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actors: but there are flaws which indicate an uncertainty of level. ... The atmosphere is beautifully furthered by the décor – the hideously oppressive living-room, the ancient gramophone scratchily playing a haunting
Mendelssohn song, the glaring whiteness of the bedroom disguised as a hospital, the polished gloom of the seance chamber, the discreetly overgrown garden. ... Still, it isn't often that the British cinema offers a thriller which is so consistently intelligent and exciting; which contains one genuinely superb performance (Kim Stanley) likely to figure in many a ten-best list, and another (Attenborough) almost as good; and which provides dialogue which unerringly illuminates the dangerous areas between private fantasy and public madness."
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psychic abilities to the police in helping them find her. Although they ask for a £25,000 ransom, they plan to return the money with the girl after Myra has become famous for helping find her. Myra visits the
Claytons, stating that she is a professional medium and claiming that she had a dream involving their daughter; Clayton is dismissive but his wife believes that Myra may know something. Mrs Clayton then comes to one of Myra's seances.
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Myra's plan goes awry as her unsteady mental health begins to fray. Believing that her dead son Arthur wants Amanda to be with him, she tells Billy to kill her; he wants to refuse, realising that his wife is completely unhinged, but he seems to lack the will power to resist her. He takes Amanda into the woods and places her under a tree; it is not clear if she is dead or just sedated.
486:. Attenborough later was quoted as stating that Stanley was the best choice, noting that the "complexity of dramatic impression vital to the credibility of Myra was hard to find. Also an intellectual ability to follow and understand the character. I didn’t believe Simone (Signoret) could convey, as Kim did, the otherworldliness which this woman inhabited in her private fantasies."
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After Billy hides Amanda, anticipating (correctly) the police coming to the house to investigate, he collects the ransom money, burying it in their garden before taking Amanda back to their house, but she has a high temperature and Billy wants to get a doctor, which Myra violently disagrees with.
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When the police ask Myra to conduct a séance to help them find the missing girl – as she had hoped they would – she breaks down during the séance and reveals, as if in a psychic trance, what she and Billy have done. As the trance continues, she senses that the girl was not killed. Billy tells the
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At Myra's insistence, Billy kidnaps Amanda, the young daughter of a wealthy couple, Mr and Mrs
Clayton, confining her in a room in the Savage home, whilst Myra impersonates a nurse to deceive the girl into believing she is hospitalised. Myra insists she is "borrowing" the girl to demonstrate her
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are the performances of Kim
Stanley and Richard Attenborough and Bryan Forbes' script, this is not to decry Forbes' direction. In fact he does an excellent job, and no doubt the perfectly modulated acting (no hysteria, no Look It's My Mad Scene) is largely due to his sympathetic handling of the
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police where he hid the ransom money and reveals that he left Amanda unconscious where she would be found by scouts who were camping nearby, which the police already know, confirming that she is all right.
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and cowed by Myra's domineering personality, assists in her séances. Myra's life and psychic work are dominated by her relationship with the spirit of her son Arthur, who died at birth.
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stated "it isn’t often you see a melodrama that sends you forth with a lump in your throat, as well as a set of muscles weary from being tense for nigh two hours."
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Attenborough then contacted Kim Stanley, an American theatre and television actress whose previous film work was limited to starring in the 1958 feature
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who convinces her husband to kidnap a child so she can help the police solve the crime and achieve renown for her abilities. Kim
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Directions: Basil Dearden and Postwar British Film Culture
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in her home. Her husband Billy, unable to work because of
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dubbed it "compassionate, intelligent and absorbing."
1080:"The 37th Academy Awards (1965) Nominees and Winners"
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1034:(360): 103. 1 January 1964 – via ProQuest.
853:based on the film, created by Broadway composer
1477:Films and television featuring Greyhound racing
827:was remade in 2000 as the Japanese horror film
543:wrote: "If one says that the best things about
1186:Paul Wells, Alan Burton & Tim O'Sullivan.
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695:Best British Cinematography – Black and White
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557:called the film "superbly atmospheric", and
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895:British Film Institute Collections Search
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1046:Female Brando: The Legend of Kim Stanley
953:Female Brando: The Legend of Kim Stanley
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461:Female Brando: The Legend of Kim Stanley
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518:. The film's sets were designed by the
30:For the opera by Stephen Schwartz, see
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1492:Films with screenplays by Bryan Forbes
803:Writers' Guild of Great Britain Awards
459:According to Jon Krampner's biography
1542:English-language crime thriller films
1502:Films scored by John Barry (composer)
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1452:British psychological thriller films
1069:Wells, Burton & O'Sullivan p.207
402:Maria Kazan as woman at first séance
770:New York Film Critics Circle Awards
1537:English-language crime drama films
1437:1960s psychological thriller films
1000:"Seance on a Wet Afternoon (1964)"
591:(1962) – caused the demise of the
321:Myra Savage is a medium who holds
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807:Best British Dramatic Screenplay
32:Séance on a Wet Afternoon (opera)
27:1964 British film by Bryan Forbes
730:Top Female Dramatic Performance
498:and at various locations around
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978:"Location #2: Run down stadium"
742:National Board of Review Awards
426:Hajni Biro as maid at Clayton's
387:Judith Donner as Amanda Clayton
1512:Films shot at Pinewood Studios
1487:Films directed by Bryan Forbes
423:as policeman outside Clayton's
311:Academy Award for Best Actress
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1482:Films based on British novels
1442:British black-and-white films
1447:British crime thriller films
1427:1960s English-language films
1117:"Writers' Guild Awards 1964"
384:as Detective Sergeant Beedle
1462:Films about child abduction
1022:"Séance on a Wet Afternoon"
891:"Séance on a Wet Afternoon"
641:British Academy Film Awards
417:as Mrs. Clayton's chauffeur
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880:, Stein and Day, 1974 p247
514:stations and the derelict
313:for her role in the film.
