrieved November 4, 2021.
2178:(in Dutch). Hung Medien. Retrieved November 4, 2021.
2816:
If I Could Give All My Love (Richard Manuel Is Dead)
1163:" (Duritz, Vickrey) â 4:31 (produced by Norton)
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2899:
2881:
2716:
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2652:
2634:
2574:
2088:"Everything After August: The Counting Crows Story"
219:
170:
132:
120:
104:
88:
72:
57:
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30:
1920:"Counting Crows: Saturday Nights, Sunday Mornings"
940:. This was one of 2 albums Jonah was featured on.
18:Saturday Night and Sunday Morning (disambiguation)
2140:"Ryan's Smashing Life: The Adam Duritz Interview"
2360:"Counting Crows Chart History (Top Rock Albums)"
2200:"Counting Crows Chart History (Canadian Albums)"
717:, perhaps best known for his production work on
2246:"Irish-charts.com â Discography Counting Crows"
898:
888:
877:
866:
843:
816:
282:Released: December 2008 (Triple A airplay only)
2908:August and Everything After: Live at Town Hall
2675:August and Everything After: Live at Town Hall
1843:"Saturday Nights & Sunday Mornings Review"
353:
2486:
785:. Consider transferring direct quotations to
525:
8:
1203:"There Goes Everything" (Duritz, ImmerglĂźck)
1175:"Wennen aan September" (acoustic; featuring
703:(who also produced the band's second album,
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588:
477:
441:
391:
2312:. Hung Medien. Retrieved November 4, 2021.
2300:. Hung Medien. Retrieved November 4, 2021.
2272:. Hung Medien. Retrieved November 4, 2021.
2260:. Hung Medien. Retrieved November 4, 2021.
2248:. Hung Medien. Retrieved November 4, 2021.
2166:. Hung Medien. Retrieved November 4, 2021.
1337: â dobro, acoustic guitar on "Sundays"
1083:"Sundays" â 4:21 (produced by Norton,
2493:
2479:
2471:
2463:
2447:
2379:"Top Billboard 200 Albums â Year-End 2008"
1629:
1409:
1133:"On Almost Any Sunday Morning" â 2:58
295:
269:Released: June 2008(Triple A airplay only)
36:
27:
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2079:
948:Initially, the band planned on releasing
2282:"Official Scottish Albums Chart Top 100"
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1730:
936:the nephew at the time of Band Manager
25:2008 studio album by Counting Crows
1736:
1734:
1191:"Baby, I'm a Big Star Now" â 5:59
1054:" â 3:50 (produced by Norton and
663:is the fifth studio album by American
225:Saturday Nights & Sunday Mornings
2739:Einstein on the Beach (For an Eggman)
2611:Saturday Nights & Sunday Mornings
2456:Saturday Nights & Sunday Mornings
2138:Spaulding, Ryan (February 12, 2008).
2036:"Counting Crows - Adam Duritz (2008)"
1794:Saturday Nights & Sunday Mornings
950:"Saturday Nights and Sunday Mornings"
776:too many or overly lengthy quotations
730:The album debuted at number 3 on the
660:Saturday Nights & Sunday Mornings
324:
301:
194:Saturday Nights & Sunday Mornings
31:Saturday Nights & Sunday Mornings
7:
2661:Across a Wire: Live in New York City
1862:Caroline Sullivan (March 20, 2008).
2966:Albums produced by Steve Lillywhite
2700:Films About Ghosts (The Best Of...)
2112:Douglas, Patrick (April 15, 2008).
2038:. The Culture Shock. April 15, 2008
858:Echoes, Silence, Patience and Grace
355:
2057:Caulfield, Keith (April 4, 2012).
1946:Andrew Gilstrap (March 28, 2008).
1768:Tony Pascarella (March 25, 2008).
1381: â co-production on "Sundays"
1369: â co-production on "Sundays"
1094:"Insignificant" (Duritz, Vickrey,
837:sessions) that he began thinking:
527:
14:
1890:Chris Saunders (March 24, 2008).
