33:
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to be the band's new bassist,. then went to current bassist
Tatsuya Kikuchi's house to tell him "you are already fired". Tainaka had written one song for the album and Kikuchi recorded basslines for one or two tracks, materials that went unused. The tour for the album featured Tainaka on drums and
142:
315:
870:大野祥之 (15 June 1985). "リズム・マシーンの原音からなるべく遠ざかるよう音を加工するんだ" [We're Going to Modify the Sound so That it's as Far Away from the Rhythm Machine Original as Possible]. リズム・マシーン＆マイ・サンド・システム PART 2.
477:
sought to draw talented personnel to the band. By summer 1984 it had already been decided that
Tainaka, who felt he was "at the limit of strength", would leave. Hirose at some point called
508:
had been done before
Kikuchi's dismissal from P-Model, and as such, he was part of the ad campaign for an album he does not appear in, by a band he hadn't been part of for months.
403:
was exhausted of dealing with major labels, so chose to have the band be independent for some time. In an apartment occupied by friend and former co-worker Akiro Kamio
Arishima's
445:, a subculture-focused magazine that had covered P-Model a number of times beforehand. They asked for the group to make the second entry in their burgeoning
347:. It is different from other P-Model albums in that it was made almost entirely made by guitarist Susumu Hirasawa alone and for its original issue in the
413:
film production company AC-Unit, he and a group of friends turned a room into a home studio, and there he and others in various lineups recorded music.
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Endo's segment on "Looping
Opposition" is not present on the CD mix of the track, shortening it by 23 seconds. The cassette book version contains
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and sequenced between "Seven Joint Man" and "Ohayo II". No recording of this composition by
Hirasawa or anyone involved with the album exists.
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Around the time
Hirasawa planned to make something more "proper", he was approached by the JICC Publishing Bureau, makers of
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and a Korg KPR-77. P-Model's rhythm section was in a state of flux at the time. Manager
Mitsuru Hirose
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919:たなべありす (15 September 1993). "P-MODEL HISTORY". 徹底特集！ カラー＆モノクロ立体企画 Part 2 — フロンティアとしてのP-MODEL .
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format: the album was packaged with an 84-page booklet that contained techniques to induce
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878:] (ヤングギター6月号臨時増刊 ). Vol. 17, no. 10 #229. Shinko Music Pub. Co. p. 151.
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934:広瀬充 (10 December 1993). "P-MODEL HISTORY in Deep". Complete File Massive!! — Pmodel.
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904:大戸恒明 (2 August 1984). "インタビュー: 平沢進（P-MODEL）" [Interview: Susumu Hirasawa].
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Akemi
Tsujitani (AC Unit) – Clothes Construction and Leg, Backing Vocals on "Boat"
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1016:] (PDF), vol. P-Model Side – Open Source (3rd ed.), Fascination
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Yokogawa on bass and other instruments. The promotional photoshoot for
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967:, LIVEの方法/1983-1984 特別寄稿3: 広瀬充――IKARIとしてステージに立った元マネージャー(編集者) .
791:) – Voice on "Looping Opposition" (cassette book version only)
26:
794:
Akiro "Kamio" Arishima (AC Unit) – Synthesizer on "Fish Song"
395:, a process protracted primarily by their then-current label
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Bass and drum parts were handled by
Hirasawa with a
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57:. Unsourced material may be challenged and removed.
456:line, which would allow them total freedom from
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833:, Yoshikazu Takahashi, Yuji Matsuda, Kayo Muto
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713:
613:
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891:, SOUNDSCAPES — プロデューサーが語るP-MODEL: 有島“神尾”明朗 .
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923:. No. 104. Rittor Music. p. 32.
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117:Learn how and when to remove this message
523:
1175:Music Industrial Wastes: P-Model or Die
1008:高橋かしこ; et al. (16 October 2010) ,
847:
797:Mugen Kanzaki (Eco) – Hard Cover Design
458:Recording Industry Association of Japan
803:Yasuhiro Ichikawa (Pool) – Photography
389:After the release of P-Model's album
7:
816:Model House – Editorial Coordination
55:adding citations to reliable sources
822:Special thanks: Kuniharu Kawasaki,
800:Yumiko Onozawa – Red Clothes Making
819:Mitsuru Hirose – Artist Management
25:
908:. No. 23. Doll. p. 36.
808:(credited as "Yuhichi Hirasawa")
676:Hirasawa, Akiro "Kamio" Arishima
129:1984 studio album by P-Model
31:
1014:Music Industrial Wastes Rev.2.4
756:– Vocals, Guitar, Synthesizer,
42:needs additional citations for
1269:1980s Japanese-language albums
527:
1:
771:Shunichi Miura – Synthesizers
339:is an album by the Japanese
165:September 25, 1984
720:
439:
366:, the lyric story expanded
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726:, credited to "Furufucchi"
517:All tracks are written by
1167:Electronic Tragedy: Enola
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906:Super Head Magazine Doll
710:for a "Song of Horohomo"
662:Hirasawa, Shunichi Miura
360:rapid eye movement sleep
955:, 群体プシコイド変遷記 — 田井中貞利 .
