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41:. Sherer probably started studying with Eberlin at the same time, later married his daughter and in 1671 succeeded him as organist of the cathedral. Sources disagree on whether Scherer was later appointed organist or simply organ consultant at
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132:(imitative). The second part contains eight toccatas, all of which are sectional pieces that make heavy use of pedal point and contain much imitative counterpoint as well as free writing.
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Scherer's surviving works are few, as is typical for the era. They include a collection of sacred
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settings) somewhat notable for its imaginative word-setting in some of the pieces, fourteen
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Other works include sacred and secular vocal music; and there is evidence that a set of
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published as one volume in 1680, all of considerable quality, and a two-part volume of
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Ornamentation in
Baroque and Post-Baroque Music: With Special Emphasis on J. S. Bach
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Jubilate Deo, O quam mirabilis (vocal works in manuscript sources)
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22:(3 October 1631 – 26 August 1712) was a German composer and
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Scherer represented. The first part, written out entirely in
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was published in
Augsburg, but those pieces are lost.
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Organists and composers in the South German tradition
154:, Op. 1 (Ulm, 1657). For 3-5 voices and instruments.
166:(Ulm, 1664). Secular vocal music for 5 voices and
158:Operum musicorum secundum, distinctum in libros 2
272:Beechey, Gwilym. "Scherer, Sebastian Anton",
152:Musica sacra (...) missae, psalmi, et motetti
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102:and contains 32 short versets, four for each
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318:International Music Score Library Project
176:, Op. 3 (Ulm, 1680). Trio sonatas for 2
80:music. This latter publication exhibits
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267:The History of Keyboard Music to 1700
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389:18th-century German male musicians
247:Problems playing these files? See
99:Intonationes breves per octo Tonos
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160:, Op. 2 (Ulm, 1664). Organ music.
374:18th-century classical composers
294:Archives des maîtres de l’orgue,
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84:influence, particularly that of
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379:German male classical composers
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116:-like, with extensive use of
88:, which was typical for the
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106:, so that each mode has an
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359:German classical organists
369:18th-century keyboardists
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303:(Princeton, New Jersey)
20:Sebastian Anton Scherer
314:Free scores by Scherer
269:(Bloomington, Indiana)
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164:Traur- und Klaggesan
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184:and basso continuo.
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263:Apel, Willi
118:pedal point
104:church mode
86:Frescobaldi
58:vocal music
39:Ulm Münster
328:Categories
257:References
249:media help
51:Strasbourg
43:St. Thomas
94:tablature
292:(1907),
24:organist
320:(IMSLP)
316:at the
178:violins
174:Sonatae
122:secunda
114:toccata
82:Italian
28:Baroque
26:of the
140:suites
130:quarta
126:tertia
62:motets
192:Media
78:organ
70:psalm
49:) in
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288:and
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