628:
590:
479:
443:
393:
1841:Chris Willman (March 28, 2008).
1818:. March 21, 2008. Archived from
1206:"Come Around" (acoustic version)
763:
737:, the band's highest peak since
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369:
364:
359:
354:
2338:"Counting Crows Chart History (
2322:"Official Albums Chart Top 100"
2007:Paul Schrodt (March 25, 2008).
1375: â co-production on "1492"
1327: â vocal arrangements and
2368:. Retrieved November 4, 2021.
2350:. Retrieved November 4, 2021.
2328:. Retrieved November 4, 2021.
2288:. Retrieved November 4, 2021.
2236:. Retrieved November 4, 2021.
2208:. Retrieved November 4, 2021.
2086:Lawson, Liz (March 24, 2008).
1918:Kate Kiefer (April 15, 2008).
953:moved back to March 25, 2008.
1:
2986:Albums produced by Brian Deck
2961:Albums produced by Gil Norton
2682:Echoes of the Outlaw Roadshow
1974:Will Hermes (April 3, 2008).
1294: â bass guitar, upright
1001:The lead commercial single, "
833:" (then an out-take from the
2865:When I Dream of Michelangelo
1616:
1598:
1584:
1569:
1557:
1545:
1530:
1518:
1506:
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1138:When I Dream of Michelangelo
1018:When I Dream of Michelangelo
277:When I Dream of Michelangelo
2583:August and Everything After
76:June 2006 â February 2007 (
3002:
2823:She Don't Want Nobody Near
2625:Somewhere Under Wonderland
956:The album was also the #1
256:Released: February 4, 2008
243:Released: January 12, 2008
15:
2590:Recovering the Satellites
2508:
1640:
1635:
1632:
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1550:
1535:
1523:
1511:
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1487:
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1458:
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1434:
1422:
1415:
1412:
1196:iTunes Store bonus tracks
1007:Supernatural Superserious
839:"There's this album here"
740:Recovering the Satellites
706:Recovering the Satellites
332:
329:
309:
306:
290:
230:
215:
178:
35:
2234:GfK Entertainment Charts
1708:"You Can't Count on Me"
1689:"You Can't Count on Me"
1202:
1190:
1174:
783:summarize the quotations
699:portion was produced by
61:March 25, 2008
2326:Official Charts Company
2286:Official Charts Company
1696:Hot Adult Top 40 Tracks
1125:
1072:"Los Angeles" (Duritz,
724:The Moon and Antarctica
2760:Angels of the Silences
1363:(except "Come Around")
1321: â piano plucking
1288: â guitar, vocals
1266: â guitar, vocals
1116:All songs produced by
1042:All songs produced by
995:Brothers & Sisters
929:
894:
884:
873:
850:
827:
687:Vocalist and lyricist
2976:Geffen Records albums
2971:Counting Crows albums
2851:You Can't Count On Me
2788:Mrs. Potter's Lullaby
1148:You Can't Count on Me
1105:"Cowboys" â 5:22
1028:All songs written by
1003:You Can't Count on Me
745:Empire State Building
251:You Can't Count on Me
203:iTunes Live from SoHo
2981:2000s concept albums
2830:Accidentally in Love
2144:Ryan's Smashing Life
1848:Entertainment Weekly
1512:New Zealand Albums (
1313:Additional musicians
1120:except where noted.
1046:except where noted.
1032:except where noted.
