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Played out on Fly Davis's terrific design, which conjures the imprisoning daily grind of factory life, Wils Wilson's murky staging never makes 19th-century poverty look pretty. When it rains, the puddles are tinged with rusty blood. Even in their sleep these exhausted workers are endlessly doomed to
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repeat the physical actions of the mills where they toil. No wonder they long to make their mark outside on the streets where even the faceless nobody of the mill, just a cog in the industrial process, can become a somebody if they prove themselves tough enough to be in a gang.
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