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before touring
Chongqing, Hong Kong, and Shanghai, among other cities. Lai used the occasion to challenge the mainland theater world. He said that when he originally produced it under martial law in Taiwan, the play was taboo. "With the opening up of China", he went on, "I thought there'd be so many great playwrights and directors. Where are they?"
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This play was first performed on March 3, 1986. In these twenty years, the play has been adapted to a movie and revised thrice: the first revision was in 1999, the second was in
September 2006, and the third was in April 2015. Each performance has its own specificity. The first performance addressed
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In 2007 Lai and his troupe took the play to the mainland. Up until then the play had been performed widely and video recordings circulated freely, but only in unauthorized versions. The 2007 production received massive attention in the media and played several dozen sold-out performances in
Beijing
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the creation of style of modern play, the first revision in 1999 included some young performers and implied the translation between two generations of performer. The second revision in 2006 involved a famous
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based on a classical poem. The problem is, both these plays have to perform in two days. Since they have only one stage for their rehearsals, issues and conflicts follow.
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This play starts with two drama troupes arranged to have a rehearsal at the same time by mistake; one of the workshops is playing the early-modern tragedy
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creates a unique experience of stage play by mixing up the costume and modern, sorrow and delight.
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and some of the actors from the stage version of the play, such as
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Transnational
Chinese cinemas: identity, nationhood, gender
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19:For the 1992 film, see
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