424:Entertainment Weekly
297:Professional ratings
80:) MarchâApril 2007 (
1565:Schweizer Hitparade
1423:Australian Albums (
298:
2531:Charlie Gillingham
1524:Norwegian Albums (
1490:Offizielle Top 100
1359:Brian Deck â
1308:, keyboard, vocals
1276:Charlie Gillingham
1096:Charles Gillingham
296:
2943:
2942:
2118:The Culture Shock
1988:on March 20, 2008
1723:
1722:
1659:
1658:
1652:
1651:
1621:
1620:
1553:Sverigetopplistan
1168:Dutch bonus track
1128:Washington Square
808:
807:
656:
655:
294:
293:
211:
210:
2993:
2918:Related articles
2837:Holiday in Spain
2597:This Desert Life
2538:David ImmerglĂźck
2495:
2488:
2481:
2472:
2467:
2451:
2446:
2445:
2443:Official website
2429:
2428:
2426:
2424:
2415:. Archived from
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2221:
2215:
2209:
2197:
2191:
2185:
2179:
2173:
2167:
2161:
2155:
2154:
2152:
2150:
2135:
2129:
2128:
2126:
2124:
2109:
2103:
2102:
2100:
2098:
2083:
2074:
2073:
2071:
2069:
2054:
2048:
2047:
2045:
2043:
2032:
2026:
2025:
2023:
2021:
2004:
1998:
1997:
1995:
1993:
1984:. Archived from
1971:
1965:
1964:
1962:
1960:
1943:
1937:
1936:
1934:
1932:
1915:
1909:
1908:
1906:
1904:
1887:
1881:
1880:
1878:
1876:
1859:
1853:
1852:
1838:
1832:
1831:
1829:
1827:
1806:
1800:
1791:
1785:
1784:
1782:
1780:
1774:AbsolutePunk.net
1765:
1759:
1758:
1756:
1754:
1738:
1667:
1630:
1551:Swedish Albums (
1447:Belgian Albums (
1435:Belgian Albums (
1410:
1401:
1373:Steve Lillywhite
1331:on "Los Angeles"
1304: â guitar,
1286:David Immergluck
1100:David ImmerglĂźck
1056:Steve Lillywhite
803:
800:
794:
767:
766:
759:
713:was produced by
685:Sunday Mornings.
652:
651:
650:
646:
645:
641:
640:
636:
635:
631:
630:
614:
613:
612:
608:
607:
603:
602:
598:
597:
593:
592:
576:
575:
574:
570:
569:
565:
564:
560:
559:
555:
554:
550:
549:
545:
544:
540:
539:
535:
534:
530:
529:
503:
502:
501:
497:
496:
492:
491:
487:
486:
482:
481:
467:
466:
465:
461:
460:
456:
455:
451:
450:
446:
445:
417:
416:
415:
411:
410:
406:
405:
401:
400:
396:
395:
379:
378:
377:
373:
372:
368:
367:
363:
362:
358:
357:
339:AbsolutePunk.net
302:Aggregate scores
299:
283:
280:
270:
267:
257:
254:
244:
241:
180:
179:
157:Steve Lillywhite
116:
115:
111:
95:Alternative rock
68:
66:
40:
28:
3001:
3000:
2996:
2995:
2994:
2992:
2991:
2990:
2946:
2945:
2944:
2939:
2913:
2895:
2877:
2809:Big Yellow Taxi
2774:Daylight Fading
2767:A Long December
2753:A Murder of One
2712:
2687:
2648:
2630:
2570:
2504:
2499:
2441:
2440:
2437:
2432:
2422:
2420:
2419:on June 3, 2009
2405:
2404:
2397:
2387:
2385:
2377:
2376:
2372:
2358:
2354:
2336:
2332:
2320:
2316:
2308:
2304:
2296:
2292:
2280:
2276:
2268:
2264:
2256:
2252:
2244:
2240:
2228:
2224:
2216:
2212:
2198:
2194:
2186:
2182:
2174:
2170:
2162:
2158:
2148:
2146:
