103:, appears to have been created solely for use in the work itself rather than taken from actual musical practice. The treatise also uses a very rare system of notation, known as
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72:, two early medieval authors whose works on music were widely read and circulated hundreds of years after their death. The treatise makes use of the
196:. Veröffentlichungen der Musikhistorischen Kommission. Vol. 3. Munich: Bayerische Akademie der Wissenschaften; C. H. Beck. pp. 1–59.
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A critical edition of the treatises was published in 1981, and an
English translation by Raymond Erickson in 1995.
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notation. This notation has a number of figures which are rotated ninety degrees to represent different pitches.
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is written as a tripartite dialogue, and despite being a commentary on the
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conceptions of music, especially its affirmations of the importance of
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Musica et scolica enchiriadis una cum aliquibus tractatulis adiunctis
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Erickson, Raymond. "Musica enchiriadis, Scholia enchiriadis".
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relations. The treatise also discusses singing technique,
64:. Later sections draw heavily on the music theory of
29:treatise and commentary on its companion work, the
208:available via the University of Heidelberg's site.
99:used in the work, which is based on a system of
174:The New Grove Dictionary of Music and Musicians
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35:. These treatises were once attributed to
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58:to music as kindred disciplines of the
213:colour images of the MS of the text (
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190:Anonymous (1981). Hans Schmid (ed.).
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39:, but this is no longer accepted.
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253:Medieval music manuscript sources
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150:. Norton, 1978, pp.188-193.
248:Works of unknown authorship
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176:. London: Macmillan, 2001.
204:V-CVbav pal. lat. 1342
146:Hoppin, Richard H.
84:of plainchant, and
44:Scolica enchiriadis
18:Scolica enchiriadis
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120:Daseian notation
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76:to explain
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61:quadrivium
86:polyphony
74:monochord
23:anonymous
211:Link to
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78:interval
66:Boethius
105:Daseian
90:organum
37:Hucbald
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125:Tonary
21:is an
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152:ISBN
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