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In the years before the
Conquest, various Saxo-Norman features emerged in English architecture, including "long and short" stonework, "half-roll" features on arches and double-splay windows. After the Conquest, Saxo-Norman architecture was typically applied to smaller buildings, and small parts of
81:
Some Anglo-Saxon architectural features were never used under the
Normans, and, as time went by, some Saxo-Norman features began to fade. Old Anglo-Saxon features such as brick arches in stone buildings were simply eliminated from new designs, and "long and short" stonework, "half-roll" features
82:
slowly disappeared from use. By the 12th century, parish churches were typically being built in a Norman, rather than Saxo-Norman style. The fusion of surviving Anglo-Saxon elements into the Norman style eventually produced the
English
45:, typically between 1060 and 1100. Often used to refer to architecture and physical culture, the term addresses the combination of Anglo-Saxon and Norman styles prevalent during the period.
66:. One of the reasons for this would have been the limited number of Norman craftsmen available for projects, and the continuity of local Anglo-Saxon preferences in many locations.
62:, for example, Anglo-Saxon "long and short" stonework was used in the gatehouse, alongside arches common to both Norman and Anglo-Saxon styles, and some features borrowed from the
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Mahany, Christine; Roffe, David (1983). "Thetford: The
Development of an Anglo-Scandinavian Borough". In Brown, R. Allen (ed.).
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larger projects. Major ecclesiastical projects, such as cathedrals and abbey churches, were executed in a predominantly
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Fernie, Eric (1989). "Archaeology and
Iconography: Recent Developments in the Study of English Medieval Architecture".
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The phrase has been critiqued by historian John Gage as being "the architectural equivalent of a middle-aged spread".
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Very end of the Anglo-Saxon period in
England and the start of the Norman occupation
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Saxo-Norman pottery began to be made in eastern
England, including the towns of
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Anglo-Norman
Studies: Proceedings of the Battle Conference 1982
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317:. Woodbridge, UK: Boydell Press. pp.
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294:. Oxford, UK: Oxford University Press.
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41:period in England and the start of the
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29:the Higgins Art Gallery & Museum
292:The Architecture of Norman England
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73:The round tower of St Andrew's,
125:, Pevsner Architectural Guides
1:
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77:, is of Saxo-Norman design
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550:National Trust properties
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684:English landscape garden
367:Architecture of England
245:Mahany & Roffe 1983
86:style of architecture.
37:is the very end of the
436:Strawberry Hill Gothic
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31:
290:Fernie, Eric (2002).
263:Architectural History
72:
22:
530:Renaissance theatres
510:Round-tower churches
719:Anglo-Norse England
500:Medieval cathedrals
495:Abbeys and priories
659:Dartmoor longhouse
654:Wealden hall house
199:, pp. 208–211
187:, pp. 208–209
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616:Brighton and Hove
505:Former cathedrals
456:Bristol Byzantine
64:Holy Roman Empire
43:Norman occupation
23:Saxo-Norman clay
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545:Church monuments
535:Listed buildings
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636:Bastle house
515:Roman villas
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255:Bibliography
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235:, p. 24
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211:, p. 39
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163:, p. 20
127:, retrieved
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56:Norman style
52:
49:Architecture
34:
33:
570:Lighthouses
525:Hall houses
406:Elizabethan
386:Saxo-Norman
381:Anglo-Saxon
233:Fernie 1989
221:Fernie 2002
209:Fernie 2002
197:Fernie 2002
185:Fernie 2002
173:Fernie 2002
161:Fernie 2002
146:Fernie 2002
129:27 November
39:Anglo-Saxon
35:Saxo-Norman
669:Bath stone
646:Oast house
601:Manchester
591:Birmingham
482:structures
446:Jacobethan
426:Queen Anne
123:"Glossary"
109:References
84:Romanesque
679:Flushwork
631:Almshouse
626:Fan vault
596:Liverpool
555:Windmills
461:Brutalist
451:Edwardian
441:Victorian
269:: 18–29.
75:Bedingham
713:Category
700:Category
565:Stadiums
431:Georgian
416:Carolean
411:Jacobean
103:Thetford
99:Stamford
611:Bristol
540:Museums
490:Castles
283:1568559
649:(cowl)
586:London
391:Norman
374:Styles
325:
321:–219.
298:
281:
579:Other
401:Tudor
279:JSTOR
58:. At
606:Bath
323:ISBN
296:ISBN
131:2013
101:and
319:197
271:doi
715::
277:.
267:32
265:.
153:^
138:^
359:e
352:t
345:v
331:.
304:.
285:.
273::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.