2137:
2136:
2132:
2122:
2120:
2111:
2110:
2106:
2096:
2094:
2085:
2084:
2077:
2067:
2065:
2056:
2055:
2051:
2041:
2039:
2034:
2033:
2029:
2019:
2017:
2006:
2005:
2001:
1991:
1989:
1973:
1972:
1968:
1958:
1956:
1945:
1944:
1940:
1930:
1928:
1917:
1916:
1912:
1902:
1900:
1889:
1888:
1884:
1874:
1872:
1861:
1860:
1856:
1840:
1839:
1835:
1825:
1823:
1808:
1807:
1803:
1792:
1788:
1778:
1776:
1767:
1766:
1762:
1752:
1750:
1740:
1739:
1732:
1728:
1680:
1665:
1660:
1628:
1626:Year-end charts
1606:Top Rock Albums
1537:Scottish Albums
1488:German Albums (
1460:Canadian Albums
1417:
1408:
1398:
1389:Saturday Nights
1361:Sunday Mornings
1226:
1111:Sunday Mornings
1037:Saturday Nights
1026:
982:
970:Whoopi Goldberg
946:
804:
798:
795:
789:or excerpts to
780:
768:
764:
757:
711:Sunday Mornings
697:Saturday Nights
677:Saturday Nights
648:
643:
638:
633:
610:
605:
600:
595:
572:
567:
562:
557:
552:
547:
542:
537:
532:
499:
494:
489:
484:
463:
458:
453:
448:
413:
408:
403:
398:
375:
370:
365:
360:
286:
281:
274:
273:
268:
261:
260:
255:
248:
247:
242:
235:
234:
206:
197:
188:
166:
113:
109:
108:
82:Sunday Mornings
78:Saturday Nights
64:
62:
53:
26:
21:
12:
11:
5:
2999:
2997:
2989:
2988:
2983:
2978:
2973:
2968:
2963:
2958:
2948:
2947:
2941:
2940:
2938:
2937:
2932:
2930:The Himalayans
2927:
2921:
2919:
2915:
2914:
2912:
2911:
2903:
2901:
2900:Concert videos
2897:
2896:
2894:
2893:
2885:
2883:
2879:
2878:
2876:
2875:
2872:Palisades Park
2868:
2861:
2854:
2847:
2840:
2833:
2826:
2819:
2812:
2805:
2798:
2795:American Girls
2791:
2784:
2777:
2770:
2763:
2756:
2749:
2742:
2735:
2728:
2720:
2718:
2714:
2713:
2711:
2710:
2703:
2695:
2693:
2689:
2688:
2686:
2685:
2678:
2671:
2664:
2656:
2654:
2650:
2649:
2647:
2646:
2643:Butter Miracle
2638:
2636:
2632:
2631:
2629:
2628:
2621:
2614:
2607:
2600:
2593:
2586:
2578:
2576:
2572:
2571:
2569:
2568:
2565:
2562:
2556:
2555:
2548:
2545:Millard Powers
2541:
2534:
2527:
2520:
2515:
2509:
2506:
2505:
2502:Counting Crows
2500:
2498:
2497:
2490:
2483:
2475:
2469:
2468:
2452:
2436:
2435:External links
2433:
2431:
2430:
2395:
2370:
2352:
2330:
2314:
2302:
2290:
2274:
2262:
2250:
2238:
2222:
2210:
2192:
2180:
2168:
2156:
2130:
2104:
2075:
2049:
2027:
2014:Slant Magazine
1999:
1966:
1938:
1910:
1882:
1854:
1833:
1822:on May 5, 2009
1801:
1786:
1760:
1729:
1727:
1724:
1721:
1720:
1717:
1709:
1706:
1702:
1701:
1698:
1690:
1687:
1683:
1682:
1677:
1674:
1671:
1664:
1661:
1657:
1656:
1650:
1649:
1646:
1638:
1637:
1634:
1627:
1624:
1622:
1619:
1618:
1615:
1601:
1600:
1597:
1587:
1586:
1583:
1572:
1571:
1568:
1563:Swiss Albums (
1560:
1559:
1556:
1548:
1547:
1544:
1533:
1532:
1529:
1521:
1520:
1517:
1509:
1508:
1505:
1500:Irish Albums (
1497:
1496:
1493:
1485:
1484:
1481:
1476:Dutch Albums (
1473:
1472:
1469:
1456:
1455:
1452:
1444:
1443:
1440:
1432:
1431:
1428:
1420:
1419:
1414:
1407:
1404:
1399:
1397:
1394:
1393:
1392:
1382:
1376:
1370:
1367:Dennis Herring
1364:
1356:
1355:
1351:
1350:
1344:
1338:
1335:Dennis Herring
1332:
1329:backing vocals
1322:
1315:
1314:
1310:
1309:
1299:
1292:Millard Powers
1289:
1283:
1273:
1272: â vocals
1267:
1261:
1231:
1230:
1229:Counting Crows
1225:
1222:
1214:
1213:
1210:
1207:
1204:
1201:
1198:
1197:
1193:
1192:
1189:
1186:
1185:
1184:UK bonus track
1181:
1180:
1173:
1170:
1169:
1165:
1164:
1157:
1154:
1151:
1144:
1141:
1134:
1131:
1124:
1107:
1106:
1103:
1092:
1085:Dennis Herring
1081:
1070:
1059:
1025:
1022:
981:
978:
945:
942:
806:
805:
771:
769:
762:
756:
753:
669:Counting Crows
654:
653:
624:
621:Slant Magazine
616:
615:
586:
578:
577:
523:
517:
516:
513:
505:
504:
475:
469:
468:
439:
431:
430:
427:
419:
418:
389:
381:
380:
351:
345:
344:
341:
335:
334:
331:
327:
326:
322:
321:
318:
312:
311:
308:
304:
303:
292:
291:
288:
287:
285:
284:
271:
258:
245:
231:
228:
227:
217:
216:
213:
212:
209:
208:
199:
190:
176:
175:
172:Counting Crows
168:
167:
165:
164:
159:
154:
152:Dennis Herring
149:
144:
138:
136:
130:
129:
124:
118:
117:
106:
102:
101:
92:
86:
85:
74:
70:
69:
59:
55:
54:
51:Counting Crows
49:
42:
41:
33:
32:
24:
13:
10:
9:
6:
4:
3:
2:
2998:
2987:
2984:
2982:
2979:
2977:
2974:
2972:
2969:
2967:
2964:
2962:
2959:
2957:
2954:
2953:
2951:
2936:
2933:
2931:
2928:
2926:
2923:
2922:
2920:
2916:
2910:
2909:
2905:
2904:
2902:
2898:
2891:
2887:
2886:
2884:
2880:
2873:
2869:
2866:
2862:
2859:
2855:
2852:
2848:
2845:
2841:
2838:
2834:
2831:
2827:
2824:
2820:
2817:
2813:
2810:
2806:
2803:
2799:
2796:
2792:
2789:
2785:
2782:
2778:
2775:
2771:
2768:
2764:
2761:
2757:
2754:
2750:
2747:
2743:
2740:
2736:
2733:
2729:
2726:
2722:
2721:
2719:
2715:
2709:
2708:
2704:
2702:
2701:
2697:
2696:
2694:
2690:
2684:
2683:
2679:
2677:
2676:
2672:
2670:
2669:
2665:
2663:
2662:
2658:
2657:
2655:
2651:
2645:
2644:
2640:
2639:
2637:
2633:
2627:
2626:
2622:
2620:
2619:
2615:
2613:
2612:
2608:
2606:
2605:
2601:
2599:
2598:
2594:
2592:
2591:
2587:
2585:
2584:
2580:
2579:
2577:
2575:Studio albums
2573:
2566:
2563:
2561:
2558:
2557:
2554:
2553:
2549:
2547:
2546:
2542:
2540:
2539:
2535:
2533:
2532:
2528:
2526:
2525:
2521:
2519:
2516:
2514:
2511:
2510:
2507:
2503:
2496:
2491:
2489:
2484:
2482:
2477:
2476:
2473:
2466:
2462:
2458:
2457:
2453:
2450:
2444:
2439:
2438:
2434:
2418:
2414:
2413:
2408:
2402:
2400:
2396:
2384:
2380:
2374:
2371:
2367:
2366:
2361:
2356:
2353:
2349:
2348:
2343:
2341:
2334:
2331:
2327:
2323:
2318:
2315:
2311:
2306:
2303:
2299:
2294:
2291:
2287:
2283:
2278:
2275:
2271:
2266:
2263:
2259:
2254:
2251:
2247:
2242:
2239:
2235:
2232:(in German).
2231:
2226:
2223:
2219:
2214:
2211:
2207:
2206:
2201:
2196:
2193:
2189:
2184:
2181:
2177:
2172:
2169:
2165:
2160:
2157:
2145:
2141:
2134:
2131:
2119:
2115:
2108:
2105:
2093:
2089:
2082:
2080:
2076:
2064:
2060:
2053:
2050:
2037:
2031:
2028:
2016:
2015:
2010:
2003:
2000:
1987:
1983:
1982:
1981:Rolling Stone
1977:
1970:
1967:
1955:
1954:
1949:
1942:
1939:
1927:
1926:
1921:
1914:
1911:
1899:
1898:
1893:
1886:
1883:
1871:
1870:
1865:
1858:
1855:
1850:
1849:
1844:
1837:
1834:
1821:
1817:
1816:
1811:
1805:
1802:
1799:
1795:
1790:
1787:
1775:
1771:
1764:
1761:
1749:
1748:
1743:
1737:
1735:
1731:
1725:
1718:
1716:
1714:
1710:
1707:
1704:
1703:
1699:
1697:
1694:
1691:
1688:
1685:
1684:
1678:
1675:
1672:
1669:
1668:
1662:
1655:
1647:
1644:
1639:
1633:Chart (2008)
1631:
1625:
1623:
1613:
1612:
1607:
1602:
1596:
1594:
1588:
1581:
1577:
1573:
1566:
1561:
1554:
1549:
1542:
1538:
1534:
1527:
1522:
1515:
1510:
1503:
1498:
1491:
1486:
1479:
1478:Album Top 100
1474:
1467:
1466:
1461:
1457:
1450:
1445:
1438:
1433:
1426:
1421:
1413:Chart (2008)
1411:
1406:Weekly charts
1405:
1403:
1402:
1395:
1390:
1386:
1383:
1380:
1377:
1374:
1371:
1368:
1365:
1362:
1358:
1357:
1353:
1352:
1348:
1345:
1342:
1339:
1336:
1333:
1330:
1326:
1323:
1320:
1317:
1316:
1312:
1311:
1307:
1303:
1300:
1297:
1293:
1290:
1287:
1284:
1281:
1277:
1274:
1271:
1268:
1265:
1262:
1260:
1256:
1252:
1248:
1244:
1240:
1236:
1233:
1232:
1228:
1227:
1223:
1221:
1219:
1211:
1208:
1205:
1200:
1199:
1195:
1194:
1188:
1187:
1183:
1182:
1178:
1172:
1171:
1167:
1166:
1162:
1158:
1155:
1152:
1150:" â 3:16
1149:
1145:
1142:
1139:
1135:
1132:
1130:" â 4:17
1129:
1123:
1122:
1121:
1119:
1114:
1113:
1112:
1104:
1102:) â 4:14
1101:
1097:
1093:
1090:
1086:
1082:
1080:) â 4:40
1079:
1075:
1071:
1069:) â 3:50
1068:
1064:
1060:
1057:
1053:
1049:
1048:
1047:
1045:
1040:
1039:
1038:
1033:
1031:
1024:Track listing
1023:
1021:
1019:
1015:
1010:
1008:
1004:
999:
998:
996:
991:
987:
979:
977:
975:
972:(a friend of
971:
967:
966:
961:
960:
954:
951:
943:
941:
939:
935:
928:
927:
922:
921:
916:
915:
910:
909:
904:
903:
897:
893:
892:
887:
883:
882:
876:
872:
871:
865:
861:
859:
855:
849:
848:
842:
840:
836:
832:
826:
825:
821:
815:
813:
802:
792:
788:
784:
778:
777:
772:This section
770:
761:
760:
754:
752:
750:
749:New York City
746:
742:
741:
736:
734:
728:
727:
725:
720:
716:
712:
708:
707:
702:
698:
693:
690:
686:
682:
679:and the more
678:
674:
670:
666:
662:
661:
625:
623:
622:
618:
617:
587:
585:
584:
583:Rolling Stone
580:
579:
524:
522:
519:
518:
514:
512:
511:
507:
506:
476:
474:
471:
470:
440:
438:
437:
433:
432:
428:
426:
425:
421:
420:
390:
388:
387:
383:
382:
352:
350:
347:
346:
342:
340:
337:
336:
328:
325:Review scores
323:
319:
317:
314:
313:
305:
300:
289:
278:
272:
265:
259:
252:
246:
239:
233:
232:
229:
226:
222:
218:
214:
205:
204:
200:
196:
195:
191:
187:
186:
182:
181:
177:
173:
169:
163:
160:
158:
155:
153:
150:
148:
145:
143:
140:
139:
137:
135:
131:
128:
125:
123:
119:
107:
103:
100:
96:
93:
91:
87:
83:
79:
75:
71:
60:
56:
52:
47:
43:
39:
34:
29:
23:
19:
2935:Sordid Humor
2906:
2781:Hanginaround
2705:
2698:
2692:Compilations
2680:
2673:
2666:
2659:
2641:
2623:
2616:
2610:
2609:
2602:
2595:
2588:
2581:
2560:Steve Bowman
2550:
2543:
2536:
2529:
2522:
2518:David Bryson
2517:
2512:
2454:
2421:. Retrieved
2417:the original
2410:
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46:Studio album
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2956:2008 albums
2925:Discography
2882:Other songs
2858:Come Around
2653:Live albums
2564:Matt Malley
2552:Dan Vickrey
2524:Adam Duritz
2388:November 4,
2020:October 21,
1992:October 21,
1959:October 21,
1931:October 21,
1903:October 21,
1875:October 21,
1826:October 21,
1753:October 21,
1341:Matt Malley
1302:Dan Vickrey
1296:double bass
1270:Adam Duritz
1161:Come Around
1067:Dan Vickrey
1065:" (Duritz,
1030:Adam Duritz
1014:Come Around
974:Adam Duritz
934:Jonah Soucy
812:Adam Duritz
689:Adam Duritz
264:Come Around
2950:Categories
2890:Colorblind
2732:Round Here
2604:Hard Candy
2513:Jim Bogios
2461:Metacritic
2423:August 24,
1953:PopMatters
1747:Metacritic
1726:References
1451:Wallonia)
1439:Flanders)
1385:Gil Norton
1354:Production
1325:Dave Gibbs
1319:Brian Deck
1255:percussion
1247:tambourine
1235:Jim Bogios
1118:Brian Deck
1078:Dave Gibbs
1074:Ryan Adams
1044:Gil Norton
959:Amazon.com
938:Joel Soucy
856:' record "
835:Hard Candy
791:Wikisource
715:Brian Deck
701:Gil Norton
673:rock music
521:PopMatters
316:Metacritic
174:chronology
147:Brian Deck
142:Gil Norton
65:2008-03-25
2746:Rain King
2725:Mr. Jones
2383:Billboard
2365:Billboard
2347:Billboard
2340:Billboard
2205:Billboard
2149:March 12,
2123:March 12,
2097:March 12,
2068:April 22,
2063:Billboard
2042:August 4,
1779:August 4,
1713:Billboard
1693:Billboard
1681:Position
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1636:Position
1611:Billboard
1593:Billboard
1576:UK Albums
1465:Billboard
1418:position
1280:keyboards
1224:Personnel
787:Wikiquote
774:contains
755:Recording
733:Billboard
721:'s album
709:), while
320:(63/100)
99:folk rock
2567:Ben Mize
2412:AllMusic
1897:musicOMH
1798:AllMusic
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1298:, vocals
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965:The View
799:May 2021
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2717:Singles
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1715:Pop 100
1673:Single
1663:Singles
1251:maracas
992:series
980:Singles
944:Release
681:country
515:(4/10)
221:Singles
207:(2008)
198:(2008)
189:(2006)
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1676:Chart
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1396:Charts
1259:vocals
1087:, and
333:Rating
330:Source
310:Rating
307:Source
127:Geffen
105:Length
2802:Miami
2342:200)"
2092:Paste
1925:Paste
1705:2008
1686:2008
1670:Year
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902:tack.
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