745:P-Model – Production,
239:JICC Publishing Bureau
994:, 群体プシコイド変遷記 — 菊池達也 .
979:, 群体プシコイド変遷記 — 横川理彦 .
18:Scuba (P-Model album)
1010:改訂DIGITAL復刻版 音楽産業廃棄物
940:Sony Magazines Annex
776:Additional personnel
636:"Looping Opposition"
521:, except where noted
51:improve this article
876:100% Rhythm Machine
583:"Seven Joint Man" (
936:Pico Entertainment
443:, Treasure Island)
66:"Scuba" album
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703:
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642:(intro), Hirasawa
494:Tadahiko Yokogawa
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304:Alternative cover
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16:(Redirected from
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938:. Vol. 2.
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679:Hirasawa, Kamio
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1024:External links
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992:高橋 et al. 2010
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942:. p. 136.
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549:"Frozen Beach"
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1079:Studio albums
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1031:Scuba (album)
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512:Track listing
511:
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447:cassette book
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397:Tokuma Shoten
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349:cassette book
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68: –
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62:Find sources:
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52:
46:
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40:This article
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34:
29:
28:
19:
1208:
1200:
1192:
1186:Other albums
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1125:
1119:Another Game
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1001:Bibliography
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884:
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871:
865:
850:
824:Teruo Nakano
812:Art director
785:Michiro Endo
758:Drum machine
747:Arrangements
705:
693:instrumental
640:Michiro Endo
611:"Ohayo II" (
591:
516:
505:
490:After Dinner
465:Korg Polysix
462:
460:censorship.
417:
415:
392:Another Game
390:
388:
379:Michiro Endo
367:
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285:
277:
276:
269:Another Game
267:
150:Studio album
113:
107:January 2017
104:
94:
87:
80:
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61:
49:Please help
44:verification
41:
1259:1984 albums
1135:One Pattern
1111:Perspective
872:100％リズム・マシン
827: [
768:, book text
766:Programming
708:sheet music
673:"Fish Song"
656:"REM Sleep"
497: [
482: [
450: [
424: [
352: [
1253:Categories
921:KB Special
838:References
789:The Stalin
440:Takarajima
419:WonderLand
375:The Stalin
370:Monogatari
258:chronology
169:1984-09-25
77:newspapers
1103:Potpourri
843:Citations
740:Personnel
399:, leader
377:vocalist
188:AC Unit,
1228:Mandrake
1151:Big Body
1127:Karkador
1095:Landsale
408:有島 神尾 明朗
385:Overview
364:hypnosis
341:new wave
287:Karkador
246:Producer
211:synthpop
207:New wave
177:Recorded
162:Released
152: by
1221:Related
1143:P-Model
1072:P-Model
1036:Discogs
762:Sampler
715:ホロホモーの歌
690:"Scuba"
615:オハヨウ II
492:member
421:
345:P-Model
291:(1985)
282:(1984)
273:(1984)
256:P-Model
250:P-Model
196:, Tokyo
190:Akasaka
167: (
155:P-Model
91:scholar
1213:(1994)
1205:(1994)
1197:(1984)
1178:(1999)
1170:(1997)
1162:(1995)
1154:(1993)
1146:(1992)
1138:(1986)
1130:(1985)
1122:(1984)
1114:(1982)
1106:(1981)
1098:(1980)
1090:(1979)
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597:
572:
569:
566:"Boat"
555:
552:
541:Length
535:Lyrics
368:Scuba
217:Length
194:Minato
185:Studio
93:
86:
79:
72:
64:
1202:Pause
1194:Scuba
1012:[
874:[
831:]
731:フルフッチ
538:Music
532:Title
506:Scuba
501:]
486:]
454:]
428:]
356:]
343:band
336:Scuba
278:Scuba
234:Label
202:Genre
135:Scuba
98:JSTOR
84:books
1233:Shun
1159:Fune
855:ISBN
699:1:12
682:4:39
665:4:31
648:4:10
628:4:31
603:4:11
575:4:16
558:4:24
472:広瀬 充
362:and
180:1984
70:news
1034:at
764:,
587:七節男
528:No.
479:4-D
53:by
1255::
984:^
896:^
829:ja
810:–
760:,
718:,
687:8.
670:7.
653:6.
633:5.
608:4.
580:3.
563:2.
546:1.
499:ja
484:ja
452:ja
437:,
434:宝島
426:ja
381:.
354:ja
226:35
222:31
209:,
192:,
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95:·
88:·
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20:)
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