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1472:Films adapted into operas
1457:Edgar Award-winning works
1298:Séance on a Wet Afternoon
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1213:Séance on a Wet Afternoon
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545:Seance on a Wet Afternoon
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432:as Mr Clayton's secretary
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213:5 November 1964
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1362:The Slipper and the Rose
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399:as woman at first séance
393:as woman at first séance
680:Best British Screenplay
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378:as Superintendent Walsh
189:Artixo Productions (US)
1522:Greyhound racing films
1422:1964 crime drama films
1386:Better Late Than Never
851:opera of the same name
710:Edgar Allan Poe Awards
599:Awards and nominations
202:20 June 1964
1282:Whistle Down the Wind
1190:. Flicks Books, 1997.
1104:Film Nominations 1964
794:Richard Attenborough
494:The film was shot at
483:To Kill a Mockingbird
1517:Films shot in London
1370:International Velvet
1106:from BAFTA's website
1052:, pp. 226–227.
980:. The Movie District
661:Richard Attenborough
646:Best Foreign Actress
560:The Sunday Telegraph
358:Richard Attenborough
291:Richard Attenborough
114:Richard Attenborough
95:Richard Attenborough
1527:1960s British films
1507:Films set in London
920:7 June 2011 at the
1354:The Stepford Wives
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878:Hollywood, England
876:Alexander Walker,
714:Best Foreign Film
656:Best British Actor
593:Allied Film Makers
579:The New York Times
512:London Underground
372:as Charles Clayton
281:film, directed by
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266:£195,688 (by 1971)
174:Allied Film Makers
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761:Kim Stanley
757:Best Actress
733:Kim Stanley
700:Gerry Turpin
685:Bryan Forbes
665:
626:Best Actress
586:
584:
577:
573:
567:
565:
558:
552:
550:
544:
538:
537:
520:art director
493:
481:
475:
473:
465:Deborah Kerr
460:
458:
421:Ronald Hines
339:
335:
331:
320:
283:Bryan Forbes
273:
272:
271:
230:Running time
141:Gerry Turpin
98:Bryan Forbes
80:
72:Bryan Forbes
63:Bryan Forbes
36:
751:10th Place
631:Kim Stanley
612:Nominee(s)
477:The Goddess
397:Marie Burke
352:Kim Stanley
287:Kim Stanley
234:115 minutes
110:Kim Stanley
91:Produced by
59:Directed by
1417:1964 films
1411:Categories
1165:Tied with
1084:oscars.org
861:References
790:Best Actor
736:Nominated
704:Nominated
689:Nominated
664:(also for
650:Nominated
635:Nominated
510:, several
502:including
450:Production
382:Gerald Sim
263:Box office
217:1964-11-05
206:1964-06-20
166:Production
159:John Barry
150:Derek York
84:1961 novel
1143:Home page
1089:24 August
984:5 January
900:17 August
609:Category
595:company.
551:London's
534:Reception
508:Wimbledon
370:Mark Eden
299:Mark Eden
221: (US)
210: (UK)
147:Edited by
123:Mark Eden
1330:Deadfall
1306:King Rat
1218:AllMovie
930:, London
927:Time Out
918:Archived
835:Japanese
523:Ray Simm
490:Shooting
258:£139,000
247:Language
155:Music by
103:Starring
77:Based on
1532:Séances
1227:at the
1128:17 July
820:Remakes
615:Result
572:called
529:Release
455:Casting
323:séances
250:English
239:Country
215: (
204: (
168:company
1397:(1984)
1389:(1983)
1381:(1980)
1373:(1978)
1365:(1976)
1357:(1975)
1349:(1971)
1341:(1969)
1333:(1968)
1325:(1967)
1317:(1966)
1309:(1965)
1301:(1964)
1293:(1962)
1285:(1961)
1056:
963:
915:Review
830:Seance
606:Award
500:London
327:asthma
307:medium
255:Budget
849:. An
843:Kōrei
1207:IMDb
1169:for
1130:2021
1091:2011
1054:ISBN
986:2021
961:ISBN
902:2024
813:Won
797:Won
779:Won
764:Won
720:Won
674:Won
566:The
467:and
345:Cast
317:Plot
301:and
187:(UK)
1231:'s
1229:BFI
1216:at
1205:at
1004:BFI
1413::
1119:.
1082:.
1048:.
1032:31
1030:.
1024:.
1002:.
955:.
924:,
893:.
869:^
841:,
839:降霊
837::
525:.
506:,
297:,
293:,
289:,
1261:e
1254:t
1247:v
1173:.
1132:.
1093:.
1060:.
988:.
967:.
904:.
833:(
670:)
219:)
208:)
34:.
